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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40A15A it is the complementary color #BF5EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40A15A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40A15A shade: #45A155, #56B368, #67C57B, #78D78E and #89E9A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40A15A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40A15A shade: #40A15A, #2F8F47, #1E7D34, #0D6B21 and #00590E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40A15A shade: #3FA059, #40A03F, #5AA03F, #74A03F and #8EA03F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40A15A shade: #3FA059, #3FA073, #3FA08D, #3F99A0 and #3F7EA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40A15A shade matches the following richer shades: #3FA059, #2DB251, #1BC448 and #09D640

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40A15A shade: #3FA059, #528E62, #647C6A, #766973 and #88577B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40A15A shade: #59A03F, #3FA03F, #3FA059, #3FA073 and #3FA08D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40A15A shade: #286538, #348249, #3FA059, #50B96C and #6DC585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40A15A shade: #40A15A, #3F73A0 and #A03F4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40A15A shade: #40A15A, #593FA0 and #A0593F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40A15A shade: #40A15A, #3F73A0, #A03F86 and #A06C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40A15A shade: #40A15A, #3F56A0, #A03F86 and #A0893F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

Complementary color

CMYK 0 / 51 / 14 / 25

HEX #BF5EA5

RGB 191 94 165

HSL 316.08, 0.43%, 0.56%

LAB 53.81, 47.93, -20.57

 

CMYK 57 / 0 / 47 / 37

HEX #45A155

RGB 69 161 85

HSL 130.43, 0.4%, 0.45%

LAB 59.35, -43.98, 31.44

 

CMYK 52 / 0 / 42 / 30

HEX #56B368

RGB 86 179 104

HSL 131.61, 0.38%, 0.52%

LAB 65.92, -43.99, 30.05

 

CMYK 48 / 0 / 38 / 23

HEX #67C57B

RGB 103 197 123

HSL 132.77, 0.45%, 0.59%

LAB 72.39, -43.87, 28.73

 

CMYK 44 / 0 / 34 / 16

HEX #78D78E

RGB 120 215 142

HSL 133.89, 0.54%, 0.66%

LAB 78.78, -43.68, 27.5

 

CMYK 41 / 0 / 31 / 9

HEX #89E9A1

RGB 137 233 161

HSL 135, 0.69%, 0.73%

LAB 85.08, -43.46, 26.34

 

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

CMYK 67 / 0 / 50 / 44

HEX #2F8F47

RGB 47 143 71

HSL 135, 0.51%, 0.37%

LAB 52.62, -44.04, 30.18

 

CMYK 76 / 0 / 58 / 51

HEX #1E7D34

RGB 30 125 52

HSL 133.89, 0.61%, 0.3%

LAB 45.89, -43.29, 31.75

 

CMYK 88 / 0 / 69 / 58

HEX #0D6B21

RGB 13 107 33

HSL 132.77, 0.78%, 0.24%

LAB 39.09, -41.76, 33.22

 

CMYK 100 / 0 / 84 / 65

HEX #00590E

RGB 0 89 14

HSL 129.44, 1%, 0.17%

LAB 32.21, -39.07, 34.04

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 60 / 0 / 61 / 37

HEX #40A03F

RGB 64 160 63

HSL 119.38, 0.43%, 0.44%

LAB 58.59, -47.87, 41.44

 

CMYK 44 / 0 / 61 / 37

HEX #5AA03F

RGB 90 160 63

HSL 103.3, 0.43%, 0.44%

LAB 59.59, -40.39, 42.85

 

CMYK 28 / 0 / 61 / 37

HEX #74A03F

RGB 116 160 63

HSL 87.22, 0.43%, 0.44%

LAB 60.97, -31.08, 44.78

 

CMYK 11 / 0 / 61 / 37

HEX #8EA03F

RGB 142 160 63

HSL 71.13, 0.43%, 0.44%

LAB 62.72, -20.56, 47.21

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 61 / 0 / 28 / 37

HEX #3FA073

RGB 63 160 115

HSL 152.16, 0.43%, 0.44%

LAB 59.38, -39.29, 15.18

 

CMYK 61 / 0 / 12 / 37

HEX #3FA08D

RGB 63 160 141

HSL 168.25, 0.43%, 0.44%

LAB 60, -33.04, 1.47

 

CMYK 61 / 4 / 0 / 37

HEX #3F99A0

RGB 63 153 160

HSL 184.33, 0.43%, 0.44%

LAB 58.39, -24.33, -11.68

 

CMYK 61 / 21 / 0 / 37

HEX #3F7EA0

RGB 63 126 160

HSL 201.03, 0.43%, 0.44%

LAB 50.12, -9.74, -24.3

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 75 / 0 / 54 / 30

HEX #2DB251

RGB 45 178 81

HSL 136.24, 0.6%, 0.44%

LAB 64.16, -55.79, 39.27

 

CMYK 86 / 0 / 63 / 23

HEX #1BC448

RGB 27 196 72

HSL 135.98, 0.76%, 0.44%

LAB 69.6, -64.96, 49.71

 

CMYK 96 / 0 / 70 / 16

HEX #09D640

RGB 9 214 64

HSL 136.1, 0.92%, 0.44%

LAB 75.15, -72.18, 58.95

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 42 / 0 / 31 / 44

HEX #528E62

RGB 82 142 98

HSL 136, 0.27%, 0.44%

LAB 54.05, -29.61, 17.49

 

CMYK 19 / 0 / 15 / 51

HEX #647C6A

RGB 100 124 106

HSL 135, 0.11%, 0.44%

LAB 49.7, -12.58, 6.97

 

CMYK 0 / 11 / 3 / 54

HEX #766973

RGB 118 105 115

HSL 313.85, 0.06%, 0.44%

LAB 45.9, 7.06, -3.71

 

CMYK 0 / 36 / 10 / 47

HEX #88577B

RGB 136 87 123

HSL 315.92, 0.22%, 0.44%

LAB 43.48, 26.09, -11.96

 

CMYK 44 / 0 / 61 / 37

HEX #59A03F

RGB 89 160 63

HSL 103.92, 0.43%, 0.44%

LAB 59.55, -40.71, 42.79

 

CMYK 61 / 0 / 61 / 37

HEX #3FA03F

RGB 63 160 63

HSL 120, 0.43%, 0.44%

LAB 58.56, -48.11, 41.4

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 61 / 0 / 28 / 37

HEX #3FA073

RGB 63 160 115

HSL 152.16, 0.43%, 0.44%

LAB 59.38, -39.29, 15.18

 

CMYK 61 / 0 / 12 / 37

HEX #3FA08D

RGB 63 160 141

HSL 168.25, 0.43%, 0.44%

LAB 60, -33.04, 1.47

 

CMYK 60 / 0 / 45 / 60

HEX #286538

RGB 40 101 56

HSL 135.74, 0.43%, 0.28%

LAB 37.92, -30.69, 19.71

 

CMYK 60 / 0 / 44 / 49

HEX #348249

RGB 52 130 73

HSL 136.15, 0.43%, 0.36%

LAB 48.48, -37.25, 23.86

 

CMYK 61 / 0 / 44 / 37

HEX #3FA059

RGB 63 160 89

HSL 136.08, 0.43%, 0.44%

LAB 58.9, -44.35, 28.72

 

CMYK 57 / 0 / 42 / 27

HEX #50B96C

RGB 80 185 108

HSL 136, 0.43%, 0.52%

LAB 67.64, -47.3, 30.16

 

CMYK 45 / 0 / 32 / 23

HEX #6DC585

RGB 109 197 133

HSL 136.36, 0.43%, 0.6%

LAB 72.81, -40.47, 24.08

 

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

CMYK 61 / 28 / 0 / 37

HEX #3F73A0

RGB 63 115 160

HSL 207.84, 0.43%, 0.44%

LAB 46.79, -3.3, -29.47

 

CMYK 0 / 61 / 53 / 37

HEX #A03F4C

RGB 160 63 76

HSL 351.96, 0.43%, 0.44%

LAB 40.49, 41.37, 13.15

 

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

CMYK 44 / 61 / 0 / 37

HEX #593FA0

RGB 89 63 160

HSL 256.08, 0.43%, 0.44%

LAB 34.43, 35.14, -49

 

CMYK 0 / 44 / 61 / 37

HEX #A0593F

RGB 160 89 63

HSL 16.08, 0.43%, 0.44%

LAB 45.6, 26.65, 27.67

 

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

CMYK 61 / 28 / 0 / 37

HEX #3F73A0

RGB 63 115 160

HSL 207.84, 0.43%, 0.44%

LAB 46.79, -3.3, -29.47

 

CMYK 0 / 61 / 16 / 37

HEX #A03F86

RGB 160 63 134

HSL 316.08, 0.43%, 0.44%

LAB 42.38, 48.58, -20.03

 

CMYK 0 / 33 / 61 / 37

HEX #A06C3F

RGB 160 108 63

HSL 27.84, 0.43%, 0.44%

LAB 50.17, 15.9, 33.24

 

CMYK 60 / 0 / 44 / 37

HEX #40A15A

RGB 64 161 90

HSL 136.08, 0.43%, 0.44%

LAB 59.27, -44.36, 28.67

 

CMYK 61 / 46 / 0 / 37

HEX #3F56A0

RGB 63 86 160

HSL 225.77, 0.43%, 0.44%

LAB 38.29, 14.89, -42.9

 

CMYK 0 / 61 / 16 / 37

HEX #A03F86

RGB 160 63 134

HSL 316.08, 0.43%, 0.44%

LAB 42.38, 48.58, -20.03

 

CMYK 0 / 14 / 61 / 37

HEX #A0893F

RGB 160 137 63

HSL 45.77, 0.43%, 0.44%

LAB 57.77, -0.48, 42.11

 

Description

Color code: HEX #40A15A | qconv.com Color code: HEX #40A15A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 161 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 161 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 44 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 44% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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