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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417BD1 it is the complementary color #BE842E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417BD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #417BD1 shade: #467BCC, #578DDF, #689FF2, #79B1FF and #8AC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417BD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #417BD1 shade: #417BD1, #3069BE, #1F57AB, #0E4598 and #003385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #417BD1 shade: #427BD1, #4255D1, #5542D1, #7C42D1 and #A242D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #417BD1 shade: #427BD1, #4255D1 and #4242D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #417BD1 shade matches the following richer shades: #427BD1, #2F78E4 and #1C74F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #417BD1 shade: #427BD1, #557FBE, #6883AB, #7B8698 and #8E8A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #417BD1 shade: #42CAD1, #42A3D1, #427DD1, #4257D1 and #5242D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #417BD1 shade: #25559B, #2D67BC, #427BD1, #6392D9 and #84A9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #417BD1 shade: #417BD1, #B242D1 and #B7D142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #417BD1 shade: #417BD1, #D1427D and #7DD142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #417BD1 shade: #417BD1, #B242D1, #D19542 and #61D142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #417BD1 shade: #417BD1, #D142C5, #D19542 and #42D14E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

Complementary color

CMYK 0 / 31 / 76 / 25

HEX #BE842E

RGB 190 132 46

HSL 35.83, 0.61%, 0.46%

LAB 59.57, 14.63, 52.77

 

CMYK 66 / 40 / 0 / 20

HEX #467BCC

RGB 70 123 204

HSL 216.27, 0.57%, 0.54%

LAB 51.64, 8.33, -47.23

 

CMYK 61 / 37 / 0 / 13

HEX #578DDF

RGB 87 141 223

HSL 216.18, 0.68%, 0.61%

LAB 58.42, 7, -47.13

 

CMYK 57 / 34 / 0 / 5

HEX #689FF2

RGB 104 159 242

HSL 216.09, 0.84%, 0.68%

LAB 65.08, 5.91, -47.06

 

CMYK 53 / 31 / 0 / 0

HEX #79B1FF

RGB 121 177 255

HSL 214.93, 1%, 0.74%

LAB 71.37, 3.2, -44.19

 

CMYK 46 / 24 / 0 / 0

HEX #8AC3FF

RGB 138 195 255

HSL 210.77, 1%, 0.77%

LAB 77.07, -2.88, -35.25

 

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

CMYK 75 / 45 / 0 / 25

HEX #3069BE

RGB 48 105 190

HSL 215.92, 0.6%, 0.47%

LAB 44.87, 11.18, -50.05

 

CMYK 82 / 49 / 0 / 33

HEX #1F57AB

RGB 31 87 171

HSL 216, 0.69%, 0.4%

LAB 37.93, 13.58, -50.11

 

CMYK 91 / 55 / 0 / 40

HEX #0E4598

RGB 14 69 152

HSL 216.09, 0.83%, 0.33%

LAB 30.92, 16.68, -50.06

 

CMYK 100 / 62 / 0 / 48

HEX #003385

RGB 0 51 133

HSL 216.99, 1%, 0.26%

LAB 23.87, 20.56, -49.83

 

CMYK 68 / 41 / 0 / 18

HEX #427BD1

RGB 66 123 209

HSL 216.08, 0.61%, 0.54%

LAB 51.76, 9.45, -49.9

 

CMYK 68 / 59 / 0 / 18

HEX #4255D1

RGB 66 85 209

HSL 232.03, 0.61%, 0.54%

LAB 41.62, 33.35, -66.23

 

CMYK 59 / 68 / 0 / 18

HEX #5542D1

RGB 85 66 209

HSL 247.97, 0.61%, 0.54%

LAB 38.61, 47.46, -71.11

 

CMYK 41 / 68 / 0 / 18

HEX #7C42D1

RGB 124 66 209

HSL 264.34, 0.61%, 0.54%

LAB 42.44, 54.03, -64.7

 

CMYK 22 / 68 / 0 / 18

HEX #A242D1

RGB 162 66 209

HSL 280.28, 0.61%, 0.54%

LAB 47.21, 61.64, -56.74

 

CMYK 68 / 41 / 0 / 18

HEX #427BD1

RGB 66 123 209

HSL 216.08, 0.61%, 0.54%

LAB 51.76, 9.45, -49.9

 

CMYK 68 / 59 / 0 / 18

HEX #4255D1

RGB 66 85 209

HSL 232.03, 0.61%, 0.54%

LAB 41.62, 33.35, -66.23

 

CMYK 68 / 68 / 0 / 18

HEX #4242D1

RGB 66 66 209

HSL 240, 0.61%, 0.54%

LAB 37.22, 44.96, -73.43

 

CMYK 68 / 41 / 0 / 18

HEX #427BD1

RGB 66 123 209

HSL 216.08, 0.61%, 0.54%

LAB 51.76, 9.45, -49.9

 

CMYK 79 / 47 / 0 / 11

HEX #2F78E4

RGB 47 120 228

HSL 215.8, 0.77%, 0.54%

LAB 51.43, 15.86, -61.19

 

CMYK 89 / 53 / 0 / 3

HEX #1C74F7

RGB 28 116 247

HSL 215.89, 0.93%, 0.54%

LAB 51.21, 24.16, -72.17

 

CMYK 68 / 41 / 0 / 18

HEX #427BD1

RGB 66 123 209

HSL 216.08, 0.61%, 0.54%

LAB 51.76, 9.45, -49.9

 

CMYK 55 / 33 / 0 / 25

HEX #557FBE

RGB 85 127 190

HSL 216, 0.45%, 0.54%

LAB 52.76, 4.1, -37.42

 

CMYK 39 / 23 / 0 / 33

HEX #6883AB

RGB 104 131 171

HSL 215.82, 0.29%, 0.54%

LAB 54.15, 0.74, -24.27

 

CMYK 19 / 12 / 0 / 40

HEX #7B8698

RGB 123 134 152

HSL 217.24, 0.12%, 0.54%

LAB 55.61, -0.01, -10.97

 

CMYK 0 / 3 / 6 / 44

HEX #8E8A85

RGB 142 138 133

HSL 33.33, 0.04%, 0.54%

LAB 57.68, 0.54, 3.19

 

CMYK 68 / 3 / 0 / 18

HEX #42CAD1

RGB 66 202 209

HSL 182.94, 0.61%, 0.54%

LAB 74.83, -33.54, -14.15

 

CMYK 68 / 22 / 0 / 18

HEX #42A3D1

RGB 66 163 209

HSL 199.3, 0.61%, 0.54%

LAB 63.31, -13.75, -31.73

 

CMYK 68 / 40 / 0 / 18

HEX #427DD1

RGB 66 125 209

HSL 215.24, 0.61%, 0.54%

LAB 52.32, 8.22, -49

 

CMYK 68 / 58 / 0 / 18

HEX #4257D1

RGB 66 87 209

HSL 231.19, 0.61%, 0.54%

LAB 42.12, 32.09, -65.42

 

CMYK 61 / 68 / 0 / 18

HEX #5242D1

RGB 82 66 209

HSL 246.71, 0.61%, 0.54%

LAB 38.36, 47.03, -71.52

 

CMYK 76 / 45 / 0 / 39

HEX #25559B

RGB 37 85 155

HSL 215.59, 0.61%, 0.38%

LAB 36.47, 9.29, -42.88

 

CMYK 76 / 45 / 0 / 26

HEX #2D67BC

RGB 45 103 188

HSL 215.66, 0.61%, 0.46%

LAB 44.07, 11.32, -50.17

 

CMYK 68 / 41 / 0 / 18

HEX #427BD1

RGB 66 123 209

HSL 216.08, 0.61%, 0.54%

LAB 51.76, 9.45, -49.9

 

CMYK 54 / 33 / 0 / 15

HEX #6392D9

RGB 99 146 217

HSL 216.1, 0.61%, 0.62%

LAB 60.09, 4.53, -41.12

 

CMYK 41 / 25 / 0 / 12

HEX #84A9E1

RGB 132 169 225

HSL 216.13, 0.61%, 0.7%

LAB 68.55, 1.62, -32.22

 

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

CMYK 15 / 68 / 0 / 18

HEX #B242D1

RGB 178 66 209

HSL 286.99, 0.61%, 0.54%

LAB 49.45, 65.04, -53.02

 

CMYK 12 / 0 / 68 / 18

HEX #B7D142

RGB 183 209 66

HSL 70.91, 0.61%, 0.54%

LAB 79.65, -27.52, 64.71

 

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

CMYK 0 / 68 / 40 / 18

HEX #D1427D

RGB 209 66 125

HSL 335.24, 0.61%, 0.54%

LAB 50.61, 60.53, -1.39

 

CMYK 40 / 0 / 68 / 18

HEX #7DD142

RGB 125 209 66

HSL 95.24, 0.61%, 0.54%

LAB 76.29, -49.08, 60.19

 

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

CMYK 15 / 68 / 0 / 18

HEX #B242D1

RGB 178 66 209

HSL 286.99, 0.61%, 0.54%

LAB 49.45, 65.04, -53.02

 

CMYK 0 / 29 / 68 / 18

HEX #D19542

RGB 209 149 66

HSL 34.83, 0.61%, 0.54%

LAB 66.09, 14.58, 51.33

 

CMYK 54 / 0 / 68 / 18

HEX #61D142

RGB 97 209 66

HSL 106.99, 0.61%, 0.54%

LAB 75.16, -57.44, 58.67

 

CMYK 69 / 41 / 0 / 18

HEX #417BD1

RGB 65 123 209

HSL 215.83, 0.61%, 0.54%

LAB 51.72, 9.29, -49.96

 

CMYK 0 / 68 / 6 / 18

HEX #D142C5

RGB 209 66 197

HSL 305.03, 0.61%, 0.54%

LAB 53.47, 69.92, -39.45

 

CMYK 0 / 29 / 68 / 18

HEX #D19542

RGB 209 149 66

HSL 34.83, 0.61%, 0.54%

LAB 66.09, 14.58, 51.33

 

CMYK 68 / 0 / 63 / 18

HEX #42D14E

RGB 66 209 78

HSL 125.03, 0.61%, 0.54%

LAB 74.39, -63.28, 52.67

 

Description

Color code: HEX #417BD1 | qconv.com Color code: HEX #417BD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 123 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 123 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 41 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 41% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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