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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4043A3 it is the complementary color #BFBC5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4043A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4043A3 shade: #45439E, #5655B1, #6767C4, #7879D7 and #898BEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4043A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4043A3 shade: #4043A3, #2F3190, #1E1F7D, #0D0D6A and #000057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4043A3 shade: #4043A5, #5840A5, #7340A5, #8E40A5 and #A540A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4043A3 shade: #4043A5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4043A3 shade matches the following richer shades: #4043A5, #2D31B7, #1B20CA and #080FDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4043A3 shade: #4043A5, #525492, #656680, #77776D and #8A895A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4043A3 shade: #4079A5, #405EA5, #4043A5, #5740A5 and #7240A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4043A3 shade: #292B69, #343787, #4043A5, #5255BC and #7073C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4043A3 shade: #4043A3, #A54094 and #6CA540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4043A3 shade: #4043A3, #A54043 and #43A540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4043A3 shade: #4043A3, #A54094, #A5A140 and #40A551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4043A3 shade: #4043A3, #A54076, #A5A140 and #40A56F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

Complementary color

CMYK 0 / 2 / 52 / 25

HEX #BFBC5C

RGB 191 188 92

HSL 58.18, 0.44%, 0.55%

LAB 74.71, -11.97, 48.34

 

CMYK 56 / 58 / 0 / 38

HEX #45439E

RGB 69 67 158

HSL 241.32, 0.4%, 0.44%

LAB 33.45, 27.76, -49.46

 

CMYK 51 / 52 / 0 / 31

HEX #5655B1

RGB 86 85 177

HSL 240.65, 0.37%, 0.51%

LAB 40.65, 26.14, -49.11

 

CMYK 47 / 47 / 0 / 23

HEX #6767C4

RGB 103 103 196

HSL 240, 0.44%, 0.59%

LAB 47.71, 24.78, -48.8

 

CMYK 44 / 44 / 0 / 16

HEX #7879D7

RGB 120 121 215

HSL 239.37, 0.54%, 0.66%

LAB 54.63, 23.63, -48.53

 

CMYK 41 / 41 / 0 / 8

HEX #898BEA

RGB 137 139 234

HSL 238.76, 0.7%, 0.73%

LAB 61.42, 22.64, -48.31

 

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

CMYK 67 / 66 / 0 / 44

HEX #2F3190

RGB 47 49 144

HSL 238.76, 0.51%, 0.37%

LAB 26.2, 30.68, -52.78

 

CMYK 76 / 75 / 0 / 51

HEX #1E1F7D

RGB 30 31 125

HSL 239.37, 0.61%, 0.3%

LAB 18.96, 33.2, -52.81

 

CMYK 88 / 88 / 0 / 58

HEX #0D0D6A

RGB 13 13 106

HSL 240, 0.78%, 0.23%

LAB 12.05, 35.54, -51.99

 

CMYK 100 / 100 / 0 / 66

HEX #000057

RGB 0 0 87

HSL 240, 1%, 0.17%

LAB 6.22, 35.52, -49.01

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 47 / 61 / 0 / 35

HEX #5840A5

RGB 88 64 165

HSL 254.26, 0.44%, 0.45%

LAB 34.92, 35.8, -51.22

 

CMYK 30 / 61 / 0 / 35

HEX #7340A5

RGB 115 64 165

HSL 270.3, 0.44%, 0.45%

LAB 37.89, 42.01, -46.28

 

CMYK 14 / 61 / 0 / 35

HEX #8E40A5

RGB 142 64 165

HSL 286.34, 0.44%, 0.45%

LAB 41.43, 48.76, -40.42

 

CMYK 0 / 61 / 3 / 35

HEX #A540A0

RGB 165 64 160

HSL 302.97, 0.44%, 0.45%

LAB 44.52, 53.81, -32.33

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 75 / 73 / 0 / 28

HEX #2D31B7

RGB 45 49 183

HSL 238.26, 0.61%, 0.45%

LAB 29.85, 44.02, -70.4

 

CMYK 87 / 84 / 0 / 21

HEX #1B20CA

RGB 27 32 202

HSL 238.29, 0.76%, 0.45%

LAB 28.2, 57.73, -84.36

 

CMYK 96 / 93 / 0 / 14

HEX #080FDC

RGB 8 15 220

HSL 238.02, 0.93%, 0.45%

LAB 28.28, 68.02, -94.69

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 44 / 42 / 0 / 43

HEX #525492

RGB 82 84 146

HSL 238.13, 0.28%, 0.45%

LAB 38.22, 16.01, -34.52

 

CMYK 21 / 20 / 0 / 50

HEX #656680

RGB 101 102 128

HSL 237.78, 0.12%, 0.45%

LAB 43.99, 5.59, -14.56

 

CMYK 0 / 0 / 8 / 53

HEX #77776D

RGB 119 119 109

HSL 60, 0.04%, 0.45%

LAB 49.76, -1.94, 5.5

 

CMYK 0 / 1 / 35 / 46

HEX #8A895A

RGB 138 137 90

HSL 58.75, 0.21%, 0.45%

LAB 56.12, -7.29, 25.38

 

CMYK 61 / 27 / 0 / 35

HEX #4079A5

RGB 64 121 165

HSL 206.14, 0.44%, 0.45%

LAB 48.86, -4.98, -29.16

 

CMYK 61 / 43 / 0 / 35

HEX #405EA5

RGB 64 94 165

HSL 222.18, 0.44%, 0.45%

LAB 40.92, 11.68, -41.68

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 47 / 61 / 0 / 35

HEX #5740A5

RGB 87 64 165

HSL 253.66, 0.44%, 0.45%

LAB 34.82, 35.58, -51.38

 

CMYK 31 / 61 / 0 / 35

HEX #7240A5

RGB 114 64 165

HSL 269.7, 0.44%, 0.45%

LAB 37.77, 41.77, -46.48

 

CMYK 61 / 59 / 0 / 59

HEX #292B69

RGB 41 43 105

HSL 238.13, 0.44%, 0.29%

LAB 20.9, 19.49, -36.74

 

CMYK 61 / 59 / 0 / 47

HEX #343787

RGB 52 55 135

HSL 237.83, 0.44%, 0.37%

LAB 27.33, 24.36, -45.35

 

CMYK 61 / 59 / 0 / 35

HEX #4043A5

RGB 64 67 165

HSL 238.22, 0.44%, 0.45%

LAB 33.61, 29.19, -53.44

 

CMYK 56 / 55 / 0 / 26

HEX #5255BC

RGB 82 85 188

HSL 238.3, 0.44%, 0.53%

LAB 41.09, 28.87, -54.88

 

CMYK 44 / 42 / 0 / 22

HEX #7073C7

RGB 112 115 199

HSL 237.93, 0.44%, 0.61%

LAB 51.64, 20.56, -44.22

 

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

CMYK 0 / 61 / 10 / 35

HEX #A54094

RGB 165 64 148

HSL 310.1, 0.44%, 0.45%

LAB 43.95, 51.79, -26.03

 

CMYK 35 / 0 / 61 / 35

HEX #6CA540

RGB 108 165 64

HSL 93.86, 0.44%, 0.45%

LAB 62.06, -36.28, 45.42

 

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

CMYK 0 / 61 / 59 / 35

HEX #A54043

RGB 165 64 67

HSL 358.22, 0.44%, 0.45%

LAB 41.33, 41.94, 19.99

 

CMYK 59 / 0 / 61 / 35

HEX #43A540

RGB 67 165 64

HSL 118.22, 0.44%, 0.45%

LAB 60.31, -48.92, 42.98

 

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

CMYK 0 / 61 / 10 / 35

HEX #A54094

RGB 165 64 148

HSL 310.1, 0.44%, 0.45%

LAB 43.95, 51.79, -26.03

 

CMYK 0 / 2 / 61 / 35

HEX #A5A140

RGB 165 161 64

HSL 57.62, 0.44%, 0.45%

LAB 64.85, -11.16, 49.62

 

CMYK 61 / 0 / 51 / 35

HEX #40A551

RGB 64 165 81

HSL 130.1, 0.44%, 0.45%

LAB 60.42, -47.39, 34.81

 

CMYK 61 / 59 / 0 / 36

HEX #4043A3

RGB 64 67 163

HSL 238.18, 0.44%, 0.45%

LAB 33.45, 28.51, -52.49

 

CMYK 0 / 61 / 28 / 35

HEX #A54076

RGB 165 64 118

HSL 327.92, 0.44%, 0.45%

LAB 42.72, 47.32, -9.64

 

CMYK 0 / 2 / 61 / 35

HEX #A5A140

RGB 165 161 64

HSL 57.62, 0.44%, 0.45%

LAB 64.85, -11.16, 49.62

 

CMYK 61 / 0 / 33 / 35

HEX #40A56F

RGB 64 165 111

HSL 147.92, 0.44%, 0.45%

LAB 60.91, -42.07, 19.5

 

Description

Color code: HEX #4043A3 | qconv.com Color code: HEX #4043A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 67 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 67 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 59 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 59% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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