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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40D878 it is the complementary color #BF2787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40D878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40D878 shade: #45D873, #56EA86, #67FC99, #78FFAC and #89FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40D878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40D878 shade: #40D878, #2FC665, #1EB452, #0DA23F and #00902C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40D878 shade: #40D778, #40D74F, #5AD740, #83D740 and #ACD740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40D878 shade: #40D778, #40D7A1, #40D7CA, #40BDD7 and #4094D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40D878 shade matches the following richer shades: #40D778, #2DEA73 and #1BFD6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40D878 shade: #40D778, #53C57D, #65B282, #78A086 and #8A8D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40D878 shade: #59D740, #40D74F, #40D778, #40D7A0 and #40D7C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40D878 shade: #21A451, #28C662, #40D778, #62DE90 and #85E6A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40D878 shade: #40D878, #4082D7 and #D74045

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40D878 shade: #40D878, #7840D7 and #D77840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40D878 shade: #40D878, #4082D7, #D740A0 and #D79640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40D878 shade: #40D878, #4054D7, #D740A0 and #D7C340

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

Complementary color

CMYK 0 / 80 / 29 / 25

HEX #BF2787

RGB 191 39 135

HSL 322.11, 0.66%, 0.45%

LAB 44.63, 65.67, -16.75

 

CMYK 68 / 0 / 47 / 15

HEX #45D873

RGB 69 216 115

HSL 138.78, 0.65%, 0.56%

LAB 77.05, -60.25, 38.63

 

CMYK 63 / 0 / 43 / 8

HEX #56EA86

RGB 86 234 134

HSL 139.46, 0.78%, 0.63%

LAB 83.2, -60.67, 37.18

 

CMYK 59 / 0 / 39 / 1

HEX #67FC99

RGB 103 252 153

HSL 140.13, 0.96%, 0.7%

LAB 89.3, -60.88, 35.8

 

CMYK 53 / 0 / 33 / 0

HEX #78FFAC

RGB 120 255 172

HSL 143.11, 1%, 0.74%

LAB 91, -55.05, 28.67

 

CMYK 46 / 0 / 25 / 0

HEX #89FFBF

RGB 137 255 191

HSL 147.46, 1%, 0.77%

LAB 91.95, -47.45, 20.42

 

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

CMYK 76 / 0 / 49 / 22

HEX #2FC665

RGB 47 198 101

HSL 141.46, 0.62%, 0.48%

LAB 70.82, -59.47, 37.63

 

CMYK 83 / 0 / 54 / 29

HEX #1EB452

RGB 30 180 82

HSL 140.8, 0.71%, 0.41%

LAB 64.59, -58.22, 39.25

 

CMYK 92 / 0 / 61 / 36

HEX #0DA23F

RGB 13 162 63

HSL 140.13, 0.85%, 0.34%

LAB 58.31, -56.33, 40.87

 

CMYK 100 / 0 / 69 / 44

HEX #00902C

RGB 0 144 44

HSL 138.33, 1%, 0.28%

LAB 51.98, -53.66, 42.31

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 70 / 0 / 63 / 16

HEX #40D74F

RGB 64 215 79

HSL 125.96, 0.65%, 0.55%

LAB 76.23, -65.52, 54.29

 

CMYK 58 / 0 / 70 / 16

HEX #5AD740

RGB 90 215 64

HSL 109.67, 0.65%, 0.55%

LAB 76.77, -61.55, 61.03

 

CMYK 39 / 0 / 70 / 16

HEX #83D740

RGB 131 215 64

HSL 93.38, 0.65%, 0.55%

LAB 78.34, -49.69, 63.15

 

CMYK 20 / 0 / 70 / 16

HEX #ACD740

RGB 172 215 64

HSL 77.09, 0.65%, 0.55%

LAB 80.59, -34.8, 66.15

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 70 / 0 / 25 / 16

HEX #40D7A1

RGB 64 215 161

HSL 158.54, 0.65%, 0.55%

LAB 77.44, -51.87, 15.43

 

CMYK 70 / 0 / 6 / 16

HEX #40D7CA

RGB 64 215 202

HSL 174.83, 0.65%, 0.55%

LAB 78.44, -41.72, -5.01

 

CMYK 70 / 12 / 0 / 16

HEX #40BDD7

RGB 64 189 215

HSL 190.33, 0.65%, 0.55%

LAB 71.14, -25.69, -22.99

 

CMYK 70 / 31 / 0 / 16

HEX #4094D7

RGB 64 148 215

HSL 206.62, 0.65%, 0.55%

LAB 59.14, -3.64, -41.59

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 81 / 0 / 51 / 8

HEX #2DEA73

RGB 45 234 115

HSL 142.22, 0.82%, 0.55%

LAB 82.19, -69.68, 44.96

 

CMYK 89 / 0 / 57 / 1

HEX #1BFD6E

RGB 27 253 110

HSL 142.04, 0.98%, 0.55%

LAB 87.78, -77.72, 53.98

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 58 / 0 / 37 / 23

HEX #53C57D

RGB 83 197 125

HSL 142.11, 0.5%, 0.55%

LAB 71.73, -48.49, 26.67

 

CMYK 43 / 0 / 27 / 30

HEX #65B282

RGB 101 178 130

HSL 142.6, 0.33%, 0.55%

LAB 66.69, -34.7, 17.26

 

CMYK 25 / 0 / 16 / 37

HEX #78A086

RGB 120 160 134

HSL 141, 0.17%, 0.55%

LAB 62.39, -19.14, 9.17

 

CMYK 2 / 0 / 1 / 45

HEX #8A8D8B

RGB 138 141 139

HSL 140, 0.01%, 0.55%

LAB 58.34, -1.49, 0.67

 

CMYK 59 / 0 / 70 / 16

HEX #59D740

RGB 89 215 64

HSL 110.07, 0.65%, 0.55%

LAB 76.74, -61.79, 60.99

 

CMYK 70 / 0 / 63 / 16

HEX #40D74F

RGB 64 215 79

HSL 125.96, 0.65%, 0.55%

LAB 76.23, -65.52, 54.29

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 70 / 0 / 26 / 16

HEX #40D7A0

RGB 64 215 160

HSL 158.15, 0.65%, 0.55%

LAB 77.42, -52.09, 15.93

 

CMYK 70 / 0 / 7 / 16

HEX #40D7C8

RGB 64 215 200

HSL 174.04, 0.65%, 0.55%

LAB 78.38, -42.26, -4.02

 

CMYK 80 / 0 / 51 / 36

HEX #21A451

RGB 33 164 81

HSL 141.98, 0.66%, 0.39%

LAB 59.41, -52.51, 33.39

 

CMYK 80 / 0 / 51 / 22

HEX #28C662

RGB 40 198 98

HSL 142.03, 0.66%, 0.47%

LAB 70.68, -60.8, 38.91

 

CMYK 70 / 0 / 44 / 16

HEX #40D778

RGB 64 215 120

HSL 142.25, 0.65%, 0.55%

LAB 76.71, -59.91, 35.68

 

CMYK 56 / 0 / 35 / 13

HEX #62DE90

RGB 98 222 144

HSL 142.26, 0.65%, 0.63%

LAB 80.1, -51.8, 28.09

 

CMYK 42 / 0 / 27 / 10

HEX #85E6A8

RGB 133 230 168

HSL 141.65, 0.66%, 0.71%

LAB 84.18, -41.99, 21.46

 

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

CMYK 70 / 40 / 0 / 16

HEX #4082D7

RGB 64 130 215

HSL 213.77, 0.65%, 0.55%

LAB 53.99, 7.01, -49.74

 

CMYK 0 / 70 / 68 / 16

HEX #D74045

RGB 215 64 69

HSL 358.01, 0.65%, 0.55%

LAB 50.15, 58.8, 31.78

 

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

CMYK 44 / 70 / 0 / 16

HEX #7840D7

RGB 120 64 215

HSL 262.25, 0.65%, 0.55%

LAB 42.1, 55.83, -68.71

 

CMYK 0 / 44 / 70 / 16

HEX #D77840

RGB 215 120 64

HSL 22.25, 0.65%, 0.55%

LAB 60.11, 32.56, 46.01

 

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

CMYK 70 / 40 / 0 / 16

HEX #4082D7

RGB 64 130 215

HSL 213.77, 0.65%, 0.55%

LAB 53.99, 7.01, -49.74

 

CMYK 0 / 70 / 26 / 16

HEX #D740A0

RGB 215 64 160

HSL 321.85, 0.65%, 0.55%

LAB 52.57, 66.9, -19.22

 

CMYK 0 / 30 / 70 / 16

HEX #D79640

RGB 215 150 64

HSL 34.17, 0.65%, 0.55%

LAB 67, 16.49, 53.41

 

CMYK 70 / 0 / 44 / 15

HEX #40D878

RGB 64 216 120

HSL 142.11, 0.66%, 0.55%

LAB 77.02, -60.27, 36.08

 

CMYK 70 / 61 / 0 / 16

HEX #4054D7

RGB 64 84 215

HSL 232.05, 0.65%, 0.55%

LAB 41.75, 35.81, -69.48

 

CMYK 0 / 70 / 26 / 16

HEX #D740A0

RGB 215 64 160

HSL 321.85, 0.65%, 0.55%

LAB 52.57, 66.9, -19.22

 

CMYK 0 / 9 / 70 / 16

HEX #D7C340

RGB 215 195 64

HSL 52.05, 0.65%, 0.55%

LAB 78.37, -7.33, 65.02

 

Description

Color code: HEX #40D878 | qconv.com Color code: HEX #40D878 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 216 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 216 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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