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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418F90 it is the complementary color #BE706F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418F90 shade: #468F8B, #57A19E, #68B3B1, #79C5C4 and #8AD7D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418F90 shade: #418F90, #307D7D, #1F6B6A, #0E5957 and #004744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418F90 shade: #408F90, #407990, #406490, #404E90 and #484090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418F90 shade: #408F90, #407990, #406490, #404E90 and #404090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418F90 shade matches the following richer shades: #408F90, #2F9FA1, #1EB0B2 and #0EC0C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418F90 shade: #408F90, #517E7F, #626E6E, #735D5D and #844D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418F90 shade: #409065, #40907B, #409090, #407B90 and #406590

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418F90 shade: #275657, #347373, #408F90, #4DABAC and #68BABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418F90 shade: #418F90, #504090 and #907040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418F90 shade: #418F90, #904090 and #909040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418F90 shade: #418F90, #504090, #904040 and #809040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418F90 shade: #418F90, #684090, #904040 and #689040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

Complementary color

CMYK 0 / 41 / 42 / 25

HEX #BE706F

RGB 190 112 111

HSL 0.76, 0.38%, 0.59%

LAB 55.77, 30.7, 13.9

 

CMYK 51 / 0 / 3 / 44

HEX #468F8B

RGB 70 143 139

HSL 176.71, 0.34%, 0.42%

LAB 54.88, -23.75, -4.88

 

CMYK 46 / 0 / 2 / 37

HEX #57A19E

RGB 87 161 158

HSL 177.57, 0.3%, 0.49%

LAB 61.64, -23.77, -5.61

 

CMYK 42 / 0 / 1 / 30

HEX #68B3B1

RGB 104 179 177

HSL 178.4, 0.33%, 0.55%

LAB 68.28, -23.75, -6.29

 

CMYK 39 / 0 / 1 / 23

HEX #79C5C4

RGB 121 197 196

HSL 179.21, 0.4%, 0.62%

LAB 74.81, -23.7, -6.93

 

CMYK 36 / 0 / 0 / 16

HEX #8AD7D7

RGB 138 215 215

HSL 180, 0.49%, 0.69%

LAB 81.24, -23.63, -7.53

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 62 / 0 / 0 / 51

HEX #307D7D

RGB 48 125 125

HSL 180, 0.45%, 0.34%

LAB 47.98, -23.17, -7.04

 

CMYK 71 / 0 / 1 / 58

HEX #1F6B6A

RGB 31 107 106

HSL 179.21, 0.55%, 0.27%

LAB 40.97, -22.64, -6.15

 

CMYK 84 / 0 / 2 / 65

HEX #0E5957

RGB 14 89 87

HSL 178.4, 0.73%, 0.2%

LAB 33.83, -21.69, -5.09

 

CMYK 100 / 0 / 4 / 72

HEX #004744

RGB 0 71 68

HSL 177.46, 1%, 0.14%

LAB 26.52, -20.2, -3.83

 

CMYK 56 / 1 / 0 / 44

HEX #408F90

RGB 64 143 144

HSL 180.75, 0.38%, 0.41%

LAB 54.81, -23.67, -7.88

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 56 / 31 / 0 / 44

HEX #406490

RGB 64 100 144

HSL 213, 0.38%, 0.41%

LAB 41.56, 0.66, -28.13

 

CMYK 56 / 46 / 0 / 44

HEX #404E90

RGB 64 78 144

HSL 229.5, 0.38%, 0.41%

LAB 35.11, 14.75, -38.33

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 56 / 1 / 0 / 44

HEX #408F90

RGB 64 143 144

HSL 180.75, 0.38%, 0.41%

LAB 54.81, -23.67, -7.88

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 56 / 31 / 0 / 44

HEX #406490

RGB 64 100 144

HSL 213, 0.38%, 0.41%

LAB 41.56, 0.66, -28.13

 

CMYK 56 / 46 / 0 / 44

HEX #404E90

RGB 64 78 144

HSL 229.5, 0.38%, 0.41%

LAB 35.11, 14.75, -38.33

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 1 / 0 / 44

HEX #408F90

RGB 64 143 144

HSL 180.75, 0.38%, 0.41%

LAB 54.81, -23.67, -7.88

 

CMYK 71 / 1 / 0 / 37

HEX #2F9FA1

RGB 47 159 161

HSL 181.05, 0.55%, 0.41%

LAB 59.87, -29.59, -10.09

 

CMYK 83 / 1 / 0 / 30

HEX #1EB0B2

RGB 30 176 178

HSL 180.81, 0.71%, 0.41%

LAB 65.39, -34.36, -11.37

 

CMYK 93 / 2 / 0 / 24

HEX #0EC0C3

RGB 14 192 195

HSL 180.99, 0.87%, 0.41%

LAB 70.69, -37.5, -12.82

 

CMYK 56 / 1 / 0 / 44

HEX #408F90

RGB 64 143 144

HSL 180.75, 0.38%, 0.41%

LAB 54.81, -23.67, -7.88

 

CMYK 36 / 1 / 0 / 50

HEX #517E7F

RGB 81 126 127

HSL 181.3, 0.22%, 0.41%

LAB 49.74, -15.07, -5.45

 

CMYK 11 / 0 / 0 / 57

HEX #626E6E

RGB 98 110 110

HSL 180, 0.06%, 0.41%

LAB 45.46, -4.51, -1.55

HEX #626E6E

CMYK 0 / 19 / 19 / 55

HEX #735D5D

RGB 115 93 93

HSL 0, 0.11%, 0.41%

LAB 41.63, 8.94, 3.37

HEX #735D5D

CMYK 0 / 42 / 42 / 48

HEX #844D4C

RGB 132 77 76

HSL 1.07, 0.27%, 0.41%

LAB 39.13, 23.08, 10.6

HEX #844D4C

CMYK 56 / 0 / 30 / 44

HEX #409065

RGB 64 144 101

HSL 147.75, 0.38%, 0.41%

LAB 54, -34.96, 15.61

 

CMYK 56 / 0 / 15 / 44

HEX #40907B

RGB 64 144 123

HSL 164.25, 0.38%, 0.41%

LAB 54.52, -29.84, 3.78

 

CMYK 56 / 0 / 0 / 44

HEX #409090

RGB 64 144 144

HSL 180, 0.38%, 0.41%

LAB 55.12, -24.19, -7.42

 

CMYK 56 / 15 / 0 / 44

HEX #407B90

RGB 64 123 144

HSL 195.75, 0.38%, 0.41%

LAB 48.6, -12.93, -17.26

 

CMYK 56 / 30 / 0 / 44

HEX #406590

RGB 64 101 144

HSL 212.25, 0.38%, 0.41%

LAB 41.86, 0.04, -27.66

 

CMYK 55 / 1 / 0 / 66

HEX #275657

RGB 39 86 87

HSL 181.25, 0.38%, 0.25%

LAB 33.51, -15.6, -5.49

 

CMYK 55 / 0 / 0 / 55

HEX #347373

RGB 52 115 115

HSL 180, 0.38%, 0.33%

LAB 44.56, -20.05, -6.17

 

CMYK 56 / 1 / 0 / 44

HEX #408F90

RGB 64 143 144

HSL 180.75, 0.38%, 0.41%

LAB 54.81, -23.67, -7.88

 

CMYK 55 / 1 / 0 / 33

HEX #4DABAC

RGB 77 171 172

HSL 180.63, 0.38%, 0.49%

LAB 64.71, -27.23, -8.94

 

CMYK 44 / 1 / 0 / 27

HEX #68BABB

RGB 104 186 187

HSL 180.72, 0.38%, 0.57%

LAB 70.63, -24.7, -8.32

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 44 / 56 / 0 / 44

HEX #504090

RGB 80 64 144

HSL 252, 0.38%, 0.41%

LAB 32.67, 27.63, -42.16

 

CMYK 0 / 22 / 56 / 44

HEX #907040

RGB 144 112 64

HSL 36, 0.38%, 0.41%

LAB 49.36, 6.58, 31.28

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 0 / 56 / 0 / 44

HEX #904090

RGB 144 64 144

HSL 300, 0.38%, 0.41%

LAB 40.59, 45.16, -29.1

 

CMYK 0 / 0 / 56 / 44

HEX #909040

RGB 144 144 64

HSL 60, 0.38%, 0.41%

LAB 58.27, -11.28, 41.79

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 44 / 56 / 0 / 44

HEX #504090

RGB 80 64 144

HSL 252, 0.38%, 0.41%

LAB 32.67, 27.63, -42.16

 

CMYK 0 / 56 / 56 / 44

HEX #904040

RGB 144 64 64

HSL 0, 0.38%, 0.41%

LAB 37.78, 33.87, 16.52

 

CMYK 11 / 0 / 56 / 44

HEX #809040

RGB 128 144 64

HSL 72, 0.38%, 0.41%

LAB 56.98, -18.18, 39.98

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 28 / 56 / 0 / 44

HEX #684090

RGB 104 64 144

HSL 270, 0.38%, 0.41%

LAB 35.25, 33.89, -37.89

 

CMYK 0 / 56 / 56 / 44

HEX #904040

RGB 144 64 64

HSL 0, 0.38%, 0.41%

LAB 37.78, 33.87, 16.52

 

CMYK 28 / 0 / 56 / 44

HEX #689040

RGB 104 144 64

HSL 90, 0.38%, 0.41%

LAB 55.34, -27.97, 37.64

 

Description

Color code: HEX #418F90 | qconv.com Color code: HEX #418F90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 143 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 143 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 1 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 1% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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