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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41F045 it is the complementary color #BE0FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41F045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41F045 shade: #46F040, #57FF53, #68FF66, #79FF79 and #8AFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41F045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41F045 shade: #41F045, #30DE32, #1FCC1F, #0EBA0C and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41F045 shade: #42EF46, #6DEF42, #9BEF42, #CAEF42 and #EFE642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41F045 shade: #42EF46, #42EF75, #42EFA3, #42EFD2 and #42DEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41F045 shade matches the following richer shades: #42EF46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41F045 shade: #42EF46, #52DF56, #63CE65, #73BE75 and #84AD85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41F045 shade: #9BEF42, #6DEF42, #42EF45, #42EF73 and #42EFA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41F045 shade: #10CE15, #1CEC20, #42EF46, #68F26B and #8EF590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41F045 shade: #41F045, #42CAEF and #EF4284

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41F045 shade: #41F045, #4542EF and #EF4542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41F045 shade: #41F045, #42CAEF, #EF42EC and #EF6742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41F045 shade: #41F045, #4296EF, #EF42EC and #EF9B42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

Complementary color

CMYK 0 / 92 / 2 / 25

HEX #BE0FBA

RGB 190 15 186

HSL 301.37, 0.85%, 0.4%

LAB 45.41, 76.77, -46.05

 

CMYK 71 / 0 / 73 / 6

HEX #46F040

RGB 70 240 64

HSL 117.95, 0.85%, 0.6%

LAB 83.96, -73.82, 68.19

 

CMYK 66 / 0 / 67 / 0

HEX #57FF53

RGB 87 255 83

HSL 118.6, 1%, 0.66%

LAB 89, -74.04, 66.74

 

CMYK 59 / 0 / 60 / 0

HEX #68FF66

RGB 104 255 102

HSL 119.22, 1%, 0.7%

LAB 89.59, -68.73, 59.89

 

CMYK 53 / 0 / 53 / 0

HEX #79FF79

RGB 121 255 121

HSL 120, 1%, 0.74%

LAB 90.31, -62.56, 52.48

 

CMYK 46 / 0 / 45 / 0

HEX #8AFF8C

RGB 138 255 140

HSL 121.03, 1%, 0.77%

LAB 91.15, -55.63, 44.76

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 78 / 0 / 77 / 13

HEX #30DE32

RGB 48 222 50

HSL 120.69, 0.73%, 0.53%

LAB 77.93, -72.53, 66.61

 

CMYK 85 / 0 / 85 / 20

HEX #1FCC1F

RGB 31 204 31

HSL 120, 0.74%, 0.46%

LAB 71.94, -70.2, 66.06

 

CMYK 92 / 0 / 94 / 27

HEX #0EBA0C

RGB 14 186 12

HSL 119.31, 0.88%, 0.39%

LAB 65.93, -67.06, 64.28

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 72 / 0 / 71 / 6

HEX #42EF46

RGB 66 239 70

HSL 121.39, 0.84%, 0.6%

LAB 83.62, -73.69, 65.74

 

CMYK 54 / 0 / 72 / 6

HEX #6DEF42

RGB 109 239 66

HSL 105.09, 0.84%, 0.6%

LAB 84.68, -65.11, 68.57

 

CMYK 35 / 0 / 72 / 6

HEX #9BEF42

RGB 155 239 66

HSL 89.13, 0.84%, 0.6%

LAB 86.55, -51.27, 71.05

 

CMYK 15 / 0 / 72 / 6

HEX #CAEF42

RGB 202 239 66

HSL 72.83, 0.84%, 0.6%

LAB 89.24, -33.96, 74.6

 

CMYK 0 / 4 / 72 / 6

HEX #EFE642

RGB 239 230 66

HSL 56.88, 0.84%, 0.6%

LAB 89.55, -14.72, 75.84

 

CMYK 72 / 0 / 71 / 6

HEX #42EF46

RGB 66 239 70

HSL 121.39, 0.84%, 0.6%

LAB 83.62, -73.69, 65.74

 

CMYK 72 / 0 / 51 / 6

HEX #42EF75

RGB 66 239 117

HSL 137.69, 0.84%, 0.6%

LAB 84.06, -68.43, 46.39

 

CMYK 72 / 0 / 32 / 6

HEX #42EFA3

RGB 66 239 163

HSL 153.64, 0.84%, 0.6%

LAB 84.76, -60.47, 24.52

 

CMYK 72 / 0 / 12 / 6

HEX #42EFD2

RGB 66 239 210

HSL 169.94, 0.84%, 0.6%

LAB 85.78, -49.74, 1.52

 

CMYK 72 / 7 / 0 / 6

HEX #42DEEF

RGB 66 222 239

HSL 185.9, 0.84%, 0.6%

LAB 81.64, -34.22, -19.95

 

CMYK 72 / 0 / 71 / 6

HEX #42EF46

RGB 66 239 70

HSL 121.39, 0.84%, 0.6%

LAB 83.62, -73.69, 65.74

 

CMYK 72 / 0 / 71 / 6

HEX #42EF46

RGB 66 239 70

HSL 121.39, 0.84%, 0.6%

LAB 83.62, -73.69, 65.74

 

CMYK 63 / 0 / 61 / 13

HEX #52DF56

RGB 82 223 86

HSL 121.7, 0.69%, 0.6%

LAB 79.18, -64.07, 54.74

 

CMYK 52 / 0 / 51 / 19

HEX #63CE65

RGB 99 206 101

HSL 121.12, 0.52%, 0.6%

LAB 74.66, -51.98, 42.68

 

CMYK 39 / 0 / 38 / 25

HEX #73BE75

RGB 115 190 117

HSL 121.6, 0.37%, 0.6%

LAB 70.7, -38.3, 29.73

 

CMYK 24 / 0 / 23 / 32

HEX #84AD85

RGB 132 173 133

HSL 121.46, 0.2%, 0.6%

LAB 66.89, -21.87, 16.15

 

CMYK 35 / 0 / 72 / 6

HEX #9BEF42

RGB 155 239 66

HSL 89.13, 0.84%, 0.6%

LAB 86.55, -51.27, 71.05

 

CMYK 54 / 0 / 72 / 6

HEX #6DEF42

RGB 109 239 66

HSL 105.09, 0.84%, 0.6%

LAB 84.68, -65.11, 68.57

 

CMYK 72 / 0 / 71 / 6

HEX #42EF45

RGB 66 239 69

HSL 121.04, 0.84%, 0.6%

LAB 83.61, -73.77, 66.09

 

CMYK 72 / 0 / 52 / 6

HEX #42EF73

RGB 66 239 115

HSL 136.99, 0.84%, 0.6%

LAB 84.03, -68.72, 47.3

 

CMYK 72 / 0 / 33 / 6

HEX #42EFA1

RGB 66 239 161

HSL 152.95, 0.84%, 0.6%

LAB 84.72, -60.88, 25.49

 

CMYK 92 / 0 / 90 / 19

HEX #10CE15

RGB 16 206 21

HSL 121.58, 0.86%, 0.44%

LAB 72.43, -72.24, 68.43

 

CMYK 88 / 0 / 86 / 7

HEX #1CEC20

RGB 28 236 32

HSL 121.15, 0.85%, 0.52%

LAB 82.02, -79.33, 74.76

 

CMYK 72 / 0 / 71 / 6

HEX #42EF46

RGB 66 239 70

HSL 121.39, 0.84%, 0.6%

LAB 83.62, -73.69, 65.74

 

CMYK 57 / 0 / 56 / 5

HEX #68F26B

RGB 104 242 107

HSL 121.3, 0.84%, 0.68%

LAB 85.76, -63.57, 53.27

 

CMYK 42 / 0 / 41 / 4

HEX #8EF590

RGB 142 245 144

HSL 121.17, 0.84%, 0.76%

LAB 88.48, -49.86, 39.43

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 72 / 15 / 0 / 6

HEX #42CAEF

RGB 66 202 239

HSL 192.83, 0.84%, 0.6%

LAB 75.84, -24.49, -28.78

 

CMYK 0 / 72 / 45 / 6

HEX #EF4284

RGB 239 66 132

HSL 337.11, 0.84%, 0.6%

LAB 56, 69.61, 2.91

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 71 / 72 / 0 / 6

HEX #4542EF

RGB 69 66 239

HSL 241.04, 0.84%, 0.6%

LAB 40.24, 54.91, -85.6

 

CMYK 0 / 71 / 72 / 6

HEX #EF4542

RGB 239 69 66

HSL 1.04, 0.84%, 0.6%

LAB 55.07, 64.27, 40.36

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 72 / 15 / 0 / 6

HEX #42CAEF

RGB 66 202 239

HSL 192.83, 0.84%, 0.6%

LAB 75.84, -24.49, -28.78

 

CMYK 0 / 72 / 1 / 6

HEX #EF42EC

RGB 239 66 236

HSL 301.04, 0.84%, 0.6%

LAB 60.16, 82.44, -50.68

 

CMYK 0 / 57 / 72 / 6

HEX #EF6742

RGB 239 103 66

HSL 12.83, 0.84%, 0.6%

LAB 60.29, 50.28, 46.19

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 72 / 37 / 0 / 6

HEX #4296EF

RGB 66 150 239

HSL 210.87, 0.84%, 0.6%

LAB 60.96, 3.85, -52.03

 

CMYK 0 / 72 / 1 / 6

HEX #EF42EC

RGB 239 66 236

HSL 301.04, 0.84%, 0.6%

LAB 60.16, 82.44, -50.68

 

CMYK 0 / 35 / 72 / 6

HEX #EF9B42

RGB 239 155 66

HSL 30.87, 0.84%, 0.6%

LAB 71, 24.01, 57.56

 

Description

Color code: HEX #41F045 | qconv.com Color code: HEX #41F045 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 240 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 240 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 71 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 71% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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