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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 95 / 55 / 0 / 13 it is the complementary color CMYK 0 / 36 / 86 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 95 / 55 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 93 / 54 / 0 / 15, CMYK 86 / 50 / 0 / 7, CMYK 80 / 47 / 0 / 0, CMYK 74 / 40 / 0 / 0 and CMYK 67 / 33 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 95 / 55 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 95 / 55 / 0 / 13, CMYK 100 / 60 / 0 / 20, CMYK 100 / 65 / 0 / 28, CMYK 100 / 72 / 0 / 35 and CMYK 100 / 81 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 96 / 55 / 0 / 12, CMYK 96 / 81 / 0 / 12, CMYK 84 / 96 / 0 / 12, CMYK 58 / 96 / 0 / 12 and CMYK 33 / 96 / 0 / 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 96 / 55 / 0 / 12, CMYK 96 / 81 / 0 / 12 and CMYK 96 / 96 / 0 / 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 95 / 55 / 0 / 13 shade matches the following richer shades: CMYK 96 / 55 / 0 / 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 96 / 55 / 0 / 12, CMYK 86 / 50 / 0 / 20, CMYK 74 / 43 / 0 / 27, CMYK 60 / 35 / 0 / 35 and CMYK 42 / 24 / 0 / 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 96 / 4 / 0 / 12, CMYK 96 / 29 / 0 / 12, CMYK 96 / 54 / 0 / 12, CMYK 96 / 79 / 0 / 12 and CMYK 86 / 96 / 0 / 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 96 / 55 / 0 / 43, CMYK 96 / 55 / 0 / 28, CMYK 96 / 55 / 0 / 12, CMYK 87 / 50 / 0 / 4 and CMYK 72 / 41 / 0 / 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 95 / 55 / 0 / 13, CMYK 22 / 96 / 0 / 12 and CMYK 16 / 0 / 96 / 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 95 / 55 / 0 / 13, CMYK 0 / 96 / 54 / 12 and CMYK 54 / 0 / 96 / 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 95 / 55 / 0 / 13, CMYK 22 / 96 / 0 / 12, CMYK 0 / 42 / 96 / 12 and CMYK 73 / 0 / 96 / 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 95 / 55 / 0 / 13 shade: CMYK 95 / 55 / 0 / 13, CMYK 0 / 96 / 7 / 12, CMYK 0 / 42 / 96 / 12 and CMYK 96 / 0 / 89 / 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

Complementary color

CMYK 0 / 36 / 86 / 4

HEX #F49B21

RGB 244 155 33

HSL 34.69, 0.91%, 0.54%

LAB 71.41, 24.98, 70.21

 

CMYK 93 / 54 / 0 / 15

HEX #1064D9

RGB 16 100 217

HSL 214.93, 0.86%, 0.46%

LAB 44.57, 22.27, -66.09

 

CMYK 86 / 50 / 0 / 7

HEX #2176EC

RGB 33 118 236

HSL 214.88, 0.84%, 0.53%

LAB 51.08, 19, -66.25

 

CMYK 80 / 47 / 0 / 0

HEX #3288FF

RGB 50 136 255

HSL 214.83, 1%, 0.6%

LAB 57.57, 16.27, -66.29

 

CMYK 74 / 40 / 0 / 0

HEX #439AFF

RGB 67 154 255

HSL 212.23, 1%, 0.63%

LAB 62.95, 7.25, -57.65

 

CMYK 67 / 33 / 0 / 0

HEX #54ACFF

RGB 84 172 255

HSL 209.12, 1%, 0.66%

LAB 68.47, -0.79, -48.86

 

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

CMYK 100 / 60 / 0 / 20

HEX #0052CB

RGB 0 82 203

HSL 215.76, 1%, 0.4%

LAB 38.46, 28.05, -68.02

 

CMYK 100 / 65 / 0 / 28

HEX #0040B8

RGB 0 64 184

HSL 219.13, 1%, 0.36%

LAB 32.1, 32.49, -67.33

 

CMYK 100 / 72 / 0 / 35

HEX #002EA5

RGB 0 46 165

HSL 223.27, 1%, 0.32%

LAB 25.77, 36.92, -66.39

 

CMYK 100 / 81 / 0 / 43

HEX #001C92

RGB 0 28 146

HSL 228.49, 1%, 0.29%

LAB 19.66, 40.88, -64.87

 

CMYK 96 / 55 / 0 / 12

HEX #0A64E0

RGB 10 100 224

HSL 214.77, 0.91%, 0.46%

LAB 45.03, 24.81, -69.33

 

CMYK 96 / 81 / 0 / 12

HEX #0A2BE0

RGB 10 43 224

HSL 230.75, 0.91%, 0.46%

LAB 32.2, 59.06, -90.45

 

CMYK 84 / 96 / 0 / 12

HEX #230AE0

RGB 35 10 224

HSL 247.01, 0.91%, 0.46%

LAB 29.3, 70.39, -95.26

 

CMYK 58 / 96 / 0 / 12

HEX #5D0AE0

RGB 93 10 224

HSL 263.27, 0.91%, 0.46%

LAB 33.83, 72.76, -87.6

 

CMYK 33 / 96 / 0 / 12

HEX #960AE0

RGB 150 10 224

HSL 279.25, 0.91%, 0.46%

LAB 41.35, 77.97, -74.94

 

CMYK 96 / 55 / 0 / 12

HEX #0A64E0

RGB 10 100 224

HSL 214.77, 0.91%, 0.46%

LAB 45.03, 24.81, -69.33

 

CMYK 96 / 81 / 0 / 12

HEX #0A2BE0

RGB 10 43 224

HSL 230.75, 0.91%, 0.46%

LAB 32.2, 59.06, -90.45

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 96 / 55 / 0 / 12

HEX #0A64E0

RGB 10 100 224

HSL 214.77, 0.91%, 0.46%

LAB 45.03, 24.81, -69.33

 

CMYK 96 / 55 / 0 / 12

HEX #0A64E0

RGB 10 100 224

HSL 214.77, 0.91%, 0.46%

LAB 45.03, 24.81, -69.33

 

CMYK 86 / 50 / 0 / 20

HEX #1D67CD

RGB 29 103 205

HSL 214.77, 0.75%, 0.46%

LAB 44.76, 16.34, -58.91

 

CMYK 74 / 43 / 0 / 27

HEX #306ABA

RGB 48 106 186

HSL 214.78, 0.59%, 0.46%

LAB 44.92, 9.04, -47.66

 

CMYK 60 / 35 / 0 / 35

HEX #436DA7

RGB 67 109 167

HSL 214.8, 0.43%, 0.46%

LAB 45.53, 3.55, -35.55

 

CMYK 42 / 24 / 0 / 42

HEX #567094

RGB 86 112 148

HSL 214.84, 0.26%, 0.46%

LAB 46.58, 0.3, -22.61

 

CMYK 96 / 4 / 0 / 12

HEX #0AD8E0

RGB 10 216 224

HSL 182.24, 0.91%, 0.46%

LAB 78.79, -39.78, -16.32

 

CMYK 96 / 29 / 0 / 12

HEX #0A9FE0

RGB 10 159 224

HSL 198.22, 0.91%, 0.46%

LAB 61.86, -11.13, -42.37

 

CMYK 96 / 54 / 0 / 12

HEX #0A67E0

RGB 10 103 224

HSL 213.93, 0.91%, 0.46%

LAB 45.83, 22.87, -68.01

 

CMYK 96 / 79 / 0 / 12

HEX #0A2EE0

RGB 10 46 224

HSL 229.91, 0.91%, 0.46%

LAB 32.7, 57.59, -89.61

 

CMYK 86 / 96 / 0 / 12

HEX #1F0AE0

RGB 31 10 224

HSL 245.89, 0.91%, 0.46%

LAB 29.13, 70.32, -95.54

 

CMYK 96 / 55 / 0 / 43

HEX #064191

RGB 6 65 145

HSL 214.53, 0.92%, 0.3%

LAB 29.07, 16.09, -48.79

 

CMYK 96 / 55 / 0 / 28

HEX #0852B8

RGB 8 82 184

HSL 214.77, 0.92%, 0.38%

LAB 37.02, 20.69, -59.28

 

CMYK 96 / 55 / 0 / 12

HEX #0A64E0

RGB 10 100 224

HSL 214.77, 0.91%, 0.46%

LAB 45.03, 24.81, -69.33

 

CMYK 87 / 50 / 0 / 4

HEX #1F79F4

RGB 31 121 244

HSL 214.65, 0.91%, 0.54%

LAB 52.4, 20.04, -68.58

 

CMYK 72 / 41 / 0 / 4

HEX #4690F6

RGB 70 144 246

HSL 214.77, 0.91%, 0.62%

LAB 59.8, 10.4, -57.73

 

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

CMYK 22 / 96 / 0 / 12

HEX #AE0AE0

RGB 174 10 224

HSL 285.98, 0.91%, 0.46%

LAB 45.08, 80.98, -68.7

 

CMYK 16 / 0 / 96 / 12

HEX #BCE00A

RGB 188 224 10

HSL 70.09, 0.91%, 0.46%

LAB 83.98, -34.3, 81.71

 

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

CMYK 0 / 96 / 54 / 12

HEX #E00A67

RGB 224 10 103

HSL 333.93, 0.91%, 0.46%

LAB 48.31, 75.25, 9.07

 

CMYK 54 / 0 / 96 / 12

HEX #67E00A

RGB 103 224 10

HSL 93.93, 0.91%, 0.46%

LAB 79.74, -63.73, 76.56

 

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

CMYK 22 / 96 / 0 / 12

HEX #AE0AE0

RGB 174 10 224

HSL 285.98, 0.91%, 0.46%

LAB 45.08, 80.98, -68.7

 

CMYK 0 / 42 / 96 / 12

HEX #E0830A

RGB 224 131 10

HSL 33.93, 0.91%, 0.46%

LAB 63.43, 28.91, 68.14

 

CMYK 73 / 0 / 96 / 12

HEX #3CE00A

RGB 60 224 10

HSL 105.98, 0.91%, 0.46%

LAB 78.63, -72.95, 75.2

 

CMYK 95 / 55 / 0 / 13

HEX #0B64DE

RGB 11 100 222

HSL 214.69, 0.91%, 0.46%

LAB 44.88, 24.06, -68.42

 

CMYK 0 / 96 / 7 / 12

HEX #E00AD1

RGB 224 10 209

HSL 304.21, 0.91%, 0.46%

LAB 52.58, 86.3, -47.59

 

CMYK 0 / 42 / 96 / 12

HEX #E0830A

RGB 224 131 10

HSL 33.93, 0.91%, 0.46%

LAB 63.43, 28.91, 68.14

 

CMYK 96 / 0 / 89 / 12

HEX #0AE018

RGB 10 224 24

HSL 123.93, 0.91%, 0.46%

LAB 78.14, -77.29, 72.8

 

Description

Color code: CMYK 95 / 55 / 0 / 13 | qconv.com Color code: CMYK 95 / 55 / 0 / 13 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 100 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 100 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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