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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41228A it is the complementary color #BEDD75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41228A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41228A shade: #462285, #573498, #6846AB, #7958BE and #8A6AD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41228A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41228A shade: #41228A, #301077, #1F0064, #0E0051 and #00003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41228A shade: #41228A, #5D228A, #79228A, #8A227F and #8A2263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41228A shade: #41228A, #25228A and #22228A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41228A shade matches the following richer shades: #41228A, #3C1498 and #3606A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41228A shade: #41228A, #47307C, #4D3E6E, #524C60 and #585A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41228A shade: #223C8A, #24228A, #40228A, #5B228A and #77228A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41228A shade: #221248, #321A69, #41228A, #512AAB and #6133CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41228A shade: #41228A, #8A2258 and #2E8A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41228A shade: #41228A, #8A4022 and #228A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41228A shade: #41228A, #8A2258, #6D8A22 and #228A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41228A shade: #41228A, #8A2239, #6D8A22 and #228A74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

Complementary color

CMYK 14 / 0 / 47 / 13

HEX #BEDD75

RGB 190 221 117

HSL 77.88, 0.6%, 0.66%

LAB 83.94, -26.32, 47.4

 

CMYK 47 / 74 / 0 / 48

HEX #462285

RGB 70 34 133

HSL 261.82, 0.59%, 0.33%

LAB 24.13, 39.88, -49.24

 

CMYK 43 / 66 / 0 / 40

HEX #573498

RGB 87 52 152

HSL 261, 0.49%, 0.4%

LAB 31.23, 38.8, -49.34

 

CMYK 39 / 59 / 0 / 33

HEX #6846AB

RGB 104 70 171

HSL 260.2, 0.42%, 0.47%

LAB 38.31, 37.59, -49.25

 

CMYK 36 / 54 / 0 / 25

HEX #7958BE

RGB 121 88 190

HSL 259.41, 0.44%, 0.55%

LAB 45.31, 36.42, -49.09

 

CMYK 34 / 49 / 0 / 18

HEX #8A6AD1

RGB 138 106 209

HSL 258.64, 0.53%, 0.62%

LAB 52.19, 35.34, -48.92

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 60 / 87 / 0 / 53

HEX #301077

RGB 48 16 119

HSL 258.64, 0.76%, 0.26%

LAB 17.14, 41.14, -51.93

 

CMYK 69 / 100 / 0 / 61

HEX #1F0064

RGB 31 0 100

HSL 258.6, 1%, 0.2%

LAB 10.64, 40.78, -50.33

 

CMYK 83 / 100 / 0 / 68

HEX #0E0051

RGB 14 0 81

HSL 250.37, 1%, 0.16%

LAB 6.21, 34.16, -44.88

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 33 / 75 / 0 / 46

HEX #5D228A

RGB 93 34 138

HSL 274.04, 0.6%, 0.34%

LAB 27.59, 45.56, -46.59

 

CMYK 12 / 75 / 0 / 46

HEX #79228A

RGB 121 34 138

HSL 290.19, 0.6%, 0.34%

LAB 31.91, 51.41, -39.41

 

CMYK 0 / 75 / 8 / 46

HEX #8A227F

RGB 138 34 127

HSL 306.35, 0.6%, 0.34%

LAB 34.15, 53.35, -28.82

 

CMYK 0 / 75 / 28 / 46

HEX #8A2263

RGB 138 34 99

HSL 322.5, 0.6%, 0.34%

LAB 32.81, 49.25, -13.16

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 73 / 75 / 0 / 46

HEX #25228A

RGB 37 34 138

HSL 241.73, 0.6%, 0.34%

LAB 21.48, 36.68, -56.84

 

CMYK 75 / 75 / 0 / 46

HEX #22228A

RGB 34 34 138

HSL 240, 0.6%, 0.34%

LAB 21.28, 36.38, -57.17

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 61 / 87 / 0 / 40

HEX #3C1498

RGB 60 20 152

HSL 258.18, 0.77%, 0.34%

LAB 22.75, 50.08, -63.35

 

CMYK 67 / 96 / 0 / 35

HEX #3606A6

RGB 54 6 166

HSL 258, 0.93%, 0.34%

LAB 22.54, 57.2, -72.28

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 43 / 61 / 0 / 51

HEX #47307C

RGB 71 48 124

HSL 258.16, 0.44%, 0.34%

LAB 26.47, 29.4, -39.76

 

CMYK 30 / 44 / 0 / 57

HEX #4D3E6E

RGB 77 62 110

HSL 258.75, 0.28%, 0.34%

LAB 29.78, 18.04, -25.58

 

CMYK 15 / 21 / 0 / 62

HEX #524C60

RGB 82 76 96

HSL 258, 0.12%, 0.34%

LAB 33.58, 7.01, -10.79

 

CMYK 2 / 0 / 9 / 65

HEX #585A52

RGB 88 90 82

HSL 75, 0.05%, 0.34%

LAB 37.84, -2.45, 4.34

 

CMYK 75 / 57 / 0 / 46

HEX #223C8A

RGB 34 60 138

HSL 225, 0.6%, 0.34%

LAB 27.86, 19.14, -46.39

 

CMYK 74 / 75 / 0 / 46

HEX #24228A

RGB 36 34 138

HSL 241.15, 0.6%, 0.34%

LAB 21.41, 36.58, -56.95

 

CMYK 54 / 75 / 0 / 46

HEX #40228A

RGB 64 34 138

HSL 257.31, 0.6%, 0.34%

LAB 23.9, 40.31, -52.77

 

CMYK 34 / 75 / 0 / 46

HEX #5B228A

RGB 91 34 138

HSL 272.88, 0.6%, 0.34%

LAB 27.31, 45.16, -47.06

 

CMYK 14 / 75 / 0 / 46

HEX #77228A

RGB 119 34 138

HSL 289.04, 0.6%, 0.34%

LAB 31.58, 50.98, -39.95

 

CMYK 53 / 75 / 0 / 72

HEX #221248

RGB 34 18 72

HSL 257.78, 0.6%, 0.18%

LAB 10.85, 23.33, -30.9

 

CMYK 52 / 75 / 0 / 59

HEX #321A69

RGB 50 26 105

HSL 258.23, 0.6%, 0.26%

LAB 17.63, 32.29, -42.02

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 53 / 75 / 0 / 33

HEX #512AAB

RGB 81 42 171

HSL 258.14, 0.61%, 0.42%

LAB 30.27, 48.38, -62.44

 

CMYK 52 / 75 / 0 / 20

HEX #6133CC

RGB 97 51 204

HSL 258.04, 0.6%, 0.5%

LAB 36.5, 55.5, -71.63

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 0 / 75 / 36 / 46

HEX #8A2258

RGB 138 34 88

HSL 328.85, 0.6%, 0.34%

LAB 32.37, 47.88, -6.7

 

CMYK 67 / 0 / 75 / 46

HEX #2E8A22

RGB 46 138 34

HSL 113.08, 0.6%, 0.34%

LAB 50.54, -46.86, 45.05

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 0 / 54 / 75 / 46

HEX #8A4022

RGB 138 64 34

HSL 17.31, 0.6%, 0.34%

LAB 36.34, 29.37, 32.48

 

CMYK 75 / 0 / 54 / 46

HEX #228A40

RGB 34 138 64

HSL 137.31, 0.6%, 0.34%

LAB 50.55, -45.65, 31.22

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 0 / 75 / 36 / 46

HEX #8A2258

RGB 138 34 88

HSL 328.85, 0.6%, 0.34%

LAB 32.37, 47.88, -6.7

 

CMYK 21 / 0 / 75 / 46

HEX #6D8A22

RGB 109 138 34

HSL 76.73, 0.6%, 0.34%

LAB 53.54, -25.49, 49.02

 

CMYK 75 / 0 / 39 / 46

HEX #228A54

RGB 34 138 84

HSL 148.85, 0.6%, 0.34%

LAB 50.87, -42.03, 20.79

 

CMYK 53 / 75 / 0 / 46

HEX #41228A

RGB 65 34 138

HSL 257.88, 0.6%, 0.34%

LAB 24.01, 40.47, -52.58

 

CMYK 0 / 75 / 59 / 46

HEX #8A2239

RGB 138 34 57

HSL 346.73, 0.6%, 0.34%

LAB 31.45, 44.86, 12.3

 

CMYK 21 / 0 / 75 / 46

HEX #6D8A22

RGB 109 138 34

HSL 76.73, 0.6%, 0.34%

LAB 53.54, -25.49, 49.02

 

CMYK 75 / 0 / 16 / 46

HEX #228A74

RGB 34 138 116

HSL 167.31, 0.6%, 0.34%

LAB 51.59, -34.36, 3.48

 

Description

Color code: HEX #41228A | qconv.com Color code: HEX #41228A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 34 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 34 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 75 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 75% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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