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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40EEA2 it is the complementary color #BF115D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40EEA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40EEA2 shade: #45EE9D, #56FFB0, #67FFC3, #78FFD6 and #89FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40EEA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40EEA2 shade: #40EEA2, #2FDC8F, #1ECA7C, #0DB869 and #00A656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40EEA2 shade: #3EEEA1, #3EEE72, #3EEE42, #69EE3E and #99EE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40EEA2 shade: #3EEEA1, #3EEED0, #3EDCEE, #3EACEE and #3E7DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40EEA2 shade matches the following richer shades: #3EEEA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40EEA2 shade: #3EEEA1, #4FDD9F, #60CC9D, #71BB9B and #82AA98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40EEA2 shade: #3EEE41, #3EEE70, #3EEE9F, #3EEECE and #3EDFEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40EEA2 shade: #11C878, #18EA8F, #3EEEA1, #64F1B3 and #8AF4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40EEA2 shade: #40EEA2, #3E6AEE and #EE583E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40EEA2 shade: #40EEA2, #9F3EEE and #EE9F3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40EEA2 shade: #40EEA2, #3E6AEE, #EE3E8D and #EEC23E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40EEA2 shade: #40EEA2, #473EEE, #EE3E8D and #E5EE3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

Complementary color

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 71 / 0 / 34 / 7

HEX #45EE9D

RGB 69 238 157

HSL 151.24, 0.83%, 0.6%

LAB 84.41, -60.87, 27.12

 

CMYK 66 / 0 / 31 / 0

HEX #56FFB0

RGB 86 255 176

HSL 151.95, 1%, 0.67%

LAB 90.15, -60.95, 25.33

 

CMYK 60 / 0 / 24 / 0

HEX #67FFC3

RGB 103 255 195

HSL 156.32, 1%, 0.7%

LAB 90.94, -54.09, 16.79

 

CMYK 53 / 0 / 16 / 0

HEX #78FFD6

RGB 120 255 214

HSL 161.78, 1%, 0.74%

LAB 91.85, -46.6, 8.38

 

CMYK 46 / 0 / 9 / 0

HEX #89FFE9

RGB 137 255 233

HSL 168.81, 1%, 0.77%

LAB 92.89, -38.58, 0.15

 

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

CMYK 79 / 0 / 35 / 14

HEX #2FDC8F

RGB 47 220 143

HSL 153.29, 0.71%, 0.52%

LAB 78.33, -59.76, 26.03

 

CMYK 85 / 0 / 39 / 21

HEX #1ECA7C

RGB 30 202 124

HSL 152.79, 0.74%, 0.45%

LAB 72.21, -58.61, 27.65

 

CMYK 93 / 0 / 43 / 28

HEX #0DB869

RGB 13 184 105

HSL 152.28, 0.87%, 0.39%

LAB 66.05, -56.98, 29.41

 

CMYK 100 / 0 / 48 / 35

HEX #00A656

RGB 0 166 86

HSL 151.08, 1%, 0.33%

LAB 59.84, -54.8, 31.3

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA1

RGB 62 238 161

HSL 153.75, 0.84%, 0.59%

LAB 84.35, -61.03, 24.98

 

CMYK 74 / 0 / 52 / 7

HEX #3EEE72

RGB 62 238 114

HSL 137.73, 0.84%, 0.59%

LAB 83.65, -69.1, 47.28

 

CMYK 74 / 0 / 72 / 7

HEX #3EEE42

RGB 62 238 66

HSL 121.36, 0.84%, 0.59%

LAB 83.21, -74.3, 66.71

 

CMYK 56 / 0 / 74 / 7

HEX #69EE3E

RGB 105 238 62

HSL 105.34, 0.84%, 0.59%

LAB 84.23, -66.04, 69.41

 

CMYK 36 / 0 / 74 / 7

HEX #99EE3E

RGB 153 238 62

HSL 88.98, 0.84%, 0.59%

LAB 86.14, -51.78, 71.93

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA1

RGB 62 238 161

HSL 153.75, 0.84%, 0.59%

LAB 84.35, -61.03, 24.98

 

CMYK 74 / 0 / 13 / 7

HEX #3EEED0

RGB 62 238 208

HSL 169.77, 0.84%, 0.59%

LAB 85.37, -50.29, 1.96

 

CMYK 74 / 8 / 0 / 7

HEX #3EDCEE

RGB 62 220 238

HSL 186.14, 0.84%, 0.59%

LAB 80.95, -34.02, -20.46

 

CMYK 74 / 28 / 0 / 7

HEX #3EACEE

RGB 62 172 238

HSL 202.5, 0.84%, 0.59%

LAB 67.05, -9.53, -41.88

 

CMYK 74 / 47 / 0 / 7

HEX #3E7DEE

RGB 62 125 238

HSL 218.52, 0.84%, 0.59%

LAB 53.88, 18.08, -62.8

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA1

RGB 62 238 161

HSL 153.75, 0.84%, 0.59%

LAB 84.35, -61.03, 24.98

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA1

RGB 62 238 161

HSL 153.75, 0.84%, 0.59%

LAB 84.35, -61.03, 24.98

 

CMYK 64 / 0 / 28 / 13

HEX #4FDD9F

RGB 79 221 159

HSL 153.8, 0.68%, 0.59%

LAB 79.54, -52.29, 19.46

 

CMYK 53 / 0 / 23 / 20

HEX #60CC9D

RGB 96 204 157

HSL 153.89, 0.51%, 0.59%

LAB 74.89, -42.13, 14.11

 

CMYK 40 / 0 / 17 / 27

HEX #71BB9B

RGB 113 187 155

HSL 154.05, 0.35%, 0.59%

LAB 70.47, -30.4, 9.02

 

CMYK 24 / 0 / 11 / 33

HEX #82AA98

RGB 130 170 152

HSL 153, 0.19%, 0.59%

LAB 66.34, -17.34, 4.87

 

CMYK 74 / 0 / 73 / 7

HEX #3EEE41

RGB 62 238 65

HSL 121.02, 0.84%, 0.59%

LAB 83.21, -74.38, 67.05

 

CMYK 74 / 0 / 53 / 7

HEX #3EEE70

RGB 62 238 112

HSL 137.05, 0.84%, 0.59%

LAB 83.62, -69.37, 48.19

 

CMYK 74 / 0 / 33 / 7

HEX #3EEE9F

RGB 62 238 159

HSL 153.07, 0.84%, 0.59%

LAB 84.32, -61.43, 25.95

 

CMYK 74 / 0 / 13 / 7

HEX #3EEECE

RGB 62 238 206

HSL 169.09, 0.84%, 0.59%

LAB 85.32, -50.8, 2.94

 

CMYK 74 / 6 / 0 / 7

HEX #3EDFEE

RGB 62 223 238

HSL 185.11, 0.84%, 0.59%

LAB 81.82, -35.43, -19.14

 

CMYK 92 / 0 / 40 / 22

HEX #11C878

RGB 17 200 120

HSL 153.77, 0.84%, 0.43%

LAB 71.41, -59.52, 28.65

 

CMYK 90 / 0 / 39 / 8

HEX #18EA8F

RGB 24 234 143

HSL 154, 0.83%, 0.51%

LAB 82.39, -66.55, 31.43

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA1

RGB 62 238 161

HSL 153.75, 0.84%, 0.59%

LAB 84.35, -61.03, 24.98

 

CMYK 59 / 0 / 26 / 5

HEX #64F1B3

RGB 100 241 179

HSL 153.62, 0.83%, 0.67%

LAB 86.44, -52.3, 18.73

 

CMYK 43 / 0 / 19 / 4

HEX #8AF4C6

RGB 138 244 198

HSL 153.96, 0.83%, 0.75%

LAB 89.01, -41.01, 12.69

 

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

CMYK 74 / 55 / 0 / 7

HEX #3E6AEE

RGB 62 106 238

HSL 225, 0.84%, 0.59%

LAB 48.89, 29.94, -70.88

 

CMYK 0 / 63 / 74 / 7

HEX #EE583E

RGB 238 88 62

HSL 8.86, 0.84%, 0.59%

LAB 57.56, 56.42, 45.24

 

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

CMYK 33 / 74 / 0 / 7

HEX #9F3EEE

RGB 159 62 238

HSL 273.07, 0.84%, 0.59%

LAB 48.25, 68.92, -71.57

 

CMYK 0 / 33 / 74 / 7

HEX #EE9F3E

RGB 238 159 62

HSL 33.07, 0.84%, 0.59%

LAB 71.77, 21.3, 60.02

 

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

CMYK 74 / 55 / 0 / 7

HEX #3E6AEE

RGB 62 106 238

HSL 225, 0.84%, 0.59%

LAB 48.89, 29.94, -70.88

 

CMYK 0 / 74 / 41 / 7

HEX #EE3E8D

RGB 238 62 141

HSL 333.07, 0.84%, 0.59%

LAB 55.63, 71.45, -2.99

 

CMYK 0 / 18 / 74 / 7

HEX #EEC23E

RGB 238 194 62

HSL 45, 0.84%, 0.59%

LAB 80.24, 2.89, 68.32

 

CMYK 73 / 0 / 32 / 7

HEX #40EEA2

RGB 64 238 162

HSL 153.79, 0.84%, 0.59%

LAB 84.41, -60.57, 24.54

 

CMYK 70 / 74 / 0 / 7

HEX #473EEE

RGB 71 62 238

HSL 243.07, 0.84%, 0.59%

LAB 39.51, 56.9, -86.23

 

CMYK 0 / 74 / 41 / 7

HEX #EE3E8D

RGB 238 62 141

HSL 333.07, 0.84%, 0.59%

LAB 55.63, 71.45, -2.99

 

CMYK 4 / 0 / 74 / 7

HEX #E5EE3E

RGB 229 238 62

HSL 63.07, 0.84%, 0.59%

LAB 90.85, -22.87, 78.07

 

Description

Color code: HEX #40EEA2 | qconv.com Color code: HEX #40EEA2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 238 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 238 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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