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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41BCE0 it is the complementary color #BE431F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41BCE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41BCE0 shade: #46BCDB, #57CEEE, #68E0FF, #79F2FF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41BCE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41BCE0 shade: #41BCE0, #30AACD, #1F98BA, #0E86A7 and #007494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41BCE0 shade: #42BCE0, #4291E0, #4267E0, #4742E0 and #7242E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41BCE0 shade: #42BCE0, #4291E0, #4267E0 and #4242E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41BCE0 shade matches the following richer shades: #42BCE0 and #30C6F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41BCE0 shade: #42BCE0, #54B2CE, #65A9BC, #779FAB and #899599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41BCE0 shade: #42E0AE, #42E0D8, #42BEE0, #4293E0 and #4269E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41BCE0 shade: #1D91B3, #22ADD6, #42BCE0, #65C9E6 and #89D5EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41BCE0 shade: #41BCE0, #8442E0 and #E0C342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41BCE0 shade: #41BCE0, #E042BE and #BEE042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41BCE0 shade: #41BCE0, #8442E0, #E06442 and #9EE042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41BCE0 shade: #41BCE0, #B342E0, #E06442 and #6FE042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

Complementary color

CMYK 0 / 65 / 84 / 25

HEX #BE431F

RGB 190 67 31

HSL 13.58, 0.72%, 0.43%

LAB 45.72, 47.75, 46.24

 

CMYK 68 / 14 / 0 / 14

HEX #46BCDB

RGB 70 188 219

HSL 192.48, 0.67%, 0.57%

LAB 71.13, -23.11, -25.17

 

CMYK 63 / 13 / 0 / 7

HEX #57CEEE

RGB 87 206 238

HSL 192.72, 0.82%, 0.64%

LAB 77.48, -23.83, -25.68

 

CMYK 59 / 12 / 0 / 0

HEX #68E0FF

RGB 104 224 255

HSL 192.32, 1%, 0.7%

LAB 83.69, -24.96, -25.21

 

CMYK 53 / 5 / 0 / 0

HEX #79F2FF

RGB 121 242 255

HSL 185.82, 1%, 0.74%

LAB 89.29, -30.52, -16.68

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

CMYK 77 / 17 / 0 / 20

HEX #30AACD

RGB 48 170 205

HSL 193.38, 0.62%, 0.5%

LAB 64.79, -21.14, -27.25

 

CMYK 83 / 18 / 0 / 27

HEX #1F98BA

RGB 31 152 186

HSL 193.16, 0.71%, 0.43%

LAB 58.31, -19.71, -26.62

 

CMYK 92 / 20 / 0 / 35

HEX #0E86A7

RGB 14 134 167

HSL 192.94, 0.85%, 0.35%

LAB 51.76, -17.85, -25.91

 

CMYK 100 / 22 / 0 / 42

HEX #007494

RGB 0 116 148

HSL 192.97, 1%, 0.29%

LAB 45.12, -15.51, -25.09

 

CMYK 71 / 16 / 0 / 12

HEX #42BCE0

RGB 66 188 224

HSL 193.67, 0.72%, 0.57%

LAB 71.22, -22.11, -27.77

 

CMYK 71 / 35 / 0 / 12

HEX #4291E0

RGB 66 145 224

HSL 210, 0.72%, 0.57%

LAB 58.78, 1.52, -47.17

 

CMYK 71 / 54 / 0 / 12

HEX #4267E0

RGB 66 103 224

HSL 225.95, 0.72%, 0.57%

LAB 47.29, 27.31, -65.59

 

CMYK 68 / 71 / 0 / 12

HEX #4742E0

RGB 71 66 224

HSL 241.9, 0.72%, 0.57%

LAB 38.93, 50.37, -79.23

 

CMYK 49 / 71 / 0 / 12

HEX #7242E0

RGB 114 66 224

HSL 258.23, 0.72%, 0.57%

LAB 42.54, 56.23, -73.16

 

CMYK 71 / 16 / 0 / 12

HEX #42BCE0

RGB 66 188 224

HSL 193.67, 0.72%, 0.57%

LAB 71.22, -22.11, -27.77

 

CMYK 71 / 35 / 0 / 12

HEX #4291E0

RGB 66 145 224

HSL 210, 0.72%, 0.57%

LAB 58.78, 1.52, -47.17

 

CMYK 71 / 54 / 0 / 12

HEX #4267E0

RGB 66 103 224

HSL 225.95, 0.72%, 0.57%

LAB 47.29, 27.31, -65.59

 

CMYK 71 / 71 / 0 / 12

HEX #4242E0

RGB 66 66 224

HSL 240, 0.72%, 0.57%

LAB 38.61, 49.85, -79.76

 

CMYK 71 / 16 / 0 / 12

HEX #42BCE0

RGB 66 188 224

HSL 193.67, 0.72%, 0.57%

LAB 71.22, -22.11, -27.77

 

CMYK 80 / 18 / 0 / 5

HEX #30C6F2

RGB 48 198 242

HSL 193.61, 0.88%, 0.57%

LAB 74.46, -23.4, -32.55

 

CMYK 71 / 16 / 0 / 12

HEX #42BCE0

RGB 66 188 224

HSL 193.67, 0.72%, 0.57%

LAB 71.22, -22.11, -27.77

 

CMYK 59 / 14 / 0 / 19

HEX #54B2CE

RGB 84 178 206

HSL 193.77, 0.55%, 0.57%

LAB 68.15, -19.61, -22.57

 

CMYK 46 / 10 / 0 / 26

HEX #65A9BC

RGB 101 169 188

HSL 193.1, 0.39%, 0.57%

LAB 65.57, -16.43, -16.47

 

CMYK 30 / 7 / 0 / 33

HEX #779FAB

RGB 119 159 171

HSL 193.85, 0.24%, 0.57%

LAB 63.06, -10.65, -10.65

 

CMYK 10 / 3 / 0 / 40

HEX #899599

RGB 137 149 153

HSL 195, 0.07%, 0.57%

LAB 60.88, -3.46, -3.59

 

CMYK 71 / 0 / 22 / 12

HEX #42E0AE

RGB 66 224 174

HSL 161.01, 0.72%, 0.57%

LAB 80.47, -52.27, 12.84

 

CMYK 71 / 0 / 4 / 12

HEX #42E0D8

RGB 66 224 216

HSL 176.96, 0.72%, 0.57%

LAB 81.53, -41.67, -7.9

 

CMYK 71 / 15 / 0 / 12

HEX #42BEE0

RGB 66 190 224

HSL 192.91, 0.72%, 0.57%

LAB 71.8, -23.13, -26.87

 

CMYK 71 / 34 / 0 / 12

HEX #4293E0

RGB 66 147 224

HSL 209.24, 0.72%, 0.57%

LAB 59.35, 0.35, -46.27

 

CMYK 71 / 53 / 0 / 12

HEX #4269E0

RGB 66 105 224

HSL 225.19, 0.72%, 0.57%

LAB 47.81, 26.05, -64.74

 

CMYK 84 / 19 / 0 / 30

HEX #1D91B3

RGB 29 145 179

HSL 193.6, 0.72%, 0.41%

LAB 55.85, -18.55, -26.45

 

CMYK 84 / 19 / 0 / 16

HEX #22ADD6

RGB 34 173 214

HSL 193.67, 0.73%, 0.49%

LAB 65.81, -20.98, -30.67

 

CMYK 71 / 16 / 0 / 12

HEX #42BCE0

RGB 66 188 224

HSL 193.67, 0.72%, 0.57%

LAB 71.22, -22.11, -27.77

 

CMYK 56 / 13 / 0 / 10

HEX #65C9E6

RGB 101 201 230

HSL 193.49, 0.72%, 0.65%

LAB 76.22, -21.16, -23.27

 

CMYK 42 / 9 / 0 / 8

HEX #89D5EB

RGB 137 213 235

HSL 193.47, 0.71%, 0.73%

LAB 81.24, -17.93, -18.2

 

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

CMYK 41 / 71 / 0 / 12

HEX #8442E0

RGB 132 66 224

HSL 265.06, 0.72%, 0.57%

LAB 44.5, 59.25, -69.9

 

CMYK 0 / 13 / 71 / 12

HEX #E0C342

RGB 224 195 66

HSL 48.99, 0.72%, 0.57%

LAB 79.2, -3.4, 65.34

 

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

CMYK 0 / 71 / 15 / 12

HEX #E042BE

RGB 224 66 190

HSL 312.91, 0.72%, 0.57%

LAB 55.54, 72.41, -32

 

CMYK 15 / 0 / 71 / 12

HEX #BEE042

RGB 190 224 66

HSL 72.91, 0.72%, 0.57%

LAB 84.3, -31.77, 69.51

 

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

CMYK 41 / 71 / 0 / 12

HEX #8442E0

RGB 132 66 224

HSL 265.06, 0.72%, 0.57%

LAB 44.5, 59.25, -69.9

 

CMYK 0 / 55 / 71 / 12

HEX #E06442

RGB 224 100 66

HSL 12.91, 0.72%, 0.57%

LAB 57.42, 46.24, 42.35

 

CMYK 29 / 0 / 71 / 12

HEX #9EE042

RGB 158 224 66

HSL 85.06, 0.72%, 0.57%

LAB 82.36, -43.94, 66.94

 

CMYK 71 / 16 / 0 / 12

HEX #41BCE0

RGB 65 188 224

HSL 193.58, 0.72%, 0.57%

LAB 71.2, -22.24, -27.81

 

CMYK 20 / 71 / 0 / 12

HEX #B342E0

RGB 179 66 224

HSL 282.91, 0.72%, 0.57%

LAB 50.53, 68.17, -59.84

 

CMYK 0 / 55 / 71 / 12

HEX #E06442

RGB 224 100 66

HSL 12.91, 0.72%, 0.57%

LAB 57.42, 46.24, 42.35

 

CMYK 50 / 0 / 71 / 12

HEX #6FE042

RGB 111 224 66

HSL 102.91, 0.72%, 0.57%

LAB 80.23, -59.16, 64.08

 

Description

Color code: HEX #41BCE0 | qconv.com Color code: HEX #41BCE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 188 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 188 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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