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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43AC4A it is the complementary color #BC53B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43AC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43AC4A shade: #48AC45, #59BE58, #6AD06B, #7BE27E and #8CF491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43AC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43AC4A shade: #43AC4A, #329A37, #218824, #107611 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43AC4A shade: #43AC4A, #58AC43, #74AC43, #91AC43 and #ACAB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43AC4A shade: #43AC4A, #43AC66, #43AC83, #43AC9F and #439DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43AC4A shade matches the following richer shades: #43AC4A, #2FBF39, #1CD328 and #08E617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43AC4A shade: #43AC4A, #56995A, #69856B, #7D727C and #905F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43AC4A shade: #74AC43, #58AC43, #43AC4A, #43AC66 and #43AC82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43AC4A shade: #2C7130, #378E3D, #43AC4A, #5ABE60 and #77CA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43AC4A shade: #43AC4A, #4390AC and #AC4366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43AC4A shade: #43AC4A, #4A43AC and #AC4A43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43AC4A shade: #43AC4A, #4390AC, #AC43A5 and #AC5F43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43AC4A shade: #43AC4A, #4370AC, #AC43A5 and #AC7E43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

Complementary color

CMYK 0 / 56 / 4 / 26

HEX #BC53B5

RGB 188 83 181

HSL 304, 0.44%, 0.53%

LAB 52.08, 55.02, -32.61

 

CMYK 58 / 0 / 60 / 33

HEX #48AC45

RGB 72 172 69

HSL 118.25, 0.43%, 0.47%

LAB 62.77, -49.77, 43.52

 

CMYK 53 / 0 / 54 / 25

HEX #59BE58

RGB 89 190 88

HSL 119.41, 0.44%, 0.55%

LAB 69.22, -50.02, 42.27

 

CMYK 49 / 0 / 49 / 18

HEX #6AD06B

RGB 106 208 107

HSL 120.59, 0.52%, 0.62%

LAB 75.6, -50.08, 40.98

 

CMYK 46 / 0 / 44 / 11

HEX #7BE27E

RGB 123 226 126

HSL 121.75, 0.64%, 0.68%

LAB 81.9, -50.01, 39.7

 

CMYK 43 / 0 / 41 / 4

HEX #8CF491

RGB 140 244 145

HSL 122.88, 0.83%, 0.75%

LAB 88.12, -49.87, 38.46

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 68 / 0 / 64 / 40

HEX #329A37

RGB 50 154 55

HSL 122.88, 0.51%, 0.4%

LAB 56.15, -49.74, 42.25

 

CMYK 76 / 0 / 74 / 47

HEX #218824

RGB 33 136 36

HSL 121.75, 0.61%, 0.33%

LAB 49.57, -48.56, 43.18

 

CMYK 86 / 0 / 86 / 54

HEX #107611

RGB 16 118 17

HSL 120.59, 0.76%, 0.26%

LAB 42.92, -46.49, 43.26

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 49 / 0 / 61 / 33

HEX #58AC43

RGB 88 172 67

HSL 108, 0.44%, 0.47%

LAB 63.33, -45.59, 45.23

 

CMYK 33 / 0 / 61 / 33

HEX #74AC43

RGB 116 172 67

HSL 92, 0.44%, 0.47%

LAB 64.66, -36.25, 47.1

 

CMYK 16 / 0 / 61 / 33

HEX #91AC43

RGB 145 172 67

HSL 75.43, 0.44%, 0.47%

LAB 66.47, -24.99, 49.61

 

CMYK 0 / 1 / 61 / 33

HEX #ACAB43

RGB 172 171 67

HSL 59.43, 0.44%, 0.47%

LAB 68.24, -13.16, 52.14

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 61 / 0 / 41 / 33

HEX #43AC66

RGB 67 172 102

HSL 140, 0.44%, 0.47%

LAB 63.06, -46.05, 27.25

 

CMYK 61 / 0 / 24 / 33

HEX #43AC83

RGB 67 172 131

HSL 156.57, 0.44%, 0.47%

LAB 63.62, -40.14, 12.25

 

CMYK 61 / 0 / 8 / 33

HEX #43AC9F

RGB 67 172 159

HSL 172.57, 0.44%, 0.47%

LAB 64.32, -33.18, -2.3

 

CMYK 61 / 9 / 0 / 33

HEX #439DAC

RGB 67 157 172

HSL 188.57, 0.44%, 0.47%

LAB 60.15, -22.07, -15.83

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 75 / 0 / 70 / 25

HEX #2FBF39

RGB 47 191 57

HSL 124.17, 0.61%, 0.47%

LAB 68.14, -62.61, 54.37

 

CMYK 87 / 0 / 81 / 17

HEX #1CD328

RGB 28 211 40

HSL 123.93, 0.77%, 0.47%

LAB 74.18, -72, 65.85

 

CMYK 97 / 0 / 90 / 10

HEX #08E617

RGB 8 230 23

HSL 124.05, 0.93%, 0.47%

LAB 80.01, -78.99, 74.56

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 44 / 0 / 41 / 40

HEX #56995A

RGB 86 153 90

HSL 123.58, 0.28%, 0.47%

LAB 57.56, -34.94, 26.62

 

CMYK 21 / 0 / 20 / 48

HEX #69856B

RGB 105 133 107

HSL 124.29, 0.12%, 0.47%

LAB 52.77, -15.46, 10.79

 

CMYK 0 / 9 / 1 / 51

HEX #7D727C

RGB 125 114 124

HSL 305.45, 0.05%, 0.47%

LAB 49.31, 6.21, -3.96

 

CMYK 0 / 34 / 2 / 44

HEX #905F8D

RGB 144 95 141

HSL 303.67, 0.21%, 0.47%

LAB 47.02, 27.72, -17.33

 

CMYK 33 / 0 / 61 / 33

HEX #74AC43

RGB 116 172 67

HSL 92, 0.44%, 0.47%

LAB 64.66, -36.25, 47.1

 

CMYK 49 / 0 / 61 / 33

HEX #58AC43

RGB 88 172 67

HSL 108, 0.44%, 0.47%

LAB 63.33, -45.59, 45.23

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 61 / 0 / 41 / 33

HEX #43AC66

RGB 67 172 102

HSL 140, 0.44%, 0.47%

LAB 63.06, -46.05, 27.25

 

CMYK 61 / 0 / 24 / 33

HEX #43AC82

RGB 67 172 130

HSL 156, 0.44%, 0.47%

LAB 63.6, -40.36, 12.77

 

CMYK 61 / 0 / 58 / 56

HEX #2C7130

RGB 44 113 48

HSL 123.48, 0.44%, 0.31%

LAB 42.09, -36.15, 29.38

 

CMYK 61 / 0 / 57 / 44

HEX #378E3D

RGB 55 142 61

HSL 124.14, 0.44%, 0.39%

LAB 52.39, -43.33, 35.09

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 53 / 0 / 49 / 25

HEX #5ABE60

RGB 90 190 96

HSL 123.6, 0.43%, 0.55%

LAB 69.36, -48.68, 38.53

 

CMYK 41 / 0 / 38 / 21

HEX #77CA7D

RGB 119 202 125

HSL 124.34, 0.44%, 0.63%

LAB 74.6, -41.13, 30.73

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 61 / 16 / 0 / 33

HEX #4390AC

RGB 67 144 172

HSL 196, 0.44%, 0.47%

LAB 56.21, -15.16, -21.84

 

CMYK 0 / 61 / 41 / 33

HEX #AC4366

RGB 172 67 102

HSL 340, 0.44%, 0.47%

LAB 43.86, 46.23, 2.04

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 57 / 61 / 0 / 33

HEX #4A43AC

RGB 74 67 172

HSL 244, 0.44%, 0.47%

LAB 34.9, 33.35, -55.5

 

CMYK 0 / 57 / 61 / 33

HEX #AC4A43

RGB 172 74 67

HSL 4, 0.44%, 0.47%

LAB 44.34, 39.65, 24.11

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 61 / 16 / 0 / 33

HEX #4390AC

RGB 67 144 172

HSL 196, 0.44%, 0.47%

LAB 56.21, -15.16, -21.84

 

CMYK 0 / 61 / 4 / 33

HEX #AC43A5

RGB 172 67 165

HSL 304, 0.44%, 0.47%

LAB 46.31, 55.2, -32.42

 

CMYK 0 / 45 / 61 / 33

HEX #AC5F43

RGB 172 95 67

HSL 16, 0.44%, 0.47%

LAB 48.71, 28.62, 29.6

 

CMYK 61 / 0 / 57 / 33

HEX #43AC4A

RGB 67 172 74

HSL 124, 0.44%, 0.47%

LAB 62.67, -50.36, 41

 

CMYK 61 / 35 / 0 / 33

HEX #4370AC

RGB 67 112 172

HSL 214.29, 0.44%, 0.47%

LAB 46.66, 3.42, -36.69

 

CMYK 0 / 61 / 4 / 33

HEX #AC43A5

RGB 172 67 165

HSL 304, 0.44%, 0.47%

LAB 46.31, 55.2, -32.42

 

CMYK 0 / 27 / 61 / 33

HEX #AC7E43

RGB 172 126 67

HSL 33.71, 0.44%, 0.47%

LAB 56.19, 11.28, 38.59

 

Description

Color code: HEX #43AC4A | qconv.com Color code: HEX #43AC4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 172 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 172 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 57 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 57% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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