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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43C767 it is the complementary color #BC3898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43C767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43C767 shade: #48C762, #59D975, #6AEB88, #7BFD9B and #8CFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43C767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43C767 shade: #43C767, #32B554, #21A341, #10912E and #007F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43C767 shade: #42C666, #42C642, #65C642, #89C642 and #ADC642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43C767 shade: #42C666, #42C68A, #42C6AD, #42BBC6 and #4298C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43C767 shade matches the following richer shades: #42C666, #2EDA5D and #1AEE54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43C767 shade: #42C666, #56B26F, #6A9F78, #7D8B81 and #91778A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43C767 shade: #65C642, #42C642, #42C665, #42C689 and #42C6AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43C767 shade: #2A8C44, #33AC54, #42C666, #62D080 and #82D999

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43C767 shade: #43C767, #4289C6 and #C64254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43C767 shade: #43C767, #6542C6 and #C66542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43C767 shade: #43C767, #4289C6, #C642A3 and #C68042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43C767 shade: #43C767, #4261C6, #C642A3 and #C6A742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

Complementary color

CMYK 0 / 70 / 19 / 26

HEX #BC3898

RGB 188 56 152

HSL 316.36, 0.54%, 0.48%

LAB 46.69, 61.75, -23.88

 

CMYK 64 / 0 / 51 / 22

HEX #48C762

RGB 72 199 98

HSL 132.28, 0.53%, 0.53%

LAB 71.63, -56.07, 40.22

 

CMYK 59 / 0 / 46 / 15

HEX #59D975

RGB 89 217 117

HSL 133.13, 0.63%, 0.6%

LAB 77.9, -56.37, 38.82

 

CMYK 55 / 0 / 42 / 8

HEX #6AEB88

RGB 106 235 136

HSL 133.95, 0.76%, 0.67%

LAB 84.1, -56.47, 37.46

 

CMYK 51 / 0 / 39 / 1

HEX #7BFD9B

RGB 123 253 155

HSL 134.77, 0.97%, 0.74%

LAB 90.24, -56.45, 36.16

 

CMYK 45 / 0 / 32 / 0

HEX #8CFFAE

RGB 140 255 174

HSL 137.74, 1%, 0.77%

LAB 91.75, -49.79, 28.79

 

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

CMYK 72 / 0 / 54 / 29

HEX #32B554

RGB 50 181 84

HSL 135.57, 0.57%, 0.45%

LAB 65.25, -55.63, 39.15

 

CMYK 80 / 0 / 60 / 36

HEX #21A341

RGB 33 163 65

HSL 134.77, 0.66%, 0.38%

LAB 58.88, -54.51, 40.65

 

CMYK 89 / 0 / 68 / 43

HEX #10912E

RGB 16 145 46

HSL 133.95, 0.8%, 0.32%

LAB 52.46, -52.68, 42.01

 

CMYK 100 / 0 / 79 / 50

HEX #007F1B

RGB 0 127 27

HSL 132.76, 1%, 0.25%

LAB 45.99, -50.02, 42.85

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 49 / 0 / 67 / 22

HEX #65C642

RGB 101 198 66

HSL 104.09, 0.54%, 0.52%

LAB 71.93, -52.16, 55.28

 

CMYK 31 / 0 / 67 / 22

HEX #89C642

RGB 137 198 66

HSL 87.73, 0.54%, 0.52%

LAB 73.61, -40.26, 57.58

 

CMYK 13 / 0 / 67 / 22

HEX #ADC642

RGB 173 198 66

HSL 71.36, 0.54%, 0.52%

LAB 75.86, -26.3, 60.63

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 67 / 0 / 30 / 22

HEX #42C68A

RGB 66 198 138

HSL 152.73, 0.54%, 0.52%

LAB 71.81, -49.71, 19.84

 

CMYK 67 / 0 / 13 / 22

HEX #42C6AD

RGB 66 198 173

HSL 168.64, 0.54%, 0.52%

LAB 72.6, -41.54, 2.09

 

CMYK 67 / 6 / 0 / 22

HEX #42BBC6

RGB 66 187 198

HSL 185, 0.54%, 0.52%

LAB 70.02, -29.55, -15.39

 

CMYK 67 / 23 / 0 / 22

HEX #4298C6

RGB 66 152 198

HSL 200.91, 0.54%, 0.52%

LAB 59.61, -11.34, -31.32

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 79 / 0 / 57 / 15

HEX #2EDA5D

RGB 46 218 93

HSL 136.4, 0.7%, 0.52%

LAB 76.99, -67.44, 48.93

 

CMYK 89 / 0 / 65 / 7

HEX #1AEE54

RGB 26 238 84

HSL 136.42, 0.86%, 0.52%

LAB 82.92, -76.37, 59.5

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 52 / 0 / 38 / 30

HEX #56B26F

RGB 86 178 111

HSL 136.3, 0.37%, 0.52%

LAB 65.72, -42.37, 26.09

 

CMYK 33 / 0 / 25 / 38

HEX #6A9F78

RGB 106 159 120

HSL 135.85, 0.22%, 0.52%

LAB 60.97, -26.03, 14.89

 

CMYK 10 / 0 / 7 / 45

HEX #7D8B81

RGB 125 139 129

HSL 137.14, 0.06%, 0.52%

LAB 56.5, -7.11, 3.61

 

CMYK 0 / 18 / 5 / 43

HEX #91778A

RGB 145 119 138

HSL 316.15, 0.11%, 0.52%

LAB 53, 13.53, -6.53

 

CMYK 49 / 0 / 67 / 22

HEX #65C642

RGB 101 198 66

HSL 104.09, 0.54%, 0.52%

LAB 71.93, -52.16, 55.28

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 0 / 49 / 22

HEX #42C665

RGB 66 198 101

HSL 135.91, 0.54%, 0.52%

LAB 71.2, -56.42, 38.19

 

CMYK 67 / 0 / 31 / 22

HEX #42C689

RGB 66 198 137

HSL 152.27, 0.54%, 0.52%

LAB 71.79, -49.91, 20.34

 

CMYK 67 / 0 / 13 / 22

HEX #42C6AC

RGB 66 198 172

HSL 168.18, 0.54%, 0.52%

LAB 72.58, -41.8, 2.6

 

CMYK 70 / 0 / 51 / 45

HEX #2A8C44

RGB 42 140 68

HSL 135.92, 0.54%, 0.36%

LAB 51.46, -44.35, 30.28

 

CMYK 70 / 0 / 51 / 33

HEX #33AC54

RGB 51 172 84

HSL 136.36, 0.54%, 0.44%

LAB 62.38, -52.22, 35.64

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 53 / 0 / 38 / 18

HEX #62D080

RGB 98 208 128

HSL 136.36, 0.54%, 0.6%

LAB 75.62, -48.93, 30.37

 

CMYK 40 / 0 / 29 / 15

HEX #82D999

RGB 130 217 153

HSL 135.86, 0.53%, 0.68%

LAB 79.99, -39.8, 23.5

 

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

CMYK 67 / 31 / 0 / 22

HEX #4289C6

RGB 66 137 198

HSL 207.73, 0.54%, 0.52%

LAB 55.2, -2.8, -38.2

 

CMYK 0 / 67 / 58 / 22

HEX #C64254

RGB 198 66 84

HSL 351.82, 0.54%, 0.52%

LAB 47.68, 53.55, 19.06

 

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

CMYK 49 / 67 / 0 / 22

HEX #6542C6

RGB 101 66 198

HSL 255.91, 0.54%, 0.52%

LAB 39.14, 46.82, -63.8

 

CMYK 0 / 49 / 67 / 22

HEX #C66542

RGB 198 101 66

HSL 15.91, 0.54%, 0.52%

LAB 53.71, 35.83, 37.06

 

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

CMYK 67 / 31 / 0 / 22

HEX #4289C6

RGB 66 137 198

HSL 207.73, 0.54%, 0.52%

LAB 55.2, -2.8, -38.2

 

CMYK 0 / 67 / 18 / 22

HEX #C642A3

RGB 198 66 163

HSL 315.91, 0.54%, 0.52%

LAB 50.15, 62.14, -24.94

 

CMYK 0 / 35 / 67 / 22

HEX #C68042

RGB 198 128 66

HSL 28.18, 0.54%, 0.52%

LAB 59.74, 21.33, 43.98

 

CMYK 66 / 0 / 48 / 22

HEX #43C767

RGB 67 199 103

HSL 136.36, 0.54%, 0.52%

LAB 71.57, -56.3, 37.65

 

CMYK 67 / 51 / 0 / 22

HEX #4261C6

RGB 66 97 198

HSL 225.91, 0.54%, 0.52%

LAB 43.92, 21.84, -56.16

 

CMYK 0 / 67 / 18 / 22

HEX #C642A3

RGB 198 66 163

HSL 315.91, 0.54%, 0.52%

LAB 50.15, 62.14, -24.94

 

CMYK 0 / 16 / 67 / 22

HEX #C6A742

RGB 198 167 66

HSL 45.91, 0.54%, 0.52%

LAB 69.5, 0.12, 54.61

 

Description

Color code: HEX #43C767 | qconv.com Color code: HEX #43C767 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 199 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 199 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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