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Color name
HEX #40A41C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40A41C it is the complementary color #BF5BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40A41C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40A41C shade: #45A417, #56B62A, #67C83D, #78DA50 and #89EC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40A41C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40A41C shade: #40A41C, #2F9209, #1E8000, #0D6E00 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40A41C shade: #40A51C, #65A51C, #8AA51C, #A59B1C and #A5761C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40A41C shade: #40A51C, #1CA51C, #1CA541, #1CA567 and #1CA58C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40A41C shade matches the following richer shades: #40A51C and #39B50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40A41C shade: #40A51C, #47962B, #4F863B, #56764B and #5E665A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40A41C shade: #8AA51C, #65A51C, #40A51C, #1CA51C and #1CA540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40A41C shade: #255F10, #328216, #40A51C, #4EC822 and #63DD37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40A41C shade: #40A41C, #1CA59C and #A51C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40A41C shade: #40A41C, #1C40A5 and #A51C40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40A41C shade: #40A41C, #1CA59C, #811CA5 and #A51C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40A41C shade: #40A41C, #1C85A5, #811CA5 and #A53C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

Complementary color

CMYK 16 / 60 / 0 / 11

HEX #BF5BE3

RGB 191 91 227

HSL 284.12, 0.71%, 0.62%

LAB 56.19, 60.66, -52.37

 

CMYK 58 / 0 / 86 / 36

HEX #45A417

RGB 69 164 23

HSL 100.43, 0.75%, 0.37%

LAB 59.78, -51.22, 57.38

 

CMYK 53 / 0 / 77 / 29

HEX #56B62A

RGB 86 182 42

HSL 101.14, 0.63%, 0.44%

LAB 66.21, -52.18, 58.13

 

CMYK 49 / 0 / 70 / 22

HEX #67C83D

RGB 103 200 61

HSL 101.87, 0.56%, 0.51%

LAB 72.58, -52.76, 57.96

 

CMYK 45 / 0 / 63 / 15

HEX #78DA50

RGB 120 218 80

HSL 102.61, 0.65%, 0.58%

LAB 78.88, -53.1, 57.29

 

CMYK 42 / 0 / 58 / 7

HEX #89EC63

RGB 137 236 99

HSL 103.36, 0.78%, 0.66%

LAB 85.1, -53.26, 56.35

 

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

CMYK 68 / 0 / 94 / 43

HEX #2F9209

RGB 47 146 9

HSL 103.36, 0.88%, 0.3%

LAB 53.15, -50.75, 54.2

 

CMYK 77 / 0 / 100 / 50

HEX #1E8000

RGB 30 128 0

HSL 105.94, 1%, 0.25%

LAB 46.6, -48.39, 50.35

 

CMYK 88 / 0 / 100 / 57

HEX #0D6E00

RGB 13 110 0

HSL 112.91, 1%, 0.22%

LAB 39.98, -45.09, 44.95

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 39 / 0 / 83 / 35

HEX #65A51C

RGB 101 165 28

HSL 88.03, 0.71%, 0.38%

LAB 61.45, -41.31, 58.11

 

CMYK 16 / 0 / 83 / 35

HEX #8AA51C

RGB 138 165 28

HSL 71.82, 0.71%, 0.38%

LAB 63.67, -26.74, 60.92

 

CMYK 0 / 6 / 83 / 35

HEX #A59B1C

RGB 165 155 28

HSL 55.62, 0.71%, 0.38%

LAB 62.95, -9.81, 61.14

 

CMYK 0 / 28 / 83 / 35

HEX #A5761C

RGB 165 118 28

HSL 39.42, 0.71%, 0.38%

LAB 52.99, 10.56, 52.53

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 83 / 0 / 83 / 35

HEX #1CA51C

RGB 28 165 28

HSL 120, 0.71%, 0.38%

LAB 59.2, -59.17, 55.22

 

CMYK 83 / 0 / 61 / 35

HEX #1CA541

RGB 28 165 65

HSL 136.2, 0.71%, 0.38%

LAB 59.47, -55.77, 41.32

 

CMYK 83 / 0 / 38 / 35

HEX #1CA567

RGB 28 165 103

HSL 152.85, 0.71%, 0.38%

LAB 60.01, -49.38, 22.52

 

CMYK 83 / 0 / 15 / 35

HEX #1CA58C

RGB 28 165 140

HSL 169.05, 0.71%, 0.38%

LAB 60.83, -40.51, 3.14

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 69 / 0 / 93 / 29

HEX #39B50C

RGB 57 181 12

HSL 104.02, 0.88%, 0.38%

LAB 64.92, -60.19, 63.68

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 53 / 0 / 71 / 41

HEX #47962B

RGB 71 150 43

HSL 104.3, 0.55%, 0.38%

LAB 55.41, -44.1, 46.78

 

CMYK 41 / 0 / 56 / 47

HEX #4F863B

RGB 79 134 59

HSL 104, 0.39%, 0.38%

LAB 50.72, -33.05, 34.35

 

CMYK 27 / 0 / 36 / 54

HEX #56764B

RGB 86 118 75

HSL 104.65, 0.22%, 0.38%

LAB 46.24, -20.34, 20.09

 

CMYK 8 / 0 / 12 / 60

HEX #5E665A

RGB 94 102 90

HSL 100, 0.06%, 0.38%

LAB 42.19, -5.58, 5.73

 

CMYK 16 / 0 / 83 / 35

HEX #8AA51C

RGB 138 165 28

HSL 71.82, 0.71%, 0.38%

LAB 63.67, -26.74, 60.92

 

CMYK 39 / 0 / 83 / 35

HEX #65A51C

RGB 101 165 28

HSL 88.03, 0.71%, 0.38%

LAB 61.45, -41.31, 58.11

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 83 / 0 / 83 / 35

HEX #1CA51C

RGB 28 165 28

HSL 120, 0.71%, 0.38%

LAB 59.2, -59.17, 55.22

 

CMYK 83 / 0 / 61 / 35

HEX #1CA540

RGB 28 165 64

HSL 135.77, 0.71%, 0.38%

LAB 59.46, -55.9, 41.77

 

CMYK 61 / 0 / 83 / 63

HEX #255F10

RGB 37 95 16

HSL 104.05, 0.71%, 0.22%

LAB 35.23, -34.13, 36.53

 

CMYK 62 / 0 / 83 / 49

HEX #328216

RGB 50 130 22

HSL 104.44, 0.71%, 0.3%

LAB 47.88, -43.78, 46.64

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 61 / 0 / 83 / 22

HEX #4EC822

RGB 78 200 34

HSL 104.1, 0.71%, 0.46%

LAB 71.58, -61.12, 65.36

 

CMYK 55 / 0 / 75 / 13

HEX #63DD37

RGB 99 221 55

HSL 104.1, 0.71%, 0.54%

LAB 78.83, -62.05, 66.33

 

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

CMYK 83 / 0 / 5 / 35

HEX #1CA59C

RGB 28 165 156

HSL 176.06, 0.71%, 0.38%

LAB 61.27, -35.99, -5.21

 

CMYK 0 / 83 / 28 / 35

HEX #A51C77

RGB 165 28 119

HSL 320.15, 0.71%, 0.38%

LAB 38.13, 60.37, -17.24

 

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

CMYK 83 / 61 / 0 / 35

HEX #1C40A5

RGB 28 64 165

HSL 224.23, 0.71%, 0.38%

LAB 30.95, 26.4, -57.85

 

CMYK 0 / 83 / 61 / 35

HEX #A51C40

RGB 165 28 64

HSL 344.23, 0.71%, 0.38%

LAB 36.37, 55.21, 15.31

 

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

CMYK 83 / 0 / 5 / 35

HEX #1CA59C

RGB 28 165 156

HSL 176.06, 0.71%, 0.38%

LAB 61.27, -35.99, -5.21

 

CMYK 22 / 83 / 0 / 35

HEX #811CA5

RGB 129 28 165

HSL 284.23, 0.71%, 0.38%

LAB 34.43, 60.22, -51.77

 

CMYK 0 / 83 / 78 / 35

HEX #A51C25

RGB 165 28 37

HSL 356.06, 0.71%, 0.38%

LAB 35.91, 53.83, 31.74

 

CMYK 61 / 0 / 83 / 36

HEX #40A41C

RGB 64 164 28

HSL 104.12, 0.71%, 0.38%

LAB 59.64, -52.28, 55.91

 

CMYK 83 / 19 / 0 / 35

HEX #1C85A5

RGB 28 133 165

HSL 194.01, 0.71%, 0.38%

LAB 51.54, -17.03, -25.08

 

CMYK 22 / 83 / 0 / 35

HEX #811CA5

RGB 129 28 165

HSL 284.23, 0.71%, 0.38%

LAB 34.43, 60.22, -51.77

 

CMYK 0 / 64 / 83 / 35

HEX #A53C1C

RGB 165 60 28

HSL 14.01, 0.71%, 0.38%

LAB 40.11, 41.76, 40.9

 

Description

Color code: HEX #40A41C | qconv.com Color code: HEX #40A41C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 164 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 164 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 83 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 83% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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