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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43CA82 it is the complementary color #BC357D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43CA82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43CA82 shade: #48CA7D, #59DC90, #6AEEA3, #7BFFB6 and #8CFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43CA82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43CA82 shade: #43CA82, #32B86F, #21A65C, #109449 and #008236

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43CA82 shade: #44CA82, #44CA5E, #4DCA44, #71CA44 and #96CA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43CA82 shade: #44CA82, #44CAA6, #44C9CA, #44A5CA and #4481CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43CA82 shade matches the following richer shades: #44CA82, #30DD81 and #1DF180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43CA82 shade: #44CA82, #57B683, #6AA385, #7E9086 and #917C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43CA82 shade: #4CCA44, #44CA5E, #44CA82, #44CAA6 and #44CACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43CA82 shade: #29925A, #32B26E, #44CA82, #64D398 and #84DCAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43CA82 shade: #43CA82, #4470CA and #CA4C44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43CA82 shade: #43CA82, #8244CA and #CA8244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43CA82 shade: #43CA82, #4470CA, #CA448B and #CA9D44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43CA82 shade: #43CA82, #4448CA, #CA448B and #CAC544

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

Complementary color

CMYK 0 / 72 / 34 / 26

HEX #BC357D

RGB 188 53 125

HSL 328, 0.56%, 0.47%

LAB 45.25, 59.39, -9.75

 

CMYK 64 / 0 / 38 / 21

HEX #48CA7D

RGB 72 202 125

HSL 144.46, 0.55%, 0.54%

LAB 72.96, -52.76, 28.26

 

CMYK 60 / 0 / 35 / 14

HEX #59DC90

RGB 89 220 144

HSL 145.19, 0.65%, 0.61%

LAB 79.23, -52.95, 26.88

 

CMYK 55 / 0 / 32 / 7

HEX #6AEEA3

RGB 106 238 163

HSL 145.91, 0.8%, 0.67%

LAB 85.43, -52.99, 25.6

 

CMYK 52 / 0 / 29 / 0

HEX #7BFFB6

RGB 123 255 182

HSL 146.82, 1%, 0.74%

LAB 91.28, -52.52, 24

 

CMYK 45 / 0 / 21 / 0

HEX #8CFFC9

RGB 140 255 201

HSL 151.83, 1%, 0.77%

LAB 92.27, -44.75, 15.77

 

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

CMYK 73 / 0 / 40 / 28

HEX #32B86F

RGB 50 184 111

HSL 147.31, 0.57%, 0.46%

LAB 66.6, -52.22, 27.08

 

CMYK 80 / 0 / 45 / 35

HEX #21A65C

RGB 33 166 92

HSL 146.62, 0.67%, 0.39%

LAB 60.22, -51.34, 28.7

 

CMYK 89 / 0 / 51 / 42

HEX #109449

RGB 16 148 73

HSL 145.91, 0.8%, 0.32%

LAB 53.78, -49.91, 30.46

 

CMYK 100 / 0 / 58 / 49

HEX #008236

RGB 0 130 54

HSL 144.92, 1%, 0.25%

LAB 47.28, -47.86, 32.29

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 66 / 0 / 53 / 21

HEX #44CA5E

RGB 68 202 94

HSL 131.64, 0.56%, 0.53%

LAB 72.41, -58.51, 43.1

 

CMYK 62 / 0 / 66 / 21

HEX #4DCA44

RGB 77 202 68

HSL 115.97, 0.56%, 0.53%

LAB 72.39, -59.66, 54.73

 

CMYK 44 / 0 / 66 / 21

HEX #71CA44

RGB 113 202 68

HSL 99.85, 0.56%, 0.53%

LAB 73.66, -49.94, 56.47

 

CMYK 26 / 0 / 66 / 21

HEX #96CA44

RGB 150 202 68

HSL 83.28, 0.56%, 0.53%

LAB 75.54, -37.07, 59.03

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 66 / 0 / 18 / 21

HEX #44CAA6

RGB 68 202 166

HSL 163.88, 0.56%, 0.53%

LAB 73.69, -44.7, 7.45

 

CMYK 66 / 0 / 0 / 21

HEX #44C9CA

RGB 68 201 202

HSL 180.45, 0.56%, 0.53%

LAB 74.36, -34.79, -11.05

 

CMYK 66 / 18 / 0 / 21

HEX #44A5CA

RGB 68 165 202

HSL 196.57, 0.56%, 0.53%

LAB 63.67, -16.79, -27.26

 

CMYK 66 / 36 / 0 / 21

HEX #4481CA

RGB 68 129 202

HSL 212.69, 0.56%, 0.53%

LAB 53.16, 3.66, -43.69

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 78 / 0 / 42 / 13

HEX #30DD81

RGB 48 221 129

HSL 148.09, 0.72%, 0.53%

LAB 78.42, -62.66, 33.31

 

CMYK 88 / 0 / 47 / 5

HEX #1DF180

RGB 29 241 128

HSL 148.02, 0.88%, 0.53%

LAB 84.34, -71.23, 41.4

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 52 / 0 / 28 / 29

HEX #57B683

RGB 87 182 131

HSL 147.79, 0.39%, 0.53%

LAB 67.37, -40.03, 17.57

 

CMYK 35 / 0 / 18 / 36

HEX #6AA385

RGB 106 163 133

HSL 148.42, 0.24%, 0.53%

LAB 62.47, -25.41, 9.73

 

CMYK 13 / 0 / 7 / 44

HEX #7E9086

RGB 126 144 134

HSL 146.67, 0.08%, 0.53%

LAB 58.14, -8.51, 3.13

 

CMYK 0 / 14 / 7 / 43

HEX #917C87

RGB 145 124 135

HSL 328.57, 0.09%, 0.53%

LAB 54.22, 10.06, -2.97

 

CMYK 62 / 0 / 66 / 21

HEX #4CCA44

RGB 76 202 68

HSL 116.42, 0.56%, 0.53%

LAB 72.36, -59.88, 54.69

 

CMYK 66 / 0 / 53 / 21

HEX #44CA5E

RGB 68 202 94

HSL 131.64, 0.56%, 0.53%

LAB 72.41, -58.51, 43.1

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 66 / 0 / 18 / 21

HEX #44CAA6

RGB 68 202 166

HSL 163.88, 0.56%, 0.53%

LAB 73.69, -44.7, 7.45

 

CMYK 66 / 0 / 0 / 21

HEX #44CACA

RGB 68 202 202

HSL 180, 0.56%, 0.53%

LAB 74.66, -35.25, -10.61

 

CMYK 72 / 0 / 38 / 43

HEX #29925A

RGB 41 146 90

HSL 148, 0.56%, 0.37%

LAB 53.78, -42.9, 21.36

 

CMYK 72 / 0 / 38 / 30

HEX #32B26E

RGB 50 178 110

HSL 148.13, 0.56%, 0.45%

LAB 64.68, -50.11, 25.06

 

CMYK 66 / 0 / 36 / 21

HEX #44CA82

RGB 68 202 130

HSL 147.76, 0.56%, 0.53%

LAB 72.95, -52.55, 25.61

 

CMYK 53 / 0 / 28 / 17

HEX #64D398

RGB 100 211 152

HSL 148.11, 0.56%, 0.61%

LAB 77.02, -45.26, 19.75

 

CMYK 40 / 0 / 21 / 14

HEX #84DCAD

RGB 132 220 173

HSL 147.95, 0.56%, 0.69%

LAB 81.35, -36.82, 14.9

 

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

CMYK 66 / 45 / 0 / 21

HEX #4470CA

RGB 68 112 202

HSL 220.3, 0.56%, 0.53%

LAB 48.36, 14.1, -51.32

 

CMYK 0 / 62 / 66 / 21

HEX #CA4C44

RGB 202 76 68

HSL 3.58, 0.56%, 0.53%

LAB 49.67, 49.58, 31.25

 

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

CMYK 36 / 66 / 0 / 21

HEX #8244CA

RGB 130 68 202

HSL 267.76, 0.56%, 0.53%

LAB 42.98, 52.46, -59.74

 

CMYK 0 / 36 / 66 / 21

HEX #CA8244

RGB 202 130 68

HSL 27.76, 0.56%, 0.53%

LAB 60.73, 22.05, 44.23

 

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

CMYK 66 / 45 / 0 / 21

HEX #4470CA

RGB 68 112 202

HSL 220.3, 0.56%, 0.53%

LAB 48.36, 14.1, -51.32

 

CMYK 0 / 66 / 31 / 21

HEX #CA448B

RGB 202 68 139

HSL 328.21, 0.56%, 0.53%

LAB 50.16, 59.3, -10.59

 

CMYK 0 / 22 / 66 / 21

HEX #CA9D44

RGB 202 157 68

HSL 39.85, 0.56%, 0.53%

LAB 67.34, 7.34, 51.54

 

CMYK 67 / 0 / 36 / 21

HEX #43CA82

RGB 67 202 130

HSL 148, 0.56%, 0.53%

LAB 72.92, -52.73, 25.58

 

CMYK 66 / 64 / 0 / 21

HEX #4448CA

RGB 68 72 202

HSL 238.21, 0.56%, 0.53%

LAB 38.07, 39.29, -67.98

 

CMYK 0 / 66 / 31 / 21

HEX #CA448B

RGB 202 68 139

HSL 328.21, 0.56%, 0.53%

LAB 50.16, 59.3, -10.59

 

CMYK 0 / 2 / 66 / 21

HEX #CAC544

RGB 202 197 68

HSL 57.76, 0.56%, 0.53%

LAB 77.82, -13.64, 62.55

 

Description

Color code: HEX #43CA82 | qconv.com Color code: HEX #43CA82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 202 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 202 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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