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Color name
HEX #4147C7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4147C7 it is the complementary color #BEB838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4147C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4147C7 shade: #4647C2, #5759D5, #686BE8, #797DFB and #8A8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4147C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4147C7 shade: #4147C7, #3035B4, #1F23A1, #0E118E and #00007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4147C7 shade: #4248C6, #6042C6, #8342C6, #A742C6 and #C642C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4147C7 shade: #4248C6 and #4242C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4147C7 shade matches the following richer shades: #4248C6, #2E36DA and #1A24EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4147C7 shade: #4248C6, #565AB2, #6A6C9F, #7D7E8B and #919077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4147C7 shade: #428FC6, #426CC6, #4249C6, #5F42C6 and #8242C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4147C7 shade: #2A2E8C, #3338AC, #4248C6, #6267D0 and #8285D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4147C7 shade: #4147C7, #C642B2 and #7DC642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4147C7 shade: #4147C7, #C64249 and #49C642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4147C7 shade: #4147C7, #C642B2, #C6C042 and #42C656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4147C7 shade: #4147C7, #C6428B, #C6C042 and #42C67D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

Complementary color

CMYK 0 / 3 / 71 / 25

HEX #BEB838

RGB 190 184 56

HSL 57.31, 0.54%, 0.48%

LAB 73.23, -12.78, 62.23

 

CMYK 64 / 63 / 0 / 24

HEX #4647C2

RGB 70 71 194

HSL 239.52, 0.5%, 0.52%

LAB 37.31, 37.5, -64.57

 

CMYK 59 / 58 / 0 / 16

HEX #5759D5

RGB 87 89 213

HSL 239.05, 0.6%, 0.59%

LAB 44.2, 35.49, -64.28

 

CMYK 55 / 54 / 0 / 9

HEX #686BE8

RGB 104 107 232

HSL 238.59, 0.74%, 0.66%

LAB 51.02, 33.74, -63.95

 

CMYK 52 / 50 / 0 / 2

HEX #797DFB

RGB 121 125 251

HSL 238.15, 0.94%, 0.73%

LAB 57.75, 32.23, -63.63

 

CMYK 46 / 44 / 0 / 0

HEX #8A8FFF

RGB 138 143 255

HSL 237.44, 1%, 0.77%

LAB 63.56, 26.53, -56.46

 

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

CMYK 73 / 71 / 0 / 29

HEX #3035B4

RGB 48 53 180

HSL 237.73, 0.58%, 0.45%

LAB 30.57, 40.93, -67.42

 

CMYK 81 / 78 / 0 / 37

HEX #1F23A1

RGB 31 35 161

HSL 238.15, 0.68%, 0.38%

LAB 23.89, 43.46, -67.05

 

CMYK 90 / 88 / 0 / 44

HEX #0E118E

RGB 14 17 142

HSL 238.59, 0.82%, 0.31%

LAB 17.68, 45.42, -65.67

 

CMYK 100 / 100 / 0 / 52

HEX #00007B

RGB 0 0 123

HSL 240, 1%, 0.24%

LAB 12.16, 46.16, -62.88

 

CMYK 67 / 64 / 0 / 22

HEX #4248C6

RGB 66 72 198

HSL 237.27, 0.54%, 0.52%

LAB 37.61, 37.66, -66.42

 

CMYK 52 / 67 / 0 / 22

HEX #6042C6

RGB 96 66 198

HSL 253.64, 0.54%, 0.52%

LAB 38.66, 45.93, -64.61

 

CMYK 34 / 67 / 0 / 22

HEX #8342C6

RGB 131 66 198

HSL 269.55, 0.54%, 0.52%

LAB 42.46, 52.68, -58.26

 

CMYK 16 / 67 / 0 / 22

HEX #A742C6

RGB 167 66 198

HSL 285.91, 0.54%, 0.52%

LAB 47.22, 60.49, -50.35

 

CMYK 0 / 67 / 2 / 22

HEX #C642C2

RGB 198 66 194

HSL 301.82, 0.54%, 0.52%

LAB 51.61, 66.89, -40.78

 

CMYK 67 / 64 / 0 / 22

HEX #4248C6

RGB 66 72 198

HSL 237.27, 0.54%, 0.52%

LAB 37.61, 37.66, -66.42

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 67 / 64 / 0 / 22

HEX #4248C6

RGB 66 72 198

HSL 237.27, 0.54%, 0.52%

LAB 37.61, 37.66, -66.42

 

CMYK 79 / 75 / 0 / 15

HEX #2E36DA

RGB 46 54 218

HSL 237.21, 0.7%, 0.52%

LAB 34.56, 52.87, -83.05

 

CMYK 89 / 85 / 0 / 7

HEX #1A24EE

RGB 26 36 238

HSL 237.17, 0.86%, 0.52%

LAB 33.25, 66.57, -96.67

 

CMYK 67 / 64 / 0 / 22

HEX #4248C6

RGB 66 72 198

HSL 237.27, 0.54%, 0.52%

LAB 37.61, 37.66, -66.42

 

CMYK 52 / 49 / 0 / 30

HEX #565AB2

RGB 86 90 178

HSL 237.39, 0.37%, 0.52%

LAB 42.01, 23.31, -47.53

 

CMYK 33 / 32 / 0 / 38

HEX #6A6C9F

RGB 106 108 159

HSL 237.74, 0.22%, 0.52%

LAB 47.36, 11.71, -27.8

 

CMYK 10 / 9 / 0 / 45

HEX #7D7E8B

RGB 125 126 139

HSL 235.71, 0.06%, 0.52%

LAB 53.11, 2.35, -7.15

 

CMYK 0 / 1 / 18 / 43

HEX #919077

RGB 145 144 119

HSL 57.69, 0.11%, 0.52%

LAB 59.25, -4.08, 13.45

 

CMYK 67 / 28 / 0 / 22

HEX #428FC6

RGB 66 143 198

HSL 205, 0.54%, 0.52%

LAB 56.96, -6.27, -35.45

 

CMYK 67 / 45 / 0 / 22

HEX #426CC6

RGB 66 108 198

HSL 220.91, 0.54%, 0.52%

LAB 46.92, 14.86, -51.34

 

CMYK 67 / 63 / 0 / 22

HEX #4249C6

RGB 66 73 198

HSL 236.82, 0.54%, 0.52%

LAB 37.84, 37.05, -66.04

 

CMYK 52 / 67 / 0 / 22

HEX #5F42C6

RGB 95 66 198

HSL 253.18, 0.54%, 0.52%

LAB 38.56, 45.76, -64.77

 

CMYK 34 / 67 / 0 / 22

HEX #8242C6

RGB 130 66 198

HSL 269.09, 0.54%, 0.52%

LAB 42.34, 52.47, -58.46

 

CMYK 70 / 67 / 0 / 45

HEX #2A2E8C

RGB 42 46 140

HSL 237.55, 0.54%, 0.36%

LAB 24.76, 30.48, -52.67

 

CMYK 70 / 67 / 0 / 33

HEX #3338AC

RGB 51 56 172

HSL 237.52, 0.54%, 0.44%

LAB 30.67, 36.66, -62.48

 

CMYK 67 / 64 / 0 / 22

HEX #4248C6

RGB 66 72 198

HSL 237.27, 0.54%, 0.52%

LAB 37.61, 37.66, -66.42

 

CMYK 53 / 50 / 0 / 18

HEX #6267D0

RGB 98 103 208

HSL 237.27, 0.54%, 0.6%

LAB 48.07, 27.4, -55.13

 

CMYK 40 / 39 / 0 / 15

HEX #8285D9

RGB 130 133 217

HSL 237.93, 0.53%, 0.68%

LAB 58.54, 19.6, -43.42

 

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

CMYK 0 / 67 / 10 / 22

HEX #C642B2

RGB 198 66 178

HSL 309.09, 0.54%, 0.52%

LAB 50.82, 64.36, -32.71

 

CMYK 37 / 0 / 67 / 22

HEX #7DC642

RGB 125 198 66

HSL 93.18, 0.54%, 0.52%

LAB 72.98, -44.51, 56.73

 

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

CMYK 0 / 67 / 63 / 22

HEX #C64249

RGB 198 66 73

HSL 356.82, 0.54%, 0.52%

LAB 47.47, 52.8, 25.42

 

CMYK 63 / 0 / 67 / 22

HEX #49C642

RGB 73 198 66

HSL 116.82, 0.54%, 0.52%

LAB 71.01, -59.33, 54.02

 

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

CMYK 0 / 67 / 10 / 22

HEX #C642B2

RGB 198 66 178

HSL 309.09, 0.54%, 0.52%

LAB 50.82, 64.36, -32.71

 

CMYK 0 / 3 / 67 / 22

HEX #C6C042

RGB 198 192 66

HSL 57.27, 0.54%, 0.52%

LAB 76.13, -12.91, 61.51

 

CMYK 67 / 0 / 57 / 22

HEX #42C656

RGB 66 198 86

HSL 129.09, 0.54%, 0.52%

LAB 71.02, -58.53, 45.2

 

CMYK 67 / 64 / 0 / 22

HEX #4147C7

RGB 65 71 199

HSL 237.31, 0.54%, 0.52%

LAB 37.4, 38.48, -67.35

 

CMYK 0 / 67 / 30 / 22

HEX #C6428B

RGB 198 66 139

HSL 326.82, 0.54%, 0.52%

LAB 49.21, 58.96, -12.09

 

CMYK 0 / 3 / 67 / 22

HEX #C6C042

RGB 198 192 66

HSL 57.27, 0.54%, 0.52%

LAB 76.13, -12.91, 61.51

 

CMYK 67 / 0 / 37 / 22

HEX #42C67D

RGB 66 198 125

HSL 146.82, 0.54%, 0.52%

LAB 71.57, -52.3, 26.39

 

Description

Color code: HEX #4147C7 | qconv.com Color code: HEX #4147C7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 71 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 71 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 64 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 64% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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