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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4034CF it is the complementary color #BFCB30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4034CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4034CF shade: #4534CA, #5646DD, #6758F0, #786AFF and #897CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4034CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4034CF shade: #4034CF, #2F22BC, #1E10A9, #0D0096 and #000083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4034CF shade: #4034CF, #6A34CF, #9434CF, #BD34CF and #CF34B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4034CF shade: #4034CF and #3434CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4034CF shade matches the following richer shades: #4034CF, #2F20E3 and #1E0CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4034CF shade: #4034CF, #5148BB, #625DA7, #737192 and #84857E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4034CF shade: #347CCF, #3453CF, #3E34CF, #6834CF and #9134CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4034CF shade: #2A218F, #3429B1, #4034CF, #6056D7 and #7F77DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4034CF shade: #4034CF, #CF34A6 and #68CF34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4034CF shade: #4034CF, #CF3E34 and #34CF3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4034CF shade: #4034CF, #CF34A6, #C5CF34 and #34CF5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4034CF shade: #4034CF, #CF3477, #C5CF34 and #34CF8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

Complementary color

CMYK 6 / 0 / 76 / 20

HEX #BFCB30

RGB 191 203 48

HSL 64.65, 0.62%, 0.49%

LAB 78.46, -22.22, 69.91

 

CMYK 66 / 74 / 0 / 21

HEX #4534CA

RGB 69 52 202

HSL 246.8, 0.59%, 0.5%

LAB 33.95, 50.88, -74.74

 

CMYK 61 / 68 / 0 / 13

HEX #5646DD

RGB 86 70 221

HSL 246.36, 0.69%, 0.57%

LAB 40.54, 49.05, -74.83

 

CMYK 57 / 63 / 0 / 6

HEX #6758F0

RGB 103 88 240

HSL 245.92, 0.84%, 0.64%

LAB 47.18, 47.24, -74.69

 

CMYK 53 / 58 / 0 / 0

HEX #786AFF

RGB 120 106 255

HSL 245.64, 1%, 0.71%

LAB 53.52, 44.35, -72.67

 

CMYK 46 / 51 / 0 / 0

HEX #897CFF

RGB 137 124 255

HSL 245.95, 1%, 0.74%

LAB 58.93, 37.35, -63.87

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 75 / 82 / 0 / 26

HEX #2F22BC

RGB 47 34 188

HSL 245.06, 0.69%, 0.44%

LAB 27.79, 53.59, -76.76

 

CMYK 82 / 91 / 0 / 34

HEX #1E10A9

RGB 30 16 169

HSL 245.49, 0.83%, 0.36%

LAB 21.98, 54.31, -75.07

 

CMYK 91 / 100 / 0 / 41

HEX #0D0096

RGB 13 0 150

HSL 245.2, 1%, 0.29%

LAB 16.93, 53.44, -71.9

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 49 / 75 / 0 / 19

HEX #6A34CF

RGB 106 52 207

HSL 260.9, 0.62%, 0.51%

LAB 37.89, 57.15, -71.05

 

CMYK 29 / 75 / 0 / 19

HEX #9434CF

RGB 148 52 207

HSL 277.16, 0.62%, 0.51%

LAB 43.15, 64.14, -62.25

 

CMYK 9 / 75 / 0 / 19

HEX #BD34CF

RGB 189 52 207

HSL 293.03, 0.62%, 0.51%

LAB 49.23, 71.95, -52.14

 

CMYK 0 / 75 / 12 / 19

HEX #CF34B7

RGB 207 52 183

HSL 309.29, 0.62%, 0.51%

LAB 50.85, 71.96, -35.48

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 75 / 75 / 0 / 19

HEX #3434CF

RGB 52 52 207

HSL 240, 0.62%, 0.51%

LAB 33.33, 50.84, -78.72

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 79 / 86 / 0 / 11

HEX #2F20E3

RGB 47 32 227

HSL 244.62, 0.78%, 0.51%

LAB 32.22, 65.64, -92.1

 

CMYK 88 / 95 / 0 / 3

HEX #1E0CF7

RGB 30 12 247

HSL 244.6, 0.94%, 0.51%

LAB 32.38, 75.68, -103.22

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 57 / 61 / 0 / 27

HEX #5148BB

RGB 81 72 187

HSL 244.7, 0.46%, 0.51%

LAB 37.79, 36.41, -59.64

 

CMYK 41 / 44 / 0 / 35

HEX #625DA7

RGB 98 93 167

HSL 244.05, 0.3%, 0.51%

LAB 43.09, 20.97, -39.27

 

CMYK 21 / 23 / 0 / 43

HEX #737192

RGB 115 113 146

HSL 243.64, 0.13%, 0.51%

LAB 48.92, 8.17, -17.66

 

CMYK 1 / 0 / 5 / 48

HEX #84857E

RGB 132 133 126

HSL 68.57, 0.03%, 0.51%

LAB 55.26, -1.73, 3.63

 

CMYK 75 / 40 / 0 / 19

HEX #347CCF

RGB 52 124 207

HSL 212.13, 0.62%, 0.51%

LAB 51.44, 6.14, -49.3

 

CMYK 75 / 60 / 0 / 19

HEX #3453CF

RGB 52 83 207

HSL 228, 0.62%, 0.51%

LAB 40.28, 32.17, -67.3

 

CMYK 70 / 75 / 0 / 19

HEX #3E34CF

RGB 62 52 207

HSL 243.87, 0.62%, 0.51%

LAB 33.95, 51.71, -77.67

 

CMYK 50 / 75 / 0 / 19

HEX #6834CF

RGB 104 52 207

HSL 260.13, 0.62%, 0.51%

LAB 37.67, 56.85, -71.42

 

CMYK 30 / 75 / 0 / 19

HEX #9134CF

RGB 145 52 207

HSL 276, 0.62%, 0.51%

LAB 42.73, 63.6, -62.94

 

CMYK 71 / 77 / 0 / 44

HEX #2A218F

RGB 42 33 143

HSL 244.91, 0.63%, 0.35%

LAB 22.17, 39.48, -58.8

 

CMYK 71 / 77 / 0 / 31

HEX #3429B1

RGB 52 41 177

HSL 244.85, 0.62%, 0.43%

LAB 28.09, 47.14, -69.71

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 55 / 60 / 0 / 16

HEX #6056D7

RGB 96 86 215

HSL 244.65, 0.62%, 0.59%

LAB 44.3, 39.52, -65.23

 

CMYK 43 / 47 / 0 / 13

HEX #7F77DF

RGB 127 119 223

HSL 244.62, 0.62%, 0.67%

LAB 55.11, 28.83, -52.25

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 0 / 75 / 20 / 19

HEX #CF34A6

RGB 207 52 166

HSL 315.87, 0.62%, 0.51%

LAB 50.07, 69.62, -26.73

 

CMYK 50 / 0 / 75 / 19

HEX #68CF34

RGB 104 207 52

HSL 99.87, 0.62%, 0.51%

LAB 74.71, -55.77, 63.34

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 0 / 70 / 75 / 19

HEX #CF3E34

RGB 207 62 52

HSL 3.87, 0.62%, 0.51%

LAB 48.21, 56.23, 38.88

 

CMYK 75 / 0 / 70 / 19

HEX #34CF3E

RGB 52 207 62

HSL 123.87, 0.62%, 0.51%

LAB 73.35, -66.51, 57.95

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 0 / 75 / 20 / 19

HEX #CF34A6

RGB 207 52 166

HSL 315.87, 0.62%, 0.51%

LAB 50.07, 69.62, -26.73

 

CMYK 5 / 0 / 75 / 19

HEX #C5CF34

RGB 197 207 52

HSL 63.87, 0.62%, 0.51%

LAB 80.04, -21.5, 70.28

 

CMYK 75 / 0 / 55 / 19

HEX #34CF5D

RGB 52 207 93

HSL 135.87, 0.62%, 0.51%

LAB 73.64, -63.04, 44.97

 

CMYK 69 / 75 / 0 / 19

HEX #4034CF

RGB 64 52 207

HSL 244.65, 0.62%, 0.51%

LAB 34.09, 51.91, -77.44

 

CMYK 0 / 75 / 43 / 19

HEX #CF3477

RGB 207 52 119

HSL 334.06, 0.62%, 0.51%

LAB 48.33, 64.25, -1.14

 

CMYK 5 / 0 / 75 / 19

HEX #C5CF34

RGB 197 207 52

HSL 63.87, 0.62%, 0.51%

LAB 80.04, -21.5, 70.28

 

CMYK 75 / 0 / 32 / 19

HEX #34CF8C

RGB 52 207 140

HSL 154.06, 0.62%, 0.51%

LAB 74.35, -54.92, 22.21

 

Description

Color code: HEX #4034CF | qconv.com Color code: HEX #4034CF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 52 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 52 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 75 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 75% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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