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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41EBA6 it is the complementary color #BE1459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41EBA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41EBA6 shade: #46EBA1, #57FDB4, #68FFC7, #79FFDA and #8AFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41EBA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41EBA6 shade: #41EBA6, #30D993, #1FC780, #0EB56D and #00A35A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41EBA6 shade: #41EBA6, #41EB78, #41EB4B, #66EB41 and #93EB41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41EBA6 shade: #41EBA6, #41EBD4, #41D4EB, #41A6EB and #4179EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41EBA6 shade matches the following richer shades: #41EBA6 and #30FCA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41EBA6 shade: #41EBA6, #52DAA3, #63C9A0, #74B89C and #85A799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41EBA6 shade: #41EB4A, #41EB77, #41EBA4, #41EBD1 and #41D7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41EBA6 shade: #14C57D, #1CE794, #41EBA6, #67EFB7 and #8CF2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41EBA6 shade: #41EBA6, #4166EB and #EB6041

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41EBA6 shade: #41EBA6, #A441EB and #EBA441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41EBA6 shade: #41EBA6, #4166EB, #EB4188 and #EBC641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41EBA6 shade: #41EBA6, #4F41EB, #EB4188 and #DDEB41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

Complementary color

CMYK 0 / 89 / 53 / 25

HEX #BE1459

RGB 190 20 89

HSL 335.65, 0.81%, 0.41%

LAB 41.48, 65.1, 7.18

 

CMYK 70 / 0 / 31 / 8

HEX #46EBA1

RGB 70 235 161

HSL 153.09, 0.8%, 0.6%

LAB 83.6, -58.81, 23.97

 

CMYK 66 / 0 / 29 / 1

HEX #57FDB4

RGB 87 253 180

HSL 153.61, 0.98%, 0.67%

LAB 89.66, -59.22, 22.63

 

CMYK 59 / 0 / 22 / 0

HEX #68FFC7

RGB 104 255 199

HSL 157.75, 1%, 0.7%

LAB 91.05, -53.05, 14.9

 

CMYK 53 / 0 / 15 / 0

HEX #79FFDA

RGB 121 255 218

HSL 163.43, 1%, 0.74%

LAB 91.97, -45.49, 6.5

 

CMYK 46 / 0 / 7 / 0

HEX #8AFFED

RGB 138 255 237

HSL 170.77, 1%, 0.77%

LAB 93.03, -37.43, -1.71

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 78 / 0 / 32 / 15

HEX #30D993

RGB 48 217 147

HSL 155.15, 0.69%, 0.52%

LAB 77.5, -57.73, 22.83

 

CMYK 84 / 0 / 36 / 22

HEX #1FC780

RGB 31 199 128

HSL 154.64, 0.73%, 0.45%

LAB 71.35, -56.64, 24.41

 

CMYK 92 / 0 / 40 / 29

HEX #0EB56D

RGB 14 181 109

HSL 154.13, 0.86%, 0.38%

LAB 65.16, -55.09, 26.14

 

CMYK 100 / 0 / 45 / 36

HEX #00A35A

RGB 0 163 90

HSL 153.13, 1%, 0.32%

LAB 58.91, -53.04, 28.01

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 72 / 0 / 49 / 8

HEX #41EB78

RGB 65 235 120

HSL 139.41, 0.81%, 0.59%

LAB 82.86, -66.78, 43.48

 

CMYK 72 / 0 / 68 / 8

HEX #41EB4B

RGB 65 235 75

HSL 123.53, 0.81%, 0.59%

LAB 82.4, -72.18, 62.62

 

CMYK 57 / 0 / 72 / 8

HEX #66EB41

RGB 102 235 65

HSL 106.94, 0.81%, 0.59%

LAB 83.24, -65.54, 67.4

 

CMYK 37 / 0 / 72 / 8

HEX #93EB41

RGB 147 235 65

HSL 91.06, 0.81%, 0.59%

LAB 85, -52.4, 69.73

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 72 / 0 / 10 / 8

HEX #41EBD4

RGB 65 235 212

HSL 171.88, 0.81%, 0.59%

LAB 84.63, -47.65, -1.2

 

CMYK 72 / 10 / 0 / 8

HEX #41D4EB

RGB 65 212 235

HSL 188.12, 0.81%, 0.59%

LAB 78.58, -30.76, -22.45

 

CMYK 72 / 29 / 0 / 8

HEX #41A6EB

RGB 65 166 235

HSL 204.35, 0.81%, 0.59%

LAB 65.27, -6.85, -43.02

 

CMYK 72 / 49 / 0 / 8

HEX #4179EB

RGB 65 121 235

HSL 220.24, 0.81%, 0.59%

LAB 52.73, 19.85, -62.98

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 81 / 0 / 33 / 1

HEX #30FCA9

RGB 48 252 169

HSL 155.59, 0.97%, 0.59%

LAB 88.5, -66.04, 26.52

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 62 / 0 / 25 / 15

HEX #52DAA3

RGB 82 218 163

HSL 155.74, 0.65%, 0.59%

LAB 78.8, -49.68, 16.34

 

CMYK 51 / 0 / 20 / 21

HEX #63C9A0

RGB 99 201 160

HSL 155.88, 0.49%, 0.59%

LAB 74.17, -39.45, 11.49

 

CMYK 37 / 0 / 15 / 28

HEX #74B89C

RGB 116 184 156

HSL 155.29, 0.32%, 0.59%

LAB 69.75, -27.88, 7.47

 

CMYK 20 / 0 / 8 / 35

HEX #85A799

RGB 133 167 153

HSL 155.29, 0.16%, 0.59%

LAB 65.69, -14.57, 3.4

 

CMYK 72 / 0 / 69 / 8

HEX #41EB4A

RGB 65 235 74

HSL 123.18, 0.81%, 0.59%

LAB 82.4, -72.26, 62.99

 

CMYK 72 / 0 / 49 / 8

HEX #41EB77

RGB 65 235 119

HSL 139.06, 0.81%, 0.59%

LAB 82.85, -66.93, 43.94

 

CMYK 72 / 0 / 30 / 8

HEX #41EBA4

RGB 65 235 164

HSL 154.94, 0.81%, 0.59%

LAB 83.56, -58.89, 22.36

 

CMYK 72 / 0 / 11 / 8

HEX #41EBD1

RGB 65 235 209

HSL 170.82, 0.81%, 0.59%

LAB 84.56, -48.42, 0.26

 

CMYK 72 / 9 / 0 / 8

HEX #41D7EB

RGB 65 215 235

HSL 187.06, 0.81%, 0.59%

LAB 79.46, -32.2, -21.13

 

CMYK 90 / 0 / 37 / 23

HEX #14C57D

RGB 20 197 125

HSL 155.59, 0.82%, 0.43%

LAB 70.57, -57.3, 24.92

 

CMYK 88 / 0 / 36 / 9

HEX #1CE794

RGB 28 231 148

HSL 155.47, 0.81%, 0.51%

LAB 81.59, -64.31, 27.82

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 57 / 0 / 23 / 6

HEX #67EFB7

RGB 103 239 183

HSL 155.29, 0.81%, 0.67%

LAB 86.02, -50.04, 16.08

 

CMYK 42 / 0 / 17 / 5

HEX #8CF2C9

RGB 140 242 201

HSL 155.88, 0.8%, 0.75%

LAB 88.59, -38.99, 10.55

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 72 / 57 / 0 / 8

HEX #4166EB

RGB 65 102 235

HSL 226.94, 0.81%, 0.59%

LAB 47.78, 31.72, -70.99

 

CMYK 0 / 59 / 72 / 8

HEX #EB6041

RGB 235 96 65

HSL 10.94, 0.81%, 0.59%

LAB 58.42, 52.01, 44.47

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 30 / 72 / 0 / 8

HEX #A441EB

RGB 164 65 235

HSL 274.94, 0.81%, 0.59%

LAB 49.09, 67.96, -68.47

 

CMYK 0 / 30 / 72 / 8

HEX #EBA441

RGB 235 164 65

HSL 34.94, 0.81%, 0.59%

LAB 72.62, 17.52, 59.5

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 72 / 57 / 0 / 8

HEX #4166EB

RGB 65 102 235

HSL 226.94, 0.81%, 0.59%

LAB 47.78, 31.72, -70.99

 

CMYK 0 / 72 / 42 / 8

HEX #EB4188

RGB 235 65 136

HSL 334.94, 0.81%, 0.59%

LAB 55.3, 69.22, -0.57

 

CMYK 0 / 16 / 72 / 8

HEX #EBC641

RGB 235 198 65

HSL 46.94, 0.81%, 0.59%

LAB 80.98, -0.32, 67.82

 

CMYK 72 / 0 / 29 / 8

HEX #41EBA6

RGB 65 235 166

HSL 155.65, 0.81%, 0.59%

LAB 83.6, -58.48, 21.38

 

CMYK 66 / 72 / 0 / 8

HEX #4F41EB

RGB 79 65 235

HSL 244.94, 0.81%, 0.59%

LAB 40.31, 55.21, -83.19

 

CMYK 0 / 72 / 42 / 8

HEX #EB4188

RGB 235 65 136

HSL 334.94, 0.81%, 0.59%

LAB 55.3, 69.22, -0.57

 

CMYK 6 / 0 / 72 / 8

HEX #DDEB41

RGB 221 235 65

HSL 64.94, 0.81%, 0.59%

LAB 89.47, -24.56, 75.6

 

Description

Color code: HEX #41EBA6 | qconv.com Color code: HEX #41EBA6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 235 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 235 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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