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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #423148 it is the complementary color #BDCEB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #423148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #423148 shade: #473143, #584356, #695569, #7A677C and #8B798F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #423148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #423148 shade: #423148, #311F35, #200D22 and #0F000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #423148 shade: #423148, #483148, #483142, #48313C and #483135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #423148 shade: #423148, #3C3148, #363148 and #313148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #423148 shade matches the following richer shades: #423148, #472752, #4C1D5C, #501366 and #550970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #423148 shade: #423148, #3E3B3E, #394535, #344F2B and #2F5921

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #423148 shade: #363148, #3C3148, #423148, #483148 and #483142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #423148 shade: #151017, #2C2030, #423148, #594261 and #6F5279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #423148 shade: #423148, #483133 and #314839

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #423148 shade: #423148, #484231 and #314842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #423148 shade: #423148, #483133, #374831 and #314847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #423148 shade: #423148, #483631, #374831 and #314348

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

Complementary color

CMYK 8 / 0 / 11 / 19

HEX #BDCEB7

RGB 189 206 183

HSL 104.35, 0.19%, 0.76%

LAB 80.95, -9.99, 9.48

 

CMYK 0 / 31 / 6 / 72

HEX #473143

RGB 71 49 67

HSL 310.91, 0.18%, 0.24%

LAB 23.48, 13.49, -7.29

 

CMYK 0 / 24 / 2 / 65

HEX #584356

RGB 88 67 86

HSL 305.71, 0.14%, 0.3%

LAB 31.26, 12.76, -7.86

 

CMYK 0 / 19 / 0 / 59

HEX #695569

RGB 105 85 105

HSL 300, 0.11%, 0.37%

LAB 38.76, 12.15, -8.38

 

CMYK 2 / 17 / 0 / 51

HEX #7A677C

RGB 122 103 124

HSL 294.29, 0.09%, 0.45%

LAB 46.03, 11.62, -8.87

 

CMYK 3 / 15 / 0 / 44

HEX #8B798F

RGB 139 121 143

HSL 289.09, 0.09%, 0.52%

LAB 53.11, 11.15, -9.35

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 8 / 42 / 0 / 79

HEX #311F35

RGB 49 31 53

HSL 289.09, 0.26%, 0.16%

LAB 14.9, 13.49, -10.96

 

CMYK 6 / 62 / 0 / 87

HEX #200D22

RGB 32 13 34

HSL 294.29, 0.45%, 0.09%

LAB 6.42, 13.96, -10.3

 

CMYK 0 / 100 / 0 / 94

HEX #0F000F

RGB 15 0 15

HSL 300, 1%, 0.03%

LAB 1.23, 6.31, -4.51

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 32 / 0 / 72

HEX #483148

RGB 72 49 72

HSL 300, 0.19%, 0.24%

LAB 23.81, 15, -10.13

 

CMYK 0 / 32 / 8 / 72

HEX #483142

RGB 72 49 66

HSL 315.65, 0.19%, 0.24%

LAB 23.56, 13.69, -6.47

 

CMYK 0 / 32 / 17 / 72

HEX #48313C

RGB 72 49 60

HSL 331.3, 0.19%, 0.24%

LAB 23.34, 12.46, -2.76

 

CMYK 0 / 32 / 26 / 72

HEX #483135

RGB 72 49 53

HSL 349.57, 0.19%, 0.24%

LAB 23.11, 11.15, 1.64

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 17 / 32 / 0 / 72

HEX #3C3148

RGB 60 49 72

HSL 268.7, 0.19%, 0.24%

LAB 22.39, 10.32, -12.42

 

CMYK 25 / 32 / 0 / 72

HEX #363148

RGB 54 49 72

HSL 253.04, 0.19%, 0.24%

LAB 21.76, 8.06, -13.45

 

CMYK 32 / 32 / 0 / 72

HEX #313148

RGB 49 49 72

HSL 240, 0.19%, 0.24%

LAB 21.27, 6.23, -14.24

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 13 / 52 / 0 / 68

HEX #472752

RGB 71 39 82

HSL 284.65, 0.36%, 0.24%

LAB 21.58, 23.44, -20.29

 

CMYK 17 / 68 / 0 / 64

HEX #4C1D5C

RGB 76 29 92

HSL 284.76, 0.52%, 0.24%

LAB 20.78, 33.1, -28.18

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 24 / 92 / 0 / 56

HEX #550970

RGB 85 9 112

HSL 284.27, 0.85%, 0.24%

LAB 21.19, 46.93, -40.54

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 5 / 0 / 76

HEX #3E3B3E

RGB 62 59 62

HSL 300, 0.02%, 0.24%

LAB 25.26, 1.96, -1.39

 

CMYK 17 / 0 / 23 / 73

HEX #394535

RGB 57 69 53

HSL 105, 0.13%, 0.24%

LAB 27.8, -8.47, 8.09

 

CMYK 34 / 0 / 46 / 69

HEX #344F2B

RGB 52 79 43

HSL 105, 0.3%, 0.24%

LAB 30.63, -18.15, 18.08

 

CMYK 47 / 0 / 63 / 65

HEX #2F5921

RGB 47 89 33

HSL 105, 0.46%, 0.24%

LAB 33.69, -26.58, 27.41

 

CMYK 25 / 32 / 0 / 72

HEX #363148

RGB 54 49 72

HSL 253.04, 0.19%, 0.24%

LAB 21.76, 8.06, -13.45

 

CMYK 17 / 32 / 0 / 72

HEX #3C3148

RGB 60 49 72

HSL 268.7, 0.19%, 0.24%

LAB 22.39, 10.32, -12.42

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 32 / 0 / 72

HEX #483148

RGB 72 49 72

HSL 300, 0.19%, 0.24%

LAB 23.81, 15, -10.13

 

CMYK 0 / 32 / 8 / 72

HEX #483142

RGB 72 49 66

HSL 315.65, 0.19%, 0.24%

LAB 23.56, 13.69, -6.47

 

CMYK 9 / 30 / 0 / 91

HEX #151017

RGB 21 16 23

HSL 282.86, 0.18%, 0.08%

LAB 5.35, 3.55, -3.52

 

CMYK 8 / 33 / 0 / 81

HEX #2C2030

RGB 44 32 48

HSL 285, 0.2%, 0.16%

LAB 14.3, 9.45, -8.37

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 8 / 32 / 0 / 62

HEX #594261

RGB 89 66 97

HSL 284.52, 0.19%, 0.32%

LAB 31.54, 16.25, -14.47

 

CMYK 8 / 32 / 0 / 53

HEX #6F5279

RGB 111 82 121

HSL 284.62, 0.19%, 0.4%

LAB 39.23, 19.7, -17.48

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 32 / 29 / 72

HEX #483133

RGB 72 49 51

HSL 354.78, 0.19%, 0.24%

LAB 23.04, 10.8, 2.9

 

CMYK 32 / 0 / 21 / 72

HEX #314839

RGB 49 72 57

HSL 140.87, 0.19%, 0.24%

LAB 28.34, -12.63, 6.18

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 8 / 32 / 72

HEX #484231

RGB 72 66 49

HSL 44.35, 0.19%, 0.24%

LAB 28.1, -0.59, 11.3

 

CMYK 32 / 0 / 8 / 72

HEX #314842

RGB 49 72 66

HSL 164.35, 0.19%, 0.24%

LAB 28.59, -10.43, 0.73

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 32 / 29 / 72

HEX #483133

RGB 72 49 51

HSL 354.78, 0.19%, 0.24%

LAB 23.04, 10.8, 2.9

 

CMYK 24 / 0 / 32 / 72

HEX #374831

RGB 55 72 49

HSL 104.35, 0.19%, 0.24%

LAB 28.56, -11.9, 11.67

 

CMYK 32 / 0 / 1 / 72

HEX #314847

RGB 49 72 71

HSL 177.39, 0.19%, 0.24%

LAB 28.75, -9.1, -2.27

 

CMYK 8 / 32 / 0 / 72

HEX #423148

RGB 66 49 72

HSL 284.35, 0.19%, 0.24%

LAB 23.08, 12.65, -11.31

 

CMYK 0 / 25 / 32 / 72

HEX #483631

RGB 72 54 49

HSL 13.04, 0.19%, 0.24%

LAB 24.44, 7.18, 6.23

 

CMYK 24 / 0 / 32 / 72

HEX #374831

RGB 55 72 49

HSL 104.35, 0.19%, 0.24%

LAB 28.56, -11.9, 11.67

 

CMYK 32 / 7 / 0 / 72

HEX #314348

RGB 49 67 72

HSL 193.04, 0.19%, 0.24%

LAB 27.12, -5.73, -5.35

 

Description

Color code: HEX #423148 | qconv.com Color code: HEX #423148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 49 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 49 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 32 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 32% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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