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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417B82 it is the complementary color #BE847D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417B82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #417B82 shade: #467B7D, #578D90, #689FA3, #79B1B6 and #8AC3C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417B82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #417B82 shade: #417B82, #30696F, #1F575C, #0E4549 and #003336

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #417B82 shade: #407980, #406880, #405780, #404680 and #4C4080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #417B82 shade: #407980, #406880, #405780, #404680 and #404080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #417B82 shade matches the following richer shades: #407980, #318690, #2192A0, #119EAF and #02ABBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #417B82 shade: #407980, #506D71, #606161, #6F5551 and #7F4842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #417B82 shade: #408065, #408076, #407A80, #406980 and #405880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #417B82 shade: #25464A, #336065, #407980, #4E939C and #63A8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #417B82 shade: #417B82, #544080 and #806D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #417B82 shade: #417B82, #80407A and #7A8040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #417B82 shade: #417B82, #544080, #804740 and #6D8040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #417B82 shade: #417B82, #674080, #804740 and #5A8040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

Complementary color

CMYK 0 / 31 / 34 / 25

HEX #BE847D

RGB 190 132 125

HSL 6.46, 0.33%, 0.62%

LAB 60.72, 21.4, 12.76

 

CMYK 44 / 2 / 0 / 51

HEX #467B7D

RGB 70 123 125

HSL 182.18, 0.28%, 0.38%

LAB 48.2, -17.05, -6.63

 

CMYK 40 / 2 / 0 / 44

HEX #578D90

RGB 87 141 144

HSL 183.16, 0.25%, 0.45%

LAB 55.16, -17.03, -7.25

 

CMYK 36 / 2 / 0 / 36

HEX #689FA3

RGB 104 159 163

HSL 184.07, 0.24%, 0.52%

LAB 61.98, -16.99, -7.84

 

CMYK 34 / 3 / 0 / 29

HEX #79B1B6

RGB 121 177 182

HSL 184.92, 0.29%, 0.59%

LAB 68.67, -16.93, -8.39

 

CMYK 31 / 3 / 0 / 21

HEX #8AC3C9

RGB 138 195 201

HSL 185.71, 0.37%, 0.66%

LAB 75.23, -16.88, -8.93

 

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

CMYK 57 / 5 / 0 / 56

HEX #30696F

RGB 48 105 111

HSL 185.71, 0.4%, 0.31%

LAB 41.02, -16.72, -9.06

 

CMYK 66 / 5 / 0 / 64

HEX #1F575C

RGB 31 87 92

HSL 184.92, 0.5%, 0.24%

LAB 33.73, -16.33, -8.34

 

CMYK 81 / 5 / 0 / 71

HEX #0E4549

RGB 14 69 73

HSL 184.07, 0.68%, 0.17%

LAB 26.25, -15.56, -7.47

 

CMYK 100 / 6 / 0 / 79

HEX #003336

RGB 0 51 54

HSL 183.33, 1%, 0.11%

LAB 18.51, -14.28, -6.43

 

CMYK 50 / 5 / 0 / 50

HEX #407980

RGB 64 121 128

HSL 186.56, 0.33%, 0.38%

LAB 47.4, -16.65, -9.63

 

CMYK 50 / 19 / 0 / 50

HEX #406880

RGB 64 104 128

HSL 202.5, 0.33%, 0.38%

LAB 42.08, -6.95, -17.7

 

CMYK 50 / 32 / 0 / 50

HEX #405780

RGB 64 87 128

HSL 218.44, 0.33%, 0.38%

LAB 36.86, 3.51, -25.77

 

CMYK 50 / 45 / 0 / 50

HEX #404680

RGB 64 70 128

HSL 234.38, 0.33%, 0.38%

LAB 31.87, 14.59, -33.65

 

CMYK 41 / 50 / 0 / 50

HEX #4C4080

RGB 76 64 128

HSL 251.25, 0.33%, 0.38%

LAB 31.26, 21.72, -34.56

 

CMYK 50 / 5 / 0 / 50

HEX #407980

RGB 64 121 128

HSL 186.56, 0.33%, 0.38%

LAB 47.4, -16.65, -9.63

 

CMYK 50 / 19 / 0 / 50

HEX #406880

RGB 64 104 128

HSL 202.5, 0.33%, 0.38%

LAB 42.08, -6.95, -17.7

 

CMYK 50 / 32 / 0 / 50

HEX #405780

RGB 64 87 128

HSL 218.44, 0.33%, 0.38%

LAB 36.86, 3.51, -25.77

 

CMYK 50 / 45 / 0 / 50

HEX #404680

RGB 64 70 128

HSL 234.38, 0.33%, 0.38%

LAB 31.87, 14.59, -33.65

 

CMYK 50 / 50 / 0 / 50

HEX #404080

RGB 64 64 128

HSL 240, 0.33%, 0.38%

LAB 30.19, 18.58, -36.32

 

CMYK 50 / 5 / 0 / 50

HEX #407980

RGB 64 121 128

HSL 186.56, 0.33%, 0.38%

LAB 47.4, -16.65, -9.63

 

CMYK 66 / 7 / 0 / 44

HEX #318690

RGB 49 134 144

HSL 186.32, 0.49%, 0.38%

LAB 51.52, -21.86, -12.88

 

CMYK 79 / 9 / 0 / 37

HEX #2192A0

RGB 33 146 160

HSL 186.61, 0.66%, 0.38%

LAB 55.5, -25.1, -16.12

 

CMYK 90 / 10 / 0 / 31

HEX #119EAF

RGB 17 158 175

HSL 186.46, 0.82%, 0.38%

LAB 59.59, -27.45, -18.47

 

CMYK 99 / 10 / 0 / 25

HEX #02ABBF

RGB 2 171 191

HSL 186.35, 0.98%, 0.38%

LAB 64.08, -29.18, -20.61

 

CMYK 50 / 5 / 0 / 50

HEX #407980

RGB 64 121 128

HSL 186.56, 0.33%, 0.38%

LAB 47.4, -16.65, -9.63

 

CMYK 29 / 4 / 0 / 56

HEX #506D71

RGB 80 109 113

HSL 187.27, 0.17%, 0.38%

LAB 44, -9.47, -5.66

 

CMYK 1 / 0 / 0 / 62

HEX #606161

RGB 96 97 97

HSL 180, 0.01%, 0.38%

LAB 41.06, -0.39, -0.14

 

CMYK 0 / 23 / 27 / 56

HEX #6F5551

RGB 111 85 81

HSL 8, 0.16%, 0.38%

LAB 38.67, 10.12, 6.47

 

CMYK 0 / 43 / 48 / 50

HEX #7F4842

RGB 127 72 66

HSL 5.9, 0.32%, 0.38%

LAB 37, 22.74, 13.78

 

CMYK 50 / 0 / 21 / 50

HEX #408065

RGB 64 128 101

HSL 154.69, 0.33%, 0.38%

LAB 48.84, -27.4, 8.41

 

CMYK 50 / 0 / 8 / 50

HEX #408076

RGB 64 128 118

HSL 170.63, 0.33%, 0.38%

LAB 49.3, -23.16, -0.9

 

CMYK 50 / 5 / 0 / 50

HEX #407A80

RGB 64 122 128

HSL 185.63, 0.33%, 0.38%

LAB 47.71, -17.2, -9.16

 

CMYK 50 / 18 / 0 / 50

HEX #406980

RGB 64 105 128

HSL 201.56, 0.33%, 0.38%

LAB 42.39, -7.55, -17.22

 

CMYK 50 / 31 / 0 / 50

HEX #405880

RGB 64 88 128

HSL 217.5, 0.33%, 0.38%

LAB 37.17, 2.88, -25.3

 

CMYK 50 / 5 / 0 / 71

HEX #25464A

RGB 37 70 74

HSL 186.49, 0.33%, 0.22%

LAB 27.49, -10.82, -6.18

 

CMYK 50 / 5 / 0 / 60

HEX #336065

RGB 51 96 101

HSL 186, 0.33%, 0.3%

LAB 37.86, -13.97, -7.67

 

CMYK 50 / 5 / 0 / 50

HEX #407980

RGB 64 121 128

HSL 186.56, 0.33%, 0.38%

LAB 47.4, -16.65, -9.63

 

CMYK 50 / 6 / 0 / 39

HEX #4E939C

RGB 78 147 156

HSL 186.92, 0.33%, 0.46%

LAB 56.97, -19.23, -11.49

 

CMYK 44 / 5 / 0 / 31

HEX #63A8B0

RGB 99 168 176

HSL 186.23, 0.33%, 0.54%

LAB 64.8, -19.64, -10.95

 

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

CMYK 34 / 50 / 0 / 50

HEX #544080

RGB 84 64 128

HSL 258.75, 0.33%, 0.38%

LAB 32.06, 23.97, -33.25

 

CMYK 0 / 15 / 50 / 50

HEX #806D40

RGB 128 109 64

HSL 42.19, 0.33%, 0.38%

LAB 46.84, 1.11, 27.79

 

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

CMYK 0 / 50 / 5 / 50

HEX #80407A

RGB 128 64 122

HSL 305.63, 0.33%, 0.38%

LAB 37.23, 36.18, -21.01

 

CMYK 5 / 0 / 50 / 50

HEX #7A8040

RGB 122 128 64

HSL 65.63, 0.33%, 0.38%

LAB 51.78, -12.26, 33.71

 

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

CMYK 34 / 50 / 0 / 50

HEX #544080

RGB 84 64 128

HSL 258.75, 0.33%, 0.38%

LAB 32.06, 23.97, -33.25

 

CMYK 0 / 45 / 50 / 50

HEX #804740

RGB 128 71 64

HSL 6.56, 0.33%, 0.38%

LAB 36.87, 23.52, 14.87

 

CMYK 15 / 0 / 50 / 50

HEX #6D8040

RGB 109 128 64

HSL 77.81, 0.33%, 0.38%

LAB 50.76, -17.84, 32.24

 

CMYK 50 / 5 / 0 / 49

HEX #417B82

RGB 65 123 130

HSL 186.46, 0.33%, 0.38%

LAB 48.14, -16.92, -9.7

 

CMYK 20 / 50 / 0 / 50

HEX #674080

RGB 103 64 128

HSL 276.56, 0.33%, 0.38%

LAB 34.21, 29.61, -29.7

 

CMYK 0 / 45 / 50 / 50

HEX #804740

RGB 128 71 64

HSL 6.56, 0.33%, 0.38%

LAB 36.87, 23.52, 14.87

 

CMYK 30 / 0 / 50 / 50

HEX #5A8040

RGB 90 128 64

HSL 95.63, 0.33%, 0.38%

LAB 49.47, -25.52, 30.38

 

Description

Color code: HEX #417B82 | qconv.com Color code: HEX #417B82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 123 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 123 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 5 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 5% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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