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Color name
HEX #40AEC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40AEC8 it is the complementary color #BF5137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40AEC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40AEC8 shade: #45AEC3, #56C0D6, #67D2E9, #78E4FC and #89F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40AEC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40AEC8 shade: #40AEC8, #2F9CB5, #1E8AA2, #0D788F and #00667C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40AEC8 shade: #41AEC7, #4189C7, #4165C7, #4141C7 and #6541C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40AEC8 shade: #41AEC7, #4189C7, #4165C7 and #4141C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40AEC8 shade matches the following richer shades: #41AEC7, #2DBADB and #19C6EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40AEC8 shade: #41AEC7, #55A1B4, #6895A0, #7C898C and #907D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40AEC8 shade: #41C798, #41C7BC, #41AFC7, #418BC7 and #4167C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40AEC8 shade: #297A8D, #3296AD, #41AEC7, #61BBD1 and #81C9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40AEC8 shade: #40AEC8, #7441C7 and #C7AA41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40AEC8 shade: #40AEC8, #C741AF and #AFC741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40AEC8 shade: #40AEC8, #7441C7, #C75941 and #94C741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40AEC8 shade: #40AEC8, #9D41C7, #C75941 and #6BC741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

Complementary color

CMYK 0 / 58 / 71 / 25

HEX #BF5137

RGB 191 81 55

HSL 11.47, 0.55%, 0.48%

LAB 48.56, 42.6, 36.85

 

CMYK 65 / 11 / 0 / 24

HEX #45AEC3

RGB 69 174 195

HSL 190, 0.51%, 0.52%

LAB 66.12, -23.5, -19.63

 

CMYK 60 / 10 / 0 / 16

HEX #56C0D6

RGB 86 192 214

HSL 190.31, 0.61%, 0.59%

LAB 72.58, -24.04, -20.19

 

CMYK 56 / 10 / 0 / 9

HEX #67D2E9

RGB 103 210 233

HSL 190.62, 0.75%, 0.66%

LAB 78.96, -24.44, -20.71

 

CMYK 52 / 10 / 0 / 1

HEX #78E4FC

RGB 120 228 252

HSL 190.91, 0.96%, 0.73%

LAB 85.25, -24.75, -21.2

 

CMYK 46 / 4 / 0 / 0

HEX #89F6FF

RGB 137 246 255

HSL 184.58, 1%, 0.77%

LAB 90.98, -29.1, -14.08

 

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

CMYK 74 / 14 / 0 / 29

HEX #2F9CB5

RGB 47 156 181

HSL 191.19, 0.59%, 0.45%

LAB 59.63, -21.82, -21.75

 

CMYK 81 / 15 / 0 / 36

HEX #1E8AA2

RGB 30 138 162

HSL 190.91, 0.69%, 0.38%

LAB 53.02, -20.58, -21.07

 

CMYK 91 / 16 / 0 / 44

HEX #0D788F

RGB 13 120 143

HSL 190.62, 0.83%, 0.31%

LAB 46.31, -18.88, -20.28

 

CMYK 100 / 18 / 0 / 51

HEX #00667C

RGB 0 102 124

HSL 190.65, 1%, 0.24%

LAB 39.51, -16.64, -19.37

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 67 / 31 / 0 / 22

HEX #4189C7

RGB 65 137 199

HSL 207.76, 0.54%, 0.52%

LAB 55.21, -2.62, -38.75

 

CMYK 67 / 49 / 0 / 22

HEX #4165C7

RGB 65 101 199

HSL 223.88, 0.54%, 0.52%

LAB 45.02, 19.49, -54.98

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 49 / 67 / 0 / 22

HEX #6541C7

RGB 101 65 199

HSL 256.12, 0.54%, 0.52%

LAB 39.02, 47.65, -64.58

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 67 / 31 / 0 / 22

HEX #4189C7

RGB 65 137 199

HSL 207.76, 0.54%, 0.52%

LAB 55.21, -2.62, -38.75

 

CMYK 67 / 49 / 0 / 22

HEX #4165C7

RGB 65 101 199

HSL 223.88, 0.54%, 0.52%

LAB 45.02, 19.49, -54.98

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 79 / 15 / 0 / 14

HEX #2DBADB

RGB 45 186 219

HSL 191.38, 0.71%, 0.52%

LAB 70.03, -25.07, -26.91

 

CMYK 90 / 17 / 0 / 6

HEX #19C6EF

RGB 25 198 239

HSL 191.5, 0.87%, 0.52%

LAB 74.08, -25.92, -31.55

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 53 / 11 / 0 / 29

HEX #55A1B4

RGB 85 161 180

HSL 192, 0.39%, 0.52%

LAB 62.27, -18.16, -17.07

 

CMYK 35 / 7 / 0 / 37

HEX #6895A0

RGB 104 149 160

HSL 191.79, 0.23%, 0.52%

LAB 58.95, -12.39, -10.67

 

CMYK 11 / 2 / 0 / 45

HEX #7C898C

RGB 124 137 140

HSL 191.25, 0.07%, 0.52%

LAB 56.16, -4.07, -3.22

 

CMYK 0 / 13 / 17 / 44

HEX #907D78

RGB 144 125 120

HSL 12.5, 0.1%, 0.52%

LAB 53.98, 6.42, 5.4

 

CMYK 67 / 0 / 24 / 22

HEX #41C798

RGB 65 199 152

HSL 158.96, 0.54%, 0.52%

LAB 72.39, -47.22, 13.14

 

CMYK 67 / 0 / 6 / 22

HEX #41C7BC

RGB 65 199 188

HSL 175.07, 0.54%, 0.52%

LAB 73.29, -38.18, -5.06

 

CMYK 67 / 12 / 0 / 22

HEX #41AFC7

RGB 65 175 199

HSL 190.75, 0.54%, 0.52%

LAB 66.45, -23.41, -21.36

 

CMYK 67 / 30 / 0 / 22

HEX #418BC7

RGB 65 139 199

HSL 206.87, 0.54%, 0.52%

LAB 55.8, -3.78, -37.83

 

CMYK 67 / 48 / 0 / 22

HEX #4167C7

RGB 65 103 199

HSL 222.99, 0.54%, 0.52%

LAB 45.56, 18.22, -54.1

 

CMYK 71 / 13 / 0 / 45

HEX #297A8D

RGB 41 122 141

HSL 191.4, 0.55%, 0.36%

LAB 47.38, -17.71, -17.41

 

CMYK 71 / 13 / 0 / 32

HEX #3296AD

RGB 50 150 173

HSL 191.22, 0.55%, 0.44%

LAB 57.57, -20.88, -20.37

 

CMYK 67 / 13 / 0 / 22

HEX #41AEC7

RGB 65 174 199

HSL 191.19, 0.54%, 0.52%

LAB 66.15, -22.9, -21.81

 

CMYK 54 / 11 / 0 / 18

HEX #61BBD1

RGB 97 187 209

HSL 191.79, 0.55%, 0.6%

LAB 71.34, -20.81, -19.32

 

CMYK 41 / 8 / 0 / 15

HEX #81C9DA

RGB 129 201 218

HSL 191.46, 0.55%, 0.68%

LAB 76.98, -18.16, -15.55

 

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

CMYK 42 / 67 / 0 / 22

HEX #7441C7

RGB 116 65 199

HSL 262.84, 0.54%, 0.52%

LAB 40.6, 50.43, -61.94

 

CMYK 0 / 15 / 67 / 22

HEX #C7AA41

RGB 199 170 65

HSL 47.01, 0.54%, 0.52%

LAB 70.37, -1.1, 55.99

 

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

CMYK 0 / 67 / 12 / 22

HEX #C741AF

RGB 199 65 175

HSL 310.75, 0.54%, 0.52%

LAB 50.71, 64.53, -31.13

 

CMYK 12 / 0 / 67 / 22

HEX #AFC741

RGB 175 199 65

HSL 70.75, 0.54%, 0.52%

LAB 76.28, -26.03, 61.49

 

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

CMYK 42 / 67 / 0 / 22

HEX #7441C7

RGB 116 65 199

HSL 262.84, 0.54%, 0.52%

LAB 40.6, 50.43, -61.94

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 26 / 0 / 67 / 22

HEX #94C741

RGB 148 199 65

HSL 82.84, 0.54%, 0.52%

LAB 74.52, -36.68, 59.12

 

CMYK 68 / 13 / 0 / 22

HEX #40AEC8

RGB 64 174 200

HSL 191.47, 0.55%, 0.52%

LAB 66.16, -22.74, -22.35

 

CMYK 21 / 67 / 0 / 22

HEX #9D41C7

RGB 157 65 199

HSL 281.19, 0.54%, 0.52%

LAB 45.73, 58.92, -53.39

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 46 / 0 / 67 / 22

HEX #6BC741

RGB 107 199 65

HSL 101.19, 0.54%, 0.52%

LAB 72.46, -50.85, 56.33

 

Description

Color code: HEX #40AEC8 | qconv.com Color code: HEX #40AEC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 174 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 174 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 13% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Web de Webs | Blue S...
Link: http://www.bluesourise.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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