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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #408A8F it is the complementary color #BF7570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #408A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #408A8F shade: #458A8A, #569C9D, #67AEB0, #78C0C3 and #89D2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #408A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #408A8F shade: #408A8F, #2F787C, #1E6669, #0D5456 and #004243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #408A8F shade: #408B90, #407590, #406090, #404A90 and #4C4090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #408A8F shade: #408B90, #407590, #406090, #404A90 and #404090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #408A8F shade matches the following richer shades: #408B90, #2F9AA1, #1EA8B2 and #0EB7C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #408A8F shade: #408B90, #517C7F, #626D6E, #735E5D and #84504C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #408A8F shade: #409069, #40907F, #408C90, #407790 and #406190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #408A8F shade: #275457, #346F73, #408B90, #4DA6AC and #68B6BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #408A8F shade: #408A8F, #544090 and #907440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #408A8F shade: #408A8F, #90408C and #8C9040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #408A8F shade: #408A8F, #544090, #904440 and #7C9040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #408A8F shade: #408A8F, #6C4090, #904440 and #649040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

Complementary color

CMYK 0 / 39 / 41 / 25

HEX #BF7570

RGB 191 117 112

HSL 3.8, 0.38%, 0.59%

LAB 57.05, 28.48, 15.11

 

CMYK 50 / 0 / 0 / 46

HEX #458A8A

RGB 69 138 138

HSL 180, 0.33%, 0.41%

LAB 53.25, -21.67, -6.72

 

CMYK 45 / 1 / 0 / 38

HEX #569C9D

RGB 86 156 157

HSL 180.85, 0.29%, 0.48%

LAB 60.06, -21.73, -7.4

 

CMYK 41 / 1 / 0 / 31

HEX #67AEB0

RGB 103 174 176

HSL 181.64, 0.32%, 0.55%

LAB 66.74, -21.72, -8.03

 

CMYK 38 / 2 / 0 / 24

HEX #78C0C3

RGB 120 192 195

HSL 182.4, 0.38%, 0.62%

LAB 73.31, -21.69, -8.63

 

CMYK 36 / 2 / 0 / 16

HEX #89D2D6

RGB 137 210 214

HSL 183.12, 0.48%, 0.69%

LAB 79.77, -21.64, -9.2

 

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

CMYK 62 / 3 / 0 / 51

HEX #2F787C

RGB 47 120 124

HSL 183.12, 0.45%, 0.34%

LAB 46.3, -21.05, -8.96

 

CMYK 71 / 3 / 0 / 59

HEX #1E6669

RGB 30 102 105

HSL 182.4, 0.56%, 0.26%

LAB 39.24, -20.48, -8.14

 

CMYK 85 / 2 / 0 / 66

HEX #0D5456

RGB 13 84 86

HSL 181.64, 0.74%, 0.19%

LAB 32.03, -19.48, -7.15

 

CMYK 100 / 1 / 0 / 74

HEX #004243

RGB 0 66 67

HSL 180.9, 1%, 0.13%

LAB 24.64, -17.86, -5.96

 

CMYK 56 / 3 / 0 / 44

HEX #408B90

RGB 64 139 144

HSL 183.75, 0.38%, 0.41%

LAB 53.57, -21.6, -9.74

 

CMYK 56 / 19 / 0 / 44

HEX #407590

RGB 64 117 144

HSL 200.25, 0.38%, 0.41%

LAB 46.75, -9.52, -20.09

 

CMYK 56 / 33 / 0 / 44

HEX #406090

RGB 64 96 144

HSL 216, 0.38%, 0.41%

LAB 40.36, 3.15, -30.01

 

CMYK 56 / 49 / 0 / 44

HEX #404A90

RGB 64 74 144

HSL 232.5, 0.38%, 0.41%

LAB 33.99, 17.38, -40.12

 

CMYK 47 / 56 / 0 / 44

HEX #4C4090

RGB 76 64 144

HSL 249, 0.38%, 0.41%

LAB 32.3, 26.67, -42.78

 

CMYK 56 / 3 / 0 / 44

HEX #408B90

RGB 64 139 144

HSL 183.75, 0.38%, 0.41%

LAB 53.57, -21.6, -9.74

 

CMYK 56 / 19 / 0 / 44

HEX #407590

RGB 64 117 144

HSL 200.25, 0.38%, 0.41%

LAB 46.75, -9.52, -20.09

 

CMYK 56 / 33 / 0 / 44

HEX #406090

RGB 64 96 144

HSL 216, 0.38%, 0.41%

LAB 40.36, 3.15, -30.01

 

CMYK 56 / 49 / 0 / 44

HEX #404A90

RGB 64 74 144

HSL 232.5, 0.38%, 0.41%

LAB 33.99, 17.38, -40.12

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 3 / 0 / 44

HEX #408B90

RGB 64 139 144

HSL 183.75, 0.38%, 0.41%

LAB 53.57, -21.6, -9.74

 

CMYK 71 / 4 / 0 / 37

HEX #2F9AA1

RGB 47 154 161

HSL 183.68, 0.55%, 0.41%

LAB 58.31, -27.13, -12.42

 

CMYK 83 / 6 / 0 / 30

HEX #1EA8B2

RGB 30 168 178

HSL 184.05, 0.71%, 0.41%

LAB 62.92, -30.55, -15.08

 

CMYK 93 / 6 / 0 / 24

HEX #0EB7C3

RGB 14 183 195

HSL 183.98, 0.87%, 0.41%

LAB 67.95, -33.3, -16.94

 

CMYK 56 / 3 / 0 / 44

HEX #408B90

RGB 64 139 144

HSL 183.75, 0.38%, 0.41%

LAB 53.57, -21.6, -9.74

 

CMYK 36 / 2 / 0 / 50

HEX #517C7F

RGB 81 124 127

HSL 183.91, 0.22%, 0.41%

LAB 49.13, -13.97, -6.36

 

CMYK 11 / 1 / 0 / 57

HEX #626D6E

RGB 98 109 110

HSL 185, 0.06%, 0.41%

LAB 45.16, -3.93, -1.98

 

CMYK 0 / 18 / 19 / 55

HEX #735E5D

RGB 115 94 93

HSL 2.73, 0.11%, 0.41%

LAB 41.91, 8.33, 3.77

 

CMYK 0 / 39 / 42 / 48

HEX #84504C

RGB 132 80 76

HSL 4.29, 0.27%, 0.41%

LAB 39.86, 21.33, 11.6

 

CMYK 56 / 0 / 27 / 44

HEX #409069

RGB 64 144 105

HSL 150.75, 0.38%, 0.41%

LAB 54.09, -34.09, 13.46

 

CMYK 56 / 0 / 12 / 44

HEX #40907F

RGB 64 144 127

HSL 167.25, 0.38%, 0.41%

LAB 54.63, -28.81, 1.64

 

CMYK 56 / 3 / 0 / 44

HEX #408C90

RGB 64 140 144

HSL 183, 0.38%, 0.41%

LAB 53.88, -22.13, -9.28

 

CMYK 56 / 17 / 0 / 44

HEX #407790

RGB 64 119 144

HSL 198.75, 0.38%, 0.41%

LAB 47.36, -10.67, -19.15

 

CMYK 56 / 33 / 0 / 44

HEX #406190

RGB 64 97 144

HSL 215.25, 0.38%, 0.41%

LAB 40.66, 2.53, -29.54

 

CMYK 55 / 3 / 0 / 66

HEX #275457

RGB 39 84 87

HSL 183.75, 0.38%, 0.25%

LAB 32.83, -14.46, -6.51

 

CMYK 55 / 3 / 0 / 55

HEX #346F73

RGB 52 111 115

HSL 183.81, 0.38%, 0.33%

LAB 43.27, -17.89, -8.1

 

CMYK 56 / 3 / 0 / 44

HEX #408B90

RGB 64 139 144

HSL 183.75, 0.38%, 0.41%

LAB 53.57, -21.6, -9.74

 

CMYK 55 / 3 / 0 / 33

HEX #4DA6AC

RGB 77 166 172

HSL 183.79, 0.38%, 0.49%

LAB 63.2, -24.73, -11.2

 

CMYK 44 / 3 / 0 / 27

HEX #68B6BB

RGB 104 182 187

HSL 183.61, 0.38%, 0.57%

LAB 69.46, -22.69, -10.06

 

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

CMYK 42 / 56 / 0 / 44

HEX #544090

RGB 84 64 144

HSL 255, 0.38%, 0.41%

LAB 33.06, 28.62, -41.51

 

CMYK 0 / 19 / 56 / 44

HEX #907440

RGB 144 116 64

HSL 39, 0.38%, 0.41%

LAB 50.44, 4.28, 32.59

 

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

CMYK 0 / 56 / 3 / 44

HEX #90408C

RGB 144 64 140

HSL 303, 0.38%, 0.41%

LAB 40.39, 44.42, -26.97

 

CMYK 3 / 0 / 56 / 44

HEX #8C9040

RGB 140 144 64

HSL 63, 0.38%, 0.41%

LAB 57.93, -13.02, 41.32

 

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

CMYK 42 / 56 / 0 / 44

HEX #544090

RGB 84 64 144

HSL 255, 0.38%, 0.41%

LAB 33.06, 28.62, -41.51

 

CMYK 0 / 53 / 56 / 44

HEX #904440

RGB 144 68 64

HSL 3, 0.38%, 0.41%

LAB 38.61, 31.74, 17.62

 

CMYK 14 / 0 / 56 / 44

HEX #7C9040

RGB 124 144 64

HSL 75, 0.38%, 0.41%

LAB 56.69, -19.87, 39.55

 

CMYK 55 / 3 / 0 / 44

HEX #408A8F

RGB 64 138 143

HSL 183.8, 0.38%, 0.41%

LAB 53.22, -21.37, -9.68

 

CMYK 25 / 56 / 0 / 44

HEX #6C4090

RGB 108 64 144

HSL 273, 0.38%, 0.41%

LAB 35.73, 34.98, -37.09

 

CMYK 0 / 53 / 56 / 44

HEX #904440

RGB 144 68 64

HSL 3, 0.38%, 0.41%

LAB 38.61, 31.74, 17.62

 

CMYK 31 / 0 / 56 / 44

HEX #649040

RGB 100 144 64

HSL 93, 0.38%, 0.41%

LAB 55.1, -29.5, 37.3

 

Description

Color code: HEX #408A8F | qconv.com Color code: HEX #408A8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 138 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 138 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 3 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 3% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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