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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41EE69 it is the complementary color #BE1196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41EE69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41EE69 shade: #46EE64, #57FF77, #68FF8A, #79FF9D and #8AFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41EE69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41EE69 shade: #41EE69, #30DC56, #1FCA43, #0EB830 and #00A61D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41EE69 shade: #3EEE67, #45EE3E, #74EE3E, #A4EE3E and #D3EE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41EE69 shade: #3EEE67, #3EEE96, #3EEEC5, #3EE7EE and #3EB7EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41EE69 shade matches the following richer shades: #3EEE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41EE69 shade: #3EEE67, #4FDD70, #60CC79, #71BB82 and #82AA8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41EE69 shade: #76EE3E, #47EE3E, #3EEE64, #3EEE93 and #3EEEC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41EE69 shade: #11C83B, #18EA49, #3EEE67, #64F185 and #8AF4A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41EE69 shade: #41EE69, #3EA5EE and #EE3E5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41EE69 shade: #41EE69, #643EEE and #EE643E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41EE69 shade: #41EE69, #3EA5EE, #EE3EC8 and #EE873E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41EE69 shade: #41EE69, #3E70EE, #EE3EC8 and #EEBC3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

Complementary color

CMYK 0 / 91 / 21 / 25

HEX #BE1196

RGB 190 17 150

HSL 313.87, 0.84%, 0.41%

LAB 43.58, 71.63, -27.49

 

CMYK 71 / 0 / 58 / 7

HEX #46EE64

RGB 70 238 100

HSL 130.71, 0.83%, 0.6%

LAB 83.64, -69.73, 53.68

 

CMYK 66 / 0 / 53 / 0

HEX #57FF77

RGB 87 255 119

HSL 131.43, 1%, 0.67%

LAB 89.34, -70.14, 52

 

CMYK 59 / 0 / 46 / 0

HEX #68FF8A

RGB 104 255 138

HSL 133.51, 1%, 0.7%

LAB 90, -64.16, 44.02

 

CMYK 53 / 0 / 38 / 0

HEX #79FF9D

RGB 121 255 157

HSL 136.12, 1%, 0.74%

LAB 90.79, -57.39, 35.88

 

CMYK 46 / 0 / 31 / 0

HEX #8AFFB0

RGB 138 255 176

HSL 139.49, 1%, 0.77%

LAB 91.71, -49.96, 27.71

 

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

CMYK 78 / 0 / 61 / 14

HEX #30DC56

RGB 48 220 86

HSL 133.26, 0.71%, 0.53%

LAB 77.57, -68.69, 52.73

 

CMYK 85 / 0 / 67 / 21

HEX #1FCA43

RGB 31 202 67

HSL 132.63, 0.73%, 0.46%

LAB 71.51, -67, 53.94

 

CMYK 92 / 0 / 74 / 28

HEX #0EB830

RGB 14 184 48

HSL 132, 0.86%, 0.39%

LAB 65.43, -64.62, 54.81

 

CMYK 100 / 0 / 83 / 35

HEX #00A61D

RGB 0 166 29

HSL 130.48, 1%, 0.33%

LAB 59.31, -61.44, 54.96

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 71 / 0 / 74 / 7

HEX #45EE3E

RGB 69 238 62

HSL 117.61, 0.84%, 0.59%

LAB 83.32, -73.51, 68.21

 

CMYK 51 / 0 / 74 / 7

HEX #74EE3E

RGB 116 238 62

HSL 101.59, 0.84%, 0.59%

LAB 84.59, -63.17, 69.89

 

CMYK 31 / 0 / 74 / 7

HEX #A4EE3E

RGB 164 238 62

HSL 85.23, 0.84%, 0.59%

LAB 86.7, -47.96, 72.66

 

CMYK 11 / 0 / 74 / 7

HEX #D3EE3E

RGB 211 238 62

HSL 69.2, 0.84%, 0.59%

LAB 89.55, -30.13, 76.39

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 74 / 0 / 37 / 7

HEX #3EEE96

RGB 62 238 150

HSL 150, 0.84%, 0.59%

LAB 84.16, -63.17, 30.32

 

CMYK 74 / 0 / 17 / 7

HEX #3EEEC5

RGB 62 238 197

HSL 166.02, 0.84%, 0.59%

LAB 85.1, -53.02, 7.34

 

CMYK 74 / 3 / 0 / 7

HEX #3EE7EE

RGB 62 231 238

HSL 182.39, 0.84%, 0.59%

LAB 84.15, -39.12, -15.64

 

CMYK 74 / 23 / 0 / 7

HEX #3EB7EE

RGB 62 183 238

HSL 198.75, 0.84%, 0.59%

LAB 70.22, -15.48, -36.93

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 64 / 0 / 49 / 13

HEX #4FDD70

RGB 79 221 112

HSL 133.94, 0.68%, 0.59%

LAB 78.78, -60.67, 42.31

 

CMYK 53 / 0 / 41 / 20

HEX #60CC79

RGB 96 204 121

HSL 133.89, 0.51%, 0.59%

LAB 74.22, -48.96, 32.12

 

CMYK 40 / 0 / 30 / 27

HEX #71BB82

RGB 113 187 130

HSL 133.78, 0.35%, 0.59%

LAB 69.94, -35.34, 21.81

 

CMYK 24 / 0 / 18 / 33

HEX #82AA8B

RGB 130 170 139

HSL 133.5, 0.19%, 0.59%

LAB 66.03, -19.92, 11.63

 

CMYK 50 / 0 / 74 / 7

HEX #76EE3E

RGB 118 238 62

HSL 100.91, 0.84%, 0.59%

LAB 84.66, -62.62, 69.99

 

CMYK 70 / 0 / 74 / 7

HEX #47EE3E

RGB 71 238 62

HSL 116.93, 0.84%, 0.59%

LAB 83.36, -73.18, 68.26

 

CMYK 74 / 0 / 58 / 7

HEX #3EEE64

RGB 62 238 100

HSL 132.95, 0.84%, 0.59%

LAB 83.49, -70.93, 53.48

 

CMYK 74 / 0 / 38 / 7

HEX #3EEE93

RGB 62 238 147

HSL 148.98, 0.84%, 0.59%

LAB 84.11, -63.73, 31.77

 

CMYK 74 / 0 / 18 / 7

HEX #3EEEC2

RGB 62 238 194

HSL 165, 0.84%, 0.59%

LAB 85.03, -53.74, 8.81

 

CMYK 92 / 0 / 71 / 22

HEX #11C83B

RGB 17 200 59

HSL 133.77, 0.84%, 0.43%

LAB 70.69, -68.2, 56.18

 

CMYK 90 / 0 / 69 / 8

HEX #18EA49

RGB 24 234 73

HSL 134, 0.83%, 0.51%

LAB 81.58, -76.41, 62.35

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 59 / 0 / 45 / 5

HEX #64F185

RGB 100 241 133

HSL 134.04, 0.83%, 0.67%

LAB 85.66, -60.58, 40.9

 

CMYK 43 / 0 / 33 / 4

HEX #8AF4A3

RGB 138 244 163

HSL 134.15, 0.83%, 0.75%

LAB 88.33, -47.57, 29.71

 

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

CMYK 74 / 31 / 0 / 7

HEX #3EA5EE

RGB 62 165 238

HSL 204.89, 0.84%, 0.59%

LAB 65.05, -5.64, -45.03

 

CMYK 0 / 74 / 61 / 7

HEX #EE3E5E

RGB 238 62 94

HSL 349.09, 0.84%, 0.59%

LAB 54.48, 67.76, 23.38

 

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

CMYK 58 / 74 / 0 / 7

HEX #643EEE

RGB 100 62 238

HSL 252.95, 0.84%, 0.59%

LAB 41.73, 60.05, -82.49

 

CMYK 0 / 58 / 74 / 7

HEX #EE643E

RGB 238 100 62

HSL 12.95, 0.84%, 0.59%

LAB 59.56, 51.13, 47.4

 

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

CMYK 74 / 31 / 0 / 7

HEX #3EA5EE

RGB 62 165 238

HSL 204.89, 0.84%, 0.59%

LAB 65.05, -5.64, -45.03

 

CMYK 0 / 74 / 16 / 7

HEX #EE3EC8

RGB 238 62 200

HSL 312.95, 0.84%, 0.59%

LAB 57.84, 78.25, -34

 

CMYK 0 / 43 / 74 / 7

HEX #EE873E

RGB 238 135 62

HSL 24.89, 0.84%, 0.59%

LAB 66.41, 33.9, 54.58

 

CMYK 73 / 0 / 56 / 7

HEX #41EE69

RGB 65 238 105

HSL 133.87, 0.84%, 0.59%

LAB 83.6, -69.88, 51.38

 

CMYK 74 / 53 / 0 / 7

HEX #3E70EE

RGB 62 112 238

HSL 222.95, 0.84%, 0.59%

LAB 50.44, 26.18, -68.37

 

CMYK 0 / 74 / 16 / 7

HEX #EE3EC8

RGB 238 62 200

HSL 312.95, 0.84%, 0.59%

LAB 57.84, 78.25, -34

 

CMYK 0 / 21 / 74 / 7

HEX #EEBC3E

RGB 238 188 62

HSL 42.95, 0.84%, 0.59%

LAB 78.75, 6.01, 66.88

 

Description

Color code: HEX #41EE69 | qconv.com Color code: HEX #41EE69 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 238 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 238 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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