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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404E56 it is the complementary color #BFB1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404E56 shade: #454E51, #566064, #677277, #78848A and #89969D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404E56 shade: #404E56, #2F3C43, #1E2A30, #0D181D and #00060A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404E56 shade: #3E4C55, #3E4655, #3E4155, #423E55 and #483E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404E56 shade: #3E4C55, #3E4655, #3E4155 and #3E3E55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404E56 shade matches the following richer shades: #3E4C55, #325061, #26536C, #1A5678 and #0E5A84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404E56 shade: #3E4C55, #4A4949, #56463D, #624331 and #6E3F25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404E56 shade: #3E5550, #3E5355, #3E4D55, #3E4755 and #3E4155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404E56 shade: #1B2225, #2D373D, #3E4C55, #50626C and #617784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404E56 shade: #404E56, #4B3E55 and #55533E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404E56 shade: #404E56, #553E4D and #4D553E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404E56 shade: #404E56, #4B3E55, #55463E and #48553E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404E56 shade: #404E56, #513E55, #55463E and #42553E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

Complementary color

CMYK 0 / 7 / 12 / 25

HEX #BFB1A9

RGB 191 177 169

HSL 21.82, 0.15%, 0.71%

LAB 73.14, 3.62, 5.88

 

CMYK 15 / 4 / 0 / 68

HEX #454E51

RGB 69 78 81

HSL 195, 0.08%, 0.29%

LAB 32.5, -2.87, -3

 

CMYK 14 / 4 / 0 / 61

HEX #566064

RGB 86 96 100

HSL 197.14, 0.08%, 0.36%

LAB 40.02, -2.93, -3.6

 

CMYK 13 / 4 / 0 / 53

HEX #677277

RGB 103 114 119

HSL 198.75, 0.07%, 0.44%

LAB 47.3, -3, -4.17

 

CMYK 13 / 4 / 0 / 46

HEX #78848A

RGB 120 132 138

HSL 200, 0.07%, 0.51%

LAB 54.38, -3.08, -4.73

 

CMYK 13 / 4 / 0 / 38

HEX #89969D

RGB 137 150 157

HSL 201, 0.09%, 0.58%

LAB 61.28, -3.16, -5.27

 

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

CMYK 30 / 10 / 0 / 74

HEX #2F3C43

RGB 47 60 67

HSL 201, 0.18%, 0.22%

LAB 24.45, -3.38, -6.06

 

CMYK 38 / 13 / 0 / 81

HEX #1E2A30

RGB 30 42 48

HSL 200, 0.23%, 0.15%

LAB 16.23, -3.31, -5.57

 

CMYK 55 / 17 / 0 / 89

HEX #0D181D

RGB 13 24 29

HSL 198.75, 0.38%, 0.08%

LAB 7.48, -2.96, -5.05

 

CMYK 100 / 40 / 0 / 96

HEX #00060A

RGB 0 6 10

HSL 204, 1%, 0.02%

LAB 1.37, -1.01, -2.07

 

CMYK 27 / 11 / 0 / 67

HEX #3E4C55

RGB 62 76 85

HSL 203.48, 0.16%, 0.29%

LAB 31.46, -3.18, -7.15

 

CMYK 27 / 18 / 0 / 67

HEX #3E4655

RGB 62 70 85

HSL 219.13, 0.16%, 0.29%

LAB 29.56, 0.64, -10.01

 

CMYK 27 / 24 / 0 / 67

HEX #3E4155

RGB 62 65 85

HSL 232.17, 0.16%, 0.29%

LAB 28.01, 3.9, -12.38

 

CMYK 22 / 27 / 0 / 67

HEX #423E55

RGB 66 62 85

HSL 250.43, 0.16%, 0.29%

LAB 27.46, 7.33, -13.19

 

CMYK 15 / 27 / 0 / 67

HEX #483E55

RGB 72 62 85

HSL 266.09, 0.16%, 0.29%

LAB 28.06, 9.57, -12.22

 

CMYK 27 / 11 / 0 / 67

HEX #3E4C55

RGB 62 76 85

HSL 203.48, 0.16%, 0.29%

LAB 31.46, -3.18, -7.15

 

CMYK 27 / 18 / 0 / 67

HEX #3E4655

RGB 62 70 85

HSL 219.13, 0.16%, 0.29%

LAB 29.56, 0.64, -10.01

 

CMYK 27 / 24 / 0 / 67

HEX #3E4155

RGB 62 65 85

HSL 232.17, 0.16%, 0.29%

LAB 28.01, 3.9, -12.38

 

CMYK 27 / 27 / 0 / 67

HEX #3E3E55

RGB 62 62 85

HSL 240, 0.16%, 0.29%

LAB 27.09, 5.88, -13.79

 

CMYK 27 / 11 / 0 / 67

HEX #3E4C55

RGB 62 76 85

HSL 203.48, 0.16%, 0.29%

LAB 31.46, -3.18, -7.15

 

CMYK 48 / 18 / 0 / 62

HEX #325061

RGB 50 80 97

HSL 201.7, 0.32%, 0.29%

LAB 32.43, -5.97, -13.39

 

CMYK 65 / 23 / 0 / 58

HEX #26536C

RGB 38 83 108

HSL 201.43, 0.48%, 0.29%

LAB 33.31, -7.04, -19.01

 

CMYK 78 / 28 / 0 / 53

HEX #1A5678

RGB 26 86 120

HSL 201.7, 0.64%, 0.29%

LAB 34.46, -6.49, -24.73

 

CMYK 89 / 32 / 0 / 48

HEX #0E5A84

RGB 14 90 132

HSL 201.36, 0.81%, 0.29%

LAB 36.12, -5.52, -29.52

 

CMYK 27 / 11 / 0 / 67

HEX #3E4C55

RGB 62 76 85

HSL 203.48, 0.16%, 0.29%

LAB 31.46, -3.18, -7.15

 

CMYK 0 / 1 / 1 / 71

HEX #4A4949

RGB 74 73 73

HSL 0, 0.01%, 0.29%

LAB 31.12, 0.42, 0.14

 

CMYK 0 / 19 / 29 / 66

HEX #56463D

RGB 86 70 61

HSL 21.6, 0.17%, 0.29%

LAB 31.1, 5.25, 7.98

 

CMYK 0 / 32 / 50 / 62

HEX #624331

RGB 98 67 49

HSL 22.04, 0.33%, 0.29%

LAB 31.42, 10.98, 16.27

 

CMYK 0 / 43 / 66 / 57

HEX #6E3F25

RGB 110 63 37

HSL 21.37, 0.5%, 0.29%

LAB 31.82, 17.86, 24.47

 

CMYK 27 / 0 / 6 / 67

HEX #3E5550

RGB 62 85 80

HSL 166.96, 0.16%, 0.29%

LAB 34.19, -9.97, 0.06

 

CMYK 27 / 2 / 0 / 67

HEX #3E5355

RGB 62 83 85

HSL 185.22, 0.16%, 0.29%

LAB 33.7, -7.49, -3.81

 

CMYK 27 / 9 / 0 / 67

HEX #3E4D55

RGB 62 77 85

HSL 200.87, 0.16%, 0.29%

LAB 31.78, -3.81, -6.68

 

CMYK 27 / 16 / 0 / 67

HEX #3E4755

RGB 62 71 85

HSL 216.52, 0.16%, 0.29%

LAB 29.88, -0.01, -9.54

 

CMYK 27 / 24 / 0 / 67

HEX #3E4155

RGB 62 65 85

HSL 232.17, 0.16%, 0.29%

LAB 28.01, 3.9, -12.38

 

CMYK 27 / 8 / 0 / 85

HEX #1B2225

RGB 27 34 37

HSL 198, 0.16%, 0.13%

LAB 12.68, -2.28, -3.07

 

CMYK 26 / 10 / 0 / 76

HEX #2D373D

RGB 45 55 61

HSL 202.5, 0.15%, 0.21%

LAB 22.4, -2.55, -5.14

 

CMYK 27 / 11 / 0 / 67

HEX #3E4C55

RGB 62 76 85

HSL 203.48, 0.16%, 0.29%

LAB 31.46, -3.18, -7.15

 

CMYK 26 / 9 / 0 / 58

HEX #50626C

RGB 80 98 108

HSL 201.43, 0.15%, 0.37%

LAB 40.45, -4.3, -7.92

 

CMYK 27 / 10 / 0 / 48

HEX #617784

RGB 97 119 132

HSL 202.29, 0.15%, 0.45%

LAB 48.76, -4.85, -9.76

 

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

CMYK 12 / 27 / 0 / 67

HEX #4B3E55

RGB 75 62 85

HSL 273.91, 0.16%, 0.29%

LAB 28.37, 10.71, -11.72

 

CMYK 0 / 2 / 27 / 67

HEX #55533E

RGB 85 83 62

HSL 54.78, 0.16%, 0.29%

LAB 34.93, -3.11, 12.63

 

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

CMYK 0 / 27 / 9 / 67

HEX #553E4D

RGB 85 62 77

HSL 320.87, 0.16%, 0.29%

LAB 29.19, 12.87, -5.16

 

CMYK 9 / 0 / 27 / 67

HEX #4D553E

RGB 77 85 62

HSL 80.87, 0.16%, 0.29%

LAB 34.85, -7.82, 12.4

 

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

CMYK 12 / 27 / 0 / 67

HEX #4B3E55

RGB 75 62 85

HSL 273.91, 0.16%, 0.29%

LAB 28.37, 10.71, -11.72

 

CMYK 0 / 18 / 27 / 67

HEX #55463E

RGB 85 70 62

HSL 20.87, 0.16%, 0.29%

LAB 31.02, 4.96, 7.21

 

CMYK 15 / 0 / 27 / 67

HEX #48553E

RGB 72 85 62

HSL 93.91, 0.16%, 0.29%

LAB 34.44, -9.95, 11.77

 

CMYK 26 / 9 / 0 / 66

HEX #404E56

RGB 64 78 86

HSL 201.82, 0.15%, 0.29%

LAB 32.28, -3.45, -6.54

 

CMYK 5 / 27 / 0 / 67

HEX #513E55

RGB 81 62 85

HSL 289.57, 0.16%, 0.29%

LAB 29.03, 13.01, -10.65

 

CMYK 0 / 18 / 27 / 67

HEX #55463E

RGB 85 70 62

HSL 20.87, 0.16%, 0.29%

LAB 31.02, 4.96, 7.21

 

CMYK 22 / 0 / 27 / 67

HEX #42553E

RGB 66 85 62

HSL 109.57, 0.16%, 0.29%

LAB 33.99, -12.43, 11.08

 

Description

Color code: HEX #404E56 | qconv.com Color code: HEX #404E56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 78 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 78 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 9 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 9% 0% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - ACTIVITY | NORIHITO ...
Link: http://norihitoishikawa.com

44% - Landing Page - Start...
Link: http://blackrockdigital.github.io

18% - 0y31VB.jpg (1928x128...
Link: http://i.hizliresim.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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