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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #412E66 it is the complementary color #BED199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #412E66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #412E66 shade: #462E61, #574074, #685287, #79649A and #8A76AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #412E66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #412E66 shade: #412E66, #301C53, #1F0A40, #0E002D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #412E66 shade: #402D66, #502D66, #5F2D66, #662D5D and #662D4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #412E66 shade: #402D66, #312D66 and #2D2D66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #412E66 shade matches the following richer shades: #402D66, #3D2172, #39157D and #350989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #412E66 shade: #402D66, #44395A, #48454E, #4C5142 and #505D36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #412E66 shade: #2D3966, #312D66, #402D66, #4F2D66 and #5E2D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #412E66 shade: #1C142D, #2E2149, #402D66, #533A82 and #65479E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #412E66 shade: #412E66, #662D48 and #31662D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #412E66 shade: #412E66, #66402D and #2D6640

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #412E66 shade: #412E66, #662D48, #53662D and #2D664B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #412E66 shade: #412E66, #662D37, #53662D and #2D665C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

Complementary color

CMYK 9 / 0 / 27 / 18

HEX #BED199

RGB 190 209 153

HSL 80.36, 0.38%, 0.71%

LAB 81.21, -15.95, 25.72

 

CMYK 28 / 53 / 0 / 62

HEX #462E61

RGB 70 46 97

HSL 268.24, 0.36%, 0.28%

LAB 24.06, 22.58, -26.3

 

CMYK 25 / 45 / 0 / 55

HEX #574074

RGB 87 64 116

HSL 266.54, 0.29%, 0.35%

LAB 31.7, 21.58, -26.28

 

CMYK 23 / 39 / 0 / 47

HEX #685287

RGB 104 82 135

HSL 264.91, 0.24%, 0.43%

LAB 39.12, 20.7, -26.29

 

CMYK 21 / 35 / 0 / 40

HEX #79649A

RGB 121 100 154

HSL 263.33, 0.21%, 0.5%

LAB 46.33, 19.93, -26.34

 

CMYK 20 / 32 / 0 / 32

HEX #8A76AD

RGB 138 118 173

HSL 261.82, 0.25%, 0.57%

LAB 53.36, 19.25, -26.43

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 42 / 66 / 0 / 67

HEX #301C53

RGB 48 28 83

HSL 261.82, 0.5%, 0.22%

LAB 15.92, 23.79, -30.17

 

CMYK 52 / 84 / 0 / 75

HEX #1F0A40

RGB 31 10 64

HSL 263.33, 0.73%, 0.15%

LAB 7.94, 24.95, -30.04

 

CMYK 69 / 100 / 0 / 82

HEX #0E002D

RGB 14 0 45

HSL 258.67, 1%, 0.09%

LAB 2.55, 15.81, -24.87

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 22 / 56 / 0 / 60

HEX #502D66

RGB 80 45 102

HSL 276.84, 0.39%, 0.29%

LAB 25.39, 27.59, -27.37

 

CMYK 7 / 56 / 0 / 60

HEX #5F2D66

RGB 95 45 102

HSL 292.63, 0.39%, 0.29%

LAB 27.49, 32.19, -23.91

 

CMYK 0 / 56 / 9 / 60

HEX #662D5D

RGB 102 45 93

HSL 309.47, 0.39%, 0.29%

LAB 28.09, 32.61, -17.05

 

CMYK 0 / 56 / 24 / 60

HEX #662D4E

RGB 102 45 78

HSL 325.26, 0.39%, 0.29%

LAB 27.44, 29.98, -8.2

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 52 / 56 / 0 / 60

HEX #312D66

RGB 49 45 102

HSL 244.21, 0.39%, 0.29%

LAB 21.9, 18.87, -33.13

 

CMYK 56 / 56 / 0 / 60

HEX #2D2D66

RGB 45 45 102

HSL 240, 0.39%, 0.29%

LAB 21.56, 17.9, -33.71

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 46 / 71 / 0 / 55

HEX #3D2172

RGB 61 33 114

HSL 260.74, 0.55%, 0.29%

LAB 21.19, 33.17, -42

 

CMYK 54 / 83 / 0 / 51

HEX #39157D

RGB 57 21 125

HSL 260.77, 0.71%, 0.29%

LAB 19.58, 41.84, -51.69

 

CMYK 61 / 93 / 0 / 46

HEX #350989

RGB 53 9 137

HSL 260.63, 0.88%, 0.29%

LAB 19.05, 48.91, -60.18

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 24 / 37 / 0 / 65

HEX #44395A

RGB 68 57 90

HSL 260, 0.22%, 0.29%

LAB 26.43, 12.74, -18.03

 

CMYK 8 / 12 / 0 / 69

HEX #48454E

RGB 72 69 78

HSL 260, 0.06%, 0.29%

LAB 29.87, 3.29, -4.94

 

CMYK 6 / 0 / 19 / 68

HEX #4C5142

RGB 76 81 66

HSL 80, 0.1%, 0.29%

LAB 33.59, -5.12, 8.16

 

CMYK 14 / 0 / 42 / 64

HEX #505D36

RGB 80 93 54

HSL 80, 0.27%, 0.29%

LAB 37.48, -12.43, 20.75

 

CMYK 56 / 44 / 0 / 60

HEX #2D3966

RGB 45 57 102

HSL 227.37, 0.39%, 0.29%

LAB 25.09, 9.54, -28.06

 

CMYK 52 / 56 / 0 / 60

HEX #312D66

RGB 49 45 102

HSL 244.21, 0.39%, 0.29%

LAB 21.9, 18.87, -33.13

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 23 / 56 / 0 / 60

HEX #4F2D66

RGB 79 45 102

HSL 275.79, 0.39%, 0.29%

LAB 25.25, 27.29, -27.59

 

CMYK 8 / 56 / 0 / 60

HEX #5E2D66

RGB 94 45 102

HSL 291.58, 0.39%, 0.29%

LAB 27.34, 31.88, -24.15

 

CMYK 38 / 56 / 0 / 82

HEX #1C142D

RGB 28 20 45

HSL 259.2, 0.38%, 0.13%

LAB 8.45, 11.12, -15.43

 

CMYK 37 / 55 / 0 / 71

HEX #2E2149

RGB 46 33 73

HSL 259.5, 0.38%, 0.21%

LAB 16.25, 16.73, -22.82

 

CMYK 37 / 56 / 0 / 60

HEX #402D66

RGB 64 45 102

HSL 260, 0.39%, 0.29%

LAB 23.43, 22.88, -30.61

 

CMYK 36 / 55 / 0 / 49

HEX #533A82

RGB 83 58 130

HSL 260.83, 0.38%, 0.37%

LAB 30.58, 28.02, -36.84

 

CMYK 36 / 55 / 0 / 38

HEX #65479E

RGB 101 71 158

HSL 260.69, 0.38%, 0.45%

LAB 37.37, 32.68, -42.99

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 0 / 56 / 29 / 60

HEX #662D48

RGB 102 45 72

HSL 331.58, 0.39%, 0.29%

LAB 27.21, 29.03, -4.57

 

CMYK 52 / 0 / 56 / 60

HEX #31662D

RGB 49 102 45

HSL 115.79, 0.39%, 0.29%

LAB 38.45, -30.34, 26.65

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 0 / 37 / 56 / 60

HEX #66402D

RGB 102 64 45

HSL 20, 0.39%, 0.29%

LAB 31.07, 14.27, 18.41

 

CMYK 56 / 0 / 37 / 60

HEX #2D6640

RGB 45 102 64

HSL 140, 0.39%, 0.29%

LAB 38.6, -28.22, 15.95

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 0 / 56 / 29 / 60

HEX #662D48

RGB 102 45 72

HSL 331.58, 0.39%, 0.29%

LAB 27.21, 29.03, -4.57

 

CMYK 19 / 0 / 56 / 60

HEX #53662D

RGB 83 102 45

HSL 80, 0.39%, 0.29%

LAB 40.46, -17.24, 29.53

 

CMYK 56 / 0 / 26 / 60

HEX #2D664B

RGB 45 102 75

HSL 151.58, 0.39%, 0.29%

LAB 38.84, -25.79, 9.68

 

CMYK 36 / 55 / 0 / 60

HEX #412E66

RGB 65 46 102

HSL 260.36, 0.38%, 0.29%

LAB 23.79, 22.52, -30.02

 

CMYK 0 / 56 / 46 / 60

HEX #662D37

RGB 102 45 55

HSL 349.47, 0.39%, 0.29%

LAB 26.67, 26.73, 5.99

 

CMYK 19 / 0 / 56 / 60

HEX #53662D

RGB 83 102 45

HSL 80, 0.39%, 0.29%

LAB 40.46, -17.24, 29.53

 

CMYK 56 / 0 / 10 / 60

HEX #2D665C

RGB 45 102 92

HSL 169.47, 0.39%, 0.29%

LAB 39.3, -21.4, -0.03

 

Description

Color code: HEX #412E66 | qconv.com Color code: HEX #412E66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 46 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 46 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 55 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 55% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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