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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43D1C0 it is the complementary color #BC2E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43D1C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43D1C0 shade: #48D1BB, #59E3CE, #6AF5E1, #7BFFF4 and #8CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43D1C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43D1C0 shade: #43D1C0, #32BFAD, #21AD9A, #109B87 and #008974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43D1C0 shade: #42D1C0, #42D199, #42D172, #42D14C and #5ED142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43D1C0 shade: #42D1C0, #42BBD1, #4295D1, #426ED1 and #4248D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43D1C0 shade matches the following richer shades: #42D1C0, #2FE4CE and #1CF7DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43D1C0 shade: #42D1C0, #55BEB1, #68ABA3, #7B9894 and #8E8586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43D1C0 shade: #42D171, #42D198, #42D1BE, #42BED1 and #4298D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43D1C0 shade: #259B8D, #2DBCAB, #42D1C0, #63D9CB and #84E1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43D1C0 shade: #43D1C0, #4B42D1 and #D18442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43D1C0 shade: #43D1C0, #BE42D1 and #D1BE42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43D1C0 shade: #43D1C0, #4B42D1, #D14255 and #C7D142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43D1C0 shade: #43D1C0, #7642D1, #D14255 and #9CD142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

Complementary color

CMYK 0 / 76 / 66 / 26

HEX #BC2E3F

RGB 188 46 63

HSL 352.82, 0.61%, 0.46%

LAB 42.77, 56.5, 25.13

 

CMYK 66 / 0 / 11 / 18

HEX #48D1BB

RGB 72 209 187

HSL 170.36, 0.6%, 0.55%

LAB 76.42, -41.87, 0.1

 

CMYK 61 / 0 / 9 / 11

HEX #59E3CE

RGB 89 227 206

HSL 170.87, 0.71%, 0.62%

LAB 82.66, -42.21, -0.87

 

CMYK 57 / 0 / 8 / 4

HEX #6AF5E1

RGB 106 245 225

HSL 171.37, 0.87%, 0.69%

LAB 88.83, -42.43, -1.76

 

CMYK 52 / 0 / 4 / 0

HEX #7BFFF4

RGB 123 255 244

HSL 175, 1%, 0.74%

LAB 92.69, -38.96, -5.89

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

CMYK 74 / 0 / 9 / 25

HEX #32BFAD

RGB 50 191 173

HSL 172.34, 0.59%, 0.47%

LAB 70.15, -40.66, -1.53

 

CMYK 81 / 0 / 11 / 32

HEX #21AD9A

RGB 33 173 154

HSL 171.86, 0.68%, 0.4%

LAB 63.79, -39.73, -0.38

 

CMYK 90 / 0 / 13 / 39

HEX #109B87

RGB 16 155 135

HSL 171.37, 0.81%, 0.34%

LAB 57.37, -38.41, 0.93

 

CMYK 100 / 0 / 15 / 46

HEX #008974

RGB 0 137 116

HSL 170.8, 1%, 0.27%

LAB 50.86, -36.7, 2.39

 

CMYK 68 / 0 / 8 / 18

HEX #42D1C0

RGB 66 209 192

HSL 172.87, 0.61%, 0.54%

LAB 76.41, -41.46, -2.61

 

CMYK 68 / 0 / 27 / 18

HEX #42D199

RGB 66 209 153

HSL 156.5, 0.61%, 0.54%

LAB 75.49, -50.92, 16.95

 

CMYK 68 / 0 / 45 / 18

HEX #42D172

RGB 66 209 114

HSL 140.14, 0.61%, 0.54%

LAB 74.81, -58.39, 36.26

 

CMYK 68 / 0 / 64 / 18

HEX #42D14C

RGB 66 209 76

HSL 124.2, 0.61%, 0.54%

LAB 74.37, -63.49, 53.5

 

CMYK 55 / 0 / 68 / 18

HEX #5ED142

RGB 94 209 66

HSL 108.25, 0.61%, 0.54%

LAB 75.06, -58.23, 58.53

 

CMYK 68 / 0 / 8 / 18

HEX #42D1C0

RGB 66 209 192

HSL 172.87, 0.61%, 0.54%

LAB 76.41, -41.46, -2.61

 

CMYK 68 / 11 / 0 / 18

HEX #42BBD1

RGB 66 187 209

HSL 189.23, 0.61%, 0.54%

LAB 70.39, -26.25, -20.86

 

CMYK 68 / 29 / 0 / 18

HEX #4295D1

RGB 66 149 209

HSL 205.17, 0.61%, 0.54%

LAB 59.21, -5.96, -38.11

 

CMYK 68 / 47 / 0 / 18

HEX #426ED1

RGB 66 110 209

HSL 221.54, 0.61%, 0.54%

LAB 48.15, 17.53, -55.67

 

CMYK 68 / 66 / 0 / 18

HEX #4248D1

RGB 66 72 209

HSL 237.48, 0.61%, 0.54%

LAB 38.54, 41.39, -71.26

 

CMYK 68 / 0 / 8 / 18

HEX #42D1C0

RGB 66 209 192

HSL 172.87, 0.61%, 0.54%

LAB 76.41, -41.46, -2.61

 

CMYK 79 / 0 / 10 / 11

HEX #2FE4CE

RGB 47 228 206

HSL 172.71, 0.77%, 0.54%

LAB 82.13, -48.12, -1.73

 

CMYK 89 / 0 / 11 / 3

HEX #1CF7DD

RGB 28 247 221

HSL 172.88, 0.93%, 0.54%

LAB 87.96, -53.32, -1.1

 

CMYK 68 / 0 / 8 / 18

HEX #42D1C0

RGB 66 209 192

HSL 172.87, 0.61%, 0.54%

LAB 76.41, -41.46, -2.61

 

CMYK 55 / 0 / 7 / 25

HEX #55BEB1

RGB 85 190 177

HSL 172.57, 0.45%, 0.54%

LAB 70.82, -33.45, -2.63

 

CMYK 39 / 0 / 5 / 33

HEX #68ABA3

RGB 104 171 163

HSL 172.84, 0.29%, 0.54%

LAB 65.52, -23.19, -2.6

 

CMYK 19 / 0 / 3 / 40

HEX #7B9894

RGB 123 152 148

HSL 171.72, 0.12%, 0.54%

LAB 60.61, -10.96, -1.26

 

CMYK 0 / 6 / 6 / 44

HEX #8E8586

RGB 142 133 134

HSL 353.33, 0.04%, 0.54%

LAB 56.33, 3.57, 0.67

 

CMYK 68 / 0 / 46 / 18

HEX #42D171

RGB 66 209 113

HSL 139.72, 0.61%, 0.54%

LAB 74.79, -58.55, 36.74

 

CMYK 68 / 0 / 27 / 18

HEX #42D198

RGB 66 209 152

HSL 156.08, 0.61%, 0.54%

LAB 75.47, -51.14, 17.45

 

CMYK 68 / 0 / 9 / 18

HEX #42D1BE

RGB 66 209 190

HSL 172.03, 0.61%, 0.54%

LAB 76.36, -41.99, -1.61

 

CMYK 68 / 9 / 0 / 18

HEX #42BED1

RGB 66 190 209

HSL 187.97, 0.61%, 0.54%

LAB 71.27, -27.74, -19.51

 

CMYK 68 / 27 / 0 / 18

HEX #4298D1

RGB 66 152 209

HSL 203.92, 0.61%, 0.54%

LAB 60.09, -7.66, -36.75

 

CMYK 76 / 0 / 9 / 39

HEX #259B8D

RGB 37 155 141

HSL 172.88, 0.61%, 0.38%

LAB 57.81, -34.82, -1.81

 

CMYK 76 / 0 / 9 / 26

HEX #2DBCAB

RGB 45 188 171

HSL 172.87, 0.61%, 0.46%

LAB 69.09, -40.45, -2

 

CMYK 68 / 0 / 8 / 18

HEX #42D1C0

RGB 66 209 192

HSL 172.87, 0.61%, 0.54%

LAB 76.41, -41.46, -2.61

 

CMYK 54 / 0 / 6 / 15

HEX #63D9CB

RGB 99 217 203

HSL 172.88, 0.61%, 0.62%

LAB 79.95, -36.59, -3.21

 

CMYK 41 / 0 / 5 / 12

HEX #84E1D6

RGB 132 225 214

HSL 172.9, 0.61%, 0.7%

LAB 83.76, -30.25, -3.31

 

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

CMYK 64 / 68 / 0 / 18

HEX #4B42D1

RGB 75 66 209

HSL 243.78, 0.61%, 0.54%

LAB 37.83, 46.08, -72.41

 

CMYK 0 / 37 / 68 / 18

HEX #D18442

RGB 209 132 66

HSL 27.69, 0.61%, 0.54%

LAB 62.04, 23.79, 46.92

 

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

CMYK 9 / 68 / 0 / 18

HEX #BE42D1

RGB 190 66 209

HSL 292.03, 0.61%, 0.54%

LAB 51.21, 67.65, -50.12

 

CMYK 0 / 9 / 68 / 18

HEX #D1BE42

RGB 209 190 66

HSL 52.03, 0.61%, 0.54%

LAB 76.54, -7.21, 62.23

 

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

CMYK 64 / 68 / 0 / 18

HEX #4B42D1

RGB 75 66 209

HSL 243.78, 0.61%, 0.54%

LAB 37.83, 46.08, -72.41

 

CMYK 0 / 68 / 59 / 18

HEX #D14255

RGB 209 66 85

HSL 352.03, 0.61%, 0.54%

LAB 49.63, 57.11, 21.39

 

CMYK 5 / 0 / 68 / 18

HEX #C7D142

RGB 199 209 66

HSL 64.2, 0.61%, 0.54%

LAB 80.81, -20.97, 66.26

 

CMYK 68 / 0 / 8 / 18

HEX #43D1C0

RGB 67 209 192

HSL 172.82, 0.61%, 0.54%

LAB 76.44, -41.32, -2.58

 

CMYK 44 / 68 / 0 / 18

HEX #7642D1

RGB 118 66 209

HSL 261.82, 0.61%, 0.54%

LAB 41.77, 52.92, -65.81

 

CMYK 0 / 68 / 59 / 18

HEX #D14255

RGB 209 66 85

HSL 352.03, 0.61%, 0.54%

LAB 49.63, 57.11, 21.39

 

CMYK 25 / 0 / 68 / 18

HEX #9CD142

RGB 156 209 66

HSL 82.24, 0.61%, 0.54%

LAB 77.91, -38.09, 62.38

 

Description

Color code: HEX #43D1C0 | qconv.com Color code: HEX #43D1C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 209 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 209 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 8 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 8% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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