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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4147A8 it is the complementary color #BEB857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4147A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4147A8 shade: #4647A3, #5759B6, #686BC9, #797DDC and #8A8FEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4147A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4147A8 shade: #4147A8, #303595, #1F2382, #0E116F and #00005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4147A8 shade: #4147A8, #5741A8, #7341A8, #8F41A8 and #A841A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4147A8 shade: #4147A8 and #4141A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4147A8 shade matches the following richer shades: #4147A8, #2E36BB, #1B26CE and #0815E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4147A8 shade: #4147A8, #545895, #676982, #7A7A6F and #8D8A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4147A8 shade: #417FA8, #4164A8, #4148A8, #5641A8 and #7141A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4147A8 shade: #2A2E6D, #363B8B, #4147A8, #565CBD and #7479C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4147A8 shade: #4147A8, #A8419B and #71A841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4147A8 shade: #4147A8, #A84148 and #48A841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4147A8 shade: #4147A8, #A8419B, #A8A241 and #41A84F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4147A8 shade: #4147A8, #A8417C, #A8A241 and #41A86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

Complementary color

CMYK 0 / 3 / 54 / 25

HEX #BEB857

RGB 190 184 87

HSL 56.5, 0.44%, 0.54%

LAB 73.49, -10.74, 49.27

 

CMYK 57 / 56 / 0 / 36

HEX #4647A3

RGB 70 71 163

HSL 239.35, 0.4%, 0.46%

LAB 34.91, 27.07, -50.11

 

CMYK 52 / 51 / 0 / 29

HEX #5759B6

RGB 87 89 182

HSL 238.74, 0.39%, 0.53%

LAB 42.07, 25.45, -49.76

 

CMYK 48 / 47 / 0 / 21

HEX #686BC9

RGB 104 107 201

HSL 238.14, 0.47%, 0.6%

LAB 49.1, 24.09, -49.45

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 42 / 40 / 0 / 6

HEX #8A8FEF

RGB 138 143 239

HSL 237.03, 0.76%, 0.74%

LAB 62.74, 21.96, -48.97

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 68 / 64 / 0 / 42

HEX #303595

RGB 48 53 149

HSL 237.03, 0.51%, 0.39%

LAB 27.69, 30.02, -53.42

 

CMYK 76 / 73 / 0 / 49

HEX #1F2382

RGB 31 35 130

HSL 237.58, 0.61%, 0.32%

LAB 20.46, 32.6, -53.5

 

CMYK 87 / 85 / 0 / 56

HEX #0E116F

RGB 14 17 111

HSL 238.14, 0.78%, 0.25%

LAB 13.48, 35.22, -52.88

 

CMYK 100 / 100 / 0 / 64

HEX #00005C

RGB 0 0 92

HSL 240, 1%, 0.18%

LAB 6.98, 37.4, -51.13

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 48 / 61 / 0 / 34

HEX #5741A8

RGB 87 65 168

HSL 252.82, 0.44%, 0.46%

LAB 35.27, 35.89, -52.46

 

CMYK 32 / 61 / 0 / 34

HEX #7341A8

RGB 115 65 168

HSL 269.13, 0.44%, 0.46%

LAB 38.29, 42.22, -47.43

 

CMYK 15 / 61 / 0 / 34

HEX #8F41A8

RGB 143 65 168

HSL 285.44, 0.44%, 0.46%

LAB 41.92, 49.16, -41.42

 

CMYK 0 / 61 / 1 / 34

HEX #A841A6

RGB 168 65 166

HSL 301.17, 0.44%, 0.46%

LAB 45.44, 55.2, -34.42

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 61 / 61 / 0 / 34

HEX #4141A8

RGB 65 65 168

HSL 240, 0.44%, 0.46%

LAB 33.42, 31.67, -55.55

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 75 / 71 / 0 / 27

HEX #2E36BB

RGB 46 54 187

HSL 236.6, 0.61%, 0.46%

LAB 31.36, 42.54, -70.26

 

CMYK 87 / 82 / 0 / 19

HEX #1B26CE

RGB 27 38 206

HSL 236.31, 0.77%, 0.46%

LAB 29.6, 56.25, -84.35

 

CMYK 96 / 91 / 0 / 12

HEX #0815E1

RGB 8 21 225

HSL 236.41, 0.93%, 0.46%

LAB 29.47, 67.79, -95.57

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 44 / 41 / 0 / 42

HEX #545895

RGB 84 88 149

HSL 236.31, 0.28%, 0.46%

LAB 39.64, 14.93, -34.07

 

CMYK 21 / 19 / 0 / 49

HEX #676982

RGB 103 105 130

HSL 235.56, 0.12%, 0.46%

LAB 45.08, 4.96, -14.08

 

CMYK 0 / 0 / 9 / 52

HEX #7A7A6F

RGB 122 122 111

HSL 60, 0.05%, 0.46%

LAB 50.93, -2.11, 6.02

 

CMYK 0 / 2 / 35 / 45

HEX #8D8A5C

RGB 141 138 92

HSL 56.33, 0.21%, 0.46%

LAB 56.7, -6.33, 25.08

 

CMYK 61 / 24 / 0 / 34

HEX #417FA8

RGB 65 127 168

HSL 203.88, 0.44%, 0.46%

LAB 50.84, -7.29, -27.82

 

CMYK 61 / 40 / 0 / 34

HEX #4164A8

RGB 65 100 168

HSL 219.61, 0.44%, 0.46%

LAB 42.86, 9.11, -40.36

 

CMYK 61 / 57 / 0 / 34

HEX #4148A8

RGB 65 72 168

HSL 235.92, 0.44%, 0.46%

LAB 35.17, 27.19, -52.7

 

CMYK 49 / 61 / 0 / 34

HEX #5641A8

RGB 86 65 168

HSL 252.23, 0.44%, 0.46%

LAB 35.18, 35.68, -52.61

 

CMYK 33 / 61 / 0 / 34

HEX #7141A8

RGB 113 65 168

HSL 267.96, 0.44%, 0.46%

LAB 38.05, 41.75, -47.82

 

CMYK 61 / 58 / 0 / 57

HEX #2A2E6D

RGB 42 46 109

HSL 236.42, 0.44%, 0.3%

LAB 22.13, 19.09, -37.34

 

CMYK 61 / 58 / 0 / 45

HEX #363B8B

RGB 54 59 139

HSL 236.47, 0.44%, 0.38%

LAB 28.84, 23.49, -45.37

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 54 / 51 / 0 / 26

HEX #565CBD

RGB 86 92 189

HSL 236.5, 0.44%, 0.54%

LAB 43.22, 25.62, -52.01

 

CMYK 42 / 40 / 0 / 22

HEX #7479C8

RGB 116 121 200

HSL 236.43, 0.43%, 0.62%

LAB 53.55, 18.25, -41.75

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 0 / 61 / 8 / 34

HEX #A8419B

RGB 168 65 155

HSL 307.57, 0.44%, 0.46%

LAB 44.9, 53.32, -28.71

 

CMYK 33 / 0 / 61 / 34

HEX #71A841

RGB 113 168 65

HSL 92.04, 0.44%, 0.46%

LAB 63.26, -35.72, 46.38

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 0 / 61 / 57 / 34

HEX #A84148

RGB 168 65 72

HSL 355.92, 0.44%, 0.46%

LAB 42.11, 42.93, 18.05

 

CMYK 57 / 0 / 61 / 34

HEX #48A841

RGB 72 168 65

HSL 115.92, 0.44%, 0.46%

LAB 61.45, -48.69, 43.85

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 0 / 61 / 8 / 34

HEX #A8419B

RGB 168 65 155

HSL 307.57, 0.44%, 0.46%

LAB 44.9, 53.32, -28.71

 

CMYK 0 / 4 / 61 / 34

HEX #A8A241

RGB 168 162 65

HSL 56.5, 0.44%, 0.46%

LAB 65.39, -10.32, 49.84

 

CMYK 61 / 0 / 53 / 34

HEX #41A84F

RGB 65 168 79

HSL 128.16, 0.44%, 0.46%

LAB 61.39, -48.62, 37.01

 

CMYK 61 / 58 / 0 / 34

HEX #4147A8

RGB 65 71 168

HSL 236.5, 0.44%, 0.46%

LAB 34.92, 27.83, -53.11

 

CMYK 0 / 61 / 26 / 34

HEX #A8417C

RGB 168 65 124

HSL 325.63, 0.44%, 0.46%

LAB 43.6, 48.6, -11.96

 

CMYK 0 / 4 / 61 / 34

HEX #A8A241

RGB 168 162 65

HSL 56.5, 0.44%, 0.46%

LAB 65.39, -10.32, 49.84

 

CMYK 61 / 0 / 35 / 34

HEX #41A86E

RGB 65 168 110

HSL 146.21, 0.44%, 0.46%

LAB 61.87, -43.32, 21.36

 

Description

Color code: HEX #4147A8 | qconv.com Color code: HEX #4147A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 71 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 71 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 58 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 58% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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