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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41AE47 it is the complementary color #BE51B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41AE47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41AE47 shade: #46AE42, #57C055, #68D268, #79E47B and #8AF68E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41AE47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41AE47 shade: #41AE47, #309C34, #1F8A21, #0E780E and #006600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41AE47 shade: #40AE46, #58AE40, #76AE40, #93AE40 and #AEAC40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41AE47 shade: #40AE46, #40AE64, #40AE82, #40AE9F and #40A0AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41AE47 shade matches the following richer shades: #40AE46, #2DC235, #19D524 and #06E913

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41AE47 shade: #40AE46, #549B58, #678869, #7A747A and #8E618B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41AE47 shade: #76AE40, #58AE40, #40AE46, #40AE63 and #40AE81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41AE47 shade: #2A722E, #35903A, #40AE46, #57C15D and #75CC7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41AE47 shade: #41AE47, #4093AE and #AE4067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41AE47 shade: #41AE47, #4640AE and #AE4640

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41AE47 shade: #41AE47, #4093AE, #AE40A9 and #AE5C40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41AE47 shade: #41AE47, #4072AE, #AE40A9 and #AE7D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

Complementary color

CMYK 0 / 57 / 3 / 25

HEX #BE51B8

RGB 190 81 184

HSL 303.3, 0.46%, 0.53%

LAB 52.17, 56.99, -34.19

 

CMYK 60 / 0 / 62 / 32

HEX #46AE42

RGB 70 174 66

HSL 117.78, 0.45%, 0.47%

LAB 63.32, -51.36, 45.5

 

CMYK 55 / 0 / 56 / 25

HEX #57C055

RGB 87 192 85

HSL 118.88, 0.46%, 0.54%

LAB 69.74, -51.71, 44.3

 

CMYK 50 / 0 / 50 / 18

HEX #68D268

RGB 104 210 104

HSL 120, 0.54%, 0.62%

LAB 76.09, -51.83, 43.03

 

CMYK 47 / 0 / 46 / 11

HEX #79E47B

RGB 121 228 123

HSL 121.12, 0.66%, 0.68%

LAB 82.37, -51.81, 41.75

 

CMYK 44 / 0 / 42 / 4

HEX #8AF68E

RGB 138 246 142

HSL 122.22, 0.86%, 0.75%

LAB 88.58, -51.7, 40.5

 

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

CMYK 69 / 0 / 67 / 39

HEX #309C34

RGB 48 156 52

HSL 122.22, 0.53%, 0.4%

LAB 56.74, -51.19, 44.22

 

CMYK 78 / 0 / 76 / 46

HEX #1F8A21

RGB 31 138 33

HSL 121.12, 0.63%, 0.33%

LAB 50.19, -49.83, 44.96

 

CMYK 88 / 0 / 88 / 53

HEX #0E780E

RGB 14 120 14

HSL 120, 0.79%, 0.26%

LAB 43.59, -47.51, 44.68

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 49 / 0 / 63 / 32

HEX #58AE40

RGB 88 174 64

HSL 106.91, 0.46%, 0.47%

LAB 63.93, -46.71, 47.26

 

CMYK 32 / 0 / 63 / 32

HEX #76AE40

RGB 118 174 64

HSL 90.55, 0.46%, 0.47%

LAB 65.35, -36.69, 49.23

 

CMYK 16 / 0 / 63 / 32

HEX #93AE40

RGB 147 174 64

HSL 74.73, 0.46%, 0.47%

LAB 67.16, -25.39, 51.72

 

CMYK 0 / 1 / 63 / 32

HEX #AEAC40

RGB 174 172 64

HSL 58.91, 0.46%, 0.47%

LAB 68.66, -13.02, 53.94

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 63 / 0 / 43 / 32

HEX #40AE64

RGB 64 174 100

HSL 139.64, 0.46%, 0.47%

LAB 63.58, -47.85, 28.96

 

CMYK 63 / 0 / 25 / 32

HEX #40AE82

RGB 64 174 130

HSL 156, 0.46%, 0.47%

LAB 64.14, -41.82, 13.52

 

CMYK 63 / 0 / 9 / 32

HEX #40AE9F

RGB 64 174 159

HSL 171.82, 0.46%, 0.47%

LAB 64.86, -34.66, -1.53

 

CMYK 63 / 8 / 0 / 32

HEX #40A0AE

RGB 64 160 174

HSL 187.64, 0.46%, 0.47%

LAB 61.03, -23.55, -15.63

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 77 / 0 / 73 / 24

HEX #2DC235

RGB 45 194 53

HSL 123.22, 0.62%, 0.47%

LAB 69.04, -64.2, 56.79

 

CMYK 88 / 0 / 83 / 16

HEX #19D524

RGB 25 213 36

HSL 123.51, 0.79%, 0.47%

LAB 74.78, -73.01, 67.41

 

CMYK 97 / 0 / 92 / 9

HEX #06E913

RGB 6 233 19

HSL 123.44, 0.95%, 0.47%

LAB 80.94, -79.96, 75.91

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 46 / 0 / 43 / 39

HEX #549B58

RGB 84 155 88

HSL 123.38, 0.3%, 0.47%

LAB 58.07, -36.78, 28.33

 

CMYK 24 / 0 / 23 / 47

HEX #678869

RGB 103 136 105

HSL 123.64, 0.14%, 0.47%

LAB 53.51, -18.17, 12.94

 

CMYK 0 / 5 / 0 / 52

HEX #7A747A

RGB 122 116 122

HSL 300, 0.03%, 0.47%

LAB 49.54, 3.49, -2.48

 

CMYK 0 / 32 / 2 / 44

HEX #8E618B

RGB 142 97 139

HSL 304, 0.19%, 0.47%

LAB 47.19, 25.47, -15.9

 

CMYK 32 / 0 / 63 / 32

HEX #76AE40

RGB 118 174 64

HSL 90.55, 0.46%, 0.47%

LAB 65.35, -36.69, 49.23

 

CMYK 49 / 0 / 63 / 32

HEX #58AE40

RGB 88 174 64

HSL 106.91, 0.46%, 0.47%

LAB 63.93, -46.71, 47.26

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 63 / 0 / 43 / 32

HEX #40AE63

RGB 64 174 99

HSL 139.09, 0.46%, 0.47%

LAB 63.56, -48.02, 29.47

 

CMYK 63 / 0 / 26 / 32

HEX #40AE81

RGB 64 174 129

HSL 155.45, 0.46%, 0.47%

LAB 64.12, -42.05, 14.04

 

CMYK 63 / 0 / 60 / 55

HEX #2A722E

RGB 42 114 46

HSL 123.33, 0.46%, 0.31%

LAB 42.34, -37.36, 30.7

 

CMYK 63 / 0 / 60 / 44

HEX #35903A

RGB 53 144 58

HSL 123.3, 0.46%, 0.39%

LAB 52.96, -44.98, 37.22

 

CMYK 63 / 0 / 60 / 32

HEX #40AE46

RGB 64 174 70

HSL 123.27, 0.46%, 0.47%

LAB 63.18, -52.28, 43.47

 

CMYK 55 / 0 / 52 / 24

HEX #57C15D

RGB 87 193 93

HSL 123.4, 0.46%, 0.55%

LAB 70.15, -51.06, 40.95

 

CMYK 43 / 0 / 40 / 20

HEX #75CC7A

RGB 117 204 122

HSL 123.45, 0.46%, 0.63%

LAB 75.06, -43.07, 32.86

 

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

CMYK 63 / 16 / 0 / 32

HEX #4093AE

RGB 64 147 174

HSL 194.73, 0.46%, 0.47%

LAB 57.09, -16.71, -21.63

 

CMYK 0 / 63 / 41 / 32

HEX #AE4067

RGB 174 64 103

HSL 338.73, 0.46%, 0.47%

LAB 43.72, 48.36, 1.26

 

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

CMYK 60 / 63 / 0 / 32

HEX #4640AE

RGB 70 64 174

HSL 243.27, 0.46%, 0.47%

LAB 34.03, 35.16, -58.11

 

CMYK 0 / 60 / 63 / 32

HEX #AE4640

RGB 174 70 64

HSL 3.27, 0.46%, 0.47%

LAB 43.87, 42.13, 25.38

 

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

CMYK 63 / 16 / 0 / 32

HEX #4093AE

RGB 64 147 174

HSL 194.73, 0.46%, 0.47%

LAB 57.09, -16.71, -21.63

 

CMYK 0 / 63 / 3 / 32

HEX #AE40A9

RGB 174 64 169

HSL 302.73, 0.46%, 0.47%

LAB 46.35, 57.68, -34.7

 

CMYK 0 / 47 / 63 / 32

HEX #AE5C40

RGB 174 92 64

HSL 15.27, 0.46%, 0.47%

LAB 48.29, 30.85, 30.85

 

CMYK 63 / 0 / 59 / 32

HEX #41AE47

RGB 65 174 71

HSL 123.3, 0.46%, 0.47%

LAB 63.22, -51.94, 43.05

 

CMYK 63 / 34 / 0 / 32

HEX #4072AE

RGB 64 114 174

HSL 212.73, 0.46%, 0.47%

LAB 47.21, 2.3, -36.99

 

CMYK 0 / 63 / 3 / 32

HEX #AE40A9

RGB 174 64 169

HSL 302.73, 0.46%, 0.47%

LAB 46.35, 57.68, -34.7

 

CMYK 0 / 28 / 63 / 32

HEX #AE7D40

RGB 174 125 64

HSL 33.27, 0.46%, 0.47%

LAB 56.12, 12.5, 40.12

 

Description

Color code: HEX #41AE47 | qconv.com Color code: HEX #41AE47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 174 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 174 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 59 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 59% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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