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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4143D6 it is the complementary color #BEBC29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4143D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4143D6 shade: #4643D1, #5755E4, #6867F7, #7979FF and #8A8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4143D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4143D6 shade: #4143D6, #3031C3, #1F1FB0, #0E0D9D and #00008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4143D6 shade: #4143D6, #6741D6, #9041D6, #B841D6 and #D641CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4143D6 shade: #4143D6 and #4141D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4143D6 shade matches the following richer shades: #4143D6, #2F31E9 and #1C1FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4143D6 shade: #4143D6, #5455C4, #6667B1, #79799F and #8B8B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4143D6 shade: #4193D6, #416BD6, #4144D6, #6641D6 and #8E41D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4143D6 shade: #2224A3, #292BC5, #4143D6, #6365DE and #8587E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4143D6 shade: #4143D6, #D641BB and #7FD641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4143D6 shade: #4143D6, #D64144 and #44D641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4143D6 shade: #4143D6, #D641BB, #D6D441 and #41D65D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4143D6 shade: #4143D6, #D6418E, #D6D441 and #41D689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

Complementary color

CMYK 0 / 1 / 78 / 25

HEX #BEBC29

RGB 190 188 41

HSL 59.19, 0.65%, 0.45%

LAB 74.24, -15.45, 68.15

 

CMYK 67 / 68 / 0 / 18

HEX #4643D1

RGB 70 67 209

HSL 241.27, 0.61%, 0.54%

LAB 37.7, 44.86, -72.64

 

CMYK 62 / 63 / 0 / 11

HEX #5755E4

RGB 87 85 228

HSL 240.84, 0.73%, 0.61%

LAB 44.41, 42.75, -72.48

 

CMYK 58 / 58 / 0 / 3

HEX #6867F7

RGB 104 103 247

HSL 240.42, 0.9%, 0.69%

LAB 51.1, 40.84, -72.2

 

CMYK 53 / 53 / 0 / 0

HEX #7979FF

RGB 121 121 255

HSL 240, 1%, 0.74%

LAB 57.04, 35.8, -66.98

 

CMYK 46 / 45 / 0 / 0

HEX #8A8BFF

RGB 138 139 255

HSL 239.49, 1%, 0.77%

LAB 62.58, 28.86, -58.02

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 75 / 75 / 0 / 24

HEX #3031C3

RGB 48 49 195

HSL 239.59, 0.6%, 0.48%

LAB 31.27, 48.26, -75.13

 

CMYK 82 / 82 / 0 / 31

HEX #1F1FB0

RGB 31 31 176

HSL 240, 0.7%, 0.41%

LAB 24.97, 50.38, -74.32

 

CMYK 91 / 92 / 0 / 38

HEX #0E0D9D

RGB 14 13 157

HSL 240.42, 0.85%, 0.33%

LAB 19.29, 51.42, -72.27

 

CMYK 100 / 100 / 0 / 46

HEX #00008A

RGB 0 0 138

HSL 240, 1%, 0.27%

LAB 14.6, 50.17, -68.32

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 52 / 70 / 0 / 16

HEX #6741D6

RGB 103 65 214

HSL 255.3, 0.65%, 0.55%

LAB 40.44, 52.22, -70.92

 

CMYK 33 / 70 / 0 / 16

HEX #9041D6

RGB 144 65 214

HSL 271.81, 0.65%, 0.55%

LAB 45.03, 59.53, -63.25

 

CMYK 14 / 70 / 0 / 16

HEX #B841D6

RGB 184 65 214

HSL 287.92, 0.65%, 0.55%

LAB 50.48, 67.66, -54.18

 

CMYK 0 / 70 / 4 / 16

HEX #D641CD

RGB 214 65 205

HSL 303.62, 0.65%, 0.55%

LAB 54.54, 72.65, -42.31

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 70 / 70 / 0 / 16

HEX #4141D6

RGB 65 65 214

HSL 240, 0.65%, 0.55%

LAB 37.41, 47.06, -76.02

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 80 / 79 / 0 / 9

HEX #2F31E9

RGB 47 49 233

HSL 239.35, 0.81%, 0.55%

LAB 35.37, 60.18, -90.29

 

CMYK 89 / 88 / 0 / 2

HEX #1C1FFB

RGB 28 31 251

HSL 239.19, 0.97%, 0.55%

LAB 34.38, 71.99, -102.13

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 57 / 57 / 0 / 23

HEX #5455C4

RGB 84 85 196

HSL 239.46, 0.49%, 0.55%

LAB 41.79, 31.87, -58.39

 

CMYK 42 / 42 / 0 / 31

HEX #6667B1

RGB 102 103 177

HSL 239.2, 0.32%, 0.55%

LAB 46.58, 18.8, -39.59

 

CMYK 24 / 24 / 0 / 38

HEX #79799F

RGB 121 121 159

HSL 240, 0.17%, 0.55%

LAB 52.11, 8.6, -20.35

 

CMYK 1 / 1 / 0 / 45

HEX #8B8B8C

RGB 139 139 140

HSL 240, 0%, 0.55%

LAB 57.89, 0.2, -0.54

 

CMYK 70 / 31 / 0 / 16

HEX #4193D6

RGB 65 147 214

HSL 206.98, 0.65%, 0.55%

LAB 58.83, -3.26, -41.51

 

CMYK 70 / 50 / 0 / 16

HEX #416BD6

RGB 65 107 214

HSL 223.09, 0.65%, 0.55%

LAB 47.62, 21.07, -59.38

 

CMYK 70 / 68 / 0 / 16

HEX #4144D6

RGB 65 68 214

HSL 238.79, 0.65%, 0.55%

LAB 38.04, 45.32, -74.97

 

CMYK 52 / 70 / 0 / 16

HEX #6641D6

RGB 102 65 214

HSL 254.9, 0.65%, 0.55%

LAB 40.35, 52.07, -71.08

 

CMYK 34 / 70 / 0 / 16

HEX #8E41D6

RGB 142 65 214

HSL 271.01, 0.65%, 0.55%

LAB 44.78, 59.15, -63.66

 

CMYK 79 / 78 / 0 / 36

HEX #2224A3

RGB 34 36 163

HSL 239.07, 0.65%, 0.39%

LAB 24.47, 43.78, -67.3

 

CMYK 79 / 78 / 0 / 23

HEX #292BC5

RGB 41 43 197

HSL 239.23, 0.66%, 0.47%

LAB 29.99, 51.61, -78.44

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 55 / 55 / 0 / 13

HEX #6365DE

RGB 99 101 222

HSL 239.02, 0.65%, 0.63%

LAB 48.55, 33.26, -62.31

 

CMYK 42 / 41 / 0 / 10

HEX #8587E5

RGB 133 135 229

HSL 238.75, 0.65%, 0.71%

LAB 59.86, 22.57, -48.01

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 0 / 70 / 13 / 16

HEX #D641BB

RGB 214 65 187

HSL 310.87, 0.65%, 0.55%

LAB 53.67, 69.95, -33.31

 

CMYK 41 / 0 / 70 / 16

HEX #7FD641

RGB 127 214 65

HSL 95.03, 0.65%, 0.55%

LAB 77.87, -50.53, 62.24

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 0 / 70 / 68 / 16

HEX #D64144

RGB 214 65 68

HSL 358.79, 0.65%, 0.55%

LAB 50.09, 58.06, 32.25

 

CMYK 68 / 0 / 70 / 16

HEX #44D641

RGB 68 214 65

HSL 118.79, 0.65%, 0.55%

LAB 75.89, -65.83, 59.56

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 0 / 70 / 13 / 16

HEX #D641BB

RGB 214 65 187

HSL 310.87, 0.65%, 0.55%

LAB 53.67, 69.95, -33.31

 

CMYK 0 / 1 / 70 / 16

HEX #D6D441

RGB 214 212 65

HSL 59.19, 0.65%, 0.55%

LAB 82.79, -16.27, 68.97

 

CMYK 70 / 0 / 57 / 16

HEX #41D65D

RGB 65 214 93

HSL 131.28, 0.65%, 0.55%

LAB 76.07, -63.38, 47.93

 

CMYK 70 / 69 / 0 / 16

HEX #4143D6

RGB 65 67 214

HSL 239.19, 0.65%, 0.55%

LAB 37.83, 45.91, -75.32

 

CMYK 0 / 70 / 34 / 16

HEX #D6418E

RGB 214 65 142

HSL 328.99, 0.65%, 0.55%

LAB 51.87, 64.14, -9.62

 

CMYK 0 / 1 / 70 / 16

HEX #D6D441

RGB 214 212 65

HSL 59.19, 0.65%, 0.55%

LAB 82.79, -16.27, 68.97

 

CMYK 70 / 0 / 36 / 16

HEX #41D689

RGB 65 214 137

HSL 148.99, 0.65%, 0.55%

LAB 76.69, -56.32, 26.99

 

Description

Color code: HEX #4143D6 | qconv.com Color code: HEX #4143D6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 67 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 67 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 69 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 69% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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