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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #412F44 it is the complementary color #BED0BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #412F44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #412F44 shade: #462F3F, #574152, #685365, #796578 and #8A778B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #412F44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #412F44 shade: #412F44, #301D31, #1F0B1E and #0E000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #412F44 shade: #423045, #453042, #45303C, #453037 and #453031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #412F44 shade: #423045, #3C3045, #363045, #313045 and #303045

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #412F44 shade matches the following richer shades: #423045, #48264E, #4F1D58, #561361 and #5D0A6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #412F44 shade: #423045, #3B393B, #344332, #2D4C28 and #27561F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #412F44 shade: #363045, #3C3045, #423045, #453042 and #45303D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #412F44 shade: #130E14, #2A1F2C, #423045, #59415D and #705175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #412F44 shade: #412F44, #453130 and #304539

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #412F44 shade: #412F44, #454230 and #304542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #412F44 shade: #412F44, #453130, #334530 and #304445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #412F44 shade: #412F44, #453730, #334530 and #303D45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

Complementary color

CMYK 9 / 0 / 10 / 18

HEX #BED0BB

RGB 190 208 187

HSL 111.43, 0.18%, 0.77%

LAB 81.65, -9.96, 8.36

 

CMYK 0 / 33 / 10 / 73

HEX #462F3F

RGB 70 47 63

HSL 318.26, 0.2%, 0.23%

LAB 22.63, 13.55, -5.87

 

CMYK 0 / 25 / 6 / 66

HEX #574152

RGB 87 65 82

HSL 313.64, 0.14%, 0.3%

LAB 30.44, 12.79, -6.52

 

CMYK 0 / 20 / 3 / 59

HEX #685365

RGB 104 83 101

HSL 308.57, 0.11%, 0.37%

LAB 37.97, 12.16, -7.09

 

CMYK 0 / 17 / 1 / 53

HEX #796578

RGB 121 101 120

HSL 303, 0.09%, 0.44%

LAB 45.26, 11.62, -7.64

 

CMYK 1 / 14 / 0 / 45

HEX #8A778B

RGB 138 119 139

HSL 297, 0.08%, 0.51%

LAB 52.35, 11.14, -8.15

 

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

CMYK 2 / 41 / 0 / 81

HEX #301D31

RGB 48 29 49

HSL 297, 0.26%, 0.15%

LAB 13.99, 13.48, -9.5

 

CMYK 0 / 65 / 3 / 88

HEX #1F0B1E

RGB 31 11 30

HSL 303, 0.48%, 0.08%

LAB 5.64, 13.25, -8.41

 

CMYK 0 / 100 / 21 / 95

HEX #0E000B

RGB 14 0 11

HSL 312.86, 1%, 0.03%

LAB 1.06, 5.32, -2.84

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 0 / 30 / 4 / 73

HEX #453042

RGB 69 48 66

HSL 308.57, 0.18%, 0.23%

LAB 22.9, 13.12, -7.5

 

CMYK 0 / 30 / 13 / 73

HEX #45303C

RGB 69 48 60

HSL 325.71, 0.18%, 0.23%

LAB 22.67, 11.84, -3.79

 

CMYK 0 / 30 / 20 / 73

HEX #453037

RGB 69 48 55

HSL 340, 0.18%, 0.23%

LAB 22.5, 10.85, -0.65

 

CMYK 0 / 30 / 29 / 73

HEX #453031

RGB 69 48 49

HSL 357.14, 0.18%, 0.23%

LAB 22.31, 9.75, 3.15

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 13 / 30 / 0 / 73

HEX #3C3045

RGB 60 48 69

HSL 274.29, 0.18%, 0.23%

LAB 21.96, 10.22, -11.06

 

CMYK 22 / 30 / 0 / 73

HEX #363045

RGB 54 48 69

HSL 257.14, 0.18%, 0.23%

LAB 21.31, 7.9, -12.11

 

CMYK 29 / 30 / 0 / 73

HEX #313045

RGB 49 48 69

HSL 242.86, 0.18%, 0.23%

LAB 20.81, 6.03, -12.92

 

CMYK 30 / 30 / 0 / 73

HEX #303045

RGB 48 48 69

HSL 240, 0.18%, 0.23%

LAB 20.72, 5.66, -13.08

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 8 / 51 / 0 / 69

HEX #48264E

RGB 72 38 78

HSL 291, 0.34%, 0.23%

LAB 21.26, 23.45, -18.1

 

CMYK 10 / 67 / 0 / 65

HEX #4F1D58

RGB 79 29 88

HSL 290.85, 0.5%, 0.23%

LAB 21, 33.02, -25.14

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 13 / 91 / 0 / 58

HEX #5D0A6B

RGB 93 10 107

HSL 291.34, 0.83%, 0.23%

LAB 22.32, 47.12, -35.4

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 0 / 3 / 0 / 77

HEX #3B393B

RGB 59 57 59

HSL 300, 0.02%, 0.23%

LAB 24.23, 1.32, -0.94

 

CMYK 22 / 0 / 25 / 74

HEX #344332

RGB 52 67 50

HSL 112.94, 0.15%, 0.23%

LAB 26.66, -9.99, 8.39

 

CMYK 41 / 0 / 47 / 70

HEX #2D4C28

RGB 45 76 40

HSL 111.67, 0.31%, 0.23%

LAB 29.11, -19.8, 17.85

 

CMYK 55 / 0 / 64 / 66

HEX #27561F

RGB 39 86 31

HSL 111.27, 0.47%, 0.23%

LAB 32.23, -28.18, 26.68

 

CMYK 22 / 30 / 0 / 73

HEX #363045

RGB 54 48 69

HSL 257.14, 0.18%, 0.23%

LAB 21.31, 7.9, -12.11

 

CMYK 13 / 30 / 0 / 73

HEX #3C3045

RGB 60 48 69

HSL 274.29, 0.18%, 0.23%

LAB 21.96, 10.22, -11.06

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 0 / 30 / 4 / 73

HEX #453042

RGB 69 48 66

HSL 308.57, 0.18%, 0.23%

LAB 22.9, 13.12, -7.5

 

CMYK 0 / 30 / 12 / 73

HEX #45303D

RGB 69 48 61

HSL 322.86, 0.18%, 0.23%

LAB 22.71, 12.05, -4.41

 

CMYK 5 / 30 / 0 / 92

HEX #130E14

RGB 19 14 20

HSL 290, 0.18%, 0.07%

LAB 4.54, 3.02, -2.6

 

CMYK 5 / 30 / 0 / 83

HEX #2A1F2C

RGB 42 31 44

HSL 290.77, 0.17%, 0.15%

LAB 13.56, 8.29, -6.65

 

CMYK 4 / 30 / 0 / 73

HEX #423045

RGB 66 48 69

HSL 291.43, 0.18%, 0.23%

LAB 22.66, 12.59, -9.93

 

CMYK 4 / 30 / 0 / 64

HEX #59415D

RGB 89 65 93

HSL 291.43, 0.18%, 0.31%

LAB 31.1, 15.97, -12.58

 

CMYK 4 / 31 / 0 / 54

HEX #705175

RGB 112 81 117

HSL 291.67, 0.18%, 0.39%

LAB 38.92, 19.79, -15.48

 

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

CMYK 0 / 29 / 30 / 73

HEX #453130

RGB 69 49 48

HSL 2.86, 0.18%, 0.23%

LAB 22.57, 8.92, 4.2

 

CMYK 30 / 0 / 17 / 73

HEX #304539

RGB 48 69 57

HSL 145.71, 0.18%, 0.23%

LAB 27.24, -11.24, 4.62

 

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

CMYK 0 / 4 / 30 / 73

HEX #454230

RGB 69 66 48

HSL 51.43, 0.18%, 0.23%

LAB 27.78, -2.15, 11.44

 

CMYK 30 / 0 / 4 / 73

HEX #304542

RGB 48 69 66

HSL 171.43, 0.18%, 0.23%

LAB 27.51, -8.97, -0.85

 

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

CMYK 0 / 29 / 30 / 73

HEX #453130

RGB 69 49 48

HSL 2.86, 0.18%, 0.23%

LAB 22.57, 8.92, 4.2

 

CMYK 26 / 0 / 30 / 73

HEX #334530

RGB 51 69 48

HSL 111.43, 0.18%, 0.23%

LAB 27.22, -12, 10.43

 

CMYK 30 / 1 / 0 / 73

HEX #304445

RGB 48 68 69

HSL 182.86, 0.18%, 0.23%

LAB 27.28, -7.54, -3.16

 

CMYK 4 / 31 / 0 / 73

HEX #412F44

RGB 65 47 68

HSL 291.43, 0.18%, 0.23%

LAB 22.21, 12.63, -9.95

 

CMYK 0 / 20 / 30 / 73

HEX #453730

RGB 69 55 48

HSL 20, 0.18%, 0.23%

LAB 24.36, 4.95, 6.73

 

CMYK 26 / 0 / 30 / 73

HEX #334530

RGB 51 69 48

HSL 111.43, 0.18%, 0.23%

LAB 27.22, -12, 10.43

 

CMYK 30 / 12 / 0 / 73

HEX #303D45

RGB 48 61 69

HSL 202.86, 0.18%, 0.23%

LAB 24.94, -3.09, -6.65

 

Description

Color code: HEX #412F44 | qconv.com Color code: HEX #412F44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 47 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 47 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 31 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 31% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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