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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416E9E it is the complementary color #BE9161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416E9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416E9E shade: #466E99, #5780AC, #6892BF, #79A4D2 and #8AB6E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416E9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416E9E shade: #416E9E, #305C8B, #1F4A78, #0E3865 and #002652

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416E9E shade: #416E9F, #41559F, #46419F, #5F419F and #79419F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416E9E shade: #416E9F, #41559F and #41419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416E9E shade matches the following richer shades: #416E9F, #2E6EB1, #1C6DC3 and #0A6CD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416E9E shade: #416E9F, #536F8D, #656F7B, #777068 and #897156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416E9E shade: #419F9C, #41899F, #41709F, #41579F and #44419F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416E9E shade: #294564, #355A82, #416E9F, #5183B8 and #6E98C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416E9E shade: #416E9E, #83419F and #959F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416E9E shade: #416E9E, #9F4170 and #709F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416E9E shade: #416E9E, #83419F, #9F7041 and #5D9F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416E9E shade: #416E9E, #9F419F, #9F7041 and #419F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

Complementary color

CMYK 0 / 24 / 49 / 25

HEX #BE9161

RGB 190 145 97

HSL 30.97, 0.42%, 0.56%

LAB 63.39, 11.04, 31.94

 

CMYK 54 / 28 / 0 / 40

HEX #466E99

RGB 70 110 153

HSL 211.08, 0.37%, 0.44%

LAB 45.3, -1.08, -27.64

 

CMYK 49 / 26 / 0 / 33

HEX #5780AC

RGB 87 128 172

HSL 211.06, 0.34%, 0.51%

LAB 52.33, -1.7, -27.73

 

CMYK 46 / 24 / 0 / 25

HEX #6892BF

RGB 104 146 191

HSL 211.03, 0.4%, 0.58%

LAB 59.22, -2.18, -27.85

 

CMYK 42 / 22 / 0 / 18

HEX #79A4D2

RGB 121 164 210

HSL 211.01, 0.5%, 0.65%

LAB 65.96, -2.58, -28

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

CMYK 65 / 34 / 0 / 45

HEX #305C8B

RGB 48 92 139

HSL 210.99, 0.49%, 0.37%

LAB 38.1, 0.5, -30.59

 

CMYK 74 / 38 / 0 / 53

HEX #1F4A78

RGB 31 74 120

HSL 211.01, 0.59%, 0.3%

LAB 30.75, 1.96, -30.56

 

CMYK 86 / 45 / 0 / 60

HEX #0E3865

RGB 14 56 101

HSL 211.03, 0.76%, 0.23%

LAB 23.21, 4.11, -30.5

 

CMYK 100 / 54 / 0 / 68

HEX #002652

RGB 0 38 82

HSL 212.2, 1%, 0.16%

LAB 15.46, 7.22, -30.39

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

CMYK 59 / 47 / 0 / 38

HEX #41559F

RGB 65 85 159

HSL 227.23, 0.42%, 0.44%

LAB 38.06, 15.59, -42.66

 

CMYK 56 / 59 / 0 / 38

HEX #46419F

RGB 70 65 159

HSL 243.19, 0.42%, 0.44%

LAB 33.11, 29.57, -50.63

 

CMYK 40 / 59 / 0 / 38

HEX #5F419F

RGB 95 65 159

HSL 259.15, 0.42%, 0.44%

LAB 35.43, 35.04, -46.75

 

CMYK 24 / 59 / 0 / 38

HEX #79419F

RGB 121 65 159

HSL 275.74, 0.42%, 0.44%

LAB 38.46, 41.52, -41.73

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

CMYK 59 / 47 / 0 / 38

HEX #41559F

RGB 65 85 159

HSL 227.23, 0.42%, 0.44%

LAB 38.06, 15.59, -42.66

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

CMYK 74 / 38 / 0 / 31

HEX #2E6EB1

RGB 46 110 177

HSL 210.69, 0.59%, 0.44%

LAB 45.51, 2.9, -41.48

 

CMYK 86 / 44 / 0 / 24

HEX #1C6DC3

RGB 28 109 195

HSL 210.9, 0.75%, 0.44%

LAB 45.8, 8.51, -51.47

 

CMYK 95 / 49 / 0 / 16

HEX #0A6CD5

RGB 10 108 213

HSL 211.03, 0.91%, 0.44%

LAB 46.44, 15.31, -60.79

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

CMYK 41 / 21 / 0 / 45

HEX #536F8D

RGB 83 111 141

HSL 211.03, 0.26%, 0.44%

LAB 45.81, -2, -19.66

 

CMYK 18 / 10 / 0 / 52

HEX #656F7B

RGB 101 111 123

HSL 212.73, 0.1%, 0.44%

LAB 46.4, -1.02, -7.92

 

CMYK 0 / 6 / 13 / 53

HEX #777068

RGB 119 112 104

HSL 32, 0.07%, 0.44%

LAB 47.64, 1.21, 5.41

 

CMYK 0 / 18 / 37 / 46

HEX #897156

RGB 137 113 86

HSL 31.76, 0.23%, 0.44%

LAB 49.25, 5.34, 18.53

 

CMYK 59 / 0 / 2 / 38

HEX #419F9C

RGB 65 159 156

HSL 178.09, 0.42%, 0.44%

LAB 60.18, -28.11, -6.74

 

CMYK 59 / 14 / 0 / 38

HEX #41899F

RGB 65 137 159

HSL 194.04, 0.42%, 0.44%

LAB 53.51, -15.81, -18.5

 

CMYK 59 / 30 / 0 / 38

HEX #41709F

RGB 65 112 159

HSL 210, 0.42%, 0.44%

LAB 45.93, -1.42, -30.22

 

CMYK 59 / 45 / 0 / 38

HEX #41579F

RGB 65 87 159

HSL 225.96, 0.42%, 0.44%

LAB 38.63, 14.3, -41.76

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 59 / 31 / 0 / 61

HEX #294564

RGB 41 69 100

HSL 211.53, 0.42%, 0.28%

LAB 28.51, -0.3, -21.41

 

CMYK 59 / 31 / 0 / 49

HEX #355A82

RGB 53 90 130

HSL 211.17, 0.42%, 0.36%

LAB 37.26, -0.4, -26.42

 

CMYK 59 / 31 / 0 / 38

HEX #416E9F

RGB 65 110 159

HSL 211.28, 0.42%, 0.44%

LAB 45.33, -0.21, -31.15

 

CMYK 56 / 29 / 0 / 28

HEX #5183B8

RGB 81 131 184

HSL 210.87, 0.42%, 0.52%

LAB 53.43, -1.08, -32.95

 

CMYK 44 / 22 / 0 / 23

HEX #6E98C4

RGB 110 152 196

HSL 210.7, 0.42%, 0.6%

LAB 61.44, -2.62, -27.2

 

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

CMYK 18 / 59 / 0 / 38

HEX #83419F

RGB 131 65 159

HSL 282.13, 0.42%, 0.44%

LAB 39.76, 44.13, -39.57

 

CMYK 6 / 0 / 59 / 38

HEX #959F41

RGB 149 159 65

HSL 66.38, 0.42%, 0.44%

LAB 62.98, -16.93, 46.74

 

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 30 / 0 / 59 / 38

HEX #709F41

RGB 112 159 65

HSL 90, 0.42%, 0.44%

LAB 60.45, -31.95, 43.19

 

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

CMYK 18 / 59 / 0 / 38

HEX #83419F

RGB 131 65 159

HSL 282.13, 0.42%, 0.44%

LAB 39.76, 44.13, -39.57

 

CMYK 0 / 30 / 59 / 38

HEX #9F7041

RGB 159 112 65

HSL 30, 0.42%, 0.44%

LAB 51.08, 13.34, 33.22

 

CMYK 42 / 0 / 59 / 38

HEX #5D9F41

RGB 93 159 65

HSL 102.13, 0.42%, 0.44%

LAB 59.44, -38.75, 41.77

 

CMYK 59 / 30 / 0 / 38

HEX #416E9E

RGB 65 110 158

HSL 210.97, 0.42%, 0.44%

LAB 45.28, -0.54, -30.64

 

CMYK 0 / 59 / 0 / 38

HEX #9F419F

RGB 159 65 159

HSL 300, 0.42%, 0.44%

LAB 43.73, 51.58, -33.03

 

CMYK 0 / 30 / 59 / 38

HEX #9F7041

RGB 159 112 65

HSL 30, 0.42%, 0.44%

LAB 51.08, 13.34, 33.22

 

CMYK 59 / 0 / 59 / 38

HEX #419F41

RGB 65 159 65

HSL 120, 0.42%, 0.44%

LAB 58.32, -46.99, 40.19

 

Description

Color code: HEX #416E9E | qconv.com Color code: HEX #416E9E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 110 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 110 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 30 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 30% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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