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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419394 it is the complementary color #BE6C6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419394 shade: #46938F, #57A5A2, #68B7B5, #79C9C8 and #8ADBDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419394 shade: #419394, #308181, #1F6F6E, #0E5D5B and #004B48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419394 shade: #419394, #417D94, #416694, #415094 and #484194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419394 shade: #419394, #417D94, #416694, #415094 and #414194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419394 shade matches the following richer shades: #419394, #30A4A6, #1EB5B7 and #0DC6C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419394 shade: #419394, #528283, #637272, #756160 and #86504F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419394 shade: #419468, #41947E, #419494, #417E94 and #416894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419394 shade: #285A5B, #347778, #419394, #4EB0B1 and #6ABCBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419394 shade: #419394, #524194 and #947341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419394 shade: #419394, #944194 and #949441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419394 shade: #419394, #524194, #944141 and #849441

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419394 shade: #419394, #6B4194, #944141 and #6B9441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

Complementary color

CMYK 0 / 43 / 44 / 25

HEX #BE6C6B

RGB 190 108 107

HSL 0.72, 0.39%, 0.58%

LAB 54.8, 32.42, 14.89

 

CMYK 52 / 0 / 3 / 42

HEX #46938F

RGB 70 147 143

HSL 176.88, 0.35%, 0.43%

LAB 56.24, -24.69, -5.16

 

CMYK 47 / 0 / 2 / 35

HEX #57A5A2

RGB 87 165 162

HSL 177.69, 0.31%, 0.49%

LAB 62.97, -24.75, -5.9

 

CMYK 43 / 0 / 1 / 28

HEX #68B7B5

RGB 104 183 181

HSL 178.48, 0.35%, 0.56%

LAB 69.57, -24.74, -6.59

 

CMYK 40 / 0 / 0 / 21

HEX #79C9C8

RGB 121 201 200

HSL 179.25, 0.43%, 0.63%

LAB 76.07, -24.7, -7.23

 

CMYK 37 / 0 / 0 / 14

HEX #8ADBDB

RGB 138 219 219

HSL 180, 0.53%, 0.7%

LAB 82.48, -24.64, -7.83

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 63 / 0 / 0 / 49

HEX #308181

RGB 48 129 129

HSL 180, 0.46%, 0.35%

LAB 49.39, -24.04, -7.29

 

CMYK 72 / 0 / 1 / 56

HEX #1F6F6E

RGB 31 111 110

HSL 179.25, 0.56%, 0.28%

LAB 42.44, -23.46, -6.39

 

CMYK 85 / 0 / 2 / 64

HEX #0E5D5B

RGB 14 93 91

HSL 178.48, 0.74%, 0.21%

LAB 35.36, -22.45, -5.32

 

CMYK 100 / 0 / 4 / 71

HEX #004B48

RGB 0 75 72

HSL 177.6, 1%, 0.15%

LAB 28.11, -20.91, -4.05

HEX #004B48

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 56 / 16 / 0 / 42

HEX #417D94

RGB 65 125 148

HSL 196.63, 0.39%, 0.42%

LAB 49.41, -12.59, -18.36

 

CMYK 56 / 31 / 0 / 42

HEX #416694

RGB 65 102 148

HSL 213.25, 0.39%, 0.42%

LAB 42.41, 0.99, -29.2

 

CMYK 56 / 46 / 0 / 42

HEX #415094

RGB 65 80 148

HSL 229.16, 0.39%, 0.42%

LAB 35.98, 15.04, -39.36

 

CMYK 51 / 56 / 0 / 42

HEX #484194

RGB 72 65 148

HSL 245.06, 0.39%, 0.42%

LAB 32.47, 26.38, -44.96

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 56 / 16 / 0 / 42

HEX #417D94

RGB 65 125 148

HSL 196.63, 0.39%, 0.42%

LAB 49.41, -12.59, -18.36

 

CMYK 56 / 31 / 0 / 42

HEX #416694

RGB 65 102 148

HSL 213.25, 0.39%, 0.42%

LAB 42.41, 0.99, -29.2

 

CMYK 56 / 46 / 0 / 42

HEX #415094

RGB 65 80 148

HSL 229.16, 0.39%, 0.42%

LAB 35.98, 15.04, -39.36

 

CMYK 56 / 56 / 0 / 42

HEX #414194

RGB 65 65 148

HSL 240, 0.39%, 0.42%

LAB 31.9, 24.87, -45.91

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 71 / 1 / 0 / 35

HEX #30A4A6

RGB 48 164 166

HSL 181.02, 0.55%, 0.42%

LAB 61.6, -30.39, -10.32

 

CMYK 84 / 1 / 0 / 28

HEX #1EB5B7

RGB 30 181 183

HSL 180.78, 0.72%, 0.42%

LAB 67.08, -35.19, -11.61

 

CMYK 94 / 1 / 0 / 22

HEX #0DC6C8

RGB 13 198 200

HSL 180.64, 0.88%, 0.42%

LAB 72.66, -38.76, -12.59

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 37 / 1 / 0 / 49

HEX #528283

RGB 82 130 131

HSL 181.22, 0.23%, 0.42%

LAB 51.15, -15.92, -5.7

 

CMYK 13 / 0 / 0 / 55

HEX #637272

RGB 99 114 114

HSL 180, 0.07%, 0.42%

LAB 46.85, -5.58, -1.9

 

CMYK 0 / 17 / 18 / 54

HEX #756160

RGB 117 97 96

HSL 2.86, 0.1%, 0.42%

LAB 43.03, 7.87, 3.58

 

CMYK 0 / 40 / 41 / 47

HEX #86504F

RGB 134 80 79

HSL 1.09, 0.26%, 0.42%

LAB 40.2, 22.53, 10.26

 

CMYK 56 / 0 / 30 / 42

HEX #419468

RGB 65 148 104

HSL 148.19, 0.39%, 0.42%

LAB 55.38, -35.88, 15.83

 

CMYK 56 / 0 / 15 / 42

HEX #41947E

RGB 65 148 126

HSL 164.1, 0.39%, 0.42%

LAB 55.9, -30.78, 4.06

 

CMYK 56 / 0 / 0 / 42

HEX #419494

RGB 65 148 148

HSL 180, 0.39%, 0.42%

LAB 56.53, -24.88, -7.62

 

CMYK 56 / 15 / 0 / 42

HEX #417E94

RGB 65 126 148

HSL 195.9, 0.39%, 0.42%

LAB 49.72, -13.15, -17.89

 

CMYK 56 / 30 / 0 / 42

HEX #416894

RGB 65 104 148

HSL 211.81, 0.39%, 0.42%

LAB 43.01, -0.24, -28.26

 

CMYK 56 / 1 / 0 / 64

HEX #285A5B

RGB 40 90 91

HSL 181.18, 0.39%, 0.26%

LAB 35.04, -16.38, -5.72

 

CMYK 57 / 1 / 0 / 53

HEX #347778

RGB 52 119 120

HSL 180.88, 0.4%, 0.34%

LAB 46.02, -20.7, -6.99

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 56 / 1 / 0 / 31

HEX #4EB0B1

RGB 78 176 177

HSL 180.61, 0.39%, 0.5%

LAB 66.4, -28.11, -9.2

 

CMYK 44 / 1 / 0 / 26

HEX #6ABCBD

RGB 106 188 189

HSL 180.72, 0.39%, 0.58%

LAB 71.35, -24.71, -8.32

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 45 / 56 / 0 / 42

HEX #524194

RGB 82 65 148

HSL 252.29, 0.39%, 0.42%

LAB 33.38, 28.71, -43.46

 

CMYK 0 / 22 / 56 / 42

HEX #947341

RGB 148 115 65

HSL 36.14, 0.39%, 0.42%

LAB 50.62, 6.74, 32.37

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 0 / 56 / 0 / 42

HEX #944194

RGB 148 65 148

HSL 300, 0.39%, 0.42%

LAB 41.56, 46.55, -29.96

 

CMYK 0 / 0 / 56 / 42

HEX #949441

RGB 148 148 65

HSL 60, 0.39%, 0.42%

LAB 59.76, -11.59, 43.09

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 45 / 56 / 0 / 42

HEX #524194

RGB 82 65 148

HSL 252.29, 0.39%, 0.42%

LAB 33.38, 28.71, -43.46

 

CMYK 0 / 56 / 56 / 42

HEX #944141

RGB 148 65 65

HSL 0, 0.39%, 0.42%

LAB 38.65, 34.97, 17.18

 

CMYK 11 / 0 / 56 / 42

HEX #849441

RGB 132 148 65

HSL 71.57, 0.39%, 0.42%

LAB 58.48, -18.47, 41.29

 

CMYK 56 / 1 / 0 / 42

HEX #419394

RGB 65 147 148

HSL 180.72, 0.39%, 0.42%

LAB 56.22, -24.37, -8.08

 

CMYK 28 / 56 / 0 / 42

HEX #6B4194

RGB 107 65 148

HSL 270.36, 0.39%, 0.42%

LAB 36.07, 35.14, -39

 

CMYK 0 / 56 / 56 / 42

HEX #944141

RGB 148 65 65

HSL 0, 0.39%, 0.42%

LAB 38.65, 34.97, 17.18

 

CMYK 28 / 0 / 56 / 42

HEX #6B9441

RGB 107 148 65

HSL 89.64, 0.39%, 0.42%

LAB 56.77, -28.63, 38.87

 

Description

Color code: HEX #419394 | qconv.com Color code: HEX #419394 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 147 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 147 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 1 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 1% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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