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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C2C2 it is the complementary color #BE3D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C2C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C2C2 shade: #46C2BD, #57D4D0, #68E6E3, #79F8F6 and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C2C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C2C2 shade: #41C2C2, #30B0AF, #1F9E9C, #0E8C89 and #007A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C2C2 shade: #42C1C1, #42C19F, #42C17D, #42C15A and #4CC142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C2C2 shade: #42C1C1, #429FC1, #427DC1, #425AC1 and #4242C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C2C2 shade matches the following richer shades: #42C1C1, #2ED5D5, #19EAEA and #05FEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C2C2 shade: #42C1C1, #56ADAD, #6A9999, #7E8585 and #937070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C2C2 shade: #42C17D, #42C19F, #42C1C1, #429FC1 and #427DC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C2C2 shade: #2B8686, #35A5A5, #42C1C1, #61CBCB and #80D5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C2C2 shade: #41C2C2, #5B42C1 and #C18E42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C2C2 shade: #41C2C2, #C142C1 and #C1C142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C2C2 shade: #41C2C2, #5B42C1, #C14242 and #A8C142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C2C2 shade: #41C2C2, #8242C1, #C14242 and #82C142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

Complementary color

CMYK 0 / 68 / 68 / 25

HEX #BE3D3D

RGB 190 61 61

HSL 0, 0.51%, 0.49%

LAB 45.11, 51.5, 29.32

 

CMYK 64 / 0 / 3 / 24

HEX #46C2BD

RGB 70 194 189

HSL 177.58, 0.5%, 0.52%

LAB 71.93, -34.84, -7.59

 

CMYK 59 / 0 / 2 / 17

HEX #57D4D0

RGB 87 212 208

HSL 178.08, 0.59%, 0.59%

LAB 78.27, -35.23, -8.41

 

CMYK 55 / 0 / 1 / 10

HEX #68E6E3

RGB 104 230 227

HSL 178.57, 0.72%, 0.65%

LAB 84.53, -35.49, -9.17

 

CMYK 51 / 0 / 1 / 3

HEX #79F8F6

RGB 121 248 246

HSL 179.06, 0.9%, 0.72%

LAB 90.71, -35.66, -9.87

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 73 / 0 / 1 / 31

HEX #30B0AF

RGB 48 176 175

HSL 179.53, 0.57%, 0.44%

LAB 65.57, -33.47, -9.41

 

CMYK 80 / 0 / 1 / 38

HEX #1F9E9C

RGB 31 158 156

HSL 179.06, 0.67%, 0.37%

LAB 59.11, -32.46, -8.42

 

CMYK 90 / 0 / 2 / 45

HEX #0E8C89

RGB 14 140 137

HSL 178.57, 0.82%, 0.3%

LAB 52.57, -31.04, -7.29

 

CMYK 100 / 0 / 3 / 52

HEX #007A76

RGB 0 122 118

HSL 178.03, 1%, 0.24%

LAB 45.94, -29.16, -6.01

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 66 / 0 / 18 / 24

HEX #42C19F

RGB 66 193 159

HSL 163.94, 0.51%, 0.51%

LAB 70.73, -42.85, 7

 

CMYK 66 / 0 / 35 / 24

HEX #42C17D

RGB 66 193 125

HSL 147.87, 0.51%, 0.51%

LAB 70.02, -50.34, 24.3

 

CMYK 66 / 0 / 53 / 24

HEX #42C15A

RGB 66 193 90

HSL 131.34, 0.51%, 0.51%

LAB 69.5, -56.21, 41.47

 

CMYK 61 / 0 / 66 / 24

HEX #4CC142

RGB 76 193 66

HSL 115.28, 0.51%, 0.51%

LAB 69.52, -56.89, 52.43

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 66 / 18 / 0 / 24

HEX #429FC1

RGB 66 159 193

HSL 196.06, 0.51%, 0.51%

LAB 61.49, -16.78, -25.61

 

CMYK 66 / 35 / 0 / 24

HEX #427DC1

RGB 66 125 193

HSL 212.13, 0.51%, 0.51%

LAB 51.47, 2.59, -41.24

 

CMYK 66 / 53 / 0 / 24

HEX #425AC1

RGB 66 90 193

HSL 228.66, 0.51%, 0.51%

LAB 41.72, 24.54, -56.82

 

CMYK 66 / 66 / 0 / 24

HEX #4242C1

RGB 66 66 193

HSL 240, 0.51%, 0.51%

LAB 35.8, 39.65, -66.46

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 78 / 0 / 0 / 16

HEX #2ED5D5

RGB 46 213 213

HSL 180, 0.67%, 0.51%

LAB 77.86, -39.71, -11.79

 

CMYK 89 / 0 / 0 / 8

HEX #19EAEA

RGB 25 234 234

HSL 180, 0.83%, 0.51%

LAB 84.48, -44.35, -13.08

 

CMYK 98 / 0 / 0 / 0

HEX #05FEFE

RGB 5 254 254

HSL 180, 0.99%, 0.51%

LAB 90.81, -47.84, -14.07

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 50 / 0 / 0 / 32

HEX #56ADAD

RGB 86 173 173

HSL 180, 0.35%, 0.51%

LAB 65.66, -26.05, -8.06

 

CMYK 31 / 0 / 0 / 40

HEX #6A9999

RGB 106 153 153

HSL 180, 0.19%, 0.51%

LAB 60.02, -15.72, -5.08

 

CMYK 5 / 0 / 0 / 48

HEX #7E8585

RGB 126 133 133

HSL 180, 0.03%, 0.51%

LAB 54.97, -2.57, -0.9

 

CMYK 0 / 24 / 24 / 42

HEX #937070

RGB 147 112 112

HSL 0, 0.14%, 0.51%

LAB 50.64, 13.82, 5.35

 

CMYK 66 / 0 / 35 / 24

HEX #42C17D

RGB 66 193 125

HSL 147.87, 0.51%, 0.51%

LAB 70.02, -50.34, 24.3

 

CMYK 66 / 0 / 18 / 24

HEX #42C19F

RGB 66 193 159

HSL 163.94, 0.51%, 0.51%

LAB 70.73, -42.85, 7

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 66 / 18 / 0 / 24

HEX #429FC1

RGB 66 159 193

HSL 196.06, 0.51%, 0.51%

LAB 61.49, -16.78, -25.61

 

CMYK 66 / 35 / 0 / 24

HEX #427DC1

RGB 66 125 193

HSL 212.13, 0.51%, 0.51%

LAB 51.47, 2.59, -41.24

 

CMYK 68 / 0 / 0 / 47

HEX #2B8686

RGB 43 134 134

HSL 180, 0.51%, 0.35%

LAB 51.02, -25.93, -7.81

 

CMYK 68 / 0 / 0 / 35

HEX #35A5A5

RGB 53 165 165

HSL 180, 0.51%, 0.43%

LAB 61.98, -30.47, -9.16

 

CMYK 66 / 0 / 0 / 24

HEX #42C1C1

RGB 66 193 193

HSL 180, 0.51%, 0.51%

LAB 71.66, -33.87, -10.2

 

CMYK 52 / 0 / 0 / 20

HEX #61CBCB

RGB 97 203 203

HSL 180, 0.5%, 0.59%

LAB 75.8, -30.4, -9.35

 

CMYK 40 / 0 / 0 / 16

HEX #80D5D5

RGB 128 213 213

HSL 180, 0.5%, 0.67%

LAB 80.17, -25.67, -8.1

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 53 / 66 / 0 / 24

HEX #5B42C1

RGB 91 66 193

HSL 251.81, 0.51%, 0.51%

LAB 37.79, 43.58, -63.13

 

CMYK 0 / 26 / 66 / 24

HEX #C18E42

RGB 193 142 66

HSL 35.91, 0.51%, 0.51%

LAB 62.57, 11.5, 46.98

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 0 / 66 / 0 / 24

HEX #C142C1

RGB 193 66 193

HSL 300, 0.51%, 0.51%

LAB 50.79, 65.55, -41.55

 

CMYK 0 / 0 / 66 / 24

HEX #C1C142

RGB 193 193 66

HSL 60, 0.51%, 0.51%

LAB 75.99, -15.53, 61.23

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 53 / 66 / 0 / 24

HEX #5B42C1

RGB 91 66 193

HSL 251.81, 0.51%, 0.51%

LAB 37.79, 43.58, -63.13

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 13 / 0 / 66 / 24

HEX #A8C142

RGB 168 193 66

HSL 71.81, 0.51%, 0.51%

LAB 74.1, -25.92, 58.69

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 33 / 66 / 0 / 24

HEX #8242C1

RGB 130 66 193

HSL 270.24, 0.51%, 0.51%

LAB 41.99, 51.26, -56.12

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 33 / 0 / 66 / 24

HEX #82C142

RGB 130 193 66

HSL 89.76, 0.51%, 0.51%

LAB 71.74, -40.6, 55.48

 

Description

Color code: HEX #41C2C2 | qconv.com Color code: HEX #41C2C2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 194 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 194 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

58% - Heyo: Contests, Swee...
Link: http://heyo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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