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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41A6A8 it is the complementary color #BE5957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41A6A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41A6A8 shade: #46A6A3, #57B8B6, #68CAC9, #79DCDC and #8AEEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41A6A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41A6A8 shade: #41A6A8, #309495, #1F8282, #0E706F and #005E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41A6A8 shade: #41A6A8, #418BA8, #416FA8, #4153A8 and #4B41A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41A6A8 shade: #41A6A8, #418BA8, #416FA8, #4153A8 and #4141A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41A6A8 shade matches the following richer shades: #41A6A8, #2EB9BB, #1BCBCE and #08DDE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41A6A8 shade: #41A6A8, #549495, #678282, #7A706F and #8D5D5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41A6A8 shade: #41A873, #41A88F, #41A7A8, #418BA8 and #4170A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41A6A8 shade: #2A6C6D, #36898B, #41A6A8, #56BBBD and #74C7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41A6A8 shade: #41A6A8, #5841A8 and #A88141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41A6A8 shade: #41A6A8, #A841A7 and #A7A841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41A6A8 shade: #41A6A8, #5841A8, #A84341 and #92A841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41A6A8 shade: #41A6A8, #7741A8, #A84341 and #73A841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

Complementary color

CMYK 0 / 53 / 54 / 25

HEX #BE5957

RGB 190 89 87

HSL 1.17, 0.44%, 0.54%

LAB 50.43, 40.43, 20.7

 

CMYK 58 / 0 / 2 / 35

HEX #46A6A3

RGB 70 166 163

HSL 178.13, 0.41%, 0.46%

LAB 62.69, -28.64, -6.94

 

CMYK 53 / 0 / 1 / 28

HEX #57B8B6

RGB 87 184 182

HSL 178.76, 0.41%, 0.53%

LAB 69.24, -28.85, -7.7

 

CMYK 49 / 0 / 0 / 21

HEX #68CAC9

RGB 104 202 201

HSL 179.39, 0.48%, 0.6%

LAB 75.7, -28.96, -8.4

 

CMYK 45 / 0 / 0 / 14

HEX #79DCDC

RGB 121 220 220

HSL 180, 0.59%, 0.67%

LAB 82.07, -29.01, -9.05

 

CMYK 42 / 0 / 0 / 6

HEX #8AEEEF

RGB 138 238 239

HSL 180.59, 0.76%, 0.74%

LAB 88.34, -29.02, -9.67

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 68 / 1 / 0 / 42

HEX #309495

RGB 48 148 149

HSL 180.59, 0.51%, 0.39%

LAB 56.07, -27.63, -8.93

 

CMYK 76 / 0 / 0 / 49

HEX #1F8282

RGB 31 130 130

HSL 180, 0.61%, 0.32%

LAB 49.34, -26.83, -8.01

 

CMYK 88 / 0 / 1 / 56

HEX #0E706F

RGB 14 112 111

HSL 179.39, 0.78%, 0.25%

LAB 42.51, -25.6, -6.93

 

CMYK 100 / 0 / 2 / 63

HEX #005E5C

RGB 0 94 92

HSL 178.72, 1%, 0.18%

LAB 35.55, -23.85, -5.67

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 61 / 17 / 0 / 34

HEX #418BA8

RGB 65 139 168

HSL 196.89, 0.44%, 0.46%

LAB 54.47, -14.07, -22.22

 

CMYK 61 / 34 / 0 / 34

HEX #416FA8

RGB 65 111 168

HSL 213.2, 0.44%, 0.46%

LAB 46.07, 2.25, -35.28

 

CMYK 61 / 51 / 0 / 34

HEX #4153A8

RGB 65 83 168

HSL 229.51, 0.44%, 0.46%

LAB 38.09, 20.05, -47.99

 

CMYK 55 / 61 / 0 / 34

HEX #4B41A8

RGB 75 65 168

HSL 245.83, 0.44%, 0.46%

LAB 34.2, 33.48, -54.24

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 61 / 17 / 0 / 34

HEX #418BA8

RGB 65 139 168

HSL 196.89, 0.44%, 0.46%

LAB 54.47, -14.07, -22.22

 

CMYK 61 / 34 / 0 / 34

HEX #416FA8

RGB 65 111 168

HSL 213.2, 0.44%, 0.46%

LAB 46.07, 2.25, -35.28

 

CMYK 61 / 51 / 0 / 34

HEX #4153A8

RGB 65 83 168

HSL 229.51, 0.44%, 0.46%

LAB 38.09, 20.05, -47.99

 

CMYK 61 / 61 / 0 / 34

HEX #4141A8

RGB 65 65 168

HSL 240, 0.44%, 0.46%

LAB 33.42, 31.67, -55.55

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 75 / 1 / 0 / 27

HEX #2EB9BB

RGB 46 185 187

HSL 180.85, 0.61%, 0.46%

LAB 68.65, -34.41, -11.44

 

CMYK 87 / 1 / 0 / 19

HEX #1BCBCE

RGB 27 203 206

HSL 181.01, 0.77%, 0.46%

LAB 74.45, -38.61, -13.15

 

CMYK 96 / 2 / 0 / 12

HEX #08DDE1

RGB 8 221 225

HSL 181.11, 0.93%, 0.46%

LAB 80.29, -41.78, -14.59

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 44 / 1 / 0 / 42

HEX #549495

RGB 84 148 149

HSL 180.92, 0.28%, 0.46%

LAB 57.3, -20.21, -6.96

 

CMYK 21 / 0 / 0 / 49

HEX #678282

RGB 103 130 130

HSL 180, 0.12%, 0.46%

LAB 52.35, -9.61, -3.2

 

CMYK 0 / 8 / 9 / 52

HEX #7A706F

RGB 122 112 111

HSL 5.45, 0.05%, 0.46%

LAB 48.1, 3.69, 1.95

 

CMYK 0 / 34 / 35 / 45

HEX #8D5D5C

RGB 141 93 92

HSL 1.22, 0.21%, 0.46%

LAB 44.61, 19.53, 8.63

 

CMYK 61 / 0 / 32 / 34

HEX #41A873

RGB 65 168 115

HSL 149.13, 0.44%, 0.46%

LAB 61.97, -42.31, 18.76

 

CMYK 61 / 0 / 15 / 34

HEX #41A88F

RGB 65 168 143

HSL 165.44, 0.44%, 0.46%

LAB 62.6, -35.86, 4.12

 

CMYK 61 / 1 / 0 / 34

HEX #41A7A8

RGB 65 167 168

HSL 180.58, 0.44%, 0.46%

LAB 63, -28.64, -9.3

 

CMYK 61 / 17 / 0 / 34

HEX #418BA8

RGB 65 139 168

HSL 196.89, 0.44%, 0.46%

LAB 54.47, -14.07, -22.22

 

CMYK 61 / 33 / 0 / 34

HEX #4170A8

RGB 65 112 168

HSL 212.62, 0.44%, 0.46%

LAB 46.36, 1.64, -34.82

 

CMYK 61 / 1 / 0 / 57

HEX #2A6C6D

RGB 42 108 109

HSL 180.9, 0.44%, 0.3%

LAB 41.72, -20.25, -6.82

 

CMYK 61 / 1 / 0 / 45

HEX #36898B

RGB 54 137 139

HSL 181.41, 0.44%, 0.38%

LAB 52.44, -24.05, -8.56

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 54 / 1 / 0 / 26

HEX #56BBBD

RGB 86 187 189

HSL 181.17, 0.44%, 0.54%

LAB 70.31, -28.62, -9.96

 

CMYK 42 / 0 / 0 / 22

HEX #74C7C8

RGB 116 199 200

HSL 180.71, 0.43%, 0.62%

LAB 75.28, -24.95, -8.43

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 48 / 61 / 0 / 34

HEX #5841A8

RGB 88 65 168

HSL 253.4, 0.44%, 0.46%

LAB 35.37, 36.1, -52.3

 

CMYK 0 / 23 / 61 / 34

HEX #A88141

RGB 168 129 65

HSL 37.28, 0.44%, 0.46%

LAB 56.49, 7.69, 39.86

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 0 / 61 / 1 / 34

HEX #A841A7

RGB 168 65 167

HSL 300.58, 0.44%, 0.46%

LAB 45.49, 55.37, -34.94

 

CMYK 1 / 0 / 61 / 34

HEX #A7A841

RGB 167 168 65

HSL 60.58, 0.44%, 0.46%

LAB 66.98, -13.88, 51.53

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 48 / 61 / 0 / 34

HEX #5841A8

RGB 88 65 168

HSL 253.4, 0.44%, 0.46%

LAB 35.37, 36.1, -52.3

 

CMYK 0 / 60 / 61 / 34

HEX #A84341

RGB 168 67 65

HSL 1.17, 0.44%, 0.46%

LAB 42.34, 41.45, 22.62

 

CMYK 13 / 0 / 61 / 34

HEX #92A841

RGB 146 168 65

HSL 72.82, 0.44%, 0.46%

LAB 65.36, -22.76, 49.3

 

CMYK 61 / 1 / 0 / 34

HEX #41A6A8

RGB 65 166 168

HSL 181.17, 0.44%, 0.46%

LAB 62.7, -28.15, -9.75

 

CMYK 29 / 61 / 0 / 34

HEX #7741A8

RGB 119 65 168

HSL 271.46, 0.44%, 0.46%

LAB 38.78, 43.19, -46.62

 

CMYK 0 / 60 / 61 / 34

HEX #A84341

RGB 168 67 65

HSL 1.17, 0.44%, 0.46%

LAB 42.34, 41.45, 22.62

 

CMYK 32 / 0 / 61 / 34

HEX #73A841

RGB 115 168 65

HSL 90.87, 0.44%, 0.46%

LAB 63.37, -34.99, 46.54

 

Description

Color code: HEX #41A6A8 | qconv.com Color code: HEX #41A6A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 166 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 166 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 1 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 1% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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