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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40DC58 it is the complementary color #BF23A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40DC58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40DC58 shade: #45DC53, #56EE66, #67FF79, #78FF8C and #89FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40DC58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40DC58 shade: #40DC58, #2FCA45, #1EB832, #0DA61F and #00940C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40DC58 shade: #41DC59, #53DC41, #7DDC41, #A6DC41 and #D0DC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40DC58 shade: #41DC59, #41DC82, #41DCAC, #41DCD6 and #41B8DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40DC58 shade matches the following richer shades: #41DC59 and #2FEE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40DC58 shade: #41DC59, #53CA65, #65B772, #77A57E and #89938B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40DC58 shade: #7CDC41, #53DC41, #41DC58, #41DC81 and #41DCAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40DC58 shade: #1FAB35, #25CE3F, #41DC59, #64E277 and #87E996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40DC58 shade: #40DC58, #41A6DC and #DC4168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40DC58 shade: #40DC58, #5841DC and #DC5841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40DC58 shade: #40DC58, #41A6DC, #DC41C4 and #DC7741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40DC58 shade: #40DC58, #4177DC, #DC41C4 and #DCA641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

Complementary color

CMYK 0 / 82 / 13 / 25

HEX #BF23A7

RGB 191 35 167

HSL 309.23, 0.69%, 0.44%

LAB 45.73, 70.78, -34.31

 

CMYK 69 / 0 / 62 / 14

HEX #45DC53

RGB 69 220 83

HSL 125.56, 0.68%, 0.57%

LAB 77.92, -65.88, 54.52

 

CMYK 64 / 0 / 57 / 7

HEX #56EE66

RGB 86 238 102

HSL 126.32, 0.82%, 0.64%

LAB 84.01, -66.62, 53.32

 

CMYK 60 / 0 / 53 / 0

HEX #67FF79

RGB 103 255 121

HSL 127.11, 1%, 0.7%

LAB 89.76, -66.72, 51.69

 

CMYK 53 / 0 / 45 / 0

HEX #78FF8C

RGB 120 255 140

HSL 128.89, 1%, 0.74%

LAB 90.51, -60.25, 43.81

 

CMYK 46 / 0 / 38 / 0

HEX #89FF9F

RGB 137 255 159

HSL 131.19, 1%, 0.77%

LAB 91.39, -53.07, 35.78

 

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA45

RGB 47 202 69

HSL 128.52, 0.62%, 0.49%

LAB 71.74, -64.97, 53.43

 

CMYK 84 / 0 / 73 / 28

HEX #1EB832

RGB 30 184 50

HSL 127.79, 0.72%, 0.42%

LAB 65.58, -63.19, 54.29

 

CMYK 92 / 0 / 81 / 35

HEX #0DA61F

RGB 13 166 31

HSL 127.06, 0.85%, 0.35%

LAB 59.39, -60.61, 54.5

 

CMYK 100 / 0 / 92 / 42

HEX #00940C

RGB 0 148 12

HSL 124.86, 1%, 0.29%

LAB 53.17, -57.07, 53.46

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 62 / 0 / 70 / 14

HEX #53DC41

RGB 83 220 65

HSL 113.03, 0.69%, 0.56%

LAB 78.11, -64.8, 61.99

 

CMYK 43 / 0 / 70 / 14

HEX #7DDC41

RGB 125 220 65

HSL 96.77, 0.69%, 0.56%

LAB 79.57, -53.55, 63.95

 

CMYK 25 / 0 / 70 / 14

HEX #A6DC41

RGB 166 220 65

HSL 80.9, 0.69%, 0.56%

LAB 81.66, -39.29, 66.74

 

CMYK 5 / 0 / 70 / 14

HEX #D0DC41

RGB 208 220 65

HSL 64.65, 0.69%, 0.56%

LAB 84.47, -22.67, 70.46

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 70 / 0 / 41 / 14

HEX #41DC82

RGB 65 220 130

HSL 145.16, 0.69%, 0.56%

LAB 78.42, -59.85, 32.86

 

CMYK 70 / 0 / 22 / 14

HEX #41DCAC

RGB 65 220 172

HSL 161.42, 0.69%, 0.56%

LAB 79.21, -51.25, 12.1

 

CMYK 70 / 0 / 3 / 14

HEX #41DCD6

RGB 65 220 214

HSL 177.68, 0.69%, 0.56%

LAB 80.27, -40.55, -8.7

 

CMYK 70 / 16 / 0 / 14

HEX #41B8DC

RGB 65 184 220

HSL 193.94, 0.69%, 0.56%

LAB 69.88, -21.45, -27.66

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 80 / 0 / 68 / 7

HEX #2FEE4C

RGB 47 238 76

HSL 129.11, 0.85%, 0.56%

LAB 83.06, -75.38, 62.85

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 59 / 0 / 50 / 21

HEX #53CA65

RGB 83 202 101

HSL 129.08, 0.53%, 0.56%

LAB 72.9, -54.38, 40.4

 

CMYK 45 / 0 / 38 / 28

HEX #65B772

RGB 101 183 114

HSL 129.51, 0.36%, 0.56%

LAB 67.91, -39.88, 27.51

 

CMYK 28 / 0 / 24 / 35

HEX #77A57E

RGB 119 165 126

HSL 129.13, 0.2%, 0.56%

LAB 63.62, -23.57, 15.35

 

CMYK 7 / 0 / 5 / 42

HEX #89938B

RGB 137 147 139

HSL 132, 0.04%, 0.56%

LAB 59.93, -5.2, 2.98

 

CMYK 44 / 0 / 70 / 14

HEX #7CDC41

RGB 124 220 65

HSL 97.16, 0.69%, 0.56%

LAB 79.53, -53.87, 63.9

 

CMYK 62 / 0 / 70 / 14

HEX #53DC41

RGB 83 220 65

HSL 113.03, 0.69%, 0.56%

LAB 78.11, -64.8, 61.99

 

CMYK 70 / 0 / 60 / 14

HEX #41DC58

RGB 65 220 88

HSL 128.9, 0.69%, 0.56%

LAB 77.88, -66.01, 52.29

 

CMYK 70 / 0 / 41 / 14

HEX #41DC81

RGB 65 220 129

HSL 144.77, 0.69%, 0.56%

LAB 78.4, -60.02, 33.35

 

CMYK 70 / 0 / 22 / 14

HEX #41DCAB

RGB 65 220 171

HSL 161.03, 0.69%, 0.56%

LAB 79.19, -51.48, 12.6

 

CMYK 82 / 0 / 69 / 33

HEX #1FAB35

RGB 31 171 53

HSL 129.43, 0.69%, 0.4%

LAB 61.37, -58.75, 48.72

 

CMYK 82 / 0 / 69 / 19

HEX #25CE3F

RGB 37 206 63

HSL 129.23, 0.7%, 0.48%

LAB 72.82, -68.01, 56.94

 

CMYK 70 / 0 / 60 / 14

HEX #41DC59

RGB 65 220 89

HSL 129.29, 0.69%, 0.56%

LAB 77.89, -65.89, 51.86

 

CMYK 56 / 0 / 47 / 11

HEX #64E277

RGB 100 226 119

HSL 129.05, 0.68%, 0.64%

LAB 80.98, -56.98, 41.8

 

CMYK 42 / 0 / 36 / 9

HEX #87E996

RGB 135 233 150

HSL 129.18, 0.69%, 0.72%

LAB 84.81, -45.87, 31.56

 

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

CMYK 70 / 25 / 0 / 14

HEX #41A6DC

RGB 65 166 220

HSL 200.9, 0.69%, 0.56%

LAB 64.61, -11.9, -35.79

 

CMYK 0 / 70 / 53 / 14

HEX #DC4168

RGB 220 65 104

HSL 344.9, 0.69%, 0.56%

LAB 51.83, 62.22, 13.27

 

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

CMYK 60 / 70 / 0 / 14

HEX #5841DC

RGB 88 65 220

HSL 248.9, 0.69%, 0.56%

LAB 39.62, 51.76, -75.77

 

CMYK 0 / 60 / 70 / 14

HEX #DC5841

RGB 220 88 65

HSL 8.9, 0.69%, 0.56%

LAB 54.63, 50.34, 39.55

 

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

CMYK 70 / 25 / 0 / 14

HEX #41A6DC

RGB 65 166 220

HSL 200.9, 0.69%, 0.56%

LAB 64.61, -11.9, -35.79

 

CMYK 0 / 70 / 11 / 14

HEX #DC41C4

RGB 220 65 196

HSL 309.29, 0.69%, 0.56%

LAB 55.05, 72.66, -36.27

 

CMYK 0 / 46 / 70 / 14

HEX #DC7741

RGB 220 119 65

HSL 20.9, 0.69%, 0.56%

LAB 60.6, 35.14, 46.24

 

CMYK 71 / 0 / 60 / 14

HEX #40DC58

RGB 64 220 88

HSL 129.23, 0.69%, 0.56%

LAB 77.86, -66.17, 52.26

 

CMYK 70 / 46 / 0 / 14

HEX #4177DC

RGB 65 119 220

HSL 219.1, 0.69%, 0.56%

LAB 51.25, 15.7, -56.94

 

CMYK 0 / 70 / 11 / 14

HEX #DC41C4

RGB 220 65 196

HSL 309.29, 0.69%, 0.56%

LAB 55.05, 72.66, -36.27

 

CMYK 0 / 25 / 70 / 14

HEX #DCA641

RGB 220 166 65

HSL 39.1, 0.69%, 0.56%

LAB 71.47, 10.09, 57.79

 

Description

Color code: HEX #40DC58 | qconv.com Color code: HEX #40DC58 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 220 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 220 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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