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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406C00 it is the complementary color #BF93FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406C00 shade: #456C00, #567E0E, #679021, #78A234 and #89B447

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406C00 shade: #406C00, #2F5A00, #1E4800, #0D3600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406C00 shade: #3F6B00, #5C6B00, #6B5C00, #6B4000 and #6B2300

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406C00 shade: #3F6B00, #226B00, #056B00, #006B17 and #006B34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406C00 shade matches the following richer shades: #3F6B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406C00 shade: #3F6B00, #3D6208, #3C5911, #3A5119 and #394822

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406C00 shade: #6B5C00, #5C6B00, #406B00, #236B00 and #076B00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406C00 shade: #0E1800, #274100, #3F6B00, #579400 and #70BD00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406C00 shade: #406C00, #006B40 and #6B006B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406C00 shade: #406C00, #00406B and #6B0040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406C00 shade: #406C00, #006B40, #2A006B and #6B002A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406C00 shade: #406C00, #006B60, #2A006B and #6B000A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

Complementary color

CMYK 25 / 42 / 0 / 0

HEX #BF93FF

RGB 191 147 255

HSL 264.44, 1%, 0.79%

LAB 68.87, 37.73, -47.78

 

CMYK 36 / 0 / 100 / 58

HEX #456C00

RGB 69 108 0

HSL 81.67, 1%, 0.21%

LAB 41.2, -29.12, 46.72

 

CMYK 32 / 0 / 89 / 51

HEX #567E0E

RGB 86 126 14

HSL 81.43, 0.8%, 0.27%

LAB 48.17, -30.19, 49.68

 

CMYK 28 / 0 / 77 / 44

HEX #679021

RGB 103 144 33

HSL 82.16, 0.63%, 0.35%

LAB 55.01, -30.92, 50.66

 

CMYK 26 / 0 / 68 / 36

HEX #78A234

RGB 120 162 52

HSL 82.91, 0.51%, 0.42%

LAB 61.72, -31.38, 50.47

 

CMYK 24 / 0 / 61 / 29

HEX #89B447

RGB 137 180 71

HSL 83.67, 0.43%, 0.49%

LAB 68.33, -31.67, 49.73

 

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

CMYK 48 / 0 / 100 / 65

HEX #2F5A00

RGB 47 90 0

HSL 88.67, 1%, 0.18%

LAB 33.81, -29.51, 40.48

 

CMYK 58 / 0 / 100 / 72

HEX #1E4800

RGB 30 72 0

HSL 95, 1%, 0.14%

LAB 26.48, -27.71, 34.25

 

CMYK 76 / 0 / 100 / 79

HEX #0D3600

RGB 13 54 0

HSL 105.56, 1%, 0.11%

LAB 18.9, -25.44, 26.19

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 14 / 0 / 100 / 58

HEX #5C6B00

RGB 92 107 0

HSL 68.41, 1%, 0.21%

LAB 42.45, -18.5, 48.36

 

CMYK 0 / 14 / 100 / 58

HEX #6B5C00

RGB 107 92 0

HSL 51.59, 1%, 0.21%

LAB 39.21, -2.79, 46.62

 

CMYK 0 / 40 / 100 / 58

HEX #6B4000

RGB 107 64 0

HSL 35.89, 1%, 0.21%

LAB 31.33, 14.17, 41.22

 

CMYK 0 / 67 / 100 / 58

HEX #6B2300

RGB 107 35 0

HSL 19.63, 1%, 0.21%

LAB 24.73, 30.63, 35.71

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 68 / 0 / 100 / 58

HEX #226B00

RGB 34 107 0

HSL 100.93, 1%, 0.21%

LAB 39.34, -40.35, 44.61

 

CMYK 95 / 0 / 100 / 58

HEX #056B00

RGB 5 107 0

HSL 117.2, 1%, 0.21%

LAB 38.81, -44.98, 43.97

 

CMYK 100 / 0 / 79 / 58

HEX #006B17

RGB 0 107 23

HSL 132.9, 1%, 0.21%

LAB 38.86, -44.1, 37.24

 

CMYK 100 / 0 / 51 / 58

HEX #006B34

RGB 0 107 52

HSL 149.16, 1%, 0.21%

LAB 39.18, -40.12, 23.44

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 38 / 0 / 92 / 62

HEX #3D6208

RGB 61 98 8

HSL 84.67, 0.85%, 0.21%

LAB 37.38, -27.35, 41.31

 

CMYK 33 / 0 / 81 / 65

HEX #3C5911

RGB 60 89 17

HSL 84.17, 0.68%, 0.21%

LAB 34.28, -22.92, 35.65

 

CMYK 28 / 0 / 69 / 68

HEX #3A5119

RGB 58 81 25

HSL 84.64, 0.53%, 0.21%

LAB 31.47, -19.01, 29.2

 

CMYK 21 / 0 / 53 / 72

HEX #394822

RGB 57 72 34

HSL 83.68, 0.36%, 0.21%

LAB 28.43, -13.45, 20.75

 

CMYK 0 / 14 / 100 / 58

HEX #6B5C00

RGB 107 92 0

HSL 51.59, 1%, 0.21%

LAB 39.21, -2.79, 46.62

 

CMYK 14 / 0 / 100 / 58

HEX #5C6B00

RGB 92 107 0

HSL 68.41, 1%, 0.21%

LAB 42.45, -18.5, 48.36

 

CMYK 40 / 0 / 100 / 58

HEX #406B00

RGB 64 107 0

HSL 84.11, 1%, 0.21%

LAB 40.58, -30.66, 46.12

 

CMYK 67 / 0 / 100 / 58

HEX #236B00

RGB 35 107 0

HSL 100.37, 1%, 0.21%

LAB 39.37, -40.1, 44.65

 

CMYK 93 / 0 / 100 / 58

HEX #076B00

RGB 7 107 0

HSL 116.07, 1%, 0.21%

LAB 38.83, -44.77, 44

 

CMYK 42 / 0 / 100 / 91

HEX #0E1800

RGB 14 24 0

HSL 85, 1%, 0.05%

LAB 6.74, -8.27, 9.95

 

CMYK 40 / 0 / 100 / 75

HEX #274100

RGB 39 65 0

HSL 84, 1%, 0.13%

LAB 24.36, -20.9, 32.43

 

CMYK 41 / 0 / 100 / 58

HEX #3F6B00

RGB 63 107 0

HSL 84.67, 1%, 0.21%

LAB 40.53, -31.05, 46.06

 

CMYK 41 / 0 / 100 / 42

HEX #579400

RGB 87 148 0

HSL 84.73, 1%, 0.29%

LAB 55.28, -39.97, 58.04

 

CMYK 41 / 0 / 100 / 26

HEX #70BD00

RGB 112 189 0

HSL 84.44, 1%, 0.37%

LAB 69.36, -48.07, 69.49

 

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

CMYK 100 / 0 / 40 / 58

HEX #006B40

RGB 0 107 64

HSL 155.89, 1%, 0.21%

LAB 39.39, -37.65, 16.83

 

CMYK 0 / 100 / 0 / 58

HEX #6B006B

RGB 107 0 107

HSL 300, 1%, 0.21%

LAB 24.28, 51.86, -32.11

 

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

CMYK 100 / 40 / 0 / 58

HEX #00406B

RGB 0 64 107

HSL 204.11, 1%, 0.21%

LAB 25.95, -0.09, -30.01

 

CMYK 0 / 100 / 40 / 58

HEX #6B0040

RGB 107 0 64

HSL 324.11, 1%, 0.21%

LAB 21.93, 45.98, -6.97

 

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

CMYK 100 / 0 / 40 / 58

HEX #006B40

RGB 0 107 64

HSL 155.89, 1%, 0.21%

LAB 39.39, -37.65, 16.83

 

CMYK 61 / 100 / 0 / 58

HEX #2A006B

RGB 42 0 107

HSL 263.55, 1%, 0.21%

LAB 12.95, 43.28, -51.09

 

CMYK 0 / 100 / 61 / 58

HEX #6B002A

RGB 107 0 42

HSL 336.45, 1%, 0.21%

LAB 21.18, 44.01, 7.38

 

CMYK 41 / 0 / 100 / 58

HEX #406C00

RGB 64 108 0

HSL 84.44, 1%, 0.21%

LAB 40.92, -31.11, 46.39

 

CMYK 100 / 0 / 10 / 58

HEX #006B60

RGB 0 107 96

HSL 173.83, 1%, 0.21%

LAB 40.18, -28.95, -1.29

 

CMYK 61 / 100 / 0 / 58

HEX #2A006B

RGB 42 0 107

HSL 263.55, 1%, 0.21%

LAB 12.95, 43.28, -51.09

 

CMYK 0 / 100 / 91 / 58

HEX #6B000A

RGB 107 0 10

HSL 354.39, 1%, 0.21%

LAB 20.63, 42.51, 27.38

 

Description

Color code: HEX #406C00 | qconv.com Color code: HEX #406C00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 108 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 108 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 100 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 100% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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