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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 86 / 55 / 0 / 27 it is the complementary color CMYK 0 / 25 / 70 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 86 / 55 / 0 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 83 / 54 / 0 / 29, CMYK 76 / 49 / 0 / 22, CMYK 70 / 45 / 0 / 14, CMYK 66 / 42 / 0 / 7 and CMYK 61 / 39 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 86 / 55 / 0 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 95 / 60 / 0 / 35, CMYK 100 / 68 / 0 / 42, CMYK 100 / 77 / 0 / 49 and CMYK 100 / 89 / 0 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 86 / 78 / 0 / 27, CMYK 71 / 86 / 0 / 27, CMYK 48 / 86 / 0 / 27 and CMYK 25 / 86 / 0 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 86 / 78 / 0 / 27 and CMYK 86 / 86 / 0 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 86 / 55 / 0 / 27 shade matches the following richer shades: CMYK 86 / 55 / 0 / 27 and CMYK 96 / 61 / 0 / 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 74 / 48 / 0 / 33, CMYK 60 / 38 / 0 / 40, CMYK 42 / 27 / 0 / 47 and CMYK 19 / 12 / 0 / 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 9 / 0 / 27, CMYK 86 / 32 / 0 / 27, CMYK 86 / 55 / 0 / 27, CMYK 86 / 78 / 0 / 27 and CMYK 72 / 86 / 0 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 55, CMYK 86 / 55 / 0 / 41, CMYK 86 / 55 / 0 / 27, CMYK 86 / 55 / 0 / 13 and CMYK 70 / 45 / 0 / 11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 14 / 86 / 0 / 27 and CMYK 20 / 0 / 86 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 0 / 86 / 55 / 27 and CMYK 55 / 0 / 86 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 14 / 86 / 0 / 27, CMYK 0 / 32 / 86 / 27 and CMYK 72 / 0 / 86 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 86 / 55 / 0 / 27 shade: CMYK 86 / 55 / 0 / 27, CMYK 0 / 86 / 11 / 27, CMYK 0 / 32 / 86 / 27 and CMYK 86 / 0 / 74 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

Complementary color

CMYK 0 / 25 / 70 / 10

HEX #E5AB45

RGB 229 171 69

HSL 38.25, 0.75%, 0.58%

LAB 73.68, 11.47, 58.68

 

CMYK 83 / 54 / 0 / 29

HEX #1F54B5

RGB 31 84 181

HSL 218.8, 0.71%, 0.42%

LAB 37.79, 19.53, -56.25

 

CMYK 76 / 49 / 0 / 22

HEX #3066C8

RGB 48 102 200

HSL 218.68, 0.61%, 0.49%

LAB 44.66, 16.86, -56.16

 

CMYK 70 / 45 / 0 / 14

HEX #4178DB

RGB 65 120 219

HSL 218.57, 0.68%, 0.56%

LAB 51.46, 14.72, -56.03

 

CMYK 66 / 42 / 0 / 7

HEX #528AEE

RGB 82 138 238

HSL 218.46, 0.82%, 0.63%

LAB 58.17, 12.98, -55.88

 

CMYK 61 / 39 / 0 / 0

HEX #639CFF

RGB 99 156 255

HSL 218.08, 1%, 0.69%

LAB 64.68, 10.9, -54.81

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

CMYK 95 / 60 / 0 / 35

HEX #0942A7

RGB 9 66 167

HSL 218.35, 0.9%, 0.35%

LAB 31.22, 24.67, -58.64

 

CMYK 100 / 68 / 0 / 42

HEX #003094

RGB 0 48 148

HSL 220.54, 1%, 0.29%

LAB 24.49, 28.92, -58.13

 

CMYK 100 / 77 / 0 / 49

HEX #001E81

RGB 0 30 129

HSL 226.05, 1%, 0.25%

LAB 17.98, 33.43, -57.01

 

CMYK 100 / 89 / 0 / 57

HEX #000C6E

RGB 0 12 110

HSL 233.45, 1%, 0.22%

LAB 11.88, 36.88, -54.91

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 86 / 78 / 0 / 27

HEX #1A29BB

RGB 26 41 187

HSL 234.41, 0.76%, 0.42%

LAB 27.83, 48.61, -76.14

 

CMYK 71 / 86 / 0 / 27

HEX #371ABB

RGB 55 26 187

HSL 250.81, 0.76%, 0.42%

LAB 27.13, 57.14, -77.25

 

CMYK 48 / 86 / 0 / 27

HEX #621ABB

RGB 98 26 187

HSL 266.83, 0.76%, 0.42%

LAB 31.63, 61.09, -69.66

 

CMYK 25 / 86 / 0 / 27

HEX #8D1ABB

RGB 141 26 187

HSL 282.86, 0.76%, 0.42%

LAB 37.82, 66.99, -59.28

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 86 / 78 / 0 / 27

HEX #1A29BB

RGB 26 41 187

HSL 234.41, 0.76%, 0.42%

LAB 27.83, 48.61, -76.14

 

CMYK 86 / 86 / 0 / 27

HEX #1A1ABB

RGB 26 26 187

HSL 240, 0.76%, 0.42%

LAB 25.4, 55.73, -80.17

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 96 / 61 / 0 / 20

HEX #0950CC

RGB 9 80 204

HSL 218.15, 0.92%, 0.42%

LAB 38.12, 30.03, -69.15

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 74 / 48 / 0 / 33

HEX #2C59AA

RGB 44 89 170

HSL 218.57, 0.59%, 0.42%

LAB 38.87, 13.4, -47.98

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 42 / 27 / 0 / 47

HEX #4E6387

RGB 78 99 135

HSL 217.89, 0.27%, 0.42%

LAB 41.68, 2.06, -22.47

 

CMYK 19 / 12 / 0 / 54

HEX #606876

RGB 96 104 118

HSL 218.18, 0.1%, 0.42%

LAB 43.79, 0.18, -8.86

 

CMYK 86 / 9 / 0 / 27

HEX #1AABBB

RGB 26 171 187

HSL 185.96, 0.76%, 0.42%

LAB 64.11, -29.44, -18.32

 

CMYK 86 / 32 / 0 / 27

HEX #1A80BB

RGB 26 128 187

HSL 201.99, 0.76%, 0.42%

LAB 50.97, -6.33, -38.65

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 86 / 78 / 0 / 27

HEX #1A2ABB

RGB 26 42 187

HSL 234.04, 0.76%, 0.42%

LAB 28.02, 48.06, -75.83

 

CMYK 72 / 86 / 0 / 27

HEX #351ABB

RGB 53 26 187

HSL 250.06, 0.76%, 0.42%

LAB 26.97, 57.01, -77.52

 

CMYK 86 / 55 / 0 / 55

HEX #103473

RGB 16 52 115

HSL 218.18, 0.76%, 0.26%

LAB 23.01, 13.21, -39.83

 

CMYK 86 / 55 / 0 / 41

HEX #154497

RGB 21 68 151

HSL 218.31, 0.76%, 0.34%

LAB 30.71, 17.45, -49.78

 

CMYK 86 / 55 / 0 / 27

HEX #1A55BB

RGB 26 85 187

HSL 218.01, 0.76%, 0.42%

LAB 38.38, 20.83, -58.8

 

CMYK 86 / 55 / 0 / 13

HEX #2065DF

RGB 32 101 223

HSL 218.32, 0.75%, 0.5%

LAB 45.55, 24.8, -67.89

 

CMYK 70 / 45 / 0 / 11

HEX #447EE4

RGB 68 126 228

HSL 218.25, 0.75%, 0.58%

LAB 53.76, 14.66, -57.39

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

CMYK 14 / 86 / 0 / 27

HEX #A01ABB

RGB 160 26 187

HSL 289.94, 0.76%, 0.42%

LAB 40.9, 70.06, -54.15

 

CMYK 20 / 0 / 86 / 27

HEX #95BB1A

RGB 149 187 26

HSL 74.16, 0.76%, 0.42%

LAB 70.87, -32.7, 67.85

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

CMYK 0 / 86 / 55 / 27

HEX #BB1A55

RGB 187 26 85

HSL 338.01, 0.76%, 0.42%

LAB 41.15, 62.97, 9.16

 

CMYK 55 / 0 / 86 / 27

HEX #55BB1A

RGB 85 187 26

HSL 98.01, 0.76%, 0.42%

LAB 67.69, -55.1, 63.86

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

CMYK 14 / 86 / 0 / 27

HEX #A01ABB

RGB 160 26 187

HSL 289.94, 0.76%, 0.42%

LAB 40.9, 70.06, -54.15

 

CMYK 0 / 32 / 86 / 27

HEX #BB801A

RGB 187 128 26

HSL 38.01, 0.76%, 0.42%

LAB 58.11, 14.82, 58.56

 

CMYK 72 / 0 / 86 / 27

HEX #35BB1A

RGB 53 187 26

HSL 109.94, 0.76%, 0.42%

LAB 66.8, -62.39, 62.74

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BA

RGB 26 84 186

HSL 218.25, 0.75%, 0.42%

LAB 38.03, 21.1, -58.79

 

CMYK 0 / 86 / 11 / 27

HEX #BB1AA6

RGB 187 26 166

HSL 307.83, 0.76%, 0.42%

LAB 44.31, 71.71, -35.99

 

CMYK 0 / 32 / 86 / 27

HEX #BB801A

RGB 187 128 26

HSL 38.01, 0.76%, 0.42%

LAB 58.11, 14.82, 58.56

 

CMYK 86 / 0 / 74 / 27

HEX #1ABB30

RGB 26 187 48

HSL 128.2, 0.76%, 0.42%

LAB 66.5, -64.64, 55.92

 

Description

Color code: CMYK 86 / 55 / 0 / 27 | qconv.com Color code: CMYK 86 / 55 / 0 / 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 84 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 84 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 55 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 55% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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