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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41F6E0 it is the complementary color #BE091F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41F6E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41F6E0 shade: #46F6DB, #57FFEE, #68FFFF, #79FFFF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41F6E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41F6E0 shade: #41F6E0, #30E4CD, #1FD2BA, #0EC0A7 and #00AE94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41F6E0 shade: #41F6E0, #41F6AF, #41F67E, #41F64D and #65F641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41F6E0 shade: #41F6E0, #41DBF6, #41AAF6, #4179F6 and #4148F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41F6E0 shade matches the following richer shades: #41F6E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41F6E0 shade: #41F6E0, #51E5D3, #61D5C7, #71C5BB and #81B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41F6E0 shade: #41F67D, #41F6AD, #41F6DD, #41DDF6 and #41ADF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41F6E0 shade: #0ADAC1, #19F4D9, #41F6E0, #68F7E6 and #8FF9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41F6E0 shade: #41F6E0, #4D41F6 and #F69541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41F6E0 shade: #41F6E0, #DD41F6 and #F6DD41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41F6E0 shade: #41F6E0, #4D41F6, #F64159 and #E9F641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41F6E0 shade: #41F6E0, #8341F6, #F64159 and #B3F641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

Complementary color

CMYK 0 / 95 / 84 / 25

HEX #BE091F

RGB 190 9 31

HSL 352.71, 0.91%, 0.39%

LAB 39.98, 63.72, 41.01

 

CMYK 72 / 0 / 11 / 4

HEX #46F6DB

RGB 70 246 219

HSL 170.8, 0.91%, 0.62%

LAB 88.13, -49.91, 0.24

 

CMYK 66 / 0 / 7 / 0

HEX #57FFEE

RGB 87 255 238

HSL 173.93, 1%, 0.67%

LAB 91.56, -46.65, -4.57

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 79 / 0 / 10 / 11

HEX #30E4CD

RGB 48 228 205

HSL 172.33, 0.77%, 0.54%

LAB 82.12, -48.3, -1.22

 

CMYK 85 / 0 / 11 / 18

HEX #1FD2BA

RGB 31 210 186

HSL 171.96, 0.74%, 0.47%

LAB 76.03, -47.12, -0.01

 

CMYK 93 / 0 / 13 / 25

HEX #0EC0A7

RGB 14 192 167

HSL 171.57, 0.86%, 0.4%

LAB 69.88, -45.58, 1.31

 

CMYK 100 / 0 / 15 / 32

HEX #00AE94

RGB 0 174 148

HSL 171.03, 1%, 0.34%

LAB 63.68, -43.69, 2.78

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 74 / 0 / 29 / 4

HEX #41F6AF

RGB 65 246 175

HSL 156.46, 0.91%, 0.61%

LAB 87.06, -60.77, 21.53

 

CMYK 74 / 0 / 49 / 4

HEX #41F67E

RGB 65 246 126

HSL 140.22, 0.91%, 0.61%

LAB 86.28, -69.61, 44.88

 

CMYK 74 / 0 / 69 / 4

HEX #41F64D

RGB 65 246 77

HSL 123.98, 0.91%, 0.61%

LAB 85.79, -75.41, 65.45

 

CMYK 59 / 0 / 74 / 4

HEX #65F641

RGB 101 246 65

HSL 108.07, 0.91%, 0.61%

LAB 86.53, -69.53, 70.67

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 74 / 11 / 0 / 4

HEX #41DBF6

RGB 65 219 246

HSL 188.95, 0.91%, 0.61%

LAB 80.98, -30.81, -24.66

 

CMYK 74 / 31 / 0 / 4

HEX #41AAF6

RGB 65 170 246

HSL 205.19, 0.91%, 0.61%

LAB 66.92, -5.32, -46.45

 

CMYK 74 / 51 / 0 / 4

HEX #4179F6

RGB 65 121 246

HSL 221.44, 0.91%, 0.61%

LAB 53.44, 23.8, -67.96

 

CMYK 74 / 71 / 0 / 4

HEX #4148F6

RGB 65 72 246

HSL 237.68, 0.91%, 0.61%

LAB 41.86, 53.49, -86.86

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 65 / 0 / 8 / 10

HEX #51E5D3

RGB 81 229 211

HSL 172.7, 0.74%, 0.61%

LAB 83.17, -43.13, -2.78

 

CMYK 54 / 0 / 7 / 16

HEX #61D5C7

RGB 97 213 199

HSL 172.76, 0.58%, 0.61%

LAB 78.61, -36.15, -3.05

 

CMYK 43 / 0 / 5 / 23

HEX #71C5BB

RGB 113 197 187

HSL 172.86, 0.42%, 0.61%

LAB 74.21, -27.92, -2.98

 

CMYK 29 / 0 / 3 / 29

HEX #81B5AF

RGB 129 181 175

HSL 173.08, 0.26%, 0.61%

LAB 70.04, -18.34, -2.46

 

CMYK 74 / 0 / 49 / 4

HEX #41F67D

RGB 65 246 125

HSL 139.89, 0.91%, 0.61%

LAB 86.26, -69.76, 45.34

 

CMYK 74 / 0 / 30 / 4

HEX #41F6AD

RGB 65 246 173

HSL 155.8, 0.91%, 0.61%

LAB 87.02, -61.18, 22.5

 

CMYK 74 / 0 / 10 / 4

HEX #41F6DD

RGB 65 246 221

HSL 171.71, 0.91%, 0.61%

LAB 88.09, -49.98, -0.86

 

CMYK 74 / 10 / 0 / 4

HEX #41DDF6

RGB 65 221 246

HSL 188.29, 0.91%, 0.61%

LAB 81.56, -31.77, -23.78

 

CMYK 74 / 30 / 0 / 4

HEX #41ADF6

RGB 65 173 246

HSL 204.2, 0.91%, 0.61%

LAB 67.77, -7, -45.11

 

CMYK 95 / 0 / 11 / 15

HEX #0ADAC1

RGB 10 218 193

HSL 172.79, 0.91%, 0.45%

LAB 78.5, -49.53, -0.18

 

CMYK 90 / 0 / 11 / 4

HEX #19F4D9

RGB 25 244 217

HSL 172.6, 0.91%, 0.53%

LAB 86.96, -53.29, -0.49

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 58 / 0 / 7 / 3

HEX #68F7E6

RGB 104 247 230

HSL 172.87, 0.9%, 0.69%

LAB 89.48, -42.44, -3.42

 

CMYK 43 / 0 / 5 / 2

HEX #8FF9EC

RGB 143 249 236

HSL 172.64, 0.9%, 0.77%

LAB 91.53, -33.74, -3.38

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 69 / 74 / 0 / 4

HEX #4D41F6

RGB 77 65 246

HSL 243.98, 0.91%, 0.61%

LAB 41.24, 58.35, -87.87

 

CMYK 0 / 39 / 74 / 4

HEX #F69541

RGB 246 149 65

HSL 27.85, 0.91%, 0.61%

LAB 70.5, 29.98, 57.76

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 10 / 74 / 0 / 4

HEX #DD41F6

RGB 221 65 246

HSL 291.71, 0.91%, 0.61%

LAB 57.85, 80.79, -60.1

 

CMYK 0 / 10 / 74 / 4

HEX #F6DD41

RGB 246 221 65

HSL 51.71, 0.91%, 0.61%

LAB 87.82, -7.39, 74.74

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 69 / 74 / 0 / 4

HEX #4D41F6

RGB 77 65 246

HSL 243.98, 0.91%, 0.61%

LAB 41.24, 58.35, -87.87

 

CMYK 0 / 74 / 64 / 4

HEX #F64159

RGB 246 65 89

HSL 352.04, 0.91%, 0.61%

LAB 56.18, 68.8, 28.82

 

CMYK 5 / 0 / 74 / 4

HEX #E9F641

RGB 233 246 65

HSL 64.31, 0.91%, 0.61%

LAB 93.28, -24.93, 79.51

 

CMYK 74 / 0 / 9 / 4

HEX #41F6E0

RGB 65 246 224

HSL 172.71, 0.91%, 0.61%

LAB 88.17, -49.21, -2.31

 

CMYK 47 / 74 / 0 / 4

HEX #8341F6

RGB 131 65 246

HSL 261.88, 0.91%, 0.61%

LAB 45.99, 65.05, -79.89

 

CMYK 0 / 74 / 64 / 4

HEX #F64159

RGB 246 65 89

HSL 352.04, 0.91%, 0.61%

LAB 56.18, 68.8, 28.82

 

CMYK 27 / 0 / 74 / 4

HEX #B3F641

RGB 179 246 65

HSL 82.21, 0.91%, 0.61%

LAB 89.8, -45.8, 74.98

 

Description

Color code: HEX #41F6E0 | qconv.com Color code: HEX #41F6E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 246 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 246 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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