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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #402257 it is the complementary color #BFDDA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #402257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #402257 shade: #452252, #563465, #674678, #78588B and #896A9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #402257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #402257 shade: #402257, #2F1044, #1E0031, #0D001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #402257 shade: #402258, #4F2258, #582252, #582243 and #582235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #402257 shade: #402258, #322258, #232258 and #222258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #402257 shade matches the following richer shades: #402258, #421862, #430E6B and #440475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #402257 shade: #402258, #3F2C4E, #3E3644, #3C3F3A and #3B4930

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #402257 shade: #232258, #312258, #3F2258, #4E2258 and #582253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #402257 shade: #150B1C, #2A163A, #402258, #562D75 and #6C3993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #402257 shade: #402257, #58222F and #22582A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #402257 shade: #402257, #583F22 and #22583F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #402257 shade: #402257, #58222F, #3A5822 and #22584A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #402257 shade: #402257, #582422, #3A5822 and #225558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

Complementary color

CMYK 14 / 0 / 24 / 13

HEX #BFDDA8

RGB 191 221 168

HSL 93.96, 0.44%, 0.76%

LAB 84.8, -19.32, 22.81

 

CMYK 16 / 59 / 0 / 68

HEX #452252

RGB 69 34 82

HSL 283.75, 0.41%, 0.23%

LAB 20.12, 25.86, -22.62

 

CMYK 15 / 49 / 0 / 60

HEX #563465

RGB 86 52 101

HSL 281.63, 0.32%, 0.3%

LAB 27.77, 24.96, -22.9

 

CMYK 14 / 42 / 0 / 53

HEX #674678

RGB 103 70 120

HSL 279.6, 0.26%, 0.37%

LAB 35.24, 24.07, -23.11

 

CMYK 14 / 37 / 0 / 45

HEX #78588B

RGB 120 88 139

HSL 277.65, 0.22%, 0.45%

LAB 42.52, 23.25, -23.3

 

CMYK 13 / 33 / 0 / 38

HEX #896A9E

RGB 137 106 158

HSL 275.77, 0.21%, 0.52%

LAB 49.61, 22.51, -23.49

 

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

CMYK 31 / 76 / 0 / 73

HEX #2F1044

RGB 47 16 68

HSL 275.77, 0.62%, 0.16%

LAB 11.91, 26.42, -26.31

 

CMYK 39 / 100 / 0 / 81

HEX #1E0031

RGB 30 0 49

HSL 276.73, 1%, 0.1%

LAB 4.5, 24.4, -24.69

 

CMYK 57 / 100 / 0 / 88

HEX #0D001E

RGB 13 0 30

HSL 266, 1%, 0.06%

LAB 1.62, 9.42, -14.64

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 27 / 61 / 0 / 65

HEX #402258

RGB 64 34 88

HSL 273.33, 0.44%, 0.24%

LAB 19.8, 25.89, -27.19

 

CMYK 10 / 61 / 0 / 65

HEX #4F2258

RGB 79 34 88

HSL 290, 0.44%, 0.24%

LAB 21.98, 30.35, -23.58

 

CMYK 0 / 61 / 7 / 65

HEX #582252

RGB 88 34 82

HSL 306.67, 0.44%, 0.24%

LAB 23.09, 31.89, -17.73

 

CMYK 0 / 61 / 24 / 65

HEX #582243

RGB 88 34 67

HSL 323.33, 0.44%, 0.24%

LAB 22.39, 29.21, -8.69

 

CMYK 0 / 61 / 40 / 65

HEX #582235

RGB 88 34 53

HSL 338.89, 0.44%, 0.24%

LAB 21.86, 27.11, 0.12

 

CMYK 27 / 61 / 0 / 65

HEX #402258

RGB 64 34 88

HSL 273.33, 0.44%, 0.24%

LAB 19.8, 25.89, -27.19

 

CMYK 43 / 61 / 0 / 65

HEX #322258

RGB 50 34 88

HSL 257.78, 0.44%, 0.24%

LAB 18.04, 21.95, -30.1

 

CMYK 60 / 61 / 0 / 65

HEX #232258

RGB 35 34 88

HSL 241.11, 0.44%, 0.24%

LAB 16.53, 18.25, -32.61

 

CMYK 61 / 61 / 0 / 65

HEX #222258

RGB 34 34 88

HSL 240, 0.44%, 0.24%

LAB 16.45, 18.03, -32.75

 

CMYK 27 / 61 / 0 / 65

HEX #402258

RGB 64 34 88

HSL 273.33, 0.44%, 0.24%

LAB 19.8, 25.89, -27.19

 

CMYK 33 / 76 / 0 / 62

HEX #421862

RGB 66 24 98

HSL 274.05, 0.61%, 0.24%

LAB 18.77, 34.66, -35.47

 

CMYK 37 / 87 / 0 / 58

HEX #430E6B

RGB 67 14 107

HSL 274.19, 0.77%, 0.24%

LAB 18.23, 41.37, -42.26

 

CMYK 42 / 97 / 0 / 54

HEX #440475

RGB 68 4 117

HSL 273.98, 0.93%, 0.24%

LAB 18.37, 46.87, -48.52

 

CMYK 27 / 61 / 0 / 65

HEX #402258

RGB 64 34 88

HSL 273.33, 0.44%, 0.24%

LAB 19.8, 25.89, -27.19

 

CMYK 19 / 44 / 0 / 69

HEX #3F2C4E

RGB 63 44 78

HSL 273.53, 0.28%, 0.24%

LAB 21.61, 16.41, -17.64

 

CMYK 9 / 21 / 0 / 73

HEX #3E3644

RGB 62 54 68

HSL 274.29, 0.11%, 0.24%

LAB 23.93, 6.71, -7.37

 

CMYK 5 / 0 / 8 / 75

HEX #3C3F3A

RGB 60 63 58

HSL 96, 0.04%, 0.24%

LAB 26.22, -2.38, 2.63

 

CMYK 19 / 0 / 34 / 71

HEX #3B4930

RGB 59 73 48

HSL 93.6, 0.21%, 0.24%

LAB 29.18, -10.96, 13.19

 

CMYK 60 / 61 / 0 / 65

HEX #232258

RGB 35 34 88

HSL 241.11, 0.44%, 0.24%

LAB 16.53, 18.25, -32.61

 

CMYK 44 / 61 / 0 / 65

HEX #312258

RGB 49 34 88

HSL 256.67, 0.44%, 0.24%

LAB 17.93, 21.69, -30.29

 

CMYK 28 / 61 / 0 / 65

HEX #3F2258

RGB 63 34 88

HSL 272.22, 0.44%, 0.24%

LAB 19.66, 25.59, -27.41

 

CMYK 11 / 61 / 0 / 65

HEX #4E2258

RGB 78 34 88

HSL 288.89, 0.44%, 0.24%

LAB 21.83, 30.05, -23.83

 

CMYK 0 / 61 / 6 / 65

HEX #582253

RGB 88 34 83

HSL 305.56, 0.44%, 0.24%

LAB 23.15, 32.08, -18.32

 

CMYK 25 / 61 / 0 / 89

HEX #150B1C

RGB 21 11 28

HSL 275.29, 0.44%, 0.08%

LAB 4.36, 7.37, -8.88

 

CMYK 28 / 62 / 0 / 77

HEX #2A163A

RGB 42 22 58

HSL 273.33, 0.45%, 0.16%

LAB 11.77, 18.48, -19.5

 

CMYK 27 / 61 / 0 / 65

HEX #402258

RGB 64 34 88

HSL 273.33, 0.44%, 0.24%

LAB 19.8, 25.89, -27.19

 

CMYK 26 / 62 / 0 / 54

HEX #562D75

RGB 86 45 117

HSL 274.17, 0.44%, 0.32%

LAB 27.13, 33.1, -34.17

 

CMYK 27 / 61 / 0 / 42

HEX #6C3993

RGB 108 57 147

HSL 274, 0.44%, 0.4%

LAB 34.44, 39.64, -40.99

 

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

CMYK 0 / 61 / 47 / 65

HEX #58222F

RGB 88 34 47

HSL 345.56, 0.44%, 0.24%

LAB 21.67, 26.35, 4

 

CMYK 61 / 0 / 52 / 65

HEX #22582A

RGB 34 88 42

HSL 128.89, 0.44%, 0.24%

LAB 32.89, -28.95, 21.35

 

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

CMYK 0 / 28 / 61 / 65

HEX #583F22

RGB 88 63 34

HSL 32.22, 0.44%, 0.24%

LAB 28.76, 7.15, 21.88

 

CMYK 61 / 0 / 28 / 65

HEX #22583F

RGB 34 88 63

HSL 152.22, 0.44%, 0.24%

LAB 33.3, -24.59, 9.24

 

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

CMYK 0 / 61 / 47 / 65

HEX #58222F

RGB 88 34 47

HSL 345.56, 0.44%, 0.24%

LAB 21.67, 26.35, 4

 

CMYK 34 / 0 / 61 / 65

HEX #3A5822

RGB 58 88 34

HSL 93.33, 0.44%, 0.24%

LAB 33.97, -21.73, 27.37

 

CMYK 61 / 0 / 16 / 65

HEX #22584A

RGB 34 88 74

HSL 164.44, 0.44%, 0.24%

LAB 33.59, -21.72, 2.79

 

CMYK 26 / 61 / 0 / 66

HEX #402257

RGB 64 34 87

HSL 273.96, 0.44%, 0.24%

LAB 19.73, 25.62, -26.63

 

CMYK 0 / 59 / 61 / 65

HEX #582422

RGB 88 36 34

HSL 2.22, 0.44%, 0.24%

LAB 21.77, 23.85, 13.07

 

CMYK 34 / 0 / 61 / 65

HEX #3A5822

RGB 58 88 34

HSL 93.33, 0.44%, 0.24%

LAB 33.97, -21.73, 27.37

 

CMYK 61 / 3 / 0 / 65

HEX #225558

RGB 34 85 88

HSL 183.33, 0.44%, 0.24%

LAB 33.01, -15.88, -6.89

 

Description

Color code: HEX #402257 | qconv.com Color code: HEX #402257 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 34 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 34 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 61 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 61% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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