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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4142A8 it is the complementary color #BEBD57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4142A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4142A8 shade: #4642A3, #5754B6, #6866C9, #7978DC and #8A8AEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4142A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4142A8 shade: #4142A8, #303095, #1F1E82, #0E0C6F and #00005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4142A8 shade: #4142A8, #5C41A8, #7841A8, #9441A8 and #A841A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4142A8 shade: #4142A8 and #4141A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4142A8 shade matches the following richer shades: #4142A8, #2E30BB, #1B1DCE and #080AE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4142A8 shade: #4142A8, #545595, #676782, #7A7A6F and #8D8D5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4142A8 shade: #417AA8, #415EA8, #4143A8, #5B41A8 and #7741A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4142A8 shade: #2A2B6D, #36368B, #4142A8, #5657BD and #7474C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4142A8 shade: #4142A8, #A84195 and #6CA841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4142A8 shade: #4142A8, #A84143 and #43A841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4142A8 shade: #4142A8, #A84195, #A8A741 and #41A854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4142A8 shade: #4142A8, #A84177, #A8A741 and #41A873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

Complementary color

CMYK 0 / 1 / 54 / 25

HEX #BEBD57

RGB 190 189 87

HSL 59.42, 0.44%, 0.54%

LAB 74.84, -13.31, 50.83

 

CMYK 57 / 60 / 0 / 36

HEX #4642A3

RGB 70 66 163

HSL 242.47, 0.42%, 0.45%

LAB 33.65, 30.26, -52.15

 

CMYK 52 / 54 / 0 / 29

HEX #5754B6

RGB 87 84 182

HSL 241.84, 0.4%, 0.52%

LAB 40.81, 28.57, -51.8

 

CMYK 48 / 49 / 0 / 21

HEX #6866C9

RGB 104 102 201

HSL 241.21, 0.48%, 0.59%

LAB 47.83, 27.15, -51.48

 

CMYK 45 / 45 / 0 / 14

HEX #7978DC

RGB 121 120 220

HSL 240.6, 0.59%, 0.67%

LAB 54.73, 25.93, -51.19

 

CMYK 42 / 42 / 0 / 6

HEX #8A8AEF

RGB 138 138 239

HSL 240, 0.76%, 0.74%

LAB 61.49, 24.88, -50.95

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 68 / 68 / 0 / 42

HEX #303095

RGB 48 48 149

HSL 240, 0.51%, 0.39%

LAB 26.48, 33.24, -55.4

 

CMYK 76 / 77 / 0 / 49

HEX #1F1E82

RGB 31 30 130

HSL 240.6, 0.63%, 0.31%

LAB 19.36, 35.68, -55.32

 

CMYK 87 / 89 / 0 / 56

HEX #0E0C6F

RGB 14 12 111

HSL 241.21, 0.8%, 0.24%

LAB 12.63, 37.72, -54.3

 

CMYK 100 / 100 / 0 / 64

HEX #00005C

RGB 0 0 92

HSL 240, 1%, 0.18%

LAB 6.98, 37.4, -51.13

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 45 / 61 / 0 / 34

HEX #5C41A8

RGB 92 65 168

HSL 255.73, 0.44%, 0.46%

LAB 35.76, 36.95, -51.64

 

CMYK 29 / 61 / 0 / 34

HEX #7841A8

RGB 120 65 168

HSL 272.04, 0.44%, 0.46%

LAB 38.9, 43.43, -46.42

 

CMYK 12 / 61 / 0 / 34

HEX #9441A8

RGB 148 65 168

HSL 288.35, 0.44%, 0.46%

LAB 42.62, 50.43, -40.26

 

CMYK 0 / 61 / 4 / 34

HEX #A841A1

RGB 168 65 161

HSL 304.08, 0.44%, 0.46%

LAB 45.19, 54.33, -31.84

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 61 / 61 / 0 / 34

HEX #4141A8

RGB 65 65 168

HSL 240, 0.44%, 0.46%

LAB 33.42, 31.67, -55.55

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 75 / 74 / 0 / 27

HEX #2E30BB

RGB 46 48 187

HSL 239.15, 0.61%, 0.46%

LAB 30.11, 46.02, -72.32

 

CMYK 87 / 86 / 0 / 19

HEX #1B1DCE

RGB 27 29 206

HSL 239.33, 0.77%, 0.46%

LAB 28.3, 60.13, -86.53

 

CMYK 96 / 96 / 0 / 12

HEX #080AE1

RGB 8 10 225

HSL 239.45, 0.93%, 0.46%

LAB 28.66, 70.31, -96.93

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 44 / 43 / 0 / 42

HEX #545595

RGB 84 85 149

HSL 239.08, 0.28%, 0.46%

LAB 38.81, 16.84, -35.37

 

CMYK 21 / 21 / 0 / 49

HEX #676782

RGB 103 103 130

HSL 240, 0.12%, 0.46%

LAB 44.51, 6.17, -14.95

 

CMYK 0 / 0 / 9 / 52

HEX #7A7A6F

RGB 122 122 111

HSL 60, 0.05%, 0.46%

LAB 50.93, -2.11, 6.02

 

CMYK 0 / 0 / 35 / 45

HEX #8D8D5C

RGB 141 141 92

HSL 60, 0.21%, 0.46%

LAB 57.55, -7.97, 26.19

 

CMYK 61 / 27 / 0 / 34

HEX #417AA8

RGB 65 122 168

HSL 206.8, 0.44%, 0.46%

LAB 49.34, -4.36, -30.16

 

CMYK 61 / 44 / 0 / 34

HEX #415EA8

RGB 65 94 168

HSL 223.11, 0.44%, 0.46%

LAB 41.15, 12.94, -43.09

 

CMYK 61 / 60 / 0 / 34

HEX #4143A8

RGB 65 67 168

HSL 238.83, 0.44%, 0.46%

LAB 33.91, 30.4, -54.75

 

CMYK 46 / 61 / 0 / 34

HEX #5B41A8

RGB 91 65 168

HSL 255.15, 0.44%, 0.46%

LAB 35.66, 36.74, -51.81

 

CMYK 29 / 61 / 0 / 34

HEX #7741A8

RGB 119 65 168

HSL 271.46, 0.44%, 0.46%

LAB 38.78, 43.19, -46.62

 

CMYK 61 / 61 / 0 / 57

HEX #2A2B6D

RGB 42 43 109

HSL 239.1, 0.44%, 0.3%

LAB 21.3, 21.17, -38.68

 

CMYK 61 / 61 / 0 / 45

HEX #36368B

RGB 54 54 139

HSL 240, 0.44%, 0.38%

LAB 27.54, 26.81, -47.49

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 54 / 54 / 0 / 26

HEX #5657BD

RGB 86 87 189

HSL 239.42, 0.44%, 0.54%

LAB 41.95, 28.74, -54.06

 

CMYK 42 / 42 / 0 / 22

HEX #7474C8

RGB 116 116 200

HSL 240, 0.43%, 0.62%

LAB 52.26, 21.26, -43.8

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 0 / 61 / 11 / 34

HEX #A84195

RGB 168 65 149

HSL 311.07, 0.44%, 0.46%

LAB 44.63, 52.34, -25.55

 

CMYK 36 / 0 / 61 / 34

HEX #6CA841

RGB 108 168 65

HSL 94.95, 0.44%, 0.46%

LAB 62.99, -37.53, 46.01

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 0 / 61 / 60 / 34

HEX #A84143

RGB 168 65 67

HSL 358.83, 0.44%, 0.46%

LAB 42.02, 42.55, 20.99

 

CMYK 60 / 0 / 61 / 34

HEX #43A841

RGB 67 168 65

HSL 118.83, 0.44%, 0.46%

LAB 61.29, -49.94, 43.63

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 0 / 61 / 11 / 34

HEX #A84195

RGB 168 65 149

HSL 311.07, 0.44%, 0.46%

LAB 44.63, 52.34, -25.55

 

CMYK 0 / 1 / 61 / 34

HEX #A8A741

RGB 168 167 65

HSL 59.42, 0.44%, 0.46%

LAB 66.78, -12.94, 51.34

 

CMYK 61 / 0 / 50 / 34

HEX #41A854

RGB 65 168 84

HSL 131.07, 0.44%, 0.46%

LAB 61.45, -47.88, 34.57

 

CMYK 61 / 61 / 0 / 34

HEX #4142A8

RGB 65 66 168

HSL 239.42, 0.44%, 0.46%

LAB 33.66, 31.04, -55.15

 

CMYK 0 / 61 / 29 / 34

HEX #A84177

RGB 168 65 119

HSL 328.54, 0.44%, 0.46%

LAB 43.41, 47.93, -9.17

 

CMYK 0 / 1 / 61 / 34

HEX #A8A741

RGB 168 167 65

HSL 59.42, 0.44%, 0.46%

LAB 66.78, -12.94, 51.34

 

CMYK 61 / 0 / 32 / 34

HEX #41A873

RGB 65 168 115

HSL 149.13, 0.44%, 0.46%

LAB 61.97, -42.31, 18.76

 

Description

Color code: HEX #4142A8 | qconv.com Color code: HEX #4142A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 66 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 66 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 61 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 61% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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