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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 95 / 2 / 0 / 33 it is the complementary color CMYK 0 / 64 / 66 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 95 / 2 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 92 / 0 / 1 / 35, CMYK 83 / 0 / 0 / 27, CMYK 76 / 0 / 0 / 20, CMYK 71 / 1 / 0 / 13 and CMYK 66 / 1 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 95 / 2 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 33, CMYK 100 / 2 / 0 / 40, CMYK 100 / 2 / 0 / 48, CMYK 100 / 1 / 0 / 55 and CMYK 100 / 0 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 34, CMYK 95 / 28 / 0 / 34, CMYK 95 / 54 / 0 / 34, CMYK 95 / 79 / 0 / 34 and CMYK 85 / 95 / 0 / 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 34, CMYK 95 / 28 / 0 / 34, CMYK 95 / 54 / 0 / 34, CMYK 95 / 79 / 0 / 34 and CMYK 95 / 95 / 0 / 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 95 / 2 / 0 / 33 shade matches the following richer shades: CMYK 95 / 2 / 0 / 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 34, CMYK 85 / 3 / 0 / 39, CMYK 74 / 1 / 0 / 45, CMYK 59 / 2 / 0 / 51 and CMYK 41 / 1 / 0 / 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 0 / 49 / 34, CMYK 95 / 0 / 24 / 34, CMYK 95 / 2 / 0 / 34, CMYK 95 / 27 / 0 / 34 and CMYK 95 / 52 / 0 / 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 96 / 2 / 0 / 64, CMYK 95 / 2 / 0 / 49, CMYK 95 / 2 / 0 / 34, CMYK 95 / 2 / 0 / 18 and CMYK 93 / 2 / 0 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 33, CMYK 75 / 95 / 0 / 34 and CMYK 0 / 37 / 95 / 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 33, CMYK 0 / 95 / 2 / 34 and CMYK 2 / 0 / 95 / 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 33, CMYK 75 / 95 / 0 / 34, CMYK 0 / 93 / 95 / 34 and CMYK 21 / 0 / 95 / 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 95 / 2 / 0 / 33 shade: CMYK 95 / 2 / 0 / 33, CMYK 46 / 95 / 0 / 34, CMYK 0 / 93 / 95 / 34 and CMYK 49 / 0 / 95 / 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

Complementary color

CMYK 0 / 64 / 66 / 4

HEX #F65854

RGB 246 88 84

HSL 1.48, 0.9%, 0.65%

LAB 59.17, 60.11, 35.43

 

CMYK 92 / 0 / 1 / 35

HEX #0EA7A6

RGB 14 167 166

HSL 179.61, 0.85%, 0.35%

LAB 62.07, -34.8, -9.66

 

CMYK 83 / 0 / 0 / 27

HEX #1FB9B9

RGB 31 185 185

HSL 180, 0.71%, 0.42%

LAB 68.38, -36.37, -10.77

 

CMYK 76 / 0 / 0 / 20

HEX #30CBCC

RGB 48 203 204

HSL 180.38, 0.62%, 0.49%

LAB 74.64, -37.57, -11.76

 

CMYK 71 / 1 / 0 / 13

HEX #41DDDF

RGB 65 221 223

HSL 180.76, 0.71%, 0.56%

LAB 80.83, -38.49, -12.66

 

CMYK 66 / 1 / 0 / 5

HEX #52EFF2

RGB 82 239 242

HSL 181.13, 0.86%, 0.64%

LAB 86.97, -39.19, -13.48

 

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

CMYK 100 / 2 / 0 / 40

HEX #009598

RGB 0 149 152

HSL 181.18, 1%, 0.3%

LAB 55.85, -31.25, -11.04

 

CMYK 100 / 2 / 0 / 48

HEX #008385

RGB 0 131 133

HSL 180.9, 1%, 0.26%

LAB 49.41, -28.68, -9.7

 

CMYK 100 / 1 / 0 / 55

HEX #007172

RGB 0 113 114

HSL 180.53, 1%, 0.22%

LAB 42.8, -26.04, -8.31

 

CMYK 95 / 2 / 0 / 34

HEX #08A5A9

RGB 8 165 169

HSL 181.49, 0.91%, 0.35%

LAB 61.5, -33.16, -12.19

 

CMYK 95 / 28 / 0 / 34

HEX #087AA9

RGB 8 122 169

HSL 197.52, 0.91%, 0.35%

LAB 48.05, -10.64, -32.85

 

CMYK 95 / 54 / 0 / 34

HEX #084EA9

RGB 8 78 169

HSL 213.91, 0.91%, 0.35%

LAB 34.73, 17.26, -54.11

 

CMYK 95 / 79 / 0 / 34

HEX #0823A9

RGB 8 35 169

HSL 229.94, 0.91%, 0.35%

LAB 24.06, 45.19, -71.64

 

CMYK 85 / 95 / 0 / 34

HEX #1908A9

RGB 25 8 169

HSL 246.34, 0.91%, 0.35%

LAB 21, 56.39, -76.72

 

CMYK 95 / 2 / 0 / 34

HEX #08A5A9

RGB 8 165 169

HSL 181.49, 0.91%, 0.35%

LAB 61.5, -33.16, -12.19

 

CMYK 95 / 28 / 0 / 34

HEX #087AA9

RGB 8 122 169

HSL 197.52, 0.91%, 0.35%

LAB 48.05, -10.64, -32.85

 

CMYK 95 / 54 / 0 / 34

HEX #084EA9

RGB 8 78 169

HSL 213.91, 0.91%, 0.35%

LAB 34.73, 17.26, -54.11

 

CMYK 95 / 79 / 0 / 34

HEX #0823A9

RGB 8 35 169

HSL 229.94, 0.91%, 0.35%

LAB 24.06, 45.19, -71.64

 

CMYK 95 / 95 / 0 / 34

HEX #0808A9

RGB 8 8 169

HSL 240, 0.91%, 0.35%

LAB 20.4, 56.11, -77.74

 

CMYK 95 / 2 / 0 / 34

HEX #08A5A9

RGB 8 165 169

HSL 181.49, 0.91%, 0.35%

LAB 61.5, -33.16, -12.19

 

CMYK 95 / 2 / 0 / 34

HEX #08A5A9

RGB 8 165 169

HSL 181.49, 0.91%, 0.35%

LAB 61.5, -33.16, -12.19

 

CMYK 85 / 3 / 0 / 39

HEX #17979B

RGB 23 151 155

HSL 181.82, 0.74%, 0.35%

LAB 56.76, -30.08, -11.37

 

CMYK 74 / 1 / 0 / 45

HEX #258A8C

RGB 37 138 140

HSL 181.17, 0.58%, 0.35%

LAB 52.36, -26.96, -9.31

 

CMYK 59 / 2 / 0 / 51

HEX #347C7E

RGB 52 124 126

HSL 181.62, 0.42%, 0.35%

LAB 47.82, -21.56, -7.86

 

CMYK 41 / 1 / 0 / 56

HEX #426E6F

RGB 66 110 111

HSL 181.33, 0.25%, 0.35%

LAB 43.45, -14.86, -5.36

 

CMYK 95 / 0 / 49 / 34

HEX #08A956

RGB 8 169 86

HSL 149.07, 0.91%, 0.35%

LAB 60.87, -55.44, 32.61

 

CMYK 95 / 0 / 24 / 34

HEX #08A981

RGB 8 169 129

HSL 165.09, 0.91%, 0.35%

LAB 61.67, -46.31, 10.47

 

CMYK 95 / 2 / 0 / 34

HEX #08A6A9

RGB 8 166 169

HSL 181.12, 0.91%, 0.35%

LAB 61.82, -33.64, -11.72

 

CMYK 95 / 27 / 0 / 34

HEX #087CA9

RGB 8 124 169

HSL 196.77, 0.91%, 0.35%

LAB 48.68, -11.8, -31.87

 

CMYK 95 / 52 / 0 / 34

HEX #0851A9

RGB 8 81 169

HSL 212.8, 0.91%, 0.35%

LAB 35.6, 15.23, -52.7

 

CMYK 96 / 2 / 0 / 64

HEX #04595B

RGB 4 89 91

HSL 181.38, 0.92%, 0.19%

LAB 33.83, -21.26, -7.62

 

CMYK 95 / 2 / 0 / 49

HEX #067F82

RGB 6 127 130

HSL 181.45, 0.91%, 0.27%

LAB 48.04, -27.37, -9.97

 

CMYK 95 / 2 / 0 / 34

HEX #08A5A9

RGB 8 165 169

HSL 181.49, 0.91%, 0.35%

LAB 61.5, -33.16, -12.19

 

CMYK 95 / 2 / 0 / 18

HEX #0ACBD0

RGB 10 203 208

HSL 181.52, 0.91%, 0.43%

LAB 74.4, -38.71, -14.31

 

CMYK 93 / 2 / 0 / 5

HEX #12EDF2

RGB 18 237 242

HSL 181.34, 0.9%, 0.51%

LAB 85.56, -43.6, -15.68

 

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

CMYK 75 / 95 / 0 / 34

HEX #2B08A9

RGB 43 8 169

HSL 253.04, 0.91%, 0.35%

LAB 22.13, 56.98, -74.81

 

CMYK 0 / 37 / 95 / 34

HEX #A96B08

RGB 169 107 8

HSL 36.89, 0.91%, 0.35%

LAB 50.65, 18.14, 56.24

 

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

CMYK 0 / 95 / 2 / 34

HEX #A908A6

RGB 169 8 166

HSL 301.12, 0.91%, 0.35%

LAB 40.18, 70.9, -42.75

 

CMYK 2 / 0 / 95 / 34

HEX #A6A908

RGB 166 169 8

HSL 61.12, 0.91%, 0.35%

LAB 66.9, -17.06, 68.13

 

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

CMYK 75 / 95 / 0 / 34

HEX #2B08A9

RGB 43 8 169

HSL 253.04, 0.91%, 0.35%

LAB 22.13, 56.98, -74.81

 

CMYK 0 / 93 / 95 / 34

HEX #A90B08

RGB 169 11 8

HSL 1.12, 0.91%, 0.35%

LAB 35.38, 57.58, 46.21

 

CMYK 21 / 0 / 95 / 34

HEX #86A908

RGB 134 169 8

HSL 73.04, 0.91%, 0.35%

LAB 64.53, -30.82, 65.28

 

CMYK 95 / 2 / 0 / 33

HEX #09A7AB

RGB 9 167 171

HSL 181.48, 0.9%, 0.35%

LAB 62.2, -33.45, -12.27

 

CMYK 46 / 95 / 0 / 34

HEX #5B08A9

RGB 91 8 169

HSL 270.93, 0.91%, 0.35%

LAB 27.47, 60.38, -65.79

 

CMYK 0 / 93 / 95 / 34

HEX #A90B08

RGB 169 11 8

HSL 1.12, 0.91%, 0.35%

LAB 35.38, 57.58, 46.21

 

CMYK 49 / 0 / 95 / 34

HEX #56A908

RGB 86 169 8

HSL 90.93, 0.91%, 0.35%

LAB 61.97, -48.59, 62.16

 

Description

Color code: CMYK 95 / 2 / 0 / 33 | qconv.com Color code: CMYK 95 / 2 / 0 / 33 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 167 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 167 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 2 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 2% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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