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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40600A it is the complementary color #BF9FF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40600A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40600A shade: #456005, #567218, #67842B, #78963E and #89A851

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40600A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40600A shade: #40600A, #2F4E00, #1E3C00, #0D2A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40600A shade: #40600A, #58600A, #60520A, #603B0A and #60230A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40600A shade: #40600A, #29600A, #11600A, #0A6019 and #0A6031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40600A shade matches the following richer shades: #40600A and #426901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40600A shade: #40600A, #3E5812, #3C4F1B, #394624 and #373E2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40600A shade: #60520A, #58600A, #41600A, #29600A and #12600A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40600A shade: #0E1602, #273B06, #40600A, #59860E and #72AB12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40600A shade: #40600A, #0A603B and #5E0A60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40600A shade: #40600A, #0A4160 and #600A41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40600A shade: #40600A, #0A603B, #290A60 and #600A2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40600A shade: #40600A, #0A6055, #290A60 and #600A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

Complementary color

CMYK 22 / 35 / 0 / 4

HEX #BF9FF5

RGB 191 159 245

HSL 262.33, 0.81%, 0.79%

LAB 71.19, 28.79, -38.7

 

CMYK 28 / 0 / 95 / 62

HEX #456005

RGB 69 96 5

HSL 77.8, 0.9%, 0.2%

LAB 37.19, -23.1, 42.18

 

CMYK 25 / 0 / 79 / 55

HEX #567218

RGB 86 114 24

HSL 78.67, 0.65%, 0.27%

LAB 44.35, -23.91, 43.28

 

CMYK 22 / 0 / 67 / 48

HEX #67842B

RGB 103 132 43

HSL 79.55, 0.51%, 0.34%

LAB 51.34, -24.43, 43.03

 

CMYK 20 / 0 / 59 / 41

HEX #78963E

RGB 120 150 62

HSL 80.45, 0.42%, 0.42%

LAB 58.18, -24.75, 42.17

 

CMYK 18 / 0 / 52 / 34

HEX #89A851

RGB 137 168 81

HSL 81.38, 0.35%, 0.49%

LAB 64.9, -24.94, 41.07

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 40 / 0 / 100 / 69

HEX #2F4E00

RGB 47 78 0

HSL 83.85, 1%, 0.15%

LAB 29.55, -23.91, 37.17

 

CMYK 50 / 0 / 100 / 76

HEX #1E3C00

RGB 30 60 0

HSL 90, 1%, 0.12%

LAB 21.97, -22.24, 29.82

 

CMYK 69 / 0 / 100 / 84

HEX #0D2A00

RGB 13 42 0

HSL 101.43, 1%, 0.08%

LAB 14.07, -20.26, 20.2

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 8 / 0 / 90 / 62

HEX #58600A

RGB 88 96 10

HSL 65.58, 0.81%, 0.21%

LAB 38.66, -14.11, 42.63

 

CMYK 0 / 15 / 90 / 62

HEX #60520A

RGB 96 82 10

HSL 50.23, 0.81%, 0.21%

LAB 35.09, -2.05, 39.93

 

CMYK 0 / 39 / 90 / 62

HEX #603B0A

RGB 96 59 10

HSL 34.19, 0.81%, 0.21%

LAB 28.48, 12.16, 34.31

 

CMYK 0 / 64 / 90 / 62

HEX #60230A

RGB 96 35 10

HSL 17.44, 0.81%, 0.21%

LAB 22.69, 26.38, 28.9

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 57 / 0 / 90 / 62

HEX #29600A

RGB 41 96 10

HSL 98.37, 0.81%, 0.21%

LAB 35.71, -33.67, 38.92

 

CMYK 82 / 0 / 90 / 62

HEX #11600A

RGB 17 96 10

HSL 115.12, 0.81%, 0.21%

LAB 35.02, -39.44, 38.04

 

CMYK 90 / 0 / 74 / 62

HEX #0A6019

RGB 10 96 25

HSL 130.47, 0.81%, 0.21%

LAB 35, -39.18, 32.46

 

CMYK 90 / 0 / 49 / 62

HEX #0A6031

RGB 10 96 49

HSL 147.21, 0.81%, 0.21%

LAB 35.31, -35.53, 20.25

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 37 / 0 / 99 / 59

HEX #426901

RGB 66 105 1

HSL 82.5, 0.98%, 0.21%

LAB 40.02, -28.9, 45.47

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 30 / 0 / 80 / 65

HEX #3E5812

RGB 62 88 18

HSL 82.29, 0.66%, 0.21%

LAB 34.08, -21.47, 35.11

 

CMYK 24 / 0 / 66 / 69

HEX #3C4F1B

RGB 60 79 27

HSL 81.92, 0.49%, 0.21%

LAB 30.95, -16.84, 27.65

 

CMYK 19 / 0 / 49 / 73

HEX #394624

RGB 57 70 36

HSL 82.94, 0.32%, 0.21%

LAB 27.78, -12.01, 18.75

 

CMYK 11 / 0 / 29 / 76

HEX #373E2C

RGB 55 62 44

HSL 83.33, 0.17%, 0.21%

LAB 25.07, -6.78, 10.13

 

CMYK 0 / 15 / 90 / 62

HEX #60520A

RGB 96 82 10

HSL 50.23, 0.81%, 0.21%

LAB 35.09, -2.05, 39.93

 

CMYK 8 / 0 / 90 / 62

HEX #58600A

RGB 88 96 10

HSL 65.58, 0.81%, 0.21%

LAB 38.66, -14.11, 42.63

 

CMYK 32 / 0 / 90 / 62

HEX #41600A

RGB 65 96 10

HSL 81.63, 0.81%, 0.21%

LAB 36.95, -24.63, 40.49

 

CMYK 57 / 0 / 90 / 62

HEX #29600A

RGB 41 96 10

HSL 98.37, 0.81%, 0.21%

LAB 35.71, -33.67, 38.92

 

CMYK 81 / 0 / 90 / 62

HEX #12600A

RGB 18 96 10

HSL 114.42, 0.81%, 0.21%

LAB 35.04, -39.27, 38.06

 

CMYK 36 / 0 / 91 / 91

HEX #0E1602

RGB 14 22 2

HSL 84, 0.83%, 0.05%

LAB 6.07, -6.53, 8.14

 

CMYK 34 / 0 / 90 / 77

HEX #273B06

RGB 39 59 6

HSL 82.64, 0.82%, 0.13%

LAB 22.2, -17.31, 27.79

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 34 / 0 / 90 / 47

HEX #59860E

RGB 89 134 14

HSL 82.5, 0.81%, 0.29%

LAB 50.93, -32.7, 52.09

 

CMYK 33 / 0 / 89 / 33

HEX #72AB12

RGB 114 171 18

HSL 82.35, 0.81%, 0.37%

LAB 63.96, -39.46, 62.8

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 90 / 0 / 39 / 62

HEX #0A603B

RGB 10 96 59

HSL 154.19, 0.81%, 0.21%

LAB 35.49, -33.39, 14.59

 

CMYK 2 / 90 / 0 / 62

HEX #5E0A60

RGB 94 10 96

HSL 298.6, 0.81%, 0.21%

LAB 21.73, 45.3, -29.13

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 90 / 32 / 0 / 62

HEX #0A4160

RGB 10 65 96

HSL 201.63, 0.81%, 0.21%

LAB 25.83, -4.57, -23.11

 

CMYK 0 / 90 / 32 / 62

HEX #600A41

RGB 96 10 65

HSL 321.63, 0.81%, 0.21%

LAB 20.38, 41, -10.23

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 90 / 0 / 39 / 62

HEX #0A603B

RGB 10 96 59

HSL 154.19, 0.81%, 0.21%

LAB 35.49, -33.39, 14.59

 

CMYK 57 / 90 / 0 / 62

HEX #290A60

RGB 41 10 96

HSL 261.63, 0.81%, 0.21%

LAB 12.82, 36.13, -44.02

 

CMYK 0 / 90 / 51 / 62

HEX #600A2F

RGB 96 10 47

HSL 334.19, 0.81%, 0.21%

LAB 19.68, 38.98, 1.35

 

CMYK 33 / 0 / 90 / 62

HEX #40600A

RGB 64 96 10

HSL 82.33, 0.81%, 0.21%

LAB 36.89, -25.06, 40.41

 

CMYK 90 / 0 / 11 / 62

HEX #0A6055

RGB 10 96 85

HSL 172.33, 0.81%, 0.21%

LAB 36.15, -26.28, -0.43

 

CMYK 57 / 90 / 0 / 62

HEX #290A60

RGB 41 10 96

HSL 261.63, 0.81%, 0.21%

LAB 12.82, 36.13, -44.02

 

CMYK 0 / 90 / 78 / 62

HEX #600A15

RGB 96 10 21

HSL 352.33, 0.81%, 0.21%

LAB 19.05, 37.12, 18.9

 

Description

Color code: HEX #40600A | qconv.com Color code: HEX #40600A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 96 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 96 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 90 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 90% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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