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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C3BE it is the complementary color #BE3C41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C3BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C3BE shade: #46C3B9, #57D5CC, #68E7DF, #79F9F2 and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C3BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C3BE shade: #41C3BE, #30B1AB, #1F9F98, #0E8D85 and #007B72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C3BE shade: #41C3BE, #41C39A, #41C377, #41C354 and #50C341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C3BE shade: #41C3BE, #41A4C3, #4181C3, #415EC3 and #4141C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C3BE shade matches the following richer shades: #41C3BE, #2CD7D0 and #18EBE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C3BE shade: #41C3BE, #55AEAB, #699A98, #7D8686 and #917273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C3BE shade: #41C377, #41C399, #41C3BC, #41A6C3 and #4184C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C3BE shade: #2A8683, #34A6A1, #41C3BE, #60CCC8 and #7FD6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C3BE shade: #41C3BE, #5441C3 and #C38841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C3BE shade: #41C3BE, #BC41C3 and #C3BC41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C3BE shade: #41C3BE, #5441C3, #C34147 and #AFC341

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C3BE shade: #41C3BE, #7B41C3, #C34147 and #88C341

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

Complementary color

CMYK 0 / 68 / 66 / 25

HEX #BE3C41

RGB 190 60 65

HSL 357.69, 0.52%, 0.49%

LAB 45.03, 52.13, 26.83

 

CMYK 64 / 0 / 5 / 24

HEX #46C3B9

RGB 70 195 185

HSL 175.2, 0.51%, 0.52%

LAB 72.12, -36.4, -5.14

 

CMYK 59 / 0 / 4 / 16

HEX #57D5CC

RGB 87 213 204

HSL 175.71, 0.6%, 0.59%

LAB 78.45, -36.75, -6

 

CMYK 55 / 0 / 3 / 9

HEX #68E7DF

RGB 104 231 223

HSL 176.22, 0.73%, 0.66%

LAB 84.7, -36.98, -6.8

 

CMYK 51 / 0 / 3 / 2

HEX #79F9F2

RGB 121 249 242

HSL 176.72, 0.91%, 0.73%

LAB 90.88, -37.12, -7.54

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 73 / 0 / 3 / 31

HEX #30B1AB

RGB 48 177 171

HSL 177.21, 0.57%, 0.44%

LAB 65.76, -35.1, -6.91

 

CMYK 81 / 0 / 4 / 38

HEX #1F9F98

RGB 31 159 152

HSL 176.72, 0.67%, 0.37%

LAB 59.3, -34.13, -5.86

 

CMYK 90 / 0 / 6 / 45

HEX #0E8D85

RGB 14 141 133

HSL 176.22, 0.82%, 0.3%

LAB 52.77, -32.74, -4.67

 

CMYK 100 / 0 / 7 / 52

HEX #007B72

RGB 0 123 114

HSL 175.61, 1%, 0.24%

LAB 46.15, -30.91, -3.33

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 67 / 0 / 21 / 24

HEX #41C39A

RGB 65 195 154

HSL 161.08, 0.52%, 0.51%

LAB 71.21, -45.07, 10.39

 

CMYK 67 / 0 / 39 / 24

HEX #41C377

RGB 65 195 119

HSL 144.92, 0.52%, 0.51%

LAB 70.52, -52.44, 28.11

 

CMYK 67 / 0 / 57 / 24

HEX #41C354

RGB 65 195 84

HSL 128.77, 0.52%, 0.51%

LAB 70.03, -57.92, 44.96

 

CMYK 59 / 0 / 67 / 24

HEX #50C341

RGB 80 195 65

HSL 113.08, 0.52%, 0.51%

LAB 70.26, -56.75, 53.68

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 67 / 16 / 0 / 24

HEX #41A4C3

RGB 65 164 195

HSL 194.31, 0.52%, 0.51%

LAB 63.02, -18.96, -24.37

 

CMYK 67 / 34 / 0 / 24

HEX #4181C3

RGB 65 129 195

HSL 210.46, 0.52%, 0.51%

LAB 52.69, 0.72, -40.45

 

CMYK 67 / 52 / 0 / 24

HEX #415EC3

RGB 65 94 195

HSL 226.62, 0.52%, 0.51%

LAB 42.87, 22.53, -56.13

 

CMYK 67 / 67 / 0 / 24

HEX #4141C3

RGB 65 65 195

HSL 240, 0.52%, 0.51%

LAB 35.68, 40.79, -67.82

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 80 / 0 / 3 / 16

HEX #2CD7D0

RGB 44 215 208

HSL 177.54, 0.68%, 0.51%

LAB 78.28, -42.21, -8.49

 

CMYK 90 / 0 / 3 / 8

HEX #18EBE3

RGB 24 235 227

HSL 177.73, 0.84%, 0.51%

LAB 84.56, -46.82, -9.26

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 51 / 0 / 2 / 32

HEX #55AEAB

RGB 85 174 171

HSL 177.98, 0.35%, 0.51%

LAB 65.86, -27.3, -6.65

 

CMYK 32 / 0 / 1 / 40

HEX #699A98

RGB 105 154 152

HSL 177.55, 0.2%, 0.51%

LAB 60.23, -16.79, -4.21

 

CMYK 7 / 0 / 0 / 47

HEX #7D8686

RGB 125 134 134

HSL 180, 0.04%, 0.51%

LAB 55.21, -3.29, -1.14

 

CMYK 0 / 21 / 21 / 43

HEX #917273

RGB 145 114 115

HSL 358.06, 0.12%, 0.51%

LAB 51.03, 12.34, 4.1

 

CMYK 67 / 0 / 39 / 24

HEX #41C377

RGB 65 195 119

HSL 144.92, 0.52%, 0.51%

LAB 70.52, -52.44, 28.11

 

CMYK 67 / 0 / 22 / 24

HEX #41C399

RGB 65 195 153

HSL 160.62, 0.52%, 0.51%

LAB 71.18, -45.31, 10.89

 

CMYK 67 / 0 / 4 / 24

HEX #41C3BC

RGB 65 195 188

HSL 176.77, 0.52%, 0.51%

LAB 72.08, -36.35, -6.84

 

CMYK 67 / 15 / 0 / 24

HEX #41A6C3

RGB 65 166 195

HSL 193.38, 0.52%, 0.51%

LAB 63.62, -20.01, -23.46

 

CMYK 67 / 32 / 0 / 24

HEX #4184C3

RGB 65 132 195

HSL 209.08, 0.52%, 0.51%

LAB 53.56, -1.06, -39.08

 

CMYK 69 / 0 / 2 / 47

HEX #2A8683

RGB 42 134 131

HSL 178.04, 0.52%, 0.35%

LAB 50.9, -26.99, -6.24

 

CMYK 69 / 0 / 3 / 35

HEX #34A6A1

RGB 52 166 161

HSL 177.37, 0.52%, 0.43%

LAB 62.15, -32.26, -6.67

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 53 / 0 / 2 / 20

HEX #60CCC8

RGB 96 204 200

HSL 177.78, 0.51%, 0.59%

LAB 75.97, -31.87, -7.48

 

CMYK 41 / 0 / 1 / 16

HEX #7FD6D3

RGB 127 214 211

HSL 177.93, 0.51%, 0.67%

LAB 80.35, -26.9, -6.77

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 57 / 67 / 0 / 24

HEX #5441C3

RGB 84 65 195

HSL 248.77, 0.52%, 0.51%

LAB 37.12, 43.58, -65.41

 

CMYK 0 / 30 / 67 / 24

HEX #C38841

RGB 195 136 65

HSL 32.77, 0.52%, 0.51%

LAB 61.3, 15.6, 46.12

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 4 / 67 / 0 / 24

HEX #BC41C3

RGB 188 65 195

HSL 296.77, 0.52%, 0.51%

LAB 49.99, 65.12, -44.01

 

CMYK 0 / 4 / 67 / 24

HEX #C3BC41

RGB 195 188 65

HSL 56.77, 0.52%, 0.51%

LAB 74.79, -12.2, 60.46

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 57 / 67 / 0 / 24

HEX #5441C3

RGB 84 65 195

HSL 248.77, 0.52%, 0.51%

LAB 37.12, 43.58, -65.41

 

CMYK 0 / 67 / 64 / 24

HEX #C34147

RGB 195 65 71

HSL 357.23, 0.52%, 0.51%

LAB 46.76, 52.1, 25.6

 

CMYK 10 / 0 / 67 / 24

HEX #AFC341

RGB 175 195 65

HSL 69.23, 0.52%, 0.51%

LAB 75.16, -24.09, 60.33

 

CMYK 67 / 0 / 3 / 24

HEX #41C3BE

RGB 65 195 190

HSL 177.69, 0.52%, 0.51%

LAB 72.14, -35.79, -7.84

 

CMYK 37 / 67 / 0 / 24

HEX #7B41C3

RGB 123 65 195

HSL 266.77, 0.52%, 0.51%

LAB 41.11, 50.79, -58.75

 

CMYK 0 / 67 / 64 / 24

HEX #C34147

RGB 195 65 71

HSL 357.23, 0.52%, 0.51%

LAB 46.76, 52.1, 25.6

 

CMYK 30 / 0 / 67 / 24

HEX #88C341

RGB 136 195 65

HSL 87.23, 0.52%, 0.51%

LAB 72.66, -39.38, 56.96

 

Description

Color code: HEX #41C3BE | qconv.com Color code: HEX #41C3BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 195 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 195 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 3 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 3% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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