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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419722 it is the complementary color #BE68DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419722 shade: #46971D, #57A930, #68BB43, #79CD56 and #8ADF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419722 shade: #419722, #30850F, #1F7300, #0E6100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419722 shade: #409521, #5F9521, #7F9521, #958D21 and #956D21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419722 shade: #409521, #219522, #219541, #219560 and #219580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419722 shade matches the following richer shades: #409521, #39A413 and #32B304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419722 shade: #409521, #478630, #4E773F, #55694E and #5C5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419722 shade: #7E9521, #5F9521, #409521, #219521 and #219540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419722 shade: #235212, #32741A, #409521, #4FB729 and #60D138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419722 shade: #419722, #21958D and #95216F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419722 shade: #419722, #214095 and #952140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419722 shade: #419722, #21958D, #762195 and #952129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419722 shade: #419722, #217A95, #762195 and #953C21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

Complementary color

CMYK 14 / 53 / 0 / 13

HEX #BE68DD

RGB 190 104 221

HSL 284.1, 0.63%, 0.64%

LAB 58.1, 52.89, -45.97

 

CMYK 54 / 0 / 81 / 41

HEX #46971D

RGB 70 151 29

HSL 99.84, 0.68%, 0.35%

LAB 55.61, -45.77, 51.96

 

CMYK 49 / 0 / 72 / 34

HEX #57A930

RGB 87 169 48

HSL 100.66, 0.56%, 0.43%

LAB 62.18, -46.43, 52.01

 

CMYK 44 / 0 / 64 / 27

HEX #68BB43

RGB 104 187 67

HSL 101.5, 0.47%, 0.5%

LAB 68.67, -46.78, 51.38

 

CMYK 41 / 0 / 58 / 20

HEX #79CD56

RGB 121 205 86

HSL 102.35, 0.54%, 0.57%

LAB 75.08, -46.94, 50.42

 

CMYK 38 / 0 / 53 / 13

HEX #8ADF69

RGB 138 223 105

HSL 103.22, 0.65%, 0.64%

LAB 81.4, -46.96, 49.32

 

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

CMYK 64 / 0 / 89 / 48

HEX #30850F

RGB 48 133 15

HSL 103.22, 0.8%, 0.29%

LAB 48.81, -45.74, 49.34

 

CMYK 73 / 0 / 100 / 55

HEX #1F7300

RGB 31 115 0

HSL 103.83, 1%, 0.23%

LAB 42.08, -43.85, 46.76

 

CMYK 86 / 0 / 100 / 62

HEX #0E6100

RGB 14 97 0

HSL 111.34, 1%, 0.19%

LAB 35.29, -40.78, 41.2

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 36 / 0 / 78 / 42

HEX #5F9521

RGB 95 149 33

HSL 87.93, 0.64%, 0.36%

LAB 56.13, -36.3, 51.57

 

CMYK 15 / 0 / 78 / 42

HEX #7F9521

RGB 127 149 33

HSL 71.38, 0.64%, 0.36%

LAB 58.15, -23.33, 54.19

 

CMYK 0 / 5 / 78 / 42

HEX #958D21

RGB 149 141 33

HSL 55.86, 0.64%, 0.36%

LAB 57.61, -9.38, 54.34

 

CMYK 0 / 27 / 78 / 42

HEX #956D21

RGB 149 109 33

HSL 39.31, 0.64%, 0.36%

LAB 48.81, 8.53, 46.1

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 78 / 0 / 77 / 42

HEX #219522

RGB 33 149 34

HSL 120.52, 0.64%, 0.36%

LAB 53.96, -53.07, 48.37

 

CMYK 78 / 0 / 56 / 42

HEX #219541

RGB 33 149 65

HSL 136.55, 0.64%, 0.36%

LAB 54.24, -49.65, 35.17

 

CMYK 78 / 0 / 36 / 42

HEX #219560

RGB 33 149 96

HSL 152.59, 0.64%, 0.36%

LAB 54.72, -44.06, 19.27

 

CMYK 78 / 0 / 14 / 42

HEX #219580

RGB 33 149 128

HSL 169.14, 0.64%, 0.36%

LAB 55.46, -36.19, 2.17

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 65 / 0 / 88 / 36

HEX #39A413

RGB 57 164 19

HSL 104.28, 0.79%, 0.36%

LAB 59.4, -54.34, 57.81

 

CMYK 72 / 0 / 98 / 30

HEX #32B304

RGB 50 179 4

HSL 104.23, 0.96%, 0.36%

LAB 64.1, -61.05, 63.95

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 47 / 0 / 64 / 47

HEX #478630

RGB 71 134 48

HSL 103.95, 0.47%, 0.36%

LAB 50.22, -37.01, 39.04

 

CMYK 34 / 0 / 47 / 53

HEX #4E773F

RGB 78 119 63

HSL 103.93, 0.31%, 0.36%

LAB 45.87, -25.73, 26.28

 

CMYK 19 / 0 / 26 / 59

HEX #55694E

RGB 85 105 78

HSL 104.44, 0.15%, 0.36%

LAB 42.13, -13.17, 12.78

 

CMYK 1 / 3 / 0 / 64

HEX #5C5A5D

RGB 92 90 93

HSL 280, 0.02%, 0.36%

LAB 38.51, 1.43, -1.45

 

CMYK 15 / 0 / 78 / 42

HEX #7E9521

RGB 126 149 33

HSL 71.9, 0.64%, 0.36%

LAB 58.08, -23.76, 54.1

 

CMYK 36 / 0 / 78 / 42

HEX #5F9521

RGB 95 149 33

HSL 87.93, 0.64%, 0.36%

LAB 56.13, -36.3, 51.57

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 78 / 0 / 78 / 42

HEX #219521

RGB 33 149 33

HSL 120, 0.64%, 0.36%

LAB 53.95, -53.15, 48.71

 

CMYK 78 / 0 / 57 / 42

HEX #219540

RGB 33 149 64

HSL 136.03, 0.64%, 0.36%

LAB 54.23, -49.79, 35.65

 

CMYK 57 / 0 / 78 / 68

HEX #235212

RGB 35 82 18

HSL 104.06, 0.64%, 0.2%

LAB 30.49, -29.11, 31.03

 

CMYK 57 / 0 / 78 / 55

HEX #32741A

RGB 50 116 26

HSL 104, 0.63%, 0.28%

LAB 43.13, -38.07, 40.71

 

CMYK 57 / 0 / 78 / 42

HEX #409521

RGB 64 149 33

HSL 103.97, 0.64%, 0.36%

LAB 54.76, -46.47, 49.77

 

CMYK 57 / 0 / 78 / 28

HEX #4FB729

RGB 79 183 41

HSL 103.94, 0.63%, 0.44%

LAB 66.28, -54.53, 58.44

 

CMYK 54 / 0 / 73 / 18

HEX #60D138

RGB 96 209 56

HSL 104.31, 0.62%, 0.52%

LAB 75.06, -58.47, 62.23

 

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

CMYK 78 / 0 / 5 / 42

HEX #21958D

RGB 33 149 141

HSL 175.86, 0.64%, 0.36%

LAB 55.83, -32.48, -4.73

 

CMYK 0 / 78 / 26 / 42

HEX #95216F

RGB 149 33 111

HSL 319.66, 0.64%, 0.36%

LAB 35.25, 54.05, -16.89

 

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

CMYK 78 / 57 / 0 / 42

HEX #214095

RGB 33 64 149

HSL 223.97, 0.64%, 0.36%

LAB 29.81, 20.6, -50

 

CMYK 0 / 78 / 57 / 42

HEX #952140

RGB 149 33 64

HSL 343.97, 0.64%, 0.36%

LAB 33.66, 49.13, 11.1

 

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

CMYK 78 / 0 / 5 / 42

HEX #21958D

RGB 33 149 141

HSL 175.86, 0.64%, 0.36%

LAB 55.83, -32.48, -4.73

 

CMYK 21 / 78 / 0 / 42

HEX #762195

RGB 118 33 149

HSL 283.97, 0.64%, 0.36%

LAB 32.05, 53.36, -45.97

 

CMYK 0 / 78 / 72 / 42

HEX #952129

RGB 149 33 41

HSL 355.86, 0.64%, 0.36%

LAB 33.22, 47.69, 25.34

 

CMYK 57 / 0 / 77 / 41

HEX #419722

RGB 65 151 34

HSL 104.1, 0.63%, 0.36%

LAB 55.45, -46.89, 50.12

 

CMYK 78 / 18 / 0 / 42

HEX #217A95

RGB 33 122 149

HSL 193.97, 0.64%, 0.36%

LAB 47.51, -16.06, -21.95

 

CMYK 21 / 78 / 0 / 42

HEX #762195

RGB 118 33 149

HSL 283.97, 0.64%, 0.36%

LAB 32.05, 53.36, -45.97

 

CMYK 0 / 60 / 78 / 42

HEX #953C21

RGB 149 60 33

HSL 13.97, 0.64%, 0.36%

LAB 37.36, 35.86, 34.66

 

Description

Color code: HEX #419722 | qconv.com Color code: HEX #419722 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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