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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406BC9 it is the complementary color #BF9436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406BC9 shade: #456BC4, #567DD7, #678FEA, #78A1FD and #89B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406BC9 shade: #406BC9, #2F59B6, #1E47A3, #0D3590 and #00237D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406BC9 shade: #406BC9, #4046C9, #5E40C9, #8340C9 and #A840C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406BC9 shade: #406BC9, #4046C9 and #4040C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406BC9 shade matches the following richer shades: #406BC9, #2C63DC and #185CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406BC9 shade: #406BC9, #5372B5, #6779A1, #7B818D and #8F8879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406BC9 shade: #40B4C9, #4090C9, #406BC9, #4046C9 and #5D40C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406BC9 shade: #28488E, #3158AE, #406BC9, #6084D2 and #809CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406BC9 shade: #406BC9, #B940C9 and #A2C940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406BC9 shade: #406BC9, #C9406B and #6BC940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406BC9 shade: #406BC9, #B940C9, #C99D40 and #50C940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406BC9 shade: #406BC9, #C940B0, #C99D40 and #40C959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

Complementary color

CMYK 0 / 23 / 72 / 25

HEX #BF9436

RGB 191 148 54

HSL 41.17, 0.56%, 0.48%

LAB 63.77, 6.66, 53.63

 

CMYK 65 / 45 / 0 / 23

HEX #456BC4

RGB 69 107 196

HSL 222.05, 0.52%, 0.52%

LAB 46.67, 15.28, -50.59

 

CMYK 60 / 42 / 0 / 16

HEX #567DD7

RGB 86 125 215

HSL 221.86, 0.62%, 0.59%

LAB 53.55, 13.76, -50.38

 

CMYK 56 / 39 / 0 / 8

HEX #678FEA

RGB 103 143 234

HSL 221.68, 0.76%, 0.66%

LAB 60.31, 12.52, -50.2

 

CMYK 53 / 36 / 0 / 1

HEX #78A1FD

RGB 120 161 253

HSL 221.5, 0.97%, 0.73%

LAB 66.96, 11.48, -50.06

 

CMYK 46 / 30 / 0 / 0

HEX #89B3FF

RGB 137 179 255

HSL 218.64, 1%, 0.77%

LAB 72.75, 5.69, -41.98

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 74 / 51 / 0 / 29

HEX #2F59B6

RGB 47 89 182

HSL 221.33, 0.59%, 0.45%

LAB 39.79, 18.37, -53.56

 

CMYK 82 / 56 / 0 / 36

HEX #1E47A3

RGB 30 71 163

HSL 221.5, 0.69%, 0.38%

LAB 32.76, 21.05, -53.7

 

CMYK 91 / 63 / 0 / 44

HEX #0D3590

RGB 13 53 144

HSL 221.68, 0.83%, 0.31%

LAB 25.7, 24.45, -53.66

 

CMYK 100 / 72 / 0 / 51

HEX #00237D

RGB 0 35 125

HSL 223.2, 1%, 0.25%

LAB 18.73, 28.52, -53.23

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 68 / 65 / 0 / 21

HEX #4046C9

RGB 64 70 201

HSL 237.37, 0.56%, 0.52%

LAB 37.28, 39.65, -68.72

 

CMYK 53 / 68 / 0 / 21

HEX #5E40C9

RGB 94 64 201

HSL 253.14, 0.56%, 0.52%

LAB 38.31, 47.57, -66.93

 

CMYK 35 / 68 / 0 / 21

HEX #8340C9

RGB 131 64 201

HSL 269.34, 0.56%, 0.52%

LAB 42.32, 54.38, -60.22

 

CMYK 16 / 68 / 0 / 21

HEX #A840C9

RGB 168 64 201

HSL 285.55, 0.56%, 0.52%

LAB 47.25, 62.14, -52.03

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 68 / 65 / 0 / 21

HEX #4046C9

RGB 64 70 201

HSL 237.37, 0.56%, 0.52%

LAB 37.28, 39.65, -68.72

 

CMYK 68 / 68 / 0 / 21

HEX #4040C9

RGB 64 64 201

HSL 240, 0.56%, 0.52%

LAB 35.93, 43.25, -70.92

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 80 / 55 / 0 / 14

HEX #2C63DC

RGB 44 99 220

HSL 221.25, 0.72%, 0.52%

LAB 45.12, 25.9, -66.88

 

CMYK 90 / 62 / 0 / 6

HEX #185CF0

RGB 24 92 240

HSL 221.11, 0.88%, 0.52%

LAB 44.43, 36.57, -79.32

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 54 / 37 / 0 / 29

HEX #5372B5

RGB 83 114 181

HSL 221.02, 0.4%, 0.52%

LAB 48.52, 8.62, -38.92

 

CMYK 36 / 25 / 0 / 37

HEX #6779A1

RGB 103 121 161

HSL 221.38, 0.24%, 0.52%

LAB 50.84, 3.55, -23.59

 

CMYK 13 / 9 / 0 / 45

HEX #7B818D

RGB 123 129 141

HSL 220, 0.07%, 0.52%

LAB 53.85, 0.35, -7.23

 

CMYK 0 / 5 / 15 / 44

HEX #8F8879

RGB 143 136 121

HSL 40.91, 0.09%, 0.52%

LAB 56.91, -0.07, 8.99

 

CMYK 68 / 10 / 0 / 21

HEX #40B4C9

RGB 64 180 201

HSL 189.2, 0.56%, 0.52%

LAB 67.98, -25.47, -20.13

 

CMYK 68 / 28 / 0 / 21

HEX #4090C9

RGB 64 144 201

HSL 204.96, 0.56%, 0.52%

LAB 57.32, -6.14, -36.58

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 68 / 65 / 0 / 21

HEX #4046C9

RGB 64 70 201

HSL 237.37, 0.56%, 0.52%

LAB 37.28, 39.65, -68.72

 

CMYK 54 / 68 / 0 / 21

HEX #5D40C9

RGB 93 64 201

HSL 252.7, 0.56%, 0.52%

LAB 38.22, 47.4, -67.08

 

CMYK 72 / 49 / 0 / 44

HEX #28488E

RGB 40 72 142

HSL 221.18, 0.56%, 0.36%

LAB 31.9, 13.36, -42.33

 

CMYK 72 / 49 / 0 / 32

HEX #3158AE

RGB 49 88 174

HSL 221.28, 0.56%, 0.44%

LAB 39.05, 16.28, -50.04

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 54 / 37 / 0 / 18

HEX #6084D2

RGB 96 132 210

HSL 221.05, 0.56%, 0.6%

LAB 55.73, 9.93, -44.07

 

CMYK 42 / 29 / 0 / 14

HEX #809CDB

RGB 128 156 219

HSL 221.54, 0.56%, 0.68%

LAB 64.55, 6.27, -35.13

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 8 / 68 / 0 / 21

HEX #B940C9

RGB 185 64 201

HSL 292.99, 0.56%, 0.52%

LAB 49.74, 65.88, -47.91

 

CMYK 19 / 0 / 68 / 21

HEX #A2C940

RGB 162 201 64

HSL 77.08, 0.56%, 0.52%

LAB 75.96, -32.25, 61.27

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 0 / 68 / 47 / 21

HEX #C9406B

RGB 201 64 107

HSL 341.17, 0.56%, 0.52%

LAB 48.44, 57.18, 6.2

 

CMYK 47 / 0 / 68 / 21

HEX #6BC940

RGB 107 201 64

HSL 101.17, 0.56%, 0.52%

LAB 73.07, -51.72, 57.36

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 8 / 68 / 0 / 21

HEX #B940C9

RGB 185 64 201

HSL 292.99, 0.56%, 0.52%

LAB 49.74, 65.88, -47.91

 

CMYK 0 / 22 / 68 / 21

HEX #C99D40

RGB 201 157 64

HSL 40.73, 0.56%, 0.52%

LAB 67.2, 6.68, 53.16

 

CMYK 60 / 0 / 68 / 21

HEX #50C940

RGB 80 201 64

HSL 112.99, 0.56%, 0.52%

LAB 72.13, -58.99, 56.08

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 0 / 68 / 12 / 21

HEX #C940B0

RGB 201 64 176

HSL 310.95, 0.56%, 0.52%

LAB 50.94, 65.54, -31.32

 

CMYK 0 / 22 / 68 / 21

HEX #C99D40

RGB 201 157 64

HSL 40.73, 0.56%, 0.52%

LAB 67.2, 6.68, 53.16

 

CMYK 68 / 0 / 56 / 21

HEX #40C959

RGB 64 201 89

HSL 130.95, 0.56%, 0.52%

LAB 71.95, -59.57, 44.89

 

Description

Color code: HEX #406BC9 | qconv.com Color code: HEX #406BC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 107 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 107 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 47 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 47% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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