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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C4E1 it is the complementary color #BE3B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C4E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C4E1 shade: #46C4DC, #57D6EF, #68E8FF, #79FAFF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C4E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C4E1 shade: #41C4E1, #30B2CE, #1FA0BB, #0E8EA8 and #007C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C4E1 shade: #41C4E1, #4199E1, #416EE1, #4142E1 and #6A41E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C4E1 shade: #41C4E1, #4199E1, #416EE1, #4142E1 and #4141E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C4E1 shade matches the following richer shades: #41C4E1 and #2FCFF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C4E1 shade: #41C4E1, #53B9CF, #64ADBD, #76A2AC and #88979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C4E1 shade: #41E1A6, #41E1D1, #41C6E1, #419CE1 and #4171E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C4E1 shade: #1C98B4, #21B6D7, #41C4E1, #64CFE6 and #88DAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C4E1 shade: #41C4E1, #7C41E1 and #E1BC41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C4E1 shade: #41C4E1, #E141C6 and #C6E141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C4E1 shade: #41C4E1, #7C41E1, #E15B41 and #A6E141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C4E1 shade: #41C4E1, #AC41E1, #E15B41 and #76E141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

Complementary color

CMYK 0 / 69 / 84 / 25

HEX #BE3B1E

RGB 190 59 30

HSL 10.88, 0.73%, 0.43%

LAB 44.47, 51.06, 45.59

 

CMYK 68 / 11 / 0 / 14

HEX #46C4DC

RGB 70 196 220

HSL 189.6, 0.68%, 0.57%

LAB 73.51, -26.82, -22.08

 

CMYK 64 / 10 / 0 / 6

HEX #57D6EF

RGB 87 214 239

HSL 189.87, 0.83%, 0.64%

LAB 79.81, -27.5, -22.67

 

CMYK 59 / 9 / 0 / 0

HEX #68E8FF

RGB 104 232 255

HSL 189.14, 1%, 0.7%

LAB 85.94, -28.87, -21.79

 

CMYK 53 / 2 / 0 / 0

HEX #79FAFF

RGB 121 250 255

HSL 182.24, 1%, 0.74%

LAB 91.53, -34.29, -13.33

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 77 / 14 / 0 / 19

HEX #30B2CE

RGB 48 178 206

HSL 190.63, 0.62%, 0.5%

LAB 67.22, -24.91, -24.08

 

CMYK 83 / 14 / 0 / 27

HEX #1FA0BB

RGB 31 160 187

HSL 190.38, 0.72%, 0.43%

LAB 60.8, -23.55, -23.36

 

CMYK 92 / 15 / 0 / 34

HEX #0E8EA8

RGB 14 142 168

HSL 190.13, 0.85%, 0.36%

LAB 54.31, -21.77, -22.56

 

CMYK 100 / 17 / 0 / 42

HEX #007C95

RGB 0 124 149

HSL 190.07, 1%, 0.29%

LAB 47.73, -19.55, -21.64

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 71 / 32 / 0 / 12

HEX #4199E1

RGB 65 153 225

HSL 207, 0.73%, 0.57%

LAB 61.08, -2.91, -44.09

 

CMYK 71 / 51 / 0 / 12

HEX #416EE1

RGB 65 110 225

HSL 223.13, 0.73%, 0.57%

LAB 49.14, 23.13, -63.15

 

CMYK 71 / 71 / 0 / 12

HEX #4142E1

RGB 65 66 225

HSL 239.63, 0.73%, 0.57%

LAB 38.65, 50.07, -80.28

 

CMYK 53 / 71 / 0 / 12

HEX #6A41E1

RGB 106 65 225

HSL 255.38, 0.73%, 0.57%

LAB 41.66, 55.76, -75.21

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 71 / 32 / 0 / 12

HEX #4199E1

RGB 65 153 225

HSL 207, 0.73%, 0.57%

LAB 61.08, -2.91, -44.09

 

CMYK 71 / 51 / 0 / 12

HEX #416EE1

RGB 65 110 225

HSL 223.13, 0.73%, 0.57%

LAB 49.14, 23.13, -63.15

 

CMYK 71 / 71 / 0 / 12

HEX #4142E1

RGB 65 66 225

HSL 239.63, 0.73%, 0.57%

LAB 38.65, 50.07, -80.28

 

CMYK 71 / 71 / 0 / 12

HEX #4141E1

RGB 65 65 225

HSL 240, 0.73%, 0.57%

LAB 38.45, 50.63, -80.61

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 81 / 15 / 0 / 5

HEX #2FCFF3

RGB 47 207 243

HSL 191.02, 0.89%, 0.57%

LAB 77.1, -27.66, -29.02

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 60 / 11 / 0 / 19

HEX #53B9CF

RGB 83 185 207

HSL 190.65, 0.56%, 0.57%

LAB 70.21, -23.09, -19.99

 

CMYK 47 / 8 / 0 / 26

HEX #64ADBD

RGB 100 173 189

HSL 190.79, 0.4%, 0.57%

LAB 66.73, -18.49, -15.28

 

CMYK 31 / 6 / 0 / 33

HEX #76A2AC

RGB 118 162 172

HSL 191.11, 0.25%, 0.57%

LAB 63.89, -12.32, -9.97

 

CMYK 12 / 2 / 0 / 40

HEX #88979A

RGB 136 151 154

HSL 190, 0.08%, 0.57%

LAB 61.39, -4.7, -3.41

 

CMYK 71 / 0 / 26 / 12

HEX #41E1A6

RGB 65 225 166

HSL 157.88, 0.73%, 0.57%

LAB 80.59, -54.6, 17.2

 

CMYK 71 / 0 / 7 / 12

HEX #41E1D1

RGB 65 225 209

HSL 174, 0.73%, 0.57%

LAB 81.61, -44.12, -4.06

 

CMYK 71 / 12 / 0 / 12

HEX #41C6E1

RGB 65 198 225

HSL 190.13, 0.73%, 0.57%

LAB 74.16, -26.96, -23.82

 

CMYK 71 / 31 / 0 / 12

HEX #419CE1

RGB 65 156 225

HSL 205.88, 0.73%, 0.57%

LAB 61.94, -4.63, -42.74

 

CMYK 71 / 50 / 0 / 12

HEX #4171E1

RGB 65 113 225

HSL 222, 0.73%, 0.57%

LAB 49.94, 21.25, -61.86

 

CMYK 84 / 16 / 0 / 29

HEX #1C98B4

RGB 28 152 180

HSL 191.05, 0.73%, 0.41%

LAB 58.04, -22, -23.66

 

CMYK 85 / 15 / 0 / 16

HEX #21B6D7

RGB 33 182 215

HSL 190.88, 0.73%, 0.49%

LAB 68.52, -25.33, -27.05

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 57 / 10 / 0 / 10

HEX #64CFE6

RGB 100 207 230

HSL 190.62, 0.72%, 0.65%

LAB 77.9, -24.37, -20.72

 

CMYK 42 / 8 / 0 / 7

HEX #88DAEC

RGB 136 218 236

HSL 190.8, 0.72%, 0.73%

LAB 82.61, -20.44, -16.67

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 45 / 71 / 0 / 12

HEX #7C41E1

RGB 124 65 225

HSL 262.13, 0.73%, 0.57%

LAB 43.51, 58.61, -72.11

 

CMYK 0 / 16 / 71 / 12

HEX #E1BC41

RGB 225 188 65

HSL 46.13, 0.73%, 0.57%

LAB 77.49, 0.61, 64.06

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 0 / 71 / 12 / 12

HEX #E141C6

RGB 225 65 198

HSL 310.13, 0.73%, 0.57%

LAB 55.95, 74.1, -35.95

 

CMYK 12 / 0 / 71 / 12

HEX #C6E141

RGB 198 225 65

HSL 70.13, 0.73%, 0.57%

LAB 85.12, -29.11, 70.84

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 45 / 71 / 0 / 12

HEX #7C41E1

RGB 124 65 225

HSL 262.13, 0.73%, 0.57%

LAB 43.51, 58.61, -72.11

 

CMYK 0 / 60 / 71 / 12

HEX #E15B41

RGB 225 91 65

HSL 9.75, 0.73%, 0.57%

LAB 55.96, 50.75, 41.27

 

CMYK 26 / 0 / 71 / 12

HEX #A6E141

RGB 166 225 65

HSL 82.13, 0.73%, 0.57%

LAB 83.09, -41.5, 68.17

 

CMYK 71 / 13 / 0 / 12

HEX #41C4E1

RGB 65 196 225

HSL 190.88, 0.73%, 0.57%

LAB 73.57, -25.97, -24.71

 

CMYK 24 / 71 / 0 / 12

HEX #AC41E1

RGB 172 65 225

HSL 280.13, 0.73%, 0.57%

LAB 49.48, 67.37, -62.14

 

CMYK 0 / 60 / 71 / 12

HEX #E15B41

RGB 225 91 65

HSL 9.75, 0.73%, 0.57%

LAB 55.96, 50.75, 41.27

 

CMYK 48 / 0 / 71 / 12

HEX #76E141

RGB 118 225 65

HSL 100.13, 0.73%, 0.57%

LAB 80.79, -57.6, 65.09

 

Description

Color code: HEX #41C4E1 | qconv.com Color code: HEX #41C4E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 196 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 196 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 13 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 13% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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