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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #411E6B it is the complementary color #BEE194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #411E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #411E6B shade: #461E66, #573079, #68428C, #79549F and #8A66B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #411E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #411E6B shade: #411E6B, #300C58, #1F0045, #0E0032 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #411E6B shade: #411E6B, #561E6B, #6A1E6B, #6B1E57 and #6B1E42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #411E6B shade: #411E6B, #2C1E6B and #1E1E6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #411E6B shade matches the following richer shades: #411E6B, #401376 and #3F0881

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #411E6B shade: #411E6B, #422960, #433455, #443F49 and #454A3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #411E6B shade: #1E246B, #2C1E6B, #401E6B, #551E6B and #6A1E6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #411E6B shade: #1A0C2B, #2D154B, #411E6B, #54278B and #6830AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #411E6B shade: #411E6B, #6B1E39 and #1E6B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #411E6B shade: #411E6B, #6B401E and #1E6B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #411E6B shade: #411E6B, #6B1E39, #486B1E and #1E6B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #411E6B shade: #411E6B, #6B1E22, #486B1E and #1E6B67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

Complementary color

CMYK 16 / 0 / 34 / 12

HEX #BEE194

RGB 190 225 148

HSL 87.27, 0.56%, 0.73%

LAB 85.47, -24.53, 34

 

CMYK 31 / 71 / 0 / 60

HEX #461E66

RGB 70 30 102

HSL 273.33, 0.55%, 0.26%

LAB 20.79, 33.5, -34.8

 

CMYK 28 / 60 / 0 / 53

HEX #573079

RGB 87 48 121

HSL 272.05, 0.43%, 0.33%

LAB 28.17, 32.67, -35.04

 

CMYK 26 / 53 / 0 / 45

HEX #68428C

RGB 104 66 140

HSL 270.81, 0.36%, 0.4%

LAB 35.46, 31.69, -35.1

 

CMYK 24 / 47 / 0 / 38

HEX #79549F

RGB 121 84 159

HSL 269.6, 0.31%, 0.48%

LAB 42.63, 30.74, -35.11

 

CMYK 22 / 43 / 0 / 30

HEX #8A66B2

RGB 138 102 178

HSL 268.42, 0.33%, 0.55%

LAB 49.64, 29.85, -35.12

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 45 / 86 / 0 / 65

HEX #300C58

RGB 48 12 88

HSL 268.42, 0.76%, 0.2%

LAB 13.21, 34.07, -37.97

 

CMYK 55 / 100 / 0 / 73

HEX #1F0045

RGB 31 0 69

HSL 266.96, 1%, 0.14%

LAB 6.51, 32.15, -35.93

 

CMYK 72 / 100 / 0 / 80

HEX #0E0032

RGB 14 0 50

HSL 256.8, 1%, 0.1%

LAB 2.92, 18.4, -28.05

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 20 / 72 / 0 / 58

HEX #561E6B

RGB 86 30 107

HSL 283.64, 0.56%, 0.27%

LAB 23.57, 38.59, -33.46

 

CMYK 1 / 72 / 0 / 58

HEX #6A1E6B

RGB 106 30 107

HSL 299.22, 0.56%, 0.27%

LAB 26.89, 43.55, -27.97

 

CMYK 0 / 72 / 19 / 58

HEX #6B1E57

RGB 107 30 87

HSL 315.58, 0.56%, 0.27%

LAB 25.99, 40.38, -16.3

 

CMYK 0 / 72 / 38 / 58

HEX #6B1E42

RGB 107 30 66

HSL 331.95, 0.56%, 0.27%

LAB 25.1, 37.41, -3.59

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 59 / 72 / 0 / 58

HEX #2C1E6B

RGB 44 30 107

HSL 250.91, 0.56%, 0.27%

LAB 18.03, 29.46, -42.69

 

CMYK 72 / 72 / 0 / 58

HEX #1E1E6B

RGB 30 30 107

HSL 240, 0.56%, 0.27%

LAB 16.83, 27.25, -44.72

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 46 / 84 / 0 / 54

HEX #401376

RGB 64 19 118

HSL 267.27, 0.72%, 0.27%

LAB 19.49, 41.79, -47.34

 

CMYK 51 / 94 / 0 / 49

HEX #3F0881

RGB 63 8 129

HSL 267.27, 0.88%, 0.27%

LAB 19.29, 48.07, -54.69

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 31 / 57 / 0 / 62

HEX #422960

RGB 66 41 96

HSL 267.27, 0.4%, 0.27%

LAB 22.26, 24.29, -28.54

 

CMYK 21 / 39 / 0 / 67

HEX #433455

RGB 67 52 85

HSL 267.27, 0.24%, 0.27%

LAB 24.66, 14.36, -17.51

 

CMYK 7 / 14 / 0 / 71

HEX #443F49

RGB 68 63 73

HSL 270, 0.07%, 0.27%

LAB 27.48, 4.39, -5.3

 

CMYK 7 / 0 / 16 / 71

HEX #454A3E

RGB 69 74 62

HSL 85, 0.09%, 0.27%

LAB 30.67, -4.61, 6.48

 

CMYK 72 / 66 / 0 / 58

HEX #1E246B

RGB 30 36 107

HSL 235.32, 0.56%, 0.27%

LAB 18.36, 23.16, -42.2

 

CMYK 59 / 72 / 0 / 58

HEX #2C1E6B

RGB 44 30 107

HSL 250.91, 0.56%, 0.27%

LAB 18.03, 29.46, -42.69

 

CMYK 40 / 72 / 0 / 58

HEX #401E6B

RGB 64 30 107

HSL 266.49, 0.56%, 0.27%

LAB 20.36, 33.48, -38.8

 

CMYK 21 / 72 / 0 / 58

HEX #551E6B

RGB 85 30 107

HSL 282.86, 0.56%, 0.27%

LAB 23.41, 38.35, -33.73

 

CMYK 1 / 72 / 0 / 58

HEX #6A1E6B

RGB 106 30 107

HSL 299.22, 0.56%, 0.27%

LAB 26.89, 43.55, -27.97

 

CMYK 40 / 72 / 0 / 83

HEX #1A0C2B

RGB 26 12 43

HSL 267.1, 0.56%, 0.11%

LAB 5.93, 14.78, -17.94

 

CMYK 40 / 72 / 0 / 71

HEX #2D154B

RGB 45 21 75

HSL 266.67, 0.56%, 0.19%

LAB 13.24, 25, -29.04

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 40 / 72 / 0 / 45

HEX #54278B

RGB 84 39 139

HSL 267, 0.56%, 0.35%

LAB 27.3, 41.62, -47.74

 

CMYK 39 / 72 / 0 / 33

HEX #6830AB

RGB 104 48 171

HSL 267.32, 0.56%, 0.43%

LAB 33.98, 49.37, -56.27

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 0 / 72 / 47 / 58

HEX #6B1E39

RGB 107 30 57

HSL 338.96, 0.56%, 0.27%

LAB 24.8, 36.36, 2.08

 

CMYK 72 / 0 / 68 / 58

HEX #1E6B22

RGB 30 107 34

HSL 123.12, 0.56%, 0.27%

LAB 39.42, -38.91, 33.21

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 0 / 40 / 72 / 58

HEX #6B401E

RGB 107 64 30

HSL 26.49, 0.56%, 0.27%

LAB 31.55, 15.37, 28.1

 

CMYK 72 / 0 / 40 / 58

HEX #1E6B40

RGB 30 107 64

HSL 146.49, 0.56%, 0.27%

LAB 39.85, -34, 17.53

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 0 / 72 / 47 / 58

HEX #6B1E39

RGB 107 30 57

HSL 338.96, 0.56%, 0.27%

LAB 24.8, 36.36, 2.08

 

CMYK 33 / 0 / 72 / 58

HEX #486B1E

RGB 72 107 30

HSL 87.27, 0.56%, 0.27%

LAB 41.2, -25.92, 37.47

 

CMYK 72 / 0 / 25 / 58

HEX #1E6B50

RGB 30 107 80

HSL 158.96, 0.56%, 0.27%

LAB 40.2, -30.27, 8.49

 

CMYK 39 / 72 / 0 / 58

HEX #411E6B

RGB 65 30 107

HSL 267.27, 0.56%, 0.27%

LAB 20.49, 33.7, -38.58

 

CMYK 0 / 72 / 68 / 58

HEX #6B1E22

RGB 107 30 34

HSL 356.88, 0.56%, 0.27%

LAB 24.23, 34.35, 16.95

 

CMYK 33 / 0 / 72 / 58

HEX #486B1E

RGB 72 107 30

HSL 87.27, 0.56%, 0.27%

LAB 41.2, -25.92, 37.47

 

CMYK 72 / 0 / 4 / 58

HEX #1E6B67

RGB 30 107 103

HSL 176.88, 0.56%, 0.27%

LAB 40.85, -23.74, -4.51

 

Description

Color code: HEX #411E6B | qconv.com Color code: HEX #411E6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 30 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 30 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 72 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 72% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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