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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406B8B it is the complementary color #BF9474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406B8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406B8B shade: #456B86, #567D99, #678FAC, #78A1BF and #89B3D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406B8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406B8B shade: #406B8B, #2F5978, #1E4765, #0D3552 and #00233F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406B8B shade: #406B8B, #40578B, #40428B, #52408B and #66408B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406B8B shade: #406B8B, #40578B, #40428B and #40408B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406B8B shade matches the following richer shades: #406B8B, #2F6D9C, #1F70AC and #0E72BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406B8B shade: #406B8B, #50697B, #61666A, #71645A and #826149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406B8B shade: #408B82, #40808B, #406C8B, #40588B and #40448B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406B8B shade: #264053, #33556F, #406B8B, #4D81A8 and #6595B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406B8B shade: #406B8B, #6E408B and #8A8B40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406B8B shade: #406B8B, #8B406C and #6C8B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406B8B shade: #406B8B, #6E408B, #8B5F40 and #5D8B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406B8B shade: #406B8B, #85408B, #8B5F40 and #468B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

Complementary color

CMYK 0 / 23 / 39 / 25

HEX #BF9474

RGB 191 148 116

HSL 25.6, 0.37%, 0.6%

LAB 64.58, 11.84, 23.12

Pantone® 4655 C

CMYK 49 / 20 / 0 / 47

HEX #456B86

RGB 69 107 134

HSL 204.92, 0.32%, 0.4%

LAB 43.51, -5.57, -19.09

 

CMYK 44 / 18 / 0 / 40

HEX #567D99

RGB 86 125 153

HSL 205.07, 0.28%, 0.47%

LAB 50.62, -5.89, -19.34

 

CMYK 40 / 17 / 0 / 33

HEX #678FAC

RGB 103 143 172

HSL 205.22, 0.29%, 0.54%

LAB 57.57, -6.14, -19.61

 

CMYK 37 / 16 / 0 / 25

HEX #78A1BF

RGB 120 161 191

HSL 205.35, 0.36%, 0.61%

LAB 64.36, -6.34, -19.89

 

CMYK 35 / 15 / 0 / 18

HEX #89B3D2

RGB 137 179 210

HSL 205.48, 0.45%, 0.68%

LAB 71.02, -6.5, -20.18

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 61 / 26 / 0 / 53

HEX #2F5978

RGB 47 89 120

HSL 205.48, 0.44%, 0.33%

LAB 36.19, -4.59, -21.98

 

CMYK 70 / 30 / 0 / 60

HEX #1E4765

RGB 30 71 101

HSL 205.35, 0.54%, 0.26%

LAB 28.7, -3.62, -21.78

 

CMYK 84 / 35 / 0 / 68

HEX #0D3552

RGB 13 53 82

HSL 205.22, 0.73%, 0.19%

LAB 20.98, -2.07, -21.55

 

CMYK 100 / 44 / 0 / 75

HEX #00233F

RGB 0 35 63

HSL 206.67, 1%, 0.12%

LAB 12.99, 0.41, -21.28

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 54 / 37 / 0 / 45

HEX #40578B

RGB 64 87 139

HSL 221.6, 0.37%, 0.4%

LAB 37.43, 7.18, -31.61

 

CMYK 54 / 53 / 0 / 45

HEX #40428B

RGB 64 66 139

HSL 238.4, 0.37%, 0.4%

LAB 31.46, 20.95, -41.1

 

CMYK 41 / 54 / 0 / 45

HEX #52408B

RGB 82 64 139

HSL 254.4, 0.37%, 0.4%

LAB 32.53, 26.63, -39.3

 

CMYK 27 / 54 / 0 / 45

HEX #66408B

RGB 102 64 139

HSL 270.4, 0.37%, 0.4%

LAB 34.71, 32.06, -35.69

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 54 / 37 / 0 / 45

HEX #40578B

RGB 64 87 139

HSL 221.6, 0.37%, 0.4%

LAB 37.43, 7.18, -31.61

 

CMYK 54 / 53 / 0 / 45

HEX #40428B

RGB 64 66 139

HSL 238.4, 0.37%, 0.4%

LAB 31.46, 20.95, -41.1

 

CMYK 54 / 54 / 0 / 45

HEX #40408B

RGB 64 64 139

HSL 240, 0.37%, 0.4%

LAB 30.93, 22.26, -41.97

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 70 / 30 / 0 / 39

HEX #2F6D9C

RGB 47 109 156

HSL 205.87, 0.54%, 0.4%

LAB 44.15, -4.04, -31.28

 

CMYK 82 / 35 / 0 / 33

HEX #1F70AC

RGB 31 112 172

HSL 205.53, 0.69%, 0.4%

LAB 45.44, -1.99, -38.69

 

CMYK 93 / 40 / 0 / 26

HEX #0E72BD

RGB 14 114 189

HSL 205.71, 0.86%, 0.4%

LAB 46.71, 2.17, -46.57

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 35 / 15 / 0 / 52

HEX #50697B

RGB 80 105 123

HSL 205.12, 0.21%, 0.4%

LAB 43.12, -4.45, -13

 

CMYK 8 / 4 / 0 / 58

HEX #61666A

RGB 97 102 106

HSL 206.67, 0.04%, 0.4%

LAB 42.89, -1.05, -2.92

 

CMYK 0 / 12 / 20 / 56

HEX #71645A

RGB 113 100 90

HSL 26.09, 0.11%, 0.4%

LAB 43.31, 3.39, 7.56

 

CMYK 0 / 25 / 44 / 49

HEX #826149

RGB 130 97 73

HSL 25.26, 0.28%, 0.4%

LAB 43.91, 10.05, 18.87

 

CMYK 54 / 0 / 6 / 45

HEX #408B82

RGB 64 139 130

HSL 172.8, 0.37%, 0.4%

LAB 53.13, -25.54, -2.28

 

CMYK 54 / 8 / 0 / 45

HEX #40808B

RGB 64 128 139

HSL 188.8, 0.37%, 0.4%

LAB 49.97, -17.22, -12.24

 

CMYK 54 / 22 / 0 / 45

HEX #406C8B

RGB 64 108 139

HSL 204.8, 0.37%, 0.4%

LAB 43.77, -5.84, -21.7

 

CMYK 54 / 37 / 0 / 45

HEX #40588B

RGB 64 88 139

HSL 220.8, 0.37%, 0.4%

LAB 37.72, 6.54, -31.14

 

CMYK 54 / 51 / 0 / 45

HEX #40448B

RGB 64 68 139

HSL 236.8, 0.37%, 0.4%

LAB 32.01, 19.63, -40.23

 

CMYK 54 / 23 / 0 / 67

HEX #264053

RGB 38 64 83

HSL 205.33, 0.37%, 0.24%

LAB 25.87, -3.8, -14.51

 

CMYK 54 / 23 / 0 / 56

HEX #33556F

RGB 51 85 111

HSL 206, 0.37%, 0.32%

LAB 34.7, -4.23, -18.69

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 54 / 23 / 0 / 34

HEX #4D81A8

RGB 77 129 168

HSL 205.71, 0.37%, 0.48%

LAB 51.96, -5.9, -26.05

 

CMYK 45 / 19 / 0 / 28

HEX #6595B8

RGB 101 149 184

HSL 205.3, 0.37%, 0.56%

LAB 59.64, -6.67, -23.26

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 21 / 54 / 0 / 45

HEX #6E408B

RGB 110 64 139

HSL 276.8, 0.37%, 0.4%

LAB 35.69, 34.33, -34.09

 

CMYK 1 / 0 / 54 / 45

HEX #8A8B40

RGB 138 139 64

HSL 60.8, 0.37%, 0.4%

LAB 56.33, -11.22, 39.42

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 0 / 54 / 22 / 45

HEX #8B406C

RGB 139 64 108

HSL 324.8, 0.37%, 0.4%

LAB 38.27, 37.41, -10.56

 

CMYK 22 / 0 / 54 / 45

HEX #6C8B40

RGB 108 139 64

HSL 84.8, 0.37%, 0.4%

LAB 54.05, -23.92, 36.18

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 21 / 54 / 0 / 45

HEX #6E408B

RGB 110 64 139

HSL 276.8, 0.37%, 0.4%

LAB 35.69, 34.33, -34.09

 

CMYK 0 / 32 / 54 / 45

HEX #8B5F40

RGB 139 95 64

HSL 24.8, 0.37%, 0.4%

LAB 44.3, 14.24, 24.86

 

CMYK 33 / 0 / 54 / 45

HEX #5D8B40

RGB 93 139 64

HSL 96.8, 0.37%, 0.4%

LAB 53.13, -29.74, 34.86

 

CMYK 54 / 23 / 0 / 45

HEX #406B8B

RGB 64 107 139

HSL 205.6, 0.37%, 0.4%

LAB 43.46, -5.25, -22.18

 

CMYK 4 / 54 / 0 / 45

HEX #85408B

RGB 133 64 139

HSL 295.2, 0.37%, 0.4%

LAB 38.76, 41.02, -29.04

 

CMYK 0 / 32 / 54 / 45

HEX #8B5F40

RGB 139 95 64

HSL 24.8, 0.37%, 0.4%

LAB 44.3, 14.24, 24.86

 

CMYK 50 / 0 / 54 / 45

HEX #468B40

RGB 70 139 64

HSL 115.2, 0.37%, 0.4%

LAB 51.99, -37.56, 33.22

 

Description

Color code: HEX #406B8B | qconv.com Color code: HEX #406B8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 107 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 107 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 23 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 23% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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