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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4023EF it is the complementary color #BFDC10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4023EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4023EF shade: #4523EA, #5635FD, #6747FF, #7859FF and #896BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4023EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4023EF shade: #4023EF, #2F11DC, #1E00C9, #0D00B6 and #0000A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4023EF shade: #4124EE, #7724EE, #AE24EE, #E424EE and #EE24C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4023EF shade: #4124EE and #2424EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4023EF shade matches the following richer shades: #4124EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4023EF shade: #4124EE, #4F37DB, #5C4AC8, #6A5DB5 and #7770A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4023EF shade: #2475EE, #243FEE, #3F24EE, #7524EE and #AB24EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4023EF shade: #250DB3, #2D10D9, #4124EE, #624BF1 and #8471F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4023EF shade: #4023EF, #EE24AB and #5AEE24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4023EF shade: #4023EF, #EE3F24 and #24EE3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4023EF shade: #4023EF, #EE24AB, #D3EE24 and #24EE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4023EF shade: #4023EF, #EE246E, #D3EE24 and #24EEA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

Complementary color

CMYK 13 / 0 / 93 / 14

HEX #BFDC10

RGB 191 220 16

HSL 68.53, 0.86%, 0.46%

LAB 83.07, -31.17, 80.49

 

CMYK 71 / 85 / 0 / 8

HEX #4523EA

RGB 69 35 234

HSL 250.25, 0.83%, 0.53%

LAB 34.82, 67.59, -91.73

 

CMYK 66 / 79 / 0 / 1

HEX #5635FD

RGB 86 53 253

HSL 249.9, 0.98%, 0.6%

LAB 40.6, 66.89, -92.83

 

CMYK 60 / 72 / 0 / 0

HEX #6747FF

RGB 103 71 255

HSL 250.43, 1%, 0.64%

LAB 45.1, 60.8, -86.48

 

CMYK 53 / 65 / 0 / 0

HEX #7859FF

RGB 120 89 255

HSL 251.2, 1%, 0.67%

LAB 49.93, 53.86, -78.51

 

CMYK 46 / 58 / 0 / 0

HEX #896BFF

RGB 137 107 255

HSL 252.16, 1%, 0.71%

LAB 55.13, 47.04, -70

 

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

CMYK 79 / 92 / 0 / 14

HEX #2F11DC

RGB 47 17 220

HSL 248.87, 0.86%, 0.46%

LAB 29.84, 68.27, -92.04

 

CMYK 85 / 100 / 0 / 21

HEX #1E00C9

RGB 30 0 201

HSL 248.96, 1%, 0.39%

LAB 25.24, 66.48, -88.7

 

CMYK 93 / 100 / 0 / 29

HEX #0D00B6

RGB 13 0 182

HSL 244.29, 1%, 0.36%

LAB 21.81, 61.58, -83.2

 

CMYK 100 / 100 / 0 / 36

HEX #0000A3

RGB 0 0 163

HSL 240, 1%, 0.32%

LAB 18.56, 56.66, -77.17

 

CMYK 73 / 85 / 0 / 7

HEX #4124EE

RGB 65 36 238

HSL 248.61, 0.86%, 0.54%

LAB 35.12, 68.07, -93.51

 

CMYK 50 / 85 / 0 / 7

HEX #7724EE

RGB 119 36 238

HSL 264.65, 0.86%, 0.54%

LAB 40.17, 72.45, -84.99

 

CMYK 27 / 85 / 0 / 7

HEX #AE24EE

RGB 174 36 238

HSL 280.99, 0.86%, 0.54%

LAB 47.54, 79.38, -72.63

 

CMYK 4 / 85 / 0 / 7

HEX #E424EE

RGB 228 36 238

HSL 297.03, 0.86%, 0.54%

LAB 56.02, 87.92, -58.51

 

CMYK 0 / 85 / 18 / 7

HEX #EE24C2

RGB 238 36 194

HSL 313.07, 0.86%, 0.54%

LAB 55.41, 83.68, -34.33

 

CMYK 73 / 85 / 0 / 7

HEX #4124EE

RGB 65 36 238

HSL 248.61, 0.86%, 0.54%

LAB 35.12, 68.07, -93.51

 

CMYK 85 / 85 / 0 / 7

HEX #2424EE

RGB 36 36 238

HSL 240, 0.86%, 0.54%

LAB 33.58, 66.83, -96.11

 

CMYK 73 / 85 / 0 / 7

HEX #4124EE

RGB 65 36 238

HSL 248.61, 0.86%, 0.54%

LAB 35.12, 68.07, -93.51

 

CMYK 73 / 85 / 0 / 7

HEX #4124EE

RGB 65 36 238

HSL 248.61, 0.86%, 0.54%

LAB 35.12, 68.07, -93.51

 

CMYK 64 / 75 / 0 / 14

HEX #4F37DB

RGB 79 55 219

HSL 248.78, 0.69%, 0.54%

LAB 36.95, 55.56, -79.61

 

CMYK 54 / 63 / 0 / 22

HEX #5C4AC8

RGB 92 74 200

HSL 248.57, 0.53%, 0.54%

LAB 40.15, 41.26, -63.35

 

CMYK 41 / 49 / 0 / 29

HEX #6A5DB5

RGB 106 93 181

HSL 248.86, 0.37%, 0.54%

LAB 44.56, 27.15, -45.12

 

CMYK 27 / 31 / 0 / 36

HEX #7770A2

RGB 119 112 162

HSL 248.4, 0.21%, 0.54%

LAB 49.64, 14.08, -25.93

 

CMYK 85 / 51 / 0 / 7

HEX #2475EE

RGB 36 117 238

HSL 215.94, 0.86%, 0.54%

LAB 51, 20.6, -67.49

 

CMYK 85 / 74 / 0 / 7

HEX #243FEE

RGB 36 63 238

HSL 231.98, 0.86%, 0.54%

LAB 38.03, 53.93, -88.73

 

CMYK 74 / 85 / 0 / 7

HEX #3F24EE

RGB 63 36 238

HSL 248.02, 0.86%, 0.54%

LAB 34.99, 67.96, -93.74

 

CMYK 51 / 85 / 0 / 7

HEX #7524EE

RGB 117 36 238

HSL 264.06, 0.86%, 0.54%

LAB 39.94, 72.24, -85.38

 

CMYK 28 / 85 / 0 / 7

HEX #AB24EE

RGB 171 36 238

HSL 280.1, 0.86%, 0.54%

LAB 47.1, 78.95, -73.37

 

CMYK 79 / 93 / 0 / 30

HEX #250DB3

RGB 37 13 179

HSL 248.67, 0.86%, 0.38%

LAB 23.46, 58.19, -78.62

 

CMYK 79 / 93 / 0 / 15

HEX #2D10D9

RGB 45 16 217

HSL 248.66, 0.86%, 0.46%

LAB 29.26, 67.67, -91.29

 

CMYK 73 / 85 / 0 / 7

HEX #4124EE

RGB 65 36 238

HSL 248.61, 0.86%, 0.54%

LAB 35.12, 68.07, -93.51

 

CMYK 59 / 69 / 0 / 5

HEX #624BF1

RGB 98 75 241

HSL 248.31, 0.86%, 0.62%

LAB 44.2, 54.01, -80.13

 

CMYK 46 / 54 / 0 / 4

HEX #8471F4

RGB 132 113 244

HSL 248.7, 0.86%, 0.7%

LAB 55.33, 39.49, -63.6

 

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

CMYK 0 / 85 / 28 / 7

HEX #EE24AB

RGB 238 36 171

HSL 319.9, 0.86%, 0.54%

LAB 54.43, 80.99, -22.49

 

CMYK 62 / 0 / 85 / 7

HEX #5AEE24

RGB 90 238 36

HSL 103.96, 0.86%, 0.54%

LAB 83.68, -70.89, 75.8

 

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

CMYK 0 / 74 / 85 / 7

HEX #EE3F24

RGB 238 63 36

HSL 8.02, 0.86%, 0.54%

LAB 53.88, 65.05, 54.44

 

CMYK 85 / 0 / 74 / 7

HEX #24EE3F

RGB 36 238 63

HSL 128.02, 0.86%, 0.54%

LAB 82.85, -77.53, 67.25

 

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

CMYK 0 / 85 / 28 / 7

HEX #EE24AB

RGB 238 36 171

HSL 319.9, 0.86%, 0.54%

LAB 54.43, 80.99, -22.49

 

CMYK 11 / 0 / 85 / 7

HEX #D3EE24

RGB 211 238 36

HSL 68.02, 0.86%, 0.54%

LAB 89.45, -31.03, 83.01

 

CMYK 85 / 0 / 56 / 7

HEX #24EE68

RGB 36 238 104

HSL 140.2, 0.86%, 0.54%

LAB 83.19, -73.31, 51.25

 

CMYK 73 / 85 / 0 / 6

HEX #4023EF

RGB 64 35 239

HSL 248.53, 0.86%, 0.54%

LAB 35.05, 68.65, -94.2

 

CMYK 0 / 85 / 54 / 7

HEX #EE246E

RGB 238 36 110

HSL 338.02, 0.86%, 0.54%

LAB 52.47, 75.48, 11.03

 

CMYK 11 / 0 / 85 / 7

HEX #D3EE24

RGB 211 238 36

HSL 68.02, 0.86%, 0.54%

LAB 89.45, -31.03, 83.01

 

CMYK 85 / 0 / 31 / 7

HEX #24EEA4

RGB 36 238 164

HSL 158.02, 0.86%, 0.54%

LAB 84.07, -62.99, 23

 

Description

Color code: HEX #4023EF | qconv.com Color code: HEX #4023EF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 35 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 35 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 85 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 85% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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