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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41F0A2 it is the complementary color #BE0F5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41F0A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41F0A2 shade: #46F09D, #57FFB0, #68FFC3, #79FFD6 and #8AFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41F0A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41F0A2 shade: #41F0A2, #30DE8F, #1FCC7C, #0EBA69 and #00A856

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41F0A2 shade: #42EFA2, #42EF73, #42EF44, #6EEF42 and #9DEF42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41F0A2 shade: #42EFA2, #42EFD1, #42DFEF, #42B0EF and #4281EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41F0A2 shade matches the following richer shades: #42EFA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41F0A2 shade: #42EFA2, #52DFA0, #63CE9E, #73BE9D and #84AD9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41F0A2 shade: #42EF45, #42EF73, #42EFA1, #42EFCF and #42E1EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41F0A2 shade: #10CE7A, #1CEC8F, #42EFA2, #68F2B5 and #8EF5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41F0A2 shade: #41F0A2, #426DEF and #EF5C42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41F0A2 shade: #41F0A2, #A142EF and #EFA142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41F0A2 shade: #41F0A2, #426DEF, #EF4290 and #EFC442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41F0A2 shade: #41F0A2, #4A42EF, #EF4290 and #E7EF42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

Complementary color

CMYK 0 / 92 / 51 / 25

HEX #BE0F5D

RGB 190 15 93

HSL 333.26, 0.85%, 0.4%

LAB 41.34, 66.13, 4.45

 

CMYK 71 / 0 / 35 / 6

HEX #46F09D

RGB 70 240 157

HSL 150.71, 0.85%, 0.61%

LAB 85.03, -61.47, 27.96

 

CMYK 66 / 0 / 31 / 0

HEX #57FFB0

RGB 87 255 176

HSL 151.79, 1%, 0.67%

LAB 90.17, -60.79, 25.37

 

CMYK 59 / 0 / 24 / 0

HEX #68FFC3

RGB 104 255 195

HSL 156.16, 1%, 0.7%

LAB 90.96, -53.9, 16.83

 

CMYK 53 / 0 / 16 / 0

HEX #79FFD6

RGB 121 255 214

HSL 161.64, 1%, 0.74%

LAB 91.88, -46.38, 8.43

 

CMYK 46 / 0 / 9 / 0

HEX #8AFFE9

RGB 138 255 233

HSL 168.72, 1%, 0.77%

LAB 92.93, -38.36, 0.21

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

CMYK 78 / 0 / 36 / 13

HEX #30DE8F

RGB 48 222 143

HSL 152.76, 0.73%, 0.53%

LAB 78.96, -60.39, 26.88

 

CMYK 85 / 0 / 39 / 20

HEX #1FCC7C

RGB 31 204 124

HSL 152.25, 0.74%, 0.46%

LAB 72.85, -59.24, 28.5

 

CMYK 92 / 0 / 44 / 27

HEX #0EBA69

RGB 14 186 105

HSL 151.74, 0.86%, 0.39%

LAB 66.7, -57.62, 30.25

 

CMYK 100 / 0 / 49 / 34

HEX #00A856

RGB 0 168 86

HSL 150.71, 1%, 0.33%

LAB 60.5, -55.48, 32.13

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA2

RGB 66 239 162

HSL 153.29, 0.84%, 0.6%

LAB 84.74, -60.68, 25.01

 

CMYK 72 / 0 / 52 / 6

HEX #42EF73

RGB 66 239 115

HSL 136.99, 0.84%, 0.6%

LAB 84.03, -68.72, 47.3

 

CMYK 72 / 0 / 72 / 6

HEX #42EF44

RGB 66 239 68

HSL 120.69, 0.84%, 0.6%

LAB 83.6, -73.85, 66.44

 

CMYK 54 / 0 / 72 / 6

HEX #6EEF42

RGB 110 239 66

HSL 104.74, 0.84%, 0.6%

LAB 84.71, -64.85, 68.61

 

CMYK 34 / 0 / 72 / 6

HEX #9DEF42

RGB 157 239 66

HSL 88.44, 0.84%, 0.6%

LAB 86.65, -50.59, 71.18

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA2

RGB 66 239 162

HSL 153.29, 0.84%, 0.6%

LAB 84.74, -60.68, 25.01

 

CMYK 72 / 0 / 13 / 6

HEX #42EFD1

RGB 66 239 209

HSL 169.6, 0.84%, 0.6%

LAB 85.75, -49.99, 2.01

 

CMYK 72 / 7 / 0 / 6

HEX #42DFEF

RGB 66 223 239

HSL 185.55, 0.84%, 0.6%

LAB 81.93, -34.69, -19.51

 

CMYK 72 / 26 / 0 / 6

HEX #42B0EF

RGB 66 176 239

HSL 201.85, 0.84%, 0.6%

LAB 68.34, -10.89, -40.4

 

CMYK 72 / 46 / 0 / 6

HEX #4281EF

RGB 66 129 239

HSL 218.15, 0.84%, 0.6%

LAB 55.17, 16.48, -61.29

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA2

RGB 66 239 162

HSL 153.29, 0.84%, 0.6%

LAB 84.74, -60.68, 25.01

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA2

RGB 66 239 162

HSL 153.29, 0.84%, 0.6%

LAB 84.74, -60.68, 25.01

 

CMYK 63 / 0 / 28 / 13

HEX #52DFA0

RGB 82 223 160

HSL 153.19, 0.69%, 0.6%

LAB 80.24, -52.35, 19.91

 

CMYK 52 / 0 / 23 / 19

HEX #63CE9E

RGB 99 206 158

HSL 153.08, 0.52%, 0.6%

LAB 75.62, -42.1, 14.6

 

CMYK 39 / 0 / 17 / 25

HEX #73BE9D

RGB 115 190 157

HSL 153.6, 0.37%, 0.6%

LAB 71.49, -30.85, 9.4

 

CMYK 24 / 0 / 10 / 32

HEX #84AD9B

RGB 132 173 155

HSL 153.66, 0.2%, 0.6%

LAB 67.4, -17.62, 4.75

 

CMYK 72 / 0 / 71 / 6

HEX #42EF45

RGB 66 239 69

HSL 121.04, 0.84%, 0.6%

LAB 83.61, -73.77, 66.09

 

CMYK 72 / 0 / 52 / 6

HEX #42EF73

RGB 66 239 115

HSL 136.99, 0.84%, 0.6%

LAB 84.03, -68.72, 47.3

 

CMYK 72 / 0 / 33 / 6

HEX #42EFA1

RGB 66 239 161

HSL 152.95, 0.84%, 0.6%

LAB 84.72, -60.88, 25.49

 

CMYK 72 / 0 / 13 / 6

HEX #42EFCF

RGB 66 239 207

HSL 168.9, 0.84%, 0.6%

LAB 85.7, -50.49, 2.98

 

CMYK 72 / 6 / 0 / 6

HEX #42E1EF

RGB 66 225 239

HSL 184.86, 0.84%, 0.6%

LAB 82.51, -35.62, -18.63

 

CMYK 92 / 0 / 41 / 19

HEX #10CE7A

RGB 16 206 122

HSL 153.47, 0.86%, 0.44%

LAB 73.32, -61.28, 30.14

 

CMYK 88 / 0 / 39 / 7

HEX #1CEC8F

RGB 28 236 143

HSL 153.17, 0.85%, 0.52%

LAB 83.03, -67.01, 32.28

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA2

RGB 66 239 162

HSL 153.29, 0.84%, 0.6%

LAB 84.74, -60.68, 25.01

 

CMYK 57 / 0 / 25 / 5

HEX #68F2B5

RGB 104 242 181

HSL 153.48, 0.84%, 0.68%

LAB 86.89, -51.5, 18.34

 

CMYK 42 / 0 / 19 / 4

HEX #8EF5C7

RGB 142 245 199

HSL 153.2, 0.84%, 0.76%

LAB 89.48, -40.23, 12.86

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

CMYK 72 / 54 / 0 / 6

HEX #426DEF

RGB 66 109 239

HSL 225.09, 0.84%, 0.6%

LAB 49.89, 28.89, -69.8

 

CMYK 0 / 62 / 72 / 6

HEX #EF5C42

RGB 239 92 66

HSL 9.02, 0.84%, 0.6%

LAB 58.41, 55.21, 44.12

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

CMYK 33 / 72 / 0 / 6

HEX #A142EF

RGB 161 66 239

HSL 272.95, 0.84%, 0.6%

LAB 49.14, 67.89, -70.67

 

CMYK 0 / 33 / 72 / 6

HEX #EFA142

RGB 239 161 66

HSL 32.95, 0.84%, 0.6%

LAB 72.38, 20.83, 58.98

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

CMYK 72 / 54 / 0 / 6

HEX #426DEF

RGB 66 109 239

HSL 225.09, 0.84%, 0.6%

LAB 49.89, 28.89, -69.8

 

CMYK 0 / 72 / 40 / 6

HEX #EF4290

RGB 239 66 144

HSL 332.95, 0.84%, 0.6%

LAB 56.35, 70.74, -3.68

 

CMYK 0 / 18 / 72 / 6

HEX #EFC442

RGB 239 196 66

HSL 45.09, 0.84%, 0.6%

LAB 80.86, 2.45, 67.46

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A2

RGB 65 240 162

HSL 153.26, 0.85%, 0.6%

LAB 85.02, -61.18, 25.39

 

CMYK 69 / 72 / 0 / 6

HEX #4A42EF

RGB 74 66 239

HSL 242.77, 0.84%, 0.6%

LAB 40.55, 55.39, -85.07

 

CMYK 0 / 72 / 40 / 6

HEX #EF4290

RGB 239 66 144

HSL 332.95, 0.84%, 0.6%

LAB 56.35, 70.74, -3.68

 

CMYK 3 / 0 / 72 / 6

HEX #E7EF42

RGB 231 239 66

HSL 62.77, 0.84%, 0.6%

LAB 91.29, -22.37, 77.26

 

Description

Color code: HEX #41F0A2 | qconv.com Color code: HEX #41F0A2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 240 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 240 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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