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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #411F45 it is the complementary color #BEE0BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #411F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #411F45 shade: #461F40, #573153, #684366, #795579 and #8A678C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #411F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #411F45 shade: #411F45, #300D32, #1F001F and #0E000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #411F45 shade: #421F46, #461F40, #461F35, #461F2B and #461F20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #411F45 shade: #421F46, #371F46, #2D1F46, #221F46 and #1F1F46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #411F45 shade matches the following richer shades: #421F46, #48174E, #4F0F56 and #55065F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #411F45 shade: #421F46, #3B273E, #353035, #2E382D and #284025

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #411F45 shade: #2D1F46, #371F46, #411F46, #461F40 and #461F36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #411F45 shade: #0C060D, #271229, #421F46, #5D2C62 and #77397F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #411F45 shade: #411F45, #46221F and #1F4632

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #411F45 shade: #411F45, #46411F and #1F4641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #411F45 shade: #411F45, #46221F, #24461F and #1F4346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #411F45 shade: #411F45, #462E1F, #24461F and #1F3746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

Complementary color

CMYK 15 / 0 / 17 / 12

HEX #BEE0BA

RGB 190 224 186

HSL 113.68, 0.38%, 0.8%

LAB 85.91, -18.22, 14.94

 

CMYK 0 / 56 / 9 / 73

HEX #461F40

RGB 70 31 64

HSL 309.23, 0.39%, 0.2%

LAB 18.59, 23.95, -12.71

 

CMYK 0 / 44 / 5 / 66

HEX #573153

RGB 87 49 83

HSL 306.32, 0.28%, 0.27%

LAB 26.3, 23.1, -13.46

 

CMYK 0 / 36 / 2 / 59

HEX #684366

RGB 104 67 102

HSL 303.24, 0.22%, 0.34%

LAB 33.81, 22.25, -14.01

 

CMYK 0 / 30 / 0 / 53

HEX #795579

RGB 121 85 121

HSL 300, 0.17%, 0.4%

LAB 41.12, 21.46, -14.48

 

CMYK 1 / 26 / 0 / 45

HEX #8A678C

RGB 138 103 140

HSL 296.76, 0.15%, 0.48%

LAB 48.26, 20.75, -14.92

 

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

CMYK 4 / 74 / 0 / 80

HEX #300D32

RGB 48 13 50

HSL 296.76, 0.59%, 0.12%

LAB 10.16, 23.87, -16.21

 

CMYK 0 / 100 / 0 / 88

HEX #1F001F

RGB 31 0 31

HSL 300, 1%, 0.06%

LAB 3.52, 18.09, -12.38

 

CMYK 0 / 100 / 14 / 95

HEX #0E000C

RGB 14 0 12

HSL 308.57, 1%, 0.03%

LAB 1.08, 5.47, -3.25

 

CMYK 6 / 56 / 0 / 73

HEX #421F46

RGB 66 31 70

HSL 293.85, 0.39%, 0.2%

LAB 18.28, 23.85, -17.38

 

CMYK 0 / 56 / 9 / 73

HEX #461F40

RGB 70 31 64

HSL 309.23, 0.39%, 0.2%

LAB 18.59, 23.95, -12.71

 

CMYK 0 / 56 / 24 / 73

HEX #461F35

RGB 70 31 53

HSL 326.15, 0.39%, 0.2%

LAB 18.09, 21.86, -5.79

 

CMYK 0 / 56 / 39 / 73

HEX #461F2B

RGB 70 31 43

HSL 341.54, 0.39%, 0.2%

LAB 17.72, 20.23, 0.71

 

CMYK 0 / 56 / 54 / 73

HEX #461F20

RGB 70 31 32

HSL 358.46, 0.39%, 0.2%

LAB 17.4, 18.78, 8.04

 

CMYK 6 / 56 / 0 / 73

HEX #421F46

RGB 66 31 70

HSL 293.85, 0.39%, 0.2%

LAB 18.28, 23.85, -17.38

 

CMYK 21 / 56 / 0 / 73

HEX #371F46

RGB 55 31 70

HSL 276.92, 0.39%, 0.2%

LAB 16.67, 20.13, -20.02

 

CMYK 36 / 56 / 0 / 73

HEX #2D1F46

RGB 45 31 70

HSL 261.54, 0.39%, 0.2%

LAB 15.38, 16.87, -22.15

 

CMYK 51 / 56 / 0 / 73

HEX #221F46

RGB 34 31 70

HSL 244.62, 0.39%, 0.2%

LAB 14.19, 13.56, -24.13

 

CMYK 56 / 56 / 0 / 73

HEX #1F1F46

RGB 31 31 70

HSL 240, 0.39%, 0.2%

LAB 13.91, 12.73, -24.59

 

CMYK 6 / 56 / 0 / 73

HEX #421F46

RGB 66 31 70

HSL 293.85, 0.39%, 0.2%

LAB 18.28, 23.85, -17.38

 

CMYK 8 / 71 / 0 / 69

HEX #48174E

RGB 72 23 78

HSL 293.45, 0.54%, 0.2%

LAB 18.1, 31.92, -23.07

 

CMYK 8 / 83 / 0 / 66

HEX #4F0F56

RGB 79 15 86

HSL 294.08, 0.7%, 0.2%

LAB 18.7, 38.73, -27.47

 

CMYK 11 / 94 / 0 / 63

HEX #55065F

RGB 85 6 95

HSL 293.26, 0.88%, 0.2%

LAB 19.59, 44.32, -32

 

CMYK 6 / 56 / 0 / 73

HEX #421F46

RGB 66 31 70

HSL 293.85, 0.39%, 0.2%

LAB 18.28, 23.85, -17.38

 

CMYK 5 / 37 / 0 / 76

HEX #3B273E

RGB 59 39 62

HSL 292.17, 0.23%, 0.2%

LAB 18.92, 14.2, -10.95

 

CMYK 0 / 9 / 0 / 79

HEX #353035

RGB 53 48 53

HSL 300, 0.05%, 0.2%

LAB 20.55, 3.37, -2.37

 

CMYK 18 / 0 / 20 / 78

HEX #2E382D

RGB 46 56 45

HSL 114.55, 0.11%, 0.2%

LAB 22.3, -6.81, 5.5

 

CMYK 38 / 0 / 42 / 75

HEX #284025

RGB 40 64 37

HSL 113.33, 0.27%, 0.2%

LAB 24.49, -15.75, 13.65

 

CMYK 36 / 56 / 0 / 73

HEX #2D1F46

RGB 45 31 70

HSL 261.54, 0.39%, 0.2%

LAB 15.38, 16.87, -22.15

 

CMYK 21 / 56 / 0 / 73

HEX #371F46

RGB 55 31 70

HSL 276.92, 0.39%, 0.2%

LAB 16.67, 20.13, -20.02

 

CMYK 7 / 56 / 0 / 73

HEX #411F46

RGB 65 31 70

HSL 292.31, 0.39%, 0.2%

LAB 18.13, 23.51, -17.64

 

CMYK 0 / 56 / 9 / 73

HEX #461F40

RGB 70 31 64

HSL 309.23, 0.39%, 0.2%

LAB 18.59, 23.95, -12.71

 

CMYK 0 / 56 / 23 / 73

HEX #461F36

RGB 70 31 54

HSL 324.62, 0.39%, 0.2%

LAB 18.14, 22.04, -6.43

 

CMYK 8 / 54 / 0 / 95

HEX #0C060D

RGB 12 6 13

HSL 291.43, 0.37%, 0.04%

LAB 2.15, 2.61, -2.19

 

CMYK 5 / 56 / 0 / 84

HEX #271229

RGB 39 18 41

HSL 294.78, 0.39%, 0.12%

LAB 9.19, 15.52, -11.2

 

CMYK 6 / 56 / 0 / 73

HEX #421F46

RGB 66 31 70

HSL 293.85, 0.39%, 0.2%

LAB 18.28, 23.85, -17.38

 

CMYK 5 / 55 / 0 / 62

HEX #5D2C62

RGB 93 44 98

HSL 294.44, 0.38%, 0.28%

LAB 26.76, 31.26, -22.48

 

CMYK 6 / 55 / 0 / 50

HEX #77397F

RGB 119 57 127

HSL 293.14, 0.38%, 0.36%

LAB 34.76, 38.16, -28.06

 

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

CMYK 0 / 51 / 56 / 73

HEX #46221F

RGB 70 34 31

HSL 4.62, 0.39%, 0.2%

LAB 18.12, 16.78, 9.73

 

CMYK 56 / 0 / 29 / 73

HEX #1F4632

RGB 31 70 50

HSL 149.23, 0.39%, 0.2%

LAB 26.45, -19.37, 7.9

 

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

CMYK 0 / 7 / 56 / 73

HEX #46411F

RGB 70 65 31

HSL 52.31, 0.39%, 0.2%

LAB 27.25, -3.36, 21.35

 

CMYK 56 / 0 / 7 / 73

HEX #1F4641

RGB 31 70 65

HSL 172.31, 0.39%, 0.2%

LAB 26.89, -15.25, -1.23

 

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

CMYK 0 / 51 / 56 / 73

HEX #46221F

RGB 70 34 31

HSL 4.62, 0.39%, 0.2%

LAB 18.12, 16.78, 9.73

 

CMYK 49 / 0 / 56 / 73

HEX #24461F

RGB 36 70 31

HSL 112.31, 0.39%, 0.2%

LAB 26.32, -21.53, 19.61

 

CMYK 56 / 4 / 0 / 73

HEX #1F4346

RGB 31 67 70

HSL 184.62, 0.39%, 0.2%

LAB 26, -11.94, -5.81

 

CMYK 6 / 55 / 0 / 73

HEX #411F45

RGB 65 31 69

HSL 293.68, 0.38%, 0.2%

LAB 18.07, 23.28, -17.04

 

CMYK 0 / 34 / 56 / 73

HEX #462E1F

RGB 70 46 31

HSL 23.08, 0.39%, 0.2%

LAB 21.41, 8.95, 14.07

 

CMYK 49 / 0 / 56 / 73

HEX #24461F

RGB 36 70 31

HSL 112.31, 0.39%, 0.2%

LAB 26.32, -21.53, 19.61

 

CMYK 56 / 21 / 0 / 73

HEX #1F3746

RGB 31 55 70

HSL 203.08, 0.39%, 0.2%

LAB 21.82, -4.36, -12.16

 

Description

Color code: HEX #411F45 | qconv.com Color code: HEX #411F45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 31 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 31 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 55 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 55% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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